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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A0BCA it is the complementary color #85F435. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A0BCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A0BCA shade: #7F0BC5, #901DD8, #A12FEB, #B241FE and #C353FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A0BCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A0BCA shade: #7A0BCA, #6900B7, #5800A4, #470091 and #36007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A0BCA shade: #7A0ACB, #AE0ACB, #CB0AB4, #CB0A80 and #CB0A4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A0BCA shade: #7A0ACB, #460ACB, #120ACB and #0A0ACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A0BCA shade matches the following richer shades: #7A0ACB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A0BCA shade: #7A0ACB, #771CBA, #752DA8, #723E97 and #6F5086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A0BCA shade: #110ACB, #440ACB, #770ACB, #AB0ACB and #CB0AB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A0BCA shade: #4B067D, #6308A4, #7A0ACB, #920DF2 and #A334F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A0BCA shade: #7A0BCA, #CB0A37 and #0ACB2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A0BCA shade: #7A0BCA, #CB770A and #0ACB77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A0BCA shade: #7A0BCA, #CB0A37, #5ECB0A and #0ACB9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A0BCA shade: #7A0BCA, #CB170A, #5ECB0A and #0ABECB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 95 / 0 / 21

HEX #7A0BCA

RGB 122 11 202

HSL 274.87, 0.9%, 0.42%

LAB 35.28, 70.31, -72.35

 

Complementary color

CMYK 45 / 0 / 78 / 4

HEX #85F435

RGB 133 244 53

HSL 94.87, 0.9%, 0.58%

LAB 86.97, -60.99, 75.12

 

CMYK 36 / 94 / 0 / 23

HEX #7F0BC5

RGB 127 11 197

HSL 277.42, 0.89%, 0.41%

LAB 35.56, 69.85, -68.94

 

CMYK 33 / 87 / 0 / 15

HEX #901DD8

RGB 144 29 216

HSL 276.9, 0.76%, 0.48%

LAB 40.84, 72.49, -71.22

 

CMYK 31 / 80 / 0 / 8

HEX #A12FEB

RGB 161 47 235

HSL 276.38, 0.82%, 0.55%

LAB 46.46, 73.89, -72.78

 

CMYK 30 / 74 / 0 / 0

HEX #B241FE

RGB 178 65 254

HSL 275.87, 0.99%, 0.63%

LAB 52.29, 74.45, -73.84

 

CMYK 24 / 67 / 0 / 0

HEX #C353FF

RGB 195 83 255

HSL 279.07, 1%, 0.66%

LAB 57.08, 70.74, -66.52

 

CMYK 40 / 95 / 0 / 21

HEX #7A0BCA

RGB 122 11 202

HSL 274.87, 0.9%, 0.42%

LAB 35.28, 70.31, -72.35

 

CMYK 43 / 100 / 0 / 28

HEX #6900B7

RGB 105 0 183

HSL 274.43, 1%, 0.36%

LAB 30.45, 66.15, -69.19

 

CMYK 46 / 100 / 0 / 36

HEX #5800A4

RGB 88 0 164

HSL 272.2, 1%, 0.32%

LAB 26.03, 60.47, -65.16

 

CMYK 51 / 100 / 0 / 43

HEX #470091

RGB 71 0 145

HSL 269.38, 1%, 0.28%

LAB 21.52, 54.71, -61.01

 

CMYK 57 / 100 / 0 / 51

HEX #36007E

RGB 54 0 126

HSL 265.71, 1%, 0.25%

LAB 16.94, 48.87, -56.7

 

CMYK 40 / 95 / 0 / 20

HEX #7A0ACB

RGB 122 10 203

HSL 274.82, 0.91%, 0.42%

LAB 35.33, 70.64, -72.85

 

CMYK 14 / 95 / 0 / 20

HEX #AE0ACB

RGB 174 10 203

HSL 290.98, 0.91%, 0.42%

LAB 43.55, 77.38, -59.1

 

CMYK 0 / 95 / 11 / 20

HEX #CB0AB4

RGB 203 10 180

HSL 307.15, 0.91%, 0.42%

LAB 47.25, 78.72, -39.45

 

CMYK 0 / 95 / 37 / 20

HEX #CB0A80

RGB 203 10 128

HSL 323.32, 0.91%, 0.42%

LAB 44.9, 72.67, -11.83

 

CMYK 0 / 95 / 63 / 20

HEX #CB0A4C

RGB 203 10 76

HSL 339.48, 0.91%, 0.42%

LAB 43.41, 68.66, 18.46

 

CMYK 40 / 95 / 0 / 20

HEX #7A0ACB

RGB 122 10 203

HSL 274.82, 0.91%, 0.42%

LAB 35.33, 70.64, -72.85

 

CMYK 66 / 95 / 0 / 20

HEX #460ACB

RGB 70 10 203

HSL 258.65, 0.91%, 0.42%

LAB 28.98, 66.43, -83.56

 

CMYK 91 / 95 / 0 / 20

HEX #120ACB

RGB 18 10 203

HSL 242.49, 0.91%, 0.42%

LAB 25.74, 64.78, -89.05

 

CMYK 95 / 95 / 0 / 20

HEX #0A0ACB

RGB 10 10 203

HSL 240, 0.91%, 0.42%

LAB 25.54, 64.69, -89.38

 

CMYK 40 / 95 / 0 / 20

HEX #7A0ACB

RGB 122 10 203

HSL 274.82, 0.91%, 0.42%

LAB 35.33, 70.64, -72.85

 

CMYK 40 / 95 / 0 / 20

HEX #7A0ACB

RGB 122 10 203

HSL 274.82, 0.91%, 0.42%

LAB 35.33, 70.64, -72.85

 

CMYK 36 / 85 / 0 / 27

HEX #771CBA

RGB 119 28 186

HSL 274.56, 0.74%, 0.42%

LAB 34.6, 63, -64.1

 

CMYK 30 / 73 / 0 / 34

HEX #752DA8

RGB 117 45 168

HSL 275.12, 0.58%, 0.42%

LAB 34.97, 52.52, -52.77

 

CMYK 25 / 59 / 0 / 41

HEX #723E97

RGB 114 62 151

HSL 275.06, 0.42%, 0.42%

LAB 36.47, 39.42, -40.12

 

CMYK 17 / 40 / 0 / 47

HEX #6F5086

RGB 111 80 134

HSL 274.44, 0.25%, 0.42%

LAB 39.31, 23.94, -25.33

 

CMYK 92 / 95 / 0 / 20

HEX #110ACB

RGB 17 10 203

HSL 242.18, 0.91%, 0.42%

LAB 25.71, 64.77, -89.1

 

CMYK 67 / 95 / 0 / 20

HEX #440ACB

RGB 68 10 203

HSL 258.03, 0.91%, 0.42%

LAB 28.79, 66.33, -83.88

 

CMYK 41 / 95 / 0 / 20

HEX #770ACB

RGB 119 10 203

HSL 273.89, 0.91%, 0.42%

LAB 34.9, 70.33, -73.57

 

CMYK 16 / 95 / 0 / 20

HEX #AB0ACB

RGB 171 10 203

HSL 290.05, 0.91%, 0.42%

LAB 43.04, 76.93, -59.94

 

CMYK 0 / 95 / 9 / 20

HEX #CB0AB8

RGB 203 10 184

HSL 305.91, 0.91%, 0.42%

LAB 47.46, 79.25, -41.46

 

CMYK 40 / 95 / 0 / 51

HEX #4B067D

RGB 75 6 125

HSL 274.79, 0.91%, 0.26%

LAB 20.47, 49.04, -50.15

 

CMYK 40 / 95 / 0 / 36

HEX #6308A4

RGB 99 8 164

HSL 275, 0.91%, 0.34%

LAB 28.13, 60.14, -61.64

 

CMYK 40 / 95 / 0 / 20

HEX #7A0ACB

RGB 122 10 203

HSL 274.82, 0.91%, 0.42%

LAB 35.33, 70.64, -72.85

 

CMYK 40 / 95 / 0 / 5

HEX #920DF2

RGB 146 13 242

HSL 274.85, 0.9%, 0.5%

LAB 42.48, 80.74, -83.34

 

CMYK 33 / 79 / 0 / 4

HEX #A334F4

RGB 163 52 244

HSL 274.69, 0.9%, 0.58%

LAB 47.97, 74.46, -75.36

 

CMYK 40 / 95 / 0 / 21

HEX #7A0BCA

RGB 122 11 202

HSL 274.87, 0.9%, 0.42%

LAB 35.28, 70.31, -72.35

 

CMYK 0 / 95 / 73 / 20

HEX #CB0A37

RGB 203 10 55

HSL 346.01, 0.91%, 0.42%

LAB 43.05, 67.66, 31.06

 

CMYK 95 / 0 / 79 / 20

HEX #0ACB2A

RGB 10 203 42

HSL 129.95, 0.91%, 0.42%

LAB 71.52, -70.7, 62.73

 

CMYK 40 / 95 / 0 / 21

HEX #7A0BCA

RGB 122 11 202

HSL 274.87, 0.9%, 0.42%

LAB 35.28, 70.31, -72.35

 

CMYK 0 / 41 / 95 / 20

HEX #CB770A

RGB 203 119 10

HSL 33.89, 0.91%, 0.42%

LAB 57.95, 26.44, 63.08

 

CMYK 95 / 0 / 41 / 20

HEX #0ACB77

RGB 10 203 119

HSL 153.89, 0.91%, 0.42%

LAB 72.3, -61.06, 30.33

 

CMYK 40 / 95 / 0 / 21

HEX #7A0BCA

RGB 122 11 202

HSL 274.87, 0.9%, 0.42%

LAB 35.28, 70.31, -72.35

 

CMYK 0 / 95 / 73 / 20

HEX #CB0A37

RGB 203 10 55

HSL 346.01, 0.91%, 0.42%

LAB 43.05, 67.66, 31.06

 

CMYK 54 / 0 / 95 / 20

HEX #5ECB0A

RGB 94 203 10

HSL 93.89, 0.91%, 0.42%

LAB 72.97, -58.79, 70.96

 

CMYK 95 / 0 / 22 / 20

HEX #0ACB9E

RGB 10 203 158

HSL 166.01, 0.91%, 0.42%

LAB 73.05, -52.54, 10.75

 

CMYK 40 / 95 / 0 / 21

HEX #7A0BCA

RGB 122 11 202

HSL 274.87, 0.9%, 0.42%

LAB 35.28, 70.31, -72.35

 

CMYK 0 / 89 / 95 / 20

HEX #CB170A

RGB 203 23 10

HSL 4.04, 0.91%, 0.42%

LAB 43.26, 64.89, 53.77

 

CMYK 54 / 0 / 95 / 20

HEX #5ECB0A

RGB 94 203 10

HSL 93.89, 0.91%, 0.42%

LAB 72.97, -58.79, 70.96

 

CMYK 95 / 6 / 0 / 20

HEX #0ABECB

RGB 10 190 203

HSL 184.04, 0.91%, 0.42%

LAB 70.32, -34.23, -17.75

 

Description

Color code: HEX #7A0BCA | qconv.com Color code: HEX #7A0BCA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 11 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 11 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 95 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 95% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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