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Color name
HEX #C89A55

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C89A55 it is the complementary color #3765AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C89A55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C89A55 shade: #CD9A50, #DEAC63, #EFBE76, #FFD089 and #FFE29C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C89A55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C89A55 shade: #C89A55, #B78842, #A6762F, #95641C and #845209

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C89A55 shade: #C89A55, #C87B55, #C85C55 and #C85555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C89A55 shade: #C89A55, #C8B955, #B8C855, #99C855 and #7AC855

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C89A55 shade matches the following richer shades: #C89A55, #DA9D43, #ECA131 and #FEA51F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C89A55 shade: #C89A55, #B59667, #A39279, #918F8C and #7F8B9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C89A55 shade: #C85D55, #C87B55, #C89A55, #C8B855 and #B8C855

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C89A55 shade: #996F31, #B8863B, #C89A55, #D2AC74 and #DCBF93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C89A55 shade: #C89A55, #6CC855 and #6C55C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C89A55 shade: #C89A55, #55C89A and #9A55C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C89A55 shade: #C89A55, #6CC855, #5583C8 and #B155C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C89A55 shade: #C89A55, #55C861, #5583C8 and #C855BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 58 / 22

HEX #C89A55

RGB 200 154 85

HSL 36, 0.51%, 0.56%

LAB 66.56, 9.29, 42.36

 

Complementary color

CMYK 68 / 41 / 0 / 33

HEX #3765AA

RGB 55 101 170

HSL 216, 0.51%, 0.44%

LAB 42.8, 7.35, -41.67

 

CMYK 0 / 25 / 61 / 20

HEX #CD9A50

RGB 205 154 80

HSL 35.52, 0.56%, 0.56%

LAB 67.03, 11.04, 45.55

 

CMYK 0 / 23 / 55 / 13

HEX #DEAC63

RGB 222 172 99

HSL 35.61, 0.65%, 0.63%

LAB 73.5, 9.96, 44.17

 

CMYK 0 / 21 / 51 / 6

HEX #EFBE76

RGB 239 190 118

HSL 35.7, 0.79%, 0.7%

LAB 79.89, 9.02, 42.82

 

CMYK 0 / 18 / 46 / 0

HEX #FFD089

RGB 255 208 137

HSL 36.1, 1%, 0.77%

LAB 86.1, 7.81, 41.38

 

CMYK 0 / 11 / 39 / 0

HEX #FFE29C

RGB 255 226 156

HSL 42.42, 1%, 0.81%

LAB 90.8, 0.52, 37.87

 

CMYK 0 / 23 / 58 / 22

HEX #C89A55

RGB 200 154 85

HSL 36, 0.51%, 0.56%

LAB 66.56, 9.29, 42.36

 

CMYK 0 / 26 / 64 / 28

HEX #B78842

RGB 183 136 66

HSL 35.9, 0.47%, 0.49%

LAB 59.95, 10.45, 43.74

 

CMYK 0 / 29 / 72 / 35

HEX #A6762F

RGB 166 118 47

HSL 35.8, 0.56%, 0.42%

LAB 53.24, 11.84, 45.02

 

CMYK 0 / 33 / 81 / 42

HEX #95641C

RGB 149 100 28

HSL 35.7, 0.68%, 0.35%

LAB 46.43, 13.51, 45.9

 

CMYK 0 / 38 / 93 / 48

HEX #845209

RGB 132 82 9

HSL 35.61, 0.87%, 0.28%

LAB 39.51, 15.55, 45.62

 

CMYK 0 / 23 / 58 / 22

HEX #C89A55

RGB 200 154 85

HSL 36, 0.51%, 0.56%

LAB 66.56, 9.29, 42.36

 

CMYK 0 / 39 / 58 / 22

HEX #C87B55

RGB 200 123 85

HSL 19.83, 0.51%, 0.56%

LAB 59.07, 26.22, 33.25

 

CMYK 0 / 54 / 58 / 22

HEX #C85C55

RGB 200 92 85

HSL 3.65, 0.51%, 0.56%

LAB 52.5, 42.46, 24.88

 

CMYK 0 / 58 / 58 / 22

HEX #C85555

RGB 200 85 85

HSL 0, 0.51%, 0.56%

LAB 51.19, 45.86, 23.17

 

CMYK 0 / 23 / 58 / 22

HEX #C89A55

RGB 200 154 85

HSL 36, 0.51%, 0.56%

LAB 66.56, 9.29, 42.36

 

CMYK 0 / 8 / 58 / 22

HEX #C8B955

RGB 200 185 85

HSL 52.17, 0.51%, 0.56%

LAB 74.59, -7.22, 51.69

 

CMYK 8 / 0 / 58 / 22

HEX #B8C855

RGB 184 200 85

HSL 68.35, 0.51%, 0.56%

LAB 77.37, -21.45, 54.48

 

CMYK 24 / 0 / 58 / 22

HEX #99C855

RGB 153 200 85

HSL 84.52, 0.51%, 0.56%

LAB 75.29, -33.63, 51.56

 

CMYK 39 / 0 / 58 / 22

HEX #7AC855

RGB 122 200 85

HSL 100.7, 0.51%, 0.56%

LAB 73.61, -44.62, 49.19

 

CMYK 0 / 23 / 58 / 22

HEX #C89A55

RGB 200 154 85

HSL 36, 0.51%, 0.56%

LAB 66.56, 9.29, 42.36

 

CMYK 0 / 28 / 69 / 15

HEX #DA9D43

RGB 218 157 67

HSL 35.76, 0.67%, 0.56%

LAB 69.06, 14.16, 54.34

 

CMYK 0 / 32 / 79 / 7

HEX #ECA131

RGB 236 161 49

HSL 35.94, 0.83%, 0.56%

LAB 71.92, 18.89, 65.16

 

CMYK 0 / 35 / 88 / 0

HEX #FEA51F

RGB 254 165 31

HSL 36.05, 0.99%, 0.56%

LAB 74.88, 23.88, 73.97

 

CMYK 0 / 23 / 58 / 22

HEX #C89A55

RGB 200 154 85

HSL 36, 0.51%, 0.56%

LAB 66.56, 9.29, 42.36

 

CMYK 0 / 17 / 43 / 29

HEX #B59667

RGB 181 150 103

HSL 36.15, 0.35%, 0.56%

LAB 63.85, 5.14, 29.1

 

CMYK 0 / 10 / 26 / 36

HEX #A39279

RGB 163 146 121

HSL 35.71, 0.19%, 0.56%

LAB 61.42, 2.28, 15.57

 

CMYK 0 / 1 / 3 / 43

HEX #918F8C

RGB 145 143 140

HSL 36, 0.02%, 0.56%

LAB 59.49, 0.17, 1.85

 

CMYK 20 / 12 / 0 / 38

HEX #7F8B9E

RGB 127 139 158

HSL 216.77, 0.14%, 0.56%

LAB 57.51, -0.13, -11.54

 

CMYK 0 / 54 / 58 / 22

HEX #C85D55

RGB 200 93 85

HSL 4.17, 0.51%, 0.56%

LAB 52.69, 41.97, 25.13

 

CMYK 0 / 39 / 58 / 22

HEX #C87B55

RGB 200 123 85

HSL 19.83, 0.51%, 0.56%

LAB 59.07, 26.22, 33.25

 

CMYK 0 / 23 / 58 / 22

HEX #C89A55

RGB 200 154 85

HSL 36, 0.51%, 0.56%

LAB 66.56, 9.29, 42.36

 

CMYK 0 / 8 / 58 / 22

HEX #C8B855

RGB 200 184 85

HSL 51.65, 0.51%, 0.56%

LAB 74.33, -6.7, 51.39

 

CMYK 8 / 0 / 58 / 22

HEX #B8C855

RGB 184 200 85

HSL 68.35, 0.51%, 0.56%

LAB 77.37, -21.45, 54.48

 

CMYK 0 / 27 / 68 / 40

HEX #996F31

RGB 153 111 49

HSL 35.77, 0.51%, 0.4%

LAB 49.93, 10.07, 40.07

 

CMYK 0 / 27 / 68 / 28

HEX #B8863B

RGB 184 134 59

HSL 36, 0.51%, 0.48%

LAB 59.49, 11.55, 46.65

 

CMYK 0 / 23 / 58 / 22

HEX #C89A55

RGB 200 154 85

HSL 36, 0.51%, 0.56%

LAB 66.56, 9.29, 42.36

 

CMYK 0 / 18 / 45 / 18

HEX #D2AC74

RGB 210 172 116

HSL 35.74, 0.51%, 0.64%

LAB 72.54, 6.56, 33.96

 

CMYK 0 / 13 / 33 / 14

HEX #DCBF93

RGB 220 191 147

HSL 36.16, 0.51%, 0.72%

LAB 78.8, 3.98, 26.02

 

CMYK 0 / 23 / 58 / 22

HEX #C89A55

RGB 200 154 85

HSL 36, 0.51%, 0.56%

LAB 66.56, 9.29, 42.36

 

CMYK 46 / 0 / 58 / 22

HEX #6CC855

RGB 108 200 85

HSL 108, 0.51%, 0.56%

LAB 72.99, -49.01, 48.32

 

CMYK 46 / 58 / 0 / 22

HEX #6C55C8

RGB 108 85 200

HSL 252, 0.51%, 0.56%

LAB 44.02, 37.96, -57.01

 

CMYK 0 / 23 / 58 / 22

HEX #C89A55

RGB 200 154 85

HSL 36, 0.51%, 0.56%

LAB 66.56, 9.29, 42.36

 

CMYK 58 / 0 / 23 / 22

HEX #55C89A

RGB 85 200 154

HSL 156, 0.51%, 0.56%

LAB 73.27, -43.46, 13.38

 

CMYK 23 / 58 / 0 / 22

HEX #9A55C8

RGB 154 85 200

HSL 276, 0.51%, 0.56%

LAB 48.93, 48.81, -48.87

 

CMYK 0 / 23 / 58 / 22

HEX #C89A55

RGB 200 154 85

HSL 36, 0.51%, 0.56%

LAB 66.56, 9.29, 42.36

 

CMYK 46 / 0 / 58 / 22

HEX #6CC855

RGB 108 200 85

HSL 108, 0.51%, 0.56%

LAB 72.99, -49.01, 48.32

 

CMYK 58 / 35 / 0 / 22

HEX #5583C8

RGB 85 131 200

HSL 216, 0.51%, 0.56%

LAB 54.38, 4.97, -40.58

 

CMYK 12 / 58 / 0 / 22

HEX #B155C8

RGB 177 85 200

HSL 288, 0.51%, 0.56%

LAB 51.85, 54.66, -44.04

 

CMYK 0 / 23 / 58 / 22

HEX #C89A55

RGB 200 154 85

HSL 36, 0.51%, 0.56%

LAB 66.56, 9.29, 42.36

 

CMYK 58 / 0 / 52 / 22

HEX #55C861

RGB 85 200 97

HSL 126.26, 0.51%, 0.56%

LAB 72.3, -53.71, 41.62

 

CMYK 58 / 35 / 0 / 22

HEX #5583C8

RGB 85 131 200

HSL 216, 0.51%, 0.56%

LAB 54.38, 4.97, -40.58

 

CMYK 0 / 58 / 6 / 22

HEX #C855BC

RGB 200 85 188

HSL 306.26, 0.51%, 0.56%

LAB 54.46, 58.56, -32.82

 

Description

Color code: HEX #C89A55 | qconv.com Color code: HEX #C89A55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 154 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 154 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 58 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 58% 22% C M Y K

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Provide designers and agencies with accurate color values.

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