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Color name
RGB 199 89 127

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 89 127 it is the complementary color RGB 56 166 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 89 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 89 127 shade: RGB 204 89 122, RGB 221 107 141, RGB 238 125 160, RGB 255 143 179 and RGB 255 161 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 89 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 89 127 shade: RGB 199 89 127, RGB 182 71 108, RGB 165 53 89, RGB 148 35 70 and RGB 131 17 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 89 127 shade: RGB 198 86 125, RGB 198 86 95 and RGB 198 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 89 127 shade: RGB 198 86 125, RGB 198 86 155, RGB 198 86 185, RGB 181 86 198 and RGB 151 86 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 89 127 shade matches the following richer shades: RGB 198 86 125, RGB 217 68 119, RGB 235 50 114 and RGB 253 32 108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 89 127 shade: RGB 198 86 125, RGB 180 104 131, RGB 162 123 136, RGB 144 141 142 and RGB 126 159 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 89 127 shade: RGB 198 86 185, RGB 198 86 155, RGB 198 86 125, RGB 198 86 96 and RGB 198 107 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 89 127 shade: RGB 152 50 85, RGB 183 61 103, RGB 198 86 125, RGB 209 117 149 and RGB 219 148 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 89 127 shade: RGB 199 89 127, RGB 198 182 86 and RGB 86 170 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 89 127 shade: RGB 199 89 127, RGB 125 198 86 and RGB 86 125 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 89 127 shade: RGB 199 89 127, RGB 198 182 86, RGB 86 198 159 and RGB 86 103 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 89 127 shade: RGB 199 89 127, RGB 182 198 86, RGB 86 198 159 and RGB 103 86 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 36 / 22

HEX #C7597F

RGB 199 89 127

HSL 339.27, 0.5%, 0.56%

LAB 52.75, 47.67, 0.35

 

Complementary color

CMYK 66 / 0 / 23 / 35

HEX #38A680

RGB 56 166 128

HSL 159.27, 0.5%, 0.44%

LAB 61.37, -40.3, 10.7

 

CMYK 0 / 56 / 40 / 20

HEX #CC597A

RGB 204 89 122

HSL 342.78, 0.53%, 0.57%

LAB 53.37, 48.78, 4.32

 

CMYK 0 / 52 / 36 / 13

HEX #DD6B8D

RGB 221 107 141

HSL 342.11, 0.63%, 0.64%

LAB 59.72, 47.96, 2.66

 

CMYK 0 / 47 / 33 / 7

HEX #EE7DA0

RGB 238 125 160

HSL 341.42, 0.77%, 0.71%

LAB 66.05, 47.11, 1.26

 

CMYK 0 / 44 / 30 / 0

HEX #FF8FB3

RGB 255 143 179

HSL 340.71, 1%, 0.78%

LAB 72.34, 46.25, 0.03

 

CMYK 0 / 37 / 22 / 0

HEX #FFA1C6

RGB 255 161 198

HSL 336.38, 1%, 0.82%

LAB 76.57, 39.62, -4.23

 

CMYK 0 / 55 / 36 / 22

HEX #C7597F

RGB 199 89 127

HSL 339.27, 0.5%, 0.56%

LAB 52.75, 47.67, 0.35

 

CMYK 0 / 61 / 41 / 29

HEX #B6476C

RGB 182 71 108

HSL 340, 0.44%, 0.5%

LAB 46.36, 48.35, 2.18

 

CMYK 0 / 68 / 46 / 35

HEX #A53559

RGB 165 53 89

HSL 340.71, 0.51%, 0.43%

LAB 40.03, 48.76, 4.46

 

CMYK 0 / 76 / 53 / 42

HEX #942346

RGB 148 35 70

HSL 341.42, 0.62%, 0.36%

LAB 33.86, 48.64, 7.42

 

CMYK 0 / 87 / 61 / 49

HEX #831133

RGB 131 17 51

HSL 342.11, 0.77%, 0.29%

LAB 28.02, 47.53, 11.4

 

CMYK 0 / 57 / 37 / 22

HEX #C6567D

RGB 198 86 125

HSL 339.11, 0.5%, 0.56%

LAB 52, 48.54, 0.43

 

CMYK 0 / 57 / 52 / 22

HEX #C6565F

RGB 198 86 95

HSL 355.18, 0.5%, 0.56%

LAB 51.25, 45.49, 17.28

 

CMYK 0 / 57 / 57 / 22

HEX #C65656

RGB 198 86 86

HSL 0, 0.5%, 0.56%

LAB 51.07, 44.75, 22.37

 

CMYK 0 / 57 / 37 / 22

HEX #C6567D

RGB 198 86 125

HSL 339.11, 0.5%, 0.56%

LAB 52, 48.54, 0.43

 

CMYK 0 / 57 / 22 / 22

HEX #C6569B

RGB 198 86 155

HSL 323.04, 0.5%, 0.56%

LAB 52.98, 52.43, -15.89

 

CMYK 0 / 57 / 7 / 22

HEX #C656B9

RGB 198 86 185

HSL 306.96, 0.5%, 0.56%

LAB 54.2, 57.06, -31.51

 

CMYK 9 / 57 / 0 / 22

HEX #B556C6

RGB 181 86 198

HSL 290.89, 0.5%, 0.56%

LAB 52.46, 54.82, -41.9

 

CMYK 24 / 57 / 0 / 22

HEX #9756C6

RGB 151 86 198

HSL 274.82, 0.5%, 0.56%

LAB 48.65, 47.08, -48.18

 

CMYK 0 / 57 / 37 / 22

HEX #C6567D

RGB 198 86 125

HSL 339.11, 0.5%, 0.56%

LAB 52, 48.54, 0.43

 

CMYK 0 / 69 / 45 / 15

HEX #D94477

RGB 217 68 119

HSL 339.46, 0.66%, 0.56%

LAB 52.08, 61.52, 4.53

 

CMYK 0 / 79 / 51 / 8

HEX #EB3272

RGB 235 50 114

HSL 339.24, 0.82%, 0.56%

LAB 53.12, 71.81, 9.46

 

CMYK 0 / 87 / 57 / 1

HEX #FD206C

RGB 253 32 108

HSL 339.37, 0.98%, 0.56%

LAB 55.07, 79.66, 16.29

 

CMYK 0 / 57 / 37 / 22

HEX #C6567D

RGB 198 86 125

HSL 339.11, 0.5%, 0.56%

LAB 52, 48.54, 0.43

 

CMYK 0 / 42 / 27 / 29

HEX #B46883

RGB 180 104 131

HSL 338.68, 0.34%, 0.56%

LAB 53.21, 33.84, -1.65

 

CMYK 0 / 24 / 16 / 36

HEX #A27B88

RGB 162 123 136

HSL 340, 0.17%, 0.56%

LAB 55.71, 17.25, -1.17

 

CMYK 0 / 2 / 1 / 44

HEX #908D8E

RGB 144 141 142

HSL 340, 0.01%, 0.56%

LAB 58.91, 1.3, -0.15

 

CMYK 21 / 0 / 8 / 38

HEX #7E9F93

RGB 126 159 147

HSL 158.18, 0.15%, 0.56%

LAB 62.79, -13.93, 2.51

 

CMYK 0 / 57 / 7 / 22

HEX #C656B9

RGB 198 86 185

HSL 306.96, 0.5%, 0.56%

LAB 54.2, 57.06, -31.51

 

CMYK 0 / 57 / 22 / 22

HEX #C6569B

RGB 198 86 155

HSL 323.04, 0.5%, 0.56%

LAB 52.98, 52.43, -15.89

 

CMYK 0 / 57 / 37 / 22

HEX #C6567D

RGB 198 86 125

HSL 339.11, 0.5%, 0.56%

LAB 52, 48.54, 0.43

 

CMYK 0 / 57 / 52 / 22

HEX #C65660

RGB 198 86 96

HSL 354.64, 0.5%, 0.56%

LAB 51.27, 45.58, 16.71

 

CMYK 0 / 46 / 57 / 22

HEX #C66B56

RGB 198 107 86

HSL 11.25, 0.5%, 0.56%

LAB 55.27, 34.08, 27.83

 

CMYK 0 / 67 / 44 / 40

HEX #983255

RGB 152 50 85

HSL 339.41, 0.5%, 0.4%

LAB 37.14, 45.47, 2.54

 

CMYK 0 / 67 / 44 / 28

HEX #B73D67

RGB 183 61 103

HSL 339.34, 0.5%, 0.48%

LAB 44.78, 52.49, 2.98

 

CMYK 0 / 57 / 37 / 22

HEX #C6567D

RGB 198 86 125

HSL 339.11, 0.5%, 0.56%

LAB 52, 48.54, 0.43

 

CMYK 0 / 44 / 29 / 18

HEX #D17595

RGB 209 117 149

HSL 339.13, 0.5%, 0.64%

LAB 60.29, 39.76, -1.32

 

CMYK 0 / 32 / 21 / 14

HEX #DB94AD

RGB 219 148 173

HSL 338.87, 0.5%, 0.72%

LAB 68.94, 30.25, -2.11

 

CMYK 0 / 55 / 36 / 22

HEX #C7597F

RGB 199 89 127

HSL 339.27, 0.5%, 0.56%

LAB 52.75, 47.67, 0.35

 

CMYK 0 / 8 / 57 / 22

HEX #C6B656

RGB 198 182 86

HSL 51.43, 0.5%, 0.56%

LAB 73.63, -6.43, 50.08

 

CMYK 57 / 14 / 0 / 22

HEX #56AAC6

RGB 86 170 198

HSL 195, 0.5%, 0.56%

LAB 65.6, -17.42, -22.04

 

CMYK 0 / 55 / 36 / 22

HEX #C7597F

RGB 199 89 127

HSL 339.27, 0.5%, 0.56%

LAB 52.75, 47.67, 0.35

 

CMYK 37 / 0 / 57 / 22

HEX #7DC656

RGB 125 198 86

HSL 99.11, 0.5%, 0.56%

LAB 73.17, -42.66, 48.26

 

CMYK 57 / 37 / 0 / 22

HEX #567DC6

RGB 86 125 198

HSL 219.11, 0.5%, 0.56%

LAB 52.64, 8.13, -42.17

 

CMYK 0 / 55 / 36 / 22

HEX #C7597F

RGB 199 89 127

HSL 339.27, 0.5%, 0.56%

LAB 52.75, 47.67, 0.35

 

CMYK 0 / 8 / 57 / 22

HEX #C6B656

RGB 198 182 86

HSL 51.43, 0.5%, 0.56%

LAB 73.63, -6.43, 50.08

 

CMYK 57 / 0 / 20 / 22

HEX #56C69F

RGB 86 198 159

HSL 159.11, 0.5%, 0.56%

LAB 72.81, -41.26, 10.04

 

CMYK 57 / 48 / 0 / 22

HEX #5667C6

RGB 86 103 198

HSL 230.89, 0.5%, 0.56%

LAB 46.65, 21.69, -51.71

 

CMYK 0 / 55 / 36 / 22

HEX #C7597F

RGB 199 89 127

HSL 339.27, 0.5%, 0.56%

LAB 52.75, 47.67, 0.35

 

CMYK 8 / 0 / 57 / 22

HEX #B6C656

RGB 182 198 86

HSL 68.57, 0.5%, 0.56%

LAB 76.68, -21.19, 53.21

 

CMYK 57 / 0 / 20 / 22

HEX #56C69F

RGB 86 198 159

HSL 159.11, 0.5%, 0.56%

LAB 72.81, -41.26, 10.04

 

CMYK 48 / 57 / 0 / 22

HEX #6756C6

RGB 103 86 198

HSL 249.11, 0.5%, 0.56%

LAB 43.68, 35.71, -56.43

 

Description

Color code: RGB 199 89 127 | qconv.com Color code: RGB 199 89 127 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 89 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 89 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 36 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 36% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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