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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 224 198 it is the complementary color RGB 236 31 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 224 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 224 198 shade: RGB 24 224 193, RGB 41 242 212, RGB 58 255 231, RGB 75 255 250 and RGB 92 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 224 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 224 198 shade: RGB 19 224 198, RGB 2 206 179, RGB 0 188 160, RGB 0 170 141 and RGB 0 152 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 224 198 shade: RGB 19 225 199, RGB 19 225 143, RGB 19 225 88, RGB 19 225 32 and RGB 61 225 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 224 198 shade: RGB 19 225 199, RGB 19 195 225, RGB 19 140 225, RGB 19 84 225 and RGB 19 29 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 224 198 shade matches the following richer shades: RGB 19 225 199

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 224 198 shade: RGB 19 225 199, RGB 39 205 184, RGB 59 185 169, RGB 78 165 154 and RGB 98 145 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 224 198 shade: RGB 19 225 88, RGB 19 225 142, RGB 19 225 197, RGB 19 197 225 and RGB 19 142 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 224 198 shade: RGB 12 149 132, RGB 16 187 165, RGB 19 225 199, RGB 48 237 213 and RGB 86 240 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 224 198 shade: RGB 19 224 198, RGB 33 19 225 and RGB 225 115 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 224 198 shade: RGB 19 224 198, RGB 197 19 225 and RGB 225 197 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 224 198 shade: RGB 19 224 198, RGB 33 19 225, RGB 225 19 47 and RGB 211 225 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 224 198 shade: RGB 19 224 198, RGB 94 19 225, RGB 225 19 47 and RGB 149 225 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 12 / 12

HEX #13E0C6

RGB 19 224 198

HSL 172.39, 0.84%, 0.48%

LAB 80.48, -50.37, 0.06

 

Complementary color

CMYK 0 / 87 / 76 / 7

HEX #EC1F39

RGB 236 31 57

HSL 352.39, 0.84%, 0.52%

LAB 50.81, 73.17, 40.5

 

CMYK 89 / 0 / 14 / 12

HEX #18E0C1

RGB 24 224 193

HSL 170.7, 0.81%, 0.49%

LAB 80.38, -51.47, 2.58

 

CMYK 83 / 0 / 12 / 5

HEX #29F2D4

RGB 41 242 212

HSL 171.04, 0.89%, 0.55%

LAB 86.37, -52.85, 1.29

 

CMYK 77 / 0 / 9 / 0

HEX #3AFFE7

RGB 58 255 231

HSL 172.69, 1%, 0.61%

LAB 90.87, -51.88, -2.01

 

CMYK 71 / 0 / 2 / 0

HEX #4BFFFA

RGB 75 255 250

HSL 178.33, 1%, 0.65%

LAB 91.65, -45.04, -10.68

 

CMYK 64 / 0 / 0 / 0

HEX #5CFFFF

RGB 92 255 255

HSL 180, 1%, 0.68%

LAB 92.14, -41.47, -12.5

 

CMYK 92 / 0 / 12 / 12

HEX #13E0C6

RGB 19 224 198

HSL 172.39, 0.84%, 0.48%

LAB 80.48, -50.37, 0.06

 

CMYK 99 / 0 / 13 / 19

HEX #02CEB3

RGB 2 206 179

HSL 172.06, 0.98%, 0.41%

LAB 74.45, -48.57, 1.44

 

CMYK 100 / 0 / 15 / 26

HEX #00BCA0

RGB 0 188 160

HSL 171.06, 1%, 0.37%

LAB 68.39, -46.29, 2.97

 

CMYK 100 / 0 / 17 / 33

HEX #00AA8D

RGB 0 170 141

HSL 169.76, 1%, 0.33%

LAB 62.23, -43.91, 4.58

 

CMYK 100 / 0 / 20 / 40

HEX #00987A

RGB 0 152 122

HSL 168.16, 1%, 0.3%

LAB 55.95, -41.49, 6.26

 

CMYK 92 / 0 / 12 / 12

HEX #13E1C7

RGB 19 225 199

HSL 172.43, 0.84%, 0.48%

LAB 80.8, -50.52, 0

 

CMYK 92 / 0 / 36 / 12

HEX #13E18F

RGB 19 225 143

HSL 156.12, 0.84%, 0.48%

LAB 79.6, -63.68, 27.7

 

CMYK 92 / 0 / 61 / 12

HEX #13E158

RGB 19 225 88

HSL 140.1, 0.84%, 0.48%

LAB 78.86, -72.46, 53.26

 

CMYK 92 / 0 / 86 / 12

HEX #13E120

RGB 19 225 32

HSL 123.79, 0.84%, 0.48%

LAB 78.52, -76.88, 71.65

 

CMYK 73 / 0 / 92 / 12

HEX #3DE113

RGB 61 225 19

HSL 107.77, 0.84%, 0.48%

LAB 78.98, -72.91, 74.48

 

CMYK 92 / 0 / 12 / 12

HEX #13E1C7

RGB 19 225 199

HSL 172.43, 0.84%, 0.48%

LAB 80.8, -50.52, 0

 

CMYK 92 / 13 / 0 / 12

HEX #13C3E1

RGB 19 195 225

HSL 188.74, 0.84%, 0.48%

LAB 72.63, -29.28, -26.21

 

CMYK 92 / 38 / 0 / 12

HEX #138CE1

RGB 19 140 225

HSL 204.76, 0.84%, 0.48%

LAB 56.42, 0.5, -51.54

 

CMYK 92 / 63 / 0 / 12

HEX #1354E1

RGB 19 84 225

HSL 221.07, 0.84%, 0.48%

LAB 41.08, 35.84, -76.34

 

CMYK 92 / 87 / 0 / 12

HEX #131DE1

RGB 19 29 225

HSL 237.09, 0.84%, 0.48%

LAB 30.53, 65.37, -93.8

 

CMYK 92 / 0 / 12 / 12

HEX #13E1C7

RGB 19 225 199

HSL 172.43, 0.84%, 0.48%

LAB 80.8, -50.52, 0

 

CMYK 92 / 0 / 12 / 12

HEX #13E1C7

RGB 19 225 199

HSL 172.43, 0.84%, 0.48%

LAB 80.8, -50.52, 0

 

CMYK 81 / 0 / 10 / 20

HEX #27CDB8

RGB 39 205 184

HSL 172.41, 0.68%, 0.48%

LAB 74.54, -44.92, -1.09

 

CMYK 68 / 0 / 9 / 27

HEX #3BB9A9

RGB 59 185 169

HSL 172.38, 0.52%, 0.48%

LAB 68.38, -37.84, -1.9

 

CMYK 53 / 0 / 7 / 35

HEX #4EA59A

RGB 78 165 154

HSL 172.41, 0.36%, 0.48%

LAB 62.39, -28.91, -2.3

 

CMYK 32 / 0 / 3 / 43

HEX #62918C

RGB 98 145 140

HSL 173.62, 0.19%, 0.48%

LAB 56.82, -17.01, -2.44

 

CMYK 92 / 0 / 61 / 12

HEX #13E158

RGB 19 225 88

HSL 140.1, 0.84%, 0.48%

LAB 78.86, -72.46, 53.26

 

CMYK 92 / 0 / 37 / 12

HEX #13E18E

RGB 19 225 142

HSL 155.83, 0.84%, 0.48%

LAB 79.58, -63.87, 28.19

 

CMYK 92 / 0 / 12 / 12

HEX #13E1C5

RGB 19 225 197

HSL 171.84, 0.84%, 0.48%

LAB 80.75, -51.05, 0.99

 

CMYK 92 / 12 / 0 / 12

HEX #13C5E1

RGB 19 197 225

HSL 188.16, 0.84%, 0.48%

LAB 73.22, -30.26, -25.3

 

CMYK 92 / 37 / 0 / 12

HEX #138EE1

RGB 19 142 225

HSL 204.17, 0.84%, 0.48%

LAB 57, -0.68, -50.62

 

CMYK 92 / 0 / 11 / 42

HEX #0C9584

RGB 12 149 132

HSL 172.55, 0.85%, 0.32%

LAB 55.32, -36.82, -0.35

 

CMYK 91 / 0 / 12 / 27

HEX #10BBA5

RGB 16 187 165

HSL 172.28, 0.84%, 0.4%

LAB 68.29, -43.92, 0.09

 

CMYK 92 / 0 / 12 / 12

HEX #13E1C7

RGB 19 225 199

HSL 172.43, 0.84%, 0.48%

LAB 80.8, -50.52, 0

 

CMYK 80 / 0 / 10 / 7

HEX #30EDD5

RGB 48 237 213

HSL 172.38, 0.84%, 0.56%

LAB 85, -49.97, -1.23

 

CMYK 64 / 0 / 8 / 6

HEX #56F0DC

RGB 86 240 220

HSL 172.21, 0.84%, 0.64%

LAB 86.73, -44.88, -2.28

 

CMYK 92 / 0 / 12 / 12

HEX #13E0C6

RGB 19 224 198

HSL 172.39, 0.84%, 0.48%

LAB 80.48, -50.37, 0.06

 

CMYK 85 / 92 / 0 / 12

HEX #2113E1

RGB 33 19 225

HSL 244.08, 0.84%, 0.48%

LAB 29.97, 68.7, -94.71

 

CMYK 0 / 49 / 92 / 12

HEX #E17313

RGB 225 115 19

HSL 27.96, 0.84%, 0.48%

LAB 60.17, 37.73, 64.21

 

CMYK 92 / 0 / 12 / 12

HEX #13E0C6

RGB 19 224 198

HSL 172.39, 0.84%, 0.48%

LAB 80.48, -50.37, 0.06

 

CMYK 12 / 92 / 0 / 12

HEX #C513E1

RGB 197 19 225

HSL 291.84, 0.84%, 0.48%

LAB 49.22, 83.47, -62.38

 

CMYK 0 / 12 / 92 / 12

HEX #E1C513

RGB 225 197 19

HSL 51.84, 0.84%, 0.48%

LAB 79.61, -5.44, 78.61

 

CMYK 92 / 0 / 12 / 12

HEX #13E0C6

RGB 19 224 198

HSL 172.39, 0.84%, 0.48%

LAB 80.48, -50.37, 0.06

 

CMYK 85 / 92 / 0 / 12

HEX #2113E1

RGB 33 19 225

HSL 244.08, 0.84%, 0.48%

LAB 29.97, 68.7, -94.71

 

CMYK 0 / 92 / 79 / 12

HEX #E1132F

RGB 225 19 47

HSL 351.84, 0.84%, 0.48%

LAB 47.85, 71.87, 42.34

 

CMYK 6 / 0 / 92 / 12

HEX #D3E113

RGB 211 225 19

HSL 64.08, 0.84%, 0.48%

LAB 85.88, -25.26, 82.93

 

CMYK 92 / 0 / 12 / 12

HEX #13E0C6

RGB 19 224 198

HSL 172.39, 0.84%, 0.48%

LAB 80.48, -50.37, 0.06

 

CMYK 58 / 92 / 0 / 12

HEX #5E13E1

RGB 94 19 225

HSL 261.84, 0.84%, 0.48%

LAB 34.56, 71.51, -86.95

 

CMYK 0 / 92 / 79 / 12

HEX #E1132F

RGB 225 19 47

HSL 351.84, 0.84%, 0.48%

LAB 47.85, 71.87, 42.34

 

CMYK 34 / 0 / 92 / 12

HEX #95E113

RGB 149 225 19

HSL 82.14, 0.84%, 0.48%

LAB 81.99, -49.46, 78.2

 

Description

Color code: RGB 19 224 198 | qconv.com Color code: RGB 19 224 198 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 224 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 224 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 12 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 12% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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