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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB6BFE it is the complementary color #249401. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB6BFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB6BFE shade: #E06BF9, #F17DFF, #FF8FFF, #FFA1FF and #FFB3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB6BFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB6BFE shade: #DB6BFE, #CA59EB, #B947D8, #A835C5 and #9723B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB6BFE shade: #DB6BFE, #FE6BF9, #FE6BD2, #FE6BAA and #FE6B83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB6BFE shade: #DB6BFE, #B36BFE, #8C6BFE and #6B6BFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB6BFE shade matches the following richer shades: #DB6BFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB6BFE shade: #DB6BFE, #D577F2, #CE83E6, #C88FDA and #C29BCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB6BFE shade: #8B6BFE, #B26BFE, #D96BFE, #FE6BFB and #FE6BD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB6BFE shade: #C719FD, #D142FE, #DB6BFE, #E594FE and #EFBDFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB6BFE shade: #DB6BFE, #FE6B73 and #6BFE9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB6BFE shade: #DB6BFE, #FED96B and #6BFED9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB6BFE shade: #DB6BFE, #FE6B73, #90FE6B and #6BFEF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB6BFE shade: #DB6BFE, #FE906B, #90FE6B and #6BD9FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 58 / 0 / 0

HEX #DB6BFE

RGB 219 107 254

HSL 285.71, 0.99%, 0.71%

LAB 63.94, 65.3, -54.82

 

Complementary color

CMYK 76 / 0 / 99 / 42

HEX #249401

RGB 36 148 1

HSL 105.71, 0.99%, 0.29%

LAB 53.55, -53.78, 55.77

 

CMYK 10 / 57 / 0 / 2

HEX #E06BF9

RGB 224 107 249

HSL 289.44, 0.92%, 0.7%

LAB 64.32, 65.57, -51.43

 

CMYK 5 / 51 / 0 / 0

HEX #F17DFF

RGB 241 125 255

HSL 293.54, 1%, 0.75%

LAB 69.89, 62.64, -45.8

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 14 / 58 / 0 / 0

HEX #DB6BFE

RGB 219 107 254

HSL 285.71, 0.99%, 0.71%

LAB 63.94, 65.3, -54.82

 

CMYK 14 / 62 / 0 / 8

HEX #CA59EB

RGB 202 89 235

HSL 286.44, 0.78%, 0.64%

LAB 57.75, 65.72, -54.28

 

CMYK 14 / 67 / 0 / 15

HEX #B947D8

RGB 185 71 216

HSL 287.17, 0.65%, 0.56%

LAB 51.59, 65.88, -53.55

 

CMYK 15 / 73 / 0 / 23

HEX #A835C5

RGB 168 53 197

HSL 287.92, 0.58%, 0.49%

LAB 45.5, 65.61, -52.52

 

CMYK 15 / 80 / 0 / 30

HEX #9723B2

RGB 151 35 178

HSL 288.67, 0.67%, 0.42%

LAB 39.57, 64.64, -51.05

 

CMYK 14 / 58 / 0 / 0

HEX #DB6BFE

RGB 219 107 254

HSL 285.71, 0.99%, 0.71%

LAB 63.94, 65.3, -54.82

 

CMYK 0 / 58 / 2 / 0

HEX #FE6BF9

RGB 254 107 249

HSL 302.04, 0.99%, 0.71%

LAB 68.33, 72.97, -44.84

 

CMYK 0 / 58 / 17 / 0

HEX #FE6BD2

RGB 254 107 210

HSL 317.96, 0.99%, 0.71%

LAB 66.7, 67.05, -25.75

 

CMYK 0 / 58 / 33 / 0

HEX #FE6BAA

RGB 254 107 170

HSL 334.29, 0.99%, 0.71%

LAB 65.35, 61.9, -5.19

 

CMYK 0 / 58 / 48 / 0

HEX #FE6B83

RGB 254 107 131

HSL 350.2, 0.99%, 0.71%

LAB 64.34, 57.93, 15.67

 

CMYK 14 / 58 / 0 / 0

HEX #DB6BFE

RGB 219 107 254

HSL 285.71, 0.99%, 0.71%

LAB 63.94, 65.3, -54.82

 

CMYK 30 / 58 / 0 / 0

HEX #B36BFE

RGB 179 107 254

HSL 269.39, 0.99%, 0.71%

LAB 59.21, 55.86, -62.66

 

CMYK 45 / 58 / 0 / 0

HEX #8C6BFE

RGB 140 107 254

HSL 253.47, 0.99%, 0.71%

LAB 55.33, 47.37, -69.11

 

CMYK 58 / 58 / 0 / 0

HEX #6B6BFE

RGB 107 107 254

HSL 240, 0.99%, 0.71%

LAB 52.73, 41.18, -73.44

 

CMYK 14 / 58 / 0 / 0

HEX #DB6BFE

RGB 219 107 254

HSL 285.71, 0.99%, 0.71%

LAB 63.94, 65.3, -54.82

 

CMYK 14 / 58 / 0 / 0

HEX #DB6BFE

RGB 219 107 254

HSL 285.71, 0.99%, 0.71%

LAB 63.94, 65.3, -54.82

 

CMYK 12 / 51 / 0 / 5

HEX #D577F2

RGB 213 119 242

HSL 285.85, 0.83%, 0.71%

LAB 64.76, 55.68, -46.96

 

CMYK 10 / 43 / 0 / 10

HEX #CE83E6

RGB 206 131 230

HSL 285.45, 0.66%, 0.71%

LAB 65.8, 45.17, -38.76

 

CMYK 8 / 34 / 0 / 15

HEX #C88FDA

RGB 200 143 218

HSL 285.6, 0.5%, 0.71%

LAB 67.27, 34.5, -29.89

 

CMYK 6 / 25 / 0 / 19

HEX #C29BCE

RGB 194 155 206

HSL 285.88, 0.34%, 0.71%

LAB 69.02, 23.56, -20.62

 

CMYK 45 / 58 / 0 / 0

HEX #8B6BFE

RGB 139 107 254

HSL 253.06, 0.99%, 0.71%

LAB 55.24, 47.16, -69.26

 

CMYK 30 / 58 / 0 / 0

HEX #B26BFE

RGB 178 107 254

HSL 268.98, 0.99%, 0.71%

LAB 59.1, 55.64, -62.84

 

CMYK 15 / 58 / 0 / 0

HEX #D96BFE

RGB 217 107 254

HSL 284.9, 0.99%, 0.71%

LAB 63.69, 64.82, -55.24

 

CMYK 0 / 58 / 1 / 0

HEX #FE6BFB

RGB 254 107 251

HSL 301.22, 0.99%, 0.71%

LAB 68.42, 73.3, -45.79

 

CMYK 0 / 58 / 17 / 0

HEX #FE6BD4

RGB 254 107 212

HSL 317.14, 0.99%, 0.71%

LAB 66.78, 67.33, -26.75

 

CMYK 21 / 90 / 0 / 1

HEX #C719FD

RGB 199 25 253

HSL 285.79, 0.98%, 0.55%

LAB 51.76, 87.66, -74.01

 

CMYK 18 / 74 / 0 / 0

HEX #D142FE

RGB 209 66 254

HSL 285.64, 0.99%, 0.63%

LAB 56.69, 79.62, -66.51

 

CMYK 14 / 58 / 0 / 0

HEX #DB6BFE

RGB 219 107 254

HSL 285.71, 0.99%, 0.71%

LAB 63.94, 65.3, -54.82

 

CMYK 10 / 42 / 0 / 0

HEX #E594FE

RGB 229 148 254

HSL 285.85, 0.98%, 0.79%

LAB 72.89, 47.66, -40.66

 

CMYK 6 / 26 / 0 / 0

HEX #EFBDFE

RGB 239 189 254

HSL 286.15, 0.97%, 0.87%

LAB 82.86, 29, -25.2

 

CMYK 14 / 58 / 0 / 0

HEX #DB6BFE

RGB 219 107 254

HSL 285.71, 0.99%, 0.71%

LAB 63.94, 65.3, -54.82

 

CMYK 0 / 58 / 55 / 0

HEX #FE6B73

RGB 254 107 115

HSL 356.73, 0.99%, 0.71%

LAB 64.02, 56.63, 24.35

 

CMYK 58 / 0 / 37 / 0

HEX #6BFE9F

RGB 107 254 159

HSL 141.22, 0.99%, 0.71%

LAB 90.1, -59.8, 33.89

 

CMYK 14 / 58 / 0 / 0

HEX #DB6BFE

RGB 219 107 254

HSL 285.71, 0.99%, 0.71%

LAB 63.94, 65.3, -54.82

 

CMYK 0 / 15 / 58 / 0

HEX #FED96B

RGB 254 217 107

HSL 44.9, 0.99%, 0.71%

LAB 87.85, 0.3, 57.98

 

CMYK 58 / 0 / 15 / 0

HEX #6BFED9

RGB 107 254 217

HSL 164.9, 0.99%, 0.71%

LAB 91.24, -48.06, 5.91

 

CMYK 14 / 58 / 0 / 0

HEX #DB6BFE

RGB 219 107 254

HSL 285.71, 0.99%, 0.71%

LAB 63.94, 65.3, -54.82

 

CMYK 0 / 58 / 55 / 0

HEX #FE6B73

RGB 254 107 115

HSL 356.73, 0.99%, 0.71%

LAB 64.02, 56.63, 24.35

 

CMYK 43 / 0 / 58 / 0

HEX #90FE6B

RGB 144 254 107

HSL 104.9, 0.99%, 0.71%

LAB 90.72, -57.47, 59.41

 

CMYK 58 / 0 / 3 / 0

HEX #6BFEF6

RGB 107 254 246

HSL 176.73, 0.99%, 0.71%

LAB 91.98, -41, -8.03

 

CMYK 14 / 58 / 0 / 0

HEX #DB6BFE

RGB 219 107 254

HSL 285.71, 0.99%, 0.71%

LAB 63.94, 65.3, -54.82

 

CMYK 0 / 43 / 58 / 0

HEX #FE906B

RGB 254 144 107

HSL 15.1, 0.99%, 0.71%

LAB 70.93, 38.16, 37.69

 

CMYK 43 / 0 / 58 / 0

HEX #90FE6B

RGB 144 254 107

HSL 104.9, 0.99%, 0.71%

LAB 90.72, -57.47, 59.41

 

CMYK 58 / 15 / 0 / 0

HEX #6BD9FE

RGB 107 217 254

HSL 195.1, 0.99%, 0.71%

LAB 81.79, -21.22, -27.58

 

Description

Color code: HEX #DB6BFE | qconv.com Color code: HEX #DB6BFE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 107 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 107 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 58 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 58% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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