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Color name
RGB 200 92 85

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 92 85 it is the complementary color RGB 55 163 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 92 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 92 85 shade: RGB 205 92 80, RGB 222 110 99, RGB 239 128 118, RGB 255 146 137 and RGB 255 164 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 92 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 92 85 shade: RGB 200 92 85, RGB 183 74 66, RGB 166 56 47, RGB 149 38 28 and RGB 132 20 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 92 85 shade: RGB 200 92 85 and RGB 200 85 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 92 85 shade: RGB 200 92 85, RGB 200 123 85, RGB 200 154 85, RGB 200 185 85 and RGB 184 200 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 92 85 shade matches the following richer shades: RGB 200 92 85, RGB 218 76 67, RGB 236 60 49 and RGB 254 44 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 92 85 shade: RGB 200 92 85, RGB 181 108 103, RGB 163 124 121, RGB 145 140 140 and RGB 127 156 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 92 85 shade: RGB 200 85 140, RGB 200 85 110, RGB 200 91 85, RGB 200 121 85 and RGB 200 152 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 92 85 shade: RGB 153 56 49, RGB 184 67 59, RGB 200 92 85, RGB 210 122 116 and RGB 220 152 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 92 85 shade: RGB 200 92 85, RGB 171 200 85 and RGB 85 125 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 92 85 shade: RGB 200 92 85, RGB 85 200 91 and RGB 91 85 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 92 85 shade: RGB 200 92 85, RGB 171 200 85, RGB 85 194 200 and RGB 114 85 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 92 85 shade: RGB 200 92 85, RGB 137 200 85, RGB 85 194 200 and RGB 148 85 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 58 / 22

HEX #C85C55

RGB 200 92 85

HSL 3.65, 0.51%, 0.56%

LAB 52.5, 42.46, 24.88

 

Complementary color

CMYK 68 / 4 / 0 / 33

HEX #37A3AA

RGB 55 163 170

HSL 183.65, 0.51%, 0.44%

LAB 61.58, -27.72, -12.58

 

CMYK 0 / 55 / 61 / 20

HEX #CD5C50

RGB 205 92 80

HSL 5.76, 0.56%, 0.56%

LAB 53.18, 43.94, 28.81

 

CMYK 0 / 50 / 55 / 13

HEX #DE6E63

RGB 222 110 99

HSL 5.37, 0.65%, 0.63%

LAB 59.51, 42.72, 26.6

 

CMYK 0 / 46 / 51 / 6

HEX #EF8076

RGB 239 128 118

HSL 4.96, 0.79%, 0.7%

LAB 65.82, 41.53, 24.69

 

CMYK 0 / 43 / 46 / 0

HEX #FF9289

RGB 255 146 137

HSL 4.58, 1%, 0.77%

LAB 71.98, 40.04, 22.81

 

CMYK 0 / 36 / 39 / 0

HEX #FFA49C

RGB 255 164 156

HSL 4.85, 1%, 0.81%

LAB 76.2, 32.74, 18.21

 

CMYK 0 / 54 / 58 / 22

HEX #C85C55

RGB 200 92 85

HSL 3.65, 0.51%, 0.56%

LAB 52.5, 42.46, 24.88

 

CMYK 0 / 60 / 64 / 28

HEX #B74A42

RGB 183 74 66

HSL 4.1, 0.47%, 0.49%

LAB 46.12, 43.64, 27.34

 

CMYK 0 / 66 / 72 / 35

HEX #A6382F

RGB 166 56 47

HSL 4.54, 0.56%, 0.42%

LAB 39.82, 44.69, 30.26

 

CMYK 0 / 74 / 81 / 42

HEX #95261C

RGB 149 38 28

HSL 4.96, 0.68%, 0.35%

LAB 33.69, 45.39, 33.66

 

CMYK 0 / 85 / 93 / 48

HEX #841409

RGB 132 20 9

HSL 5.37, 0.87%, 0.28%

LAB 27.91, 45.29, 36.85

 

CMYK 0 / 54 / 58 / 22

HEX #C85C55

RGB 200 92 85

HSL 3.65, 0.51%, 0.56%

LAB 52.5, 42.46, 24.88

 

CMYK 0 / 58 / 58 / 22

HEX #C85555

RGB 200 85 85

HSL 0, 0.51%, 0.56%

LAB 51.19, 45.86, 23.17

 

CMYK 0 / 54 / 58 / 22

HEX #C85C55

RGB 200 92 85

HSL 3.65, 0.51%, 0.56%

LAB 52.5, 42.46, 24.88

 

CMYK 0 / 39 / 58 / 22

HEX #C87B55

RGB 200 123 85

HSL 19.83, 0.51%, 0.56%

LAB 59.07, 26.22, 33.25

 

CMYK 0 / 23 / 58 / 22

HEX #C89A55

RGB 200 154 85

HSL 36, 0.51%, 0.56%

LAB 66.56, 9.29, 42.36

 

CMYK 0 / 8 / 58 / 22

HEX #C8B955

RGB 200 185 85

HSL 52.17, 0.51%, 0.56%

LAB 74.59, -7.22, 51.69

 

CMYK 8 / 0 / 58 / 22

HEX #B8C855

RGB 184 200 85

HSL 68.35, 0.51%, 0.56%

LAB 77.37, -21.45, 54.48

 

CMYK 0 / 54 / 58 / 22

HEX #C85C55

RGB 200 92 85

HSL 3.65, 0.51%, 0.56%

LAB 52.5, 42.46, 24.88

 

CMYK 0 / 65 / 69 / 15

HEX #DA4C43

RGB 218 76 67

HSL 3.58, 0.67%, 0.56%

LAB 52.38, 54.96, 35.72

 

CMYK 0 / 75 / 79 / 7

HEX #EC3C31

RGB 236 60 49

HSL 3.53, 0.83%, 0.56%

LAB 53.26, 65.76, 47.43

 

CMYK 0 / 83 / 88 / 0

HEX #FE2C1F

RGB 254 44 31

HSL 3.5, 0.99%, 0.56%

LAB 55.04, 74.68, 58.8

 

CMYK 0 / 54 / 58 / 22

HEX #C85C55

RGB 200 92 85

HSL 3.65, 0.51%, 0.56%

LAB 52.5, 42.46, 24.88

 

CMYK 0 / 40 / 43 / 29

HEX #B56C67

RGB 181 108 103

HSL 3.85, 0.35%, 0.56%

LAB 53.52, 28.48, 15.28

 

CMYK 0 / 24 / 26 / 36

HEX #A37C79

RGB 163 124 121

HSL 4.29, 0.19%, 0.56%

LAB 55.67, 14.68, 7.49

 

CMYK 0 / 3 / 3 / 43

HEX #918C8C

RGB 145 140 140

HSL 0, 0.02%, 0.56%

LAB 58.67, 1.85, 0.65

 

CMYK 20 / 1 / 0 / 38

HEX #7F9C9E

RGB 127 156 158

HSL 183.87, 0.14%, 0.56%

LAB 62.3, -9.59, -4.4

 

CMYK 0 / 58 / 30 / 22

HEX #C8558C

RGB 200 85 140

HSL 331.3, 0.51%, 0.56%

LAB 52.59, 51.48, -7.59

 

CMYK 0 / 58 / 45 / 22

HEX #C8556E

RGB 200 85 110

HSL 346.96, 0.51%, 0.56%

LAB 51.73, 48.06, 9.04

 

CMYK 0 / 55 / 58 / 22

HEX #C85B55

RGB 200 91 85

HSL 3.13, 0.51%, 0.56%

LAB 52.31, 42.96, 24.63

 

CMYK 0 / 40 / 58 / 22

HEX #C87955

RGB 200 121 85

HSL 18.78, 0.51%, 0.56%

LAB 58.61, 27.3, 32.68

 

CMYK 0 / 24 / 58 / 22

HEX #C89855

RGB 200 152 85

HSL 34.96, 0.51%, 0.56%

LAB 66.05, 10.38, 41.76

 

CMYK 0 / 63 / 68 / 40

HEX #993831

RGB 153 56 49

HSL 4.04, 0.51%, 0.4%

LAB 37.52, 40.14, 25.76

 

CMYK 0 / 64 / 68 / 28

HEX #B8433B

RGB 184 67 59

HSL 3.84, 0.51%, 0.48%

LAB 44.97, 46.79, 30.08

 

CMYK 0 / 54 / 58 / 22

HEX #C85C55

RGB 200 92 85

HSL 3.65, 0.51%, 0.56%

LAB 52.5, 42.46, 24.88

 

CMYK 0 / 42 / 45 / 18

HEX #D27A74

RGB 210 122 116

HSL 3.83, 0.51%, 0.64%

LAB 60.68, 33.56, 18.2

 

CMYK 0 / 31 / 33 / 14

HEX #DC9893

RGB 220 152 147

HSL 4.11, 0.51%, 0.72%

LAB 69.31, 24.87, 12.94

 

CMYK 0 / 54 / 58 / 22

HEX #C85C55

RGB 200 92 85

HSL 3.65, 0.51%, 0.56%

LAB 52.5, 42.46, 24.88

 

CMYK 15 / 0 / 58 / 22

HEX #ABC855

RGB 171 200 85

HSL 75.13, 0.51%, 0.56%

LAB 76.45, -26.66, 53.19

 

CMYK 58 / 38 / 0 / 22

HEX #557DC8

RGB 85 125 200

HSL 219.13, 0.51%, 0.56%

LAB 52.7, 8.58, -43.24

 

CMYK 0 / 54 / 58 / 22

HEX #C85C55

RGB 200 92 85

HSL 3.65, 0.51%, 0.56%

LAB 52.5, 42.46, 24.88

 

CMYK 58 / 0 / 55 / 22

HEX #55C85B

RGB 85 200 91

HSL 123.13, 0.51%, 0.56%

LAB 72.23, -54.51, 44.41

 

CMYK 55 / 58 / 0 / 22

HEX #5B55C8

RGB 91 85 200

HSL 243.13, 0.51%, 0.56%

LAB 42.6, 34.49, -59.38

 

CMYK 0 / 54 / 58 / 22

HEX #C85C55

RGB 200 92 85

HSL 3.65, 0.51%, 0.56%

LAB 52.5, 42.46, 24.88

 

CMYK 15 / 0 / 58 / 22

HEX #ABC855

RGB 171 200 85

HSL 75.13, 0.51%, 0.56%

LAB 76.45, -26.66, 53.19

 

CMYK 58 / 3 / 0 / 22

HEX #55C2C8

RGB 85 194 200

HSL 183.13, 0.51%, 0.56%

LAB 72.68, -29.2, -12.42

 

CMYK 43 / 58 / 0 / 22

HEX #7255C8

RGB 114 85 200

HSL 255.13, 0.51%, 0.56%

LAB 44.58, 39.28, -56.08

 

CMYK 0 / 54 / 58 / 22

HEX #C85C55

RGB 200 92 85

HSL 3.65, 0.51%, 0.56%

LAB 52.5, 42.46, 24.88

 

CMYK 32 / 0 / 58 / 22

HEX #89C855

RGB 137 200 85

HSL 92.87, 0.51%, 0.56%

LAB 74.37, -39.49, 50.27

 

CMYK 58 / 3 / 0 / 22

HEX #55C2C8

RGB 85 194 200

HSL 183.13, 0.51%, 0.56%

LAB 72.68, -29.2, -12.42

 

CMYK 26 / 58 / 0 / 22

HEX #9455C8

RGB 148 85 200

HSL 272.87, 0.51%, 0.56%

LAB 48.21, 47.32, -50.05

 

Description

Color code: RGB 200 92 85 | qconv.com Color code: RGB 200 92 85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 92 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 92 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 58 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 58% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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