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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB94AD it is the complementary color #246B52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB94AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB94AD shade: #E094A8, #F1A6BB, #FFB8CE, #FFCAE1 and #FFDCF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB94AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB94AD shade: #DB94AD, #CA829A, #B97087, #A85E74 and #974C61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB94AD shade: #DB93AD, #DB9399 and #DB9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB94AD shade: #DB93AD, #DB93C0, #DB93D3, #CF93DB and #BC93DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB94AD shade matches the following richer shades: #DB93AD, #E688A9, #F27CA6 and #FD71A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB94AD shade: #DB93AD, #CF9FB0, #C4ABB3, #B8B6B7 and #ADC2BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB94AD shade: #DB93D4, #DB93C1, #DB93AE, #DB939B and #DB9F93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB94AD shade: #C6567D, #D07495, #DB93AD, #E5B2C4 and #EFD1DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB94AD shade: #DB94AD, #DBCF93 and #93CADB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB94AD shade: #DB94AD, #AEDB93 and #93AEDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB94AD shade: #DB94AD, #DBCF93, #93DBC1 and #939FDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB94AD shade: #DB94AD, #D1DB93, #93DBC1 and #9D93DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 21 / 14

HEX #DB94AD

RGB 219 148 173

HSL 338.87, 0.5%, 0.72%

LAB 68.94, 30.25, -2.11

 

Complementary color

CMYK 66 / 0 / 23 / 58

HEX #246B52

RGB 36 107 82

HSL 158.87, 0.5%, 0.28%

LAB 40.41, -28.61, 7.61

 

CMYK 0 / 34 / 25 / 12

HEX #E094A8

RGB 224 148 168

HSL 344.21, 0.55%, 0.73%

LAB 69.37, 31.32, 1.38

 

CMYK 0 / 31 / 22 / 5

HEX #F1A6BB

RGB 241 166 187

HSL 343.2, 0.73%, 0.8%

LAB 75.8, 30.55, 0.48

 

CMYK 0 / 28 / 19 / 0

HEX #FFB8CE

RGB 255 184 206

HSL 341.41, 1%, 0.86%

LAB 81.84, 28.79, -0.84

 

CMYK 0 / 21 / 12 / 0

HEX #FFCAE1

RGB 255 202 225

HSL 333.96, 1%, 0.9%

LAB 86.47, 22.29, -4.2

 

CMYK 0 / 14 / 4 / 0

HEX #FFDCF4

RGB 255 220 244

HSL 318.86, 1%, 0.93%

LAB 91.22, 16.05, -7.21

 

CMYK 0 / 32 / 21 / 14

HEX #DB94AD

RGB 219 148 173

HSL 338.87, 0.5%, 0.72%

LAB 68.94, 30.25, -2.11

 

CMYK 0 / 36 / 24 / 21

HEX #CA829A

RGB 202 130 154

HSL 340, 0.4%, 0.65%

LAB 62.38, 31.03, -1.22

 

CMYK 0 / 39 / 27 / 27

HEX #B97087

RGB 185 112 135

HSL 341.1, 0.34%, 0.58%

LAB 55.74, 31.88, -0.23

 

CMYK 0 / 44 / 31 / 34

HEX #A85E74

RGB 168 94 116

HSL 342.16, 0.3%, 0.51%

LAB 49, 32.79, 0.91

 

CMYK 0 / 50 / 36 / 41

HEX #974C61

RGB 151 76 97

HSL 343.2, 0.33%, 0.45%

LAB 42.17, 33.73, 2.27

 

CMYK 0 / 33 / 21 / 14

HEX #DB93AD

RGB 219 147 173

HSL 338.33, 0.5%, 0.72%

LAB 68.71, 30.79, -2.44

 

CMYK 0 / 33 / 30 / 14

HEX #DB9399

RGB 219 147 153

HSL 355, 0.5%, 0.72%

LAB 68.19, 27.96, 7.99

 

CMYK 0 / 33 / 33 / 14

HEX #DB9393

RGB 219 147 147

HSL 0, 0.5%, 0.72%

LAB 68.05, 27.18, 11.14

 

CMYK 0 / 33 / 21 / 14

HEX #DB93AD

RGB 219 147 173

HSL 338.33, 0.5%, 0.72%

LAB 68.71, 30.79, -2.44

 

CMYK 0 / 33 / 12 / 14

HEX #DB93C0

RGB 219 147 192

HSL 322.5, 0.5%, 0.72%

LAB 69.28, 33.78, -12.2

 

CMYK 0 / 33 / 4 / 14

HEX #DB93D3

RGB 219 147 211

HSL 306.67, 0.5%, 0.72%

LAB 69.92, 37.04, -21.78

 

CMYK 5 / 33 / 0 / 14

HEX #CF93DB

RGB 207 147 219

HSL 290, 0.5%, 0.72%

LAB 68.93, 34.71, -27.82

 

CMYK 14 / 33 / 0 / 14

HEX #BC93DB

RGB 188 147 219

HSL 274.17, 0.5%, 0.72%

LAB 67.03, 28.78, -30.91

 

CMYK 0 / 33 / 21 / 14

HEX #DB93AD

RGB 219 147 173

HSL 338.33, 0.5%, 0.72%

LAB 68.71, 30.79, -2.44

 

CMYK 0 / 41 / 27 / 10

HEX #E688A9

RGB 230 136 169

HSL 338.94, 0.65%, 0.72%

LAB 67.5, 39.91, -1.83

 

CMYK 0 / 49 / 31 / 5

HEX #F27CA6

RGB 242 124 166

HSL 338.64, 0.82%, 0.72%

LAB 66.55, 49.69, -1.33

 

CMYK 0 / 55 / 36 / 1

HEX #FD71A2

RGB 253 113 162

HSL 339, 0.97%, 0.72%

LAB 65.98, 58, 0.28

 

CMYK 0 / 33 / 21 / 14

HEX #DB93AD

RGB 219 147 173

HSL 338.33, 0.5%, 0.72%

LAB 68.71, 30.79, -2.44

 

CMYK 0 / 23 / 15 / 19

HEX #CF9FB0

RGB 207 159 176

HSL 338.75, 0.33%, 0.72%

LAB 70.31, 20.43, -1.91

 

CMYK 0 / 13 / 9 / 23

HEX #C4ABB3

RGB 196 171 179

HSL 340.8, 0.17%, 0.72%

LAB 72.31, 10.4, -0.77

 

CMYK 0 / 1 / 1 / 28

HEX #B8B6B7

RGB 184 182 183

HSL 330, 0.01%, 0.72%

LAB 74.23, 0.89, -0.27

 

CMYK 11 / 0 / 4 / 24

HEX #ADC2BA

RGB 173 194 186

HSL 157.14, 0.15%, 0.72%

LAB 76.69, -8.7, 1.58

 

CMYK 0 / 33 / 3 / 14

HEX #DB93D4

RGB 219 147 212

HSL 305.83, 0.5%, 0.72%

LAB 69.95, 37.22, -22.28

 

CMYK 0 / 33 / 12 / 14

HEX #DB93C1

RGB 219 147 193

HSL 321.67, 0.5%, 0.72%

LAB 69.31, 33.94, -12.71

 

CMYK 0 / 33 / 21 / 14

HEX #DB93AE

RGB 219 147 174

HSL 337.5, 0.5%, 0.72%

LAB 68.74, 30.94, -2.96

 

CMYK 0 / 33 / 29 / 14

HEX #DB939B

RGB 219 147 155

HSL 353.33, 0.5%, 0.72%

LAB 68.24, 28.23, 6.94

 

CMYK 0 / 27 / 33 / 14

HEX #DB9F93

RGB 219 159 147

HSL 10, 0.5%, 0.72%

LAB 70.85, 20.71, 15.08

 

CMYK 0 / 57 / 37 / 22

HEX #C6567D

RGB 198 86 125

HSL 339.11, 0.5%, 0.56%

LAB 52, 48.54, 0.43

 

CMYK 0 / 44 / 28 / 18

HEX #D07495

RGB 208 116 149

HSL 338.48, 0.49%, 0.64%

LAB 59.95, 39.93, -1.83

 

CMYK 0 / 33 / 21 / 14

HEX #DB93AD

RGB 219 147 173

HSL 338.33, 0.5%, 0.72%

LAB 68.71, 30.79, -2.44

 

CMYK 0 / 22 / 14 / 10

HEX #E5B2C4

RGB 229 178 196

HSL 338.82, 0.5%, 0.8%

LAB 77.57, 21.26, -1.99

 

CMYK 0 / 13 / 8 / 6

HEX #EFD1DC

RGB 239 209 220

HSL 338, 0.48%, 0.88%

LAB 86.56, 12.26, -1.58

 

CMYK 0 / 32 / 21 / 14

HEX #DB94AD

RGB 219 148 173

HSL 338.87, 0.5%, 0.72%

LAB 68.94, 30.25, -2.11

 

CMYK 0 / 5 / 33 / 14

HEX #DBCF93

RGB 219 207 147

HSL 50, 0.5%, 0.72%

LAB 82.8, -4.74, 31.37

 

CMYK 33 / 8 / 0 / 14

HEX #93CADB

RGB 147 202 219

HSL 194.17, 0.5%, 0.72%

LAB 78.2, -13.66, -14.16

 

CMYK 0 / 32 / 21 / 14

HEX #DB94AD

RGB 219 148 173

HSL 338.87, 0.5%, 0.72%

LAB 68.94, 30.25, -2.11

 

CMYK 21 / 0 / 33 / 14

HEX #AEDB93

RGB 174 219 147

HSL 97.5, 0.5%, 0.72%

LAB 82.79, -27.5, 30.77

 

CMYK 33 / 21 / 0 / 14

HEX #93AEDB

RGB 147 174 219

HSL 217.5, 0.5%, 0.72%

LAB 70.59, 1.33, -25.71

 

CMYK 0 / 32 / 21 / 14

HEX #DB94AD

RGB 219 148 173

HSL 338.87, 0.5%, 0.72%

LAB 68.94, 30.25, -2.11

 

CMYK 0 / 5 / 33 / 14

HEX #DBCF93

RGB 219 207 147

HSL 50, 0.5%, 0.72%

LAB 82.8, -4.74, 31.37

 

CMYK 33 / 0 / 12 / 14

HEX #93DBC1

RGB 147 219 193

HSL 158.33, 0.5%, 0.72%

LAB 82.23, -28.03, 5.67

 

CMYK 33 / 27 / 0 / 14

HEX #939FDB

RGB 147 159 219

HSL 230, 0.5%, 0.72%

LAB 66.61, 9.73, -31.84

 

CMYK 0 / 32 / 21 / 14

HEX #DB94AD

RGB 219 148 173

HSL 338.87, 0.5%, 0.72%

LAB 68.94, 30.25, -2.11

 

CMYK 5 / 0 / 33 / 14

HEX #D1DB93

RGB 209 219 147

HSL 68.33, 0.5%, 0.72%

LAB 85.16, -14.66, 34.34

 

CMYK 33 / 0 / 12 / 14

HEX #93DBC1

RGB 147 219 193

HSL 158.33, 0.5%, 0.72%

LAB 82.23, -28.03, 5.67

 

CMYK 28 / 33 / 0 / 14

HEX #9D93DB

RGB 157 147 219

HSL 248.33, 0.5%, 0.72%

LAB 64.28, 19.45, -35.39

 

Description

Color code: HEX #DB94AD | qconv.com Color code: HEX #DB94AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 148 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 148 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 21 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 21% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

10% - Color Palette #839 |...
Link: http://colorpalettes.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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