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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 142 218 it is the complementary color RGB 55 113 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 142 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 142 218 shade: RGB 205 142 213, RGB 222 160 232, RGB 239 178 251, RGB 255 196 255 and RGB 255 214 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 142 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 142 218 shade: RGB 200 142 218, RGB 183 124 199, RGB 166 106 180, RGB 149 88 161 and RGB 132 70 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 142 218 shade: RGB 200 143 218, RGB 218 143 216, RGB 218 143 195, RGB 218 143 175 and RGB 218 143 155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 142 218 shade: RGB 200 143 218, RGB 180 143 218, RGB 160 143 218 and RGB 143 143 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 142 218 shade matches the following richer shades: RGB 200 143 218, RGB 207 131 230, RGB 213 119 242 and RGB 219 107 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 142 218 shade: RGB 200 143 218, RGB 194 155 206, RGB 188 167 194, RGB 182 179 182 and RGB 175 191 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 142 218 shade: RGB 159 143 218, RGB 179 143 218, RGB 199 143 218, RGB 218 143 217 and RGB 218 143 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 142 218 shade: RGB 170 81 198, RGB 185 112 208, RGB 200 143 218, RGB 215 174 228 and RGB 231 205 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 142 218 shade: RGB 200 142 218, RGB 218 143 147 and RGB 143 218 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 142 218 shade: RGB 200 142 218, RGB 218 199 143 and RGB 143 218 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 142 218 shade: RGB 200 142 218, RGB 218 143 147, RGB 162 218 143 and RGB 143 218 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 142 218 shade: RGB 200 142 218, RGB 218 162 143, RGB 162 218 143 and RGB 143 199 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 35 / 0 / 15

HEX #C88EDA

RGB 200 142 218

HSL 285.79, 0.51%, 0.71%

LAB 67.04, 35.04, -30.24

 

Complementary color

CMYK 51 / 0 / 67 / 56

HEX #377125

RGB 55 113 37

HSL 105.79, 0.51%, 0.29%

LAB 42.39, -34.28, 35.32

 

CMYK 4 / 33 / 0 / 16

HEX #CD8ED5

RGB 205 142 213

HSL 293.24, 0.46%, 0.7%

LAB 67.37, 35.62, -26.91

 

CMYK 4 / 31 / 0 / 9

HEX #DEA0E8

RGB 222 160 232

HSL 291.67, 0.61%, 0.77%

LAB 73.87, 34.93, -27.24

 

CMYK 5 / 29 / 0 / 2

HEX #EFB2FB

RGB 239 178 251

HSL 290.14, 0.9%, 0.84%

LAB 80.27, 34.27, -27.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 8 / 35 / 0 / 15

HEX #C88EDA

RGB 200 142 218

HSL 285.79, 0.51%, 0.71%

LAB 67.04, 35.04, -30.24

 

CMYK 8 / 38 / 0 / 22

HEX #B77CC7

RGB 183 124 199

HSL 287.2, 0.4%, 0.63%

LAB 60.43, 35.78, -29.97

 

CMYK 8 / 41 / 0 / 29

HEX #A66AB4

RGB 166 106 180

HSL 288.65, 0.33%, 0.56%

LAB 53.72, 36.55, -29.69

 

CMYK 7 / 45 / 0 / 37

HEX #9558A1

RGB 149 88 161

HSL 290.14, 0.29%, 0.49%

LAB 46.9, 37.35, -29.36

 

CMYK 7 / 51 / 0 / 44

HEX #84468E

RGB 132 70 142

HSL 291.67, 0.34%, 0.42%

LAB 39.98, 38.13, -28.96

 

CMYK 8 / 34 / 0 / 15

HEX #C88FDA

RGB 200 143 218

HSL 285.6, 0.5%, 0.71%

LAB 67.27, 34.5, -29.89

 

CMYK 0 / 34 / 1 / 15

HEX #DA8FD8

RGB 218 143 216

HSL 301.6, 0.5%, 0.71%

LAB 69.12, 39.76, -25.77

 

CMYK 0 / 34 / 11 / 15

HEX #DA8FC3

RGB 218 143 195

HSL 318.4, 0.5%, 0.71%

LAB 68.38, 36.08, -15.23

 

CMYK 0 / 34 / 20 / 15

HEX #DA8FAF

RGB 218 143 175

HSL 334.4, 0.5%, 0.71%

LAB 67.76, 32.88, -4.98

 

CMYK 0 / 34 / 29 / 15

HEX #DA8F9B

RGB 218 143 155

HSL 350.4, 0.5%, 0.71%

LAB 67.21, 30.01, 5.46

 

CMYK 8 / 34 / 0 / 15

HEX #C88FDA

RGB 200 143 218

HSL 285.6, 0.5%, 0.71%

LAB 67.27, 34.5, -29.89

 

CMYK 17 / 34 / 0 / 15

HEX #B48FDA

RGB 180 143 218

HSL 269.6, 0.5%, 0.71%

LAB 65.29, 28.34, -33.12

 

CMYK 27 / 34 / 0 / 15

HEX #A08FDA

RGB 160 143 218

HSL 253.6, 0.5%, 0.71%

LAB 63.49, 22.36, -36.04

 

CMYK 34 / 34 / 0 / 15

HEX #8F8FDA

RGB 143 143 218

HSL 240, 0.5%, 0.71%

LAB 62.12, 17.52, -38.28

 

CMYK 8 / 34 / 0 / 15

HEX #C88FDA

RGB 200 143 218

HSL 285.6, 0.5%, 0.71%

LAB 67.27, 34.5, -29.89

 

CMYK 10 / 43 / 0 / 10

HEX #CF83E6

RGB 207 131 230

HSL 286.06, 0.66%, 0.71%

LAB 65.91, 45.46, -38.58

 

CMYK 12 / 51 / 0 / 5

HEX #D577F2

RGB 213 119 242

HSL 285.85, 0.83%, 0.71%

LAB 64.76, 55.68, -46.96

 

CMYK 14 / 58 / 0 / 0

HEX #DB6BFE

RGB 219 107 254

HSL 285.71, 0.99%, 0.71%

LAB 63.94, 65.3, -54.82

 

CMYK 8 / 34 / 0 / 15

HEX #C88FDA

RGB 200 143 218

HSL 285.6, 0.5%, 0.71%

LAB 67.27, 34.5, -29.89

 

CMYK 6 / 25 / 0 / 19

HEX #C29BCE

RGB 194 155 206

HSL 285.88, 0.34%, 0.71%

LAB 69.02, 23.56, -20.62

 

CMYK 3 / 14 / 0 / 24

HEX #BCA7C2

RGB 188 167 194

HSL 286.67, 0.18%, 0.71%

LAB 71.02, 12.55, -11.01

 

CMYK 0 / 2 / 0 / 29

HEX #B6B3B6

RGB 182 179 182

HSL 300, 0.02%, 0.71%

LAB 73.26, 1.62, -1.16

 

CMYK 8 / 0 / 11 / 25

HEX #AFBFAA

RGB 175 191 170

HSL 105.71, 0.14%, 0.71%

LAB 75.62, -9.42, 8.73

 

CMYK 27 / 34 / 0 / 15

HEX #9F8FDA

RGB 159 143 218

HSL 252.8, 0.5%, 0.71%

LAB 63.41, 22.07, -36.18

 

CMYK 18 / 34 / 0 / 15

HEX #B38FDA

RGB 179 143 218

HSL 268.8, 0.5%, 0.71%

LAB 65.19, 28.03, -33.27

 

CMYK 9 / 34 / 0 / 15

HEX #C78FDA

RGB 199 143 218

HSL 284.8, 0.5%, 0.71%

LAB 67.16, 34.19, -30.06

 

CMYK 0 / 34 / 0 / 15

HEX #DA8FD9

RGB 218 143 217

HSL 300.8, 0.5%, 0.71%

LAB 69.16, 39.94, -26.27

 

CMYK 0 / 34 / 10 / 15

HEX #DA8FC5

RGB 218 143 197

HSL 316.8, 0.5%, 0.71%

LAB 68.45, 36.41, -16.25

 

CMYK 14 / 59 / 0 / 22

HEX #AA51C6

RGB 170 81 198

HSL 285.64, 0.51%, 0.55%

LAB 50.11, 54.4, -45.72

 

CMYK 11 / 46 / 0 / 18

HEX #B970D0

RGB 185 112 208

HSL 285.63, 0.51%, 0.63%

LAB 58.47, 44.71, -38.11

 

CMYK 8 / 34 / 0 / 15

HEX #C88FDA

RGB 200 143 218

HSL 285.6, 0.5%, 0.71%

LAB 67.27, 34.5, -29.89

 

CMYK 6 / 24 / 0 / 11

HEX #D7AEE4

RGB 215 174 228

HSL 285.56, 0.5%, 0.79%

LAB 76.27, 24.35, -21.47

 

CMYK 3 / 14 / 0 / 7

HEX #E7CDEE

RGB 231 205 238

HSL 287.27, 0.49%, 0.87%

LAB 85.42, 14.87, -12.9

 

CMYK 8 / 35 / 0 / 15

HEX #C88EDA

RGB 200 142 218

HSL 285.79, 0.51%, 0.71%

LAB 67.04, 35.04, -30.24

 

CMYK 0 / 34 / 33 / 15

HEX #DA8F93

RGB 218 143 147

HSL 356.8, 0.5%, 0.71%

LAB 67.02, 28.96, 9.67

 

CMYK 34 / 0 / 22 / 15

HEX #8FDAA9

RGB 143 218 169

HSL 140.8, 0.5%, 0.71%

LAB 81.21, -33.5, 16.88

 

CMYK 8 / 35 / 0 / 15

HEX #C88EDA

RGB 200 142 218

HSL 285.79, 0.51%, 0.71%

LAB 67.04, 35.04, -30.24

 

CMYK 0 / 9 / 34 / 15

HEX #DAC78F

RGB 218 199 143

HSL 44.8, 0.5%, 0.71%

LAB 80.59, -1.47, 30.49

 

CMYK 34 / 0 / 9 / 15

HEX #8FDAC7

RGB 143 218 199

HSL 164.8, 0.5%, 0.71%

LAB 81.9, -27.4, 1.98

 

CMYK 8 / 35 / 0 / 15

HEX #C88EDA

RGB 200 142 218

HSL 285.79, 0.51%, 0.71%

LAB 67.04, 35.04, -30.24

 

CMYK 0 / 34 / 33 / 15

HEX #DA8F93

RGB 218 143 147

HSL 356.8, 0.5%, 0.71%

LAB 67.02, 28.96, 9.67

 

CMYK 26 / 0 / 34 / 15

HEX #A2DA8F

RGB 162 218 143

HSL 104.8, 0.5%, 0.71%

LAB 81.73, -31.77, 31.29

 

CMYK 34 / 0 / 2 / 15

HEX #8FDAD6

RGB 143 218 214

HSL 176.8, 0.5%, 0.71%

LAB 82.29, -24.02, -5.42

 

CMYK 8 / 35 / 0 / 15

HEX #C88EDA

RGB 200 142 218

HSL 285.79, 0.51%, 0.71%

LAB 67.04, 35.04, -30.24

 

CMYK 0 / 26 / 34 / 15

HEX #DAA28F

RGB 218 162 143

HSL 15.2, 0.5%, 0.71%

LAB 71.37, 18.2, 17.99

 

CMYK 26 / 0 / 34 / 15

HEX #A2DA8F

RGB 162 218 143

HSL 104.8, 0.5%, 0.71%

LAB 81.73, -31.77, 31.29

 

CMYK 34 / 9 / 0 / 15

HEX #8FC7DA

RGB 143 199 218

HSL 195.2, 0.5%, 0.71%

LAB 77.13, -13.45, -15.25

 

Description

Color code: RGB 200 142 218 | qconv.com Color code: RGB 200 142 218 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 142 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 142 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 35 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 35% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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