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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AFFE7 it is the complementary color #C50018. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AFFE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AFFE7 shade: #3FFFE2, #50FFF5, #61FFFF, #72FFFF and #83FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AFFE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AFFE7 shade: #3AFFE7, #29EDD4, #18DBC1, #07C9AE and #00B79B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AFFE7 shade: #38FFE6, #38FFB1, #38FF7B, #38FF45 and #5FFF38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AFFE7 shade: #38FFE6, #38E1FF, #38ABFF, #3876FF and #3840FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AFFE7 shade matches the following richer shades: #38FFE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AFFE7 shade: #38FFE6, #48EEDA, #58DECE, #68CEC2 and #78BEB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AFFE7 shade: #38FF7A, #38FFAF, #38FFE4, #38E4FF and #38AFFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AFFE7 shade: #00E4C8, #0EFFE1, #38FFE6, #61FFEB and #8AFFF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AFFE7 shade: #3AFFE7, #4538FF and #FF9438

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AFFE7 shade: #3AFFE7, #E438FF and #FFE438

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AFFE7 shade: #3AFFE7, #4538FF, #FF3852 and #F1FF38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AFFE7 shade: #3AFFE7, #8138FF, #FF3852 and #B6FF38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 9 / 0

HEX #3AFFE7

RGB 58 255 231

HSL 172.69, 1%, 0.61%

LAB 90.87, -51.88, -2.01

 

Complementary color

CMYK 0 / 100 / 88 / 23

HEX #C50018

RGB 197 0 24

HSL 352.69, 1%, 0.39%

LAB 41.11, 66.25, 46.18

 

CMYK 75 / 0 / 11 / 0

HEX #3FFFE2

RGB 63 255 226

HSL 170.94, 1%, 0.62%

LAB 90.81, -52.67, 0.51

 

CMYK 69 / 0 / 4 / 0

HEX #50FFF5

RGB 80 255 245

HSL 176.57, 1%, 0.66%

LAB 91.6, -45.77, -8.15

 

CMYK 62 / 0 / 0 / 0

HEX #61FFFF

RGB 97 255 255

HSL 180, 1%, 0.69%

LAB 92.26, -40.73, -12.32

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 77 / 0 / 9 / 0

HEX #3AFFE7

RGB 58 255 231

HSL 172.69, 1%, 0.61%

LAB 90.87, -51.88, -2.01

 

CMYK 83 / 0 / 11 / 7

HEX #29EDD4

RGB 41 237 212

HSL 172.35, 0.84%, 0.55%

LAB 84.89, -50.79, -0.87

 

CMYK 89 / 0 / 12 / 14

HEX #18DBC1

RGB 24 219 193

HSL 172, 0.8%, 0.48%

LAB 78.87, -49.41, 0.38

 

CMYK 97 / 0 / 13 / 21

HEX #07C9AE

RGB 7 201 174

HSL 171.65, 0.93%, 0.41%

LAB 72.81, -47.69, 1.76

 

CMYK 100 / 0 / 15 / 28

HEX #00B79B

RGB 0 183 155

HSL 170.82, 1%, 0.36%

LAB 66.7, -45.56, 3.27

 

CMYK 78 / 0 / 10 / 0

HEX #38FFE6

RGB 56 255 230

HSL 172.46, 1%, 0.61%

LAB 90.81, -52.32, -1.58

 

CMYK 78 / 0 / 31 / 0

HEX #38FFB1

RGB 56 255 177

HSL 156.48, 1%, 0.61%

LAB 89.64, -64.72, 24.04

 

CMYK 78 / 0 / 52 / 0

HEX #38FF7B

RGB 56 255 123

HSL 140.2, 1%, 0.61%

LAB 88.82, -74.14, 49.41

 

CMYK 78 / 0 / 73 / 0

HEX #38FF45

RGB 56 255 69

HSL 123.92, 1%, 0.61%

LAB 88.35, -79.94, 70.85

 

CMYK 63 / 0 / 78 / 0

HEX #5FFF38

RGB 95 255 56

HSL 108.24, 1%, 0.61%

LAB 89.04, -74.35, 75.78

 

CMYK 78 / 0 / 10 / 0

HEX #38FFE6

RGB 56 255 230

HSL 172.46, 1%, 0.61%

LAB 90.81, -52.32, -1.58

 

CMYK 78 / 12 / 0 / 0

HEX #38E1FF

RGB 56 225 255

HSL 189.05, 1%, 0.61%

LAB 82.87, -31.87, -26.57

 

CMYK 78 / 33 / 0 / 0

HEX #38ABFF

RGB 56 171 255

HSL 205.33, 1%, 0.61%

LAB 67.42, -3.77, -50.57

 

CMYK 78 / 54 / 0 / 0

HEX #3876FF

RGB 56 118 255

HSL 221.31, 1%, 0.61%

LAB 52.97, 27.96, -73.72

 

CMYK 78 / 75 / 0 / 0

HEX #3840FF

RGB 56 64 255

HSL 237.59, 1%, 0.61%

LAB 40.78, 59.98, -93.71

 

CMYK 78 / 0 / 10 / 0

HEX #38FFE6

RGB 56 255 230

HSL 172.46, 1%, 0.61%

LAB 90.81, -52.32, -1.58

 

CMYK 78 / 0 / 10 / 0

HEX #38FFE6

RGB 56 255 230

HSL 172.46, 1%, 0.61%

LAB 90.81, -52.32, -1.58

 

CMYK 70 / 0 / 8 / 7

HEX #48EEDA

RGB 72 238 218

HSL 172.77, 0.83%, 0.61%

LAB 85.8, -46.51, -2.63

 

CMYK 60 / 0 / 7 / 13

HEX #58DECE

RGB 88 222 206

HSL 172.84, 0.67%, 0.61%

LAB 81.17, -40.15, -3.06

 

CMYK 50 / 0 / 6 / 19

HEX #68CEC2

RGB 104 206 194

HSL 172.94, 0.51%, 0.61%

LAB 76.67, -32.65, -3.19

 

CMYK 37 / 0 / 4 / 25

HEX #78BEB6

RGB 120 190 182

HSL 173.14, 0.35%, 0.61%

LAB 72.36, -23.84, -2.94

 

CMYK 78 / 0 / 52 / 0

HEX #38FF7A

RGB 56 255 122

HSL 139.9, 1%, 0.61%

LAB 88.81, -74.28, 49.86

 

CMYK 78 / 0 / 31 / 0

HEX #38FFAF

RGB 56 255 175

HSL 155.88, 1%, 0.61%

LAB 89.61, -65.13, 25.01

 

CMYK 78 / 0 / 11 / 0

HEX #38FFE4

RGB 56 255 228

HSL 171.86, 1%, 0.61%

LAB 90.76, -52.84, -0.61

 

CMYK 78 / 11 / 0 / 0

HEX #38E4FF

RGB 56 228 255

HSL 188.14, 1%, 0.61%

LAB 83.73, -33.3, -25.25

 

CMYK 78 / 31 / 0 / 0

HEX #38AFFF

RGB 56 175 255

HSL 204.12, 1%, 0.61%

LAB 68.55, -6.01, -48.79

 

CMYK 100 / 0 / 12 / 11

HEX #00E4C8

RGB 0 228 200

HSL 172.63, 1%, 0.45%

LAB 81.65, -52.02, 0.7

 

CMYK 95 / 0 / 12 / 0

HEX #0EFFE1

RGB 14 255 225

HSL 172.53, 1%, 0.53%

LAB 90.34, -56.02, 0.29

 

CMYK 78 / 0 / 10 / 0

HEX #38FFE6

RGB 56 255 230

HSL 172.46, 1%, 0.61%

LAB 90.81, -52.32, -1.58

 

CMYK 62 / 0 / 8 / 0

HEX #61FFEB

RGB 97 255 235

HSL 172.41, 1%, 0.69%

LAB 91.71, -45.89, -2.76

 

CMYK 46 / 0 / 6 / 0

HEX #8AFFF0

RGB 138 255 240

HSL 172.31, 1%, 0.77%

LAB 93.11, -36.73, -3.15

 

CMYK 77 / 0 / 9 / 0

HEX #3AFFE7

RGB 58 255 231

HSL 172.69, 1%, 0.61%

LAB 90.87, -51.88, -2.01

 

CMYK 73 / 78 / 0 / 0

HEX #4538FF

RGB 69 56 255

HSL 243.92, 1%, 0.61%

LAB 40.1, 64.79, -94.81

 

CMYK 0 / 42 / 78 / 0

HEX #FF9438

RGB 255 148 56

HSL 27.74, 1%, 0.61%

LAB 71.37, 33.77, 62.81

 

CMYK 77 / 0 / 9 / 0

HEX #3AFFE7

RGB 58 255 231

HSL 172.69, 1%, 0.61%

LAB 90.87, -51.88, -2.01

 

CMYK 11 / 78 / 0 / 0

HEX #E438FF

RGB 228 56 255

HSL 291.86, 1%, 0.61%

LAB 58.55, 86.19, -63.92

 

CMYK 0 / 11 / 78 / 0

HEX #FFE438

RGB 255 228 56

HSL 51.86, 1%, 0.61%

LAB 90.34, -7.47, 80.19

 

CMYK 77 / 0 / 9 / 0

HEX #3AFFE7

RGB 58 255 231

HSL 172.69, 1%, 0.61%

LAB 90.87, -51.88, -2.01

 

CMYK 73 / 78 / 0 / 0

HEX #4538FF

RGB 69 56 255

HSL 243.92, 1%, 0.61%

LAB 40.1, 64.79, -94.81

 

CMYK 0 / 78 / 68 / 0

HEX #FF3852

RGB 255 56 82

HSL 352.16, 1%, 0.61%

LAB 56.78, 73.6, 34

 

CMYK 5 / 0 / 78 / 0

HEX #F1FF38

RGB 241 255 56

HSL 64.22, 1%, 0.61%

LAB 96.21, -26.28, 84.98

 

CMYK 77 / 0 / 9 / 0

HEX #3AFFE7

RGB 58 255 231

HSL 172.69, 1%, 0.61%

LAB 90.87, -51.88, -2.01

 

CMYK 49 / 78 / 0 / 0

HEX #8138FF

RGB 129 56 255

HSL 262.01, 1%, 0.61%

LAB 45.24, 70.76, -86.15

 

CMYK 0 / 78 / 68 / 0

HEX #FF3852

RGB 255 56 82

HSL 352.16, 1%, 0.61%

LAB 56.78, 73.6, 34

 

CMYK 29 / 0 / 78 / 0

HEX #B6FF38

RGB 182 255 56

HSL 82.01, 1%, 0.61%

LAB 92.46, -48.94, 80.2

 

Description

Color code: HEX #3AFFE7 | qconv.com Color code: HEX #3AFFE7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 255 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 255 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 9 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 9% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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