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Color name
RGB 199 79 76

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 79 76 it is the complementary color RGB 56 176 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 79 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 79 76 shade: RGB 204 79 71, RGB 221 97 90, RGB 238 115 109, RGB 255 133 128 and RGB 255 151 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 79 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 79 76 shade: RGB 199 79 76, RGB 182 61 57, RGB 165 43 38, RGB 148 25 19 and RGB 131 7 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 79 76 shade: RGB 198 79 76 and RGB 198 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 79 76 shade: RGB 198 79 76, RGB 198 112 76, RGB 198 145 76, RGB 198 178 76 and RGB 186 198 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 79 76 shade matches the following richer shades: RGB 198 79 76, RGB 217 61 57 and RGB 236 43 38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 79 76 shade: RGB 198 79 76, RGB 179 97 95, RGB 160 115 114, RGB 141 133 133 and RGB 122 151 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 79 76 shade: RGB 198 76 139, RGB 198 76 107, RGB 198 78 76, RGB 198 111 76 and RGB 198 143 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 79 76 shade: RGB 146 48 46, RGB 177 59 56, RGB 198 79 76, RGB 208 110 108 and RGB 218 141 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 79 76 shade: RGB 199 79 76, RGB 172 198 76 and RGB 76 123 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 79 76 shade: RGB 199 79 76, RGB 76 198 78 and RGB 78 76 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 79 76 shade: RGB 199 79 76, RGB 172 198 76, RGB 76 196 198 and RGB 103 76 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 79 76 shade: RGB 199 79 76, RGB 135 198 76, RGB 76 196 198 and RGB 139 76 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 62 / 22

HEX #C74F4C

RGB 199 79 76

HSL 1.46, 0.52%, 0.54%

LAB 49.81, 47.67, 26.65

 

Complementary color

CMYK 69 / 2 / 0 / 30

HEX #38B0B3

RGB 56 176 179

HSL 181.46, 0.52%, 0.46%

LAB 65.86, -31.25, -11.18

 

CMYK 0 / 61 / 65 / 20

HEX #CC4F47

RGB 204 79 71

HSL 3.61, 0.57%, 0.54%

LAB 50.55, 49.11, 30.68

 

CMYK 0 / 56 / 59 / 13

HEX #DD615A

RGB 221 97 90

HSL 3.21, 0.66%, 0.61%

LAB 56.74, 48.01, 28.12

 

CMYK 0 / 52 / 54 / 7

HEX #EE736D

RGB 238 115 109

HSL 2.79, 0.79%, 0.68%

LAB 62.96, 46.87, 25.91

 

CMYK 0 / 48 / 50 / 0

HEX #FF8580

RGB 255 133 128

HSL 2.36, 1%, 0.75%

LAB 69.18, 45.74, 24

 

CMYK 0 / 41 / 42 / 0

HEX #FF9793

RGB 255 151 147

HSL 2.22, 1%, 0.79%

LAB 73.22, 38.49, 19.01

 

CMYK 0 / 60 / 62 / 22

HEX #C74F4C

RGB 199 79 76

HSL 1.46, 0.52%, 0.54%

LAB 49.81, 47.67, 26.65

 

CMYK 0 / 66 / 69 / 29

HEX #B63D39

RGB 182 61 57

HSL 1.92, 0.52%, 0.47%

LAB 43.62, 48.6, 29.55

 

CMYK 0 / 74 / 77 / 35

HEX #A52B26

RGB 165 43 38

HSL 2.36, 0.63%, 0.4%

LAB 37.6, 49.17, 32.99

 

CMYK 0 / 83 / 87 / 42

HEX #941913

RGB 148 25 19

HSL 2.79, 0.77%, 0.33%

LAB 31.89, 49.03, 36.79

 

CMYK 0 / 95 / 100 / 49

HEX #830700

RGB 131 7 0

HSL 3.21, 1%, 0.26%

LAB 26.67, 47.6, 39.35

 

CMYK 0 / 60 / 62 / 22

HEX #C64F4C

RGB 198 79 76

HSL 1.48, 0.52%, 0.54%

LAB 49.64, 47.32, 26.4

 

CMYK 0 / 62 / 62 / 22

HEX #C64C4C

RGB 198 76 76

HSL 0, 0.52%, 0.54%

LAB 49.13, 48.69, 25.75

 

CMYK 0 / 60 / 62 / 22

HEX #C64F4C

RGB 198 79 76

HSL 1.48, 0.52%, 0.54%

LAB 49.64, 47.32, 26.4

 

CMYK 0 / 43 / 62 / 22

HEX #C6704C

RGB 198 112 76

HSL 17.7, 0.52%, 0.54%

LAB 56.2, 30.67, 34.58

 

CMYK 0 / 27 / 62 / 22

HEX #C6914C

RGB 198 145 76

HSL 33.93, 0.52%, 0.54%

LAB 63.98, 12.67, 43.82

 

CMYK 0 / 10 / 62 / 22

HEX #C6B24C

RGB 198 178 76

HSL 50.16, 0.52%, 0.54%

LAB 72.47, -5.06, 53.39

 

CMYK 6 / 0 / 62 / 22

HEX #BAC64C

RGB 186 198 76

HSL 65.9, 0.52%, 0.54%

LAB 76.89, -20.31, 57.91

 

CMYK 0 / 60 / 62 / 22

HEX #C64F4C

RGB 198 79 76

HSL 1.48, 0.52%, 0.54%

LAB 49.64, 47.32, 26.4

 

CMYK 0 / 72 / 74 / 15

HEX #D93D39

RGB 217 61 57

HSL 1.5, 0.68%, 0.54%

LAB 49.96, 59.95, 38.54

 

CMYK 0 / 82 / 84 / 7

HEX #EC2B26

RGB 236 43 38

HSL 1.52, 0.84%, 0.54%

LAB 51.5, 70.18, 51.31

 

CMYK 0 / 60 / 62 / 22

HEX #C64F4C

RGB 198 79 76

HSL 1.48, 0.52%, 0.54%

LAB 49.64, 47.32, 26.4

 

CMYK 0 / 46 / 47 / 30

HEX #B3615F

RGB 179 97 95

HSL 1.43, 0.36%, 0.54%

LAB 50.64, 32.82, 15.98

 

CMYK 0 / 28 / 29 / 37

HEX #A07372

RGB 160 115 114

HSL 1.3, 0.19%, 0.54%

LAB 52.89, 17.59, 7.58

 

CMYK 0 / 6 / 6 / 45

HEX #8D8585

RGB 141 133 133

HSL 0, 0.03%, 0.54%

LAB 56.22, 3, 1.07

 

CMYK 20 / 1 / 0 / 40

HEX #7A9798

RGB 122 151 152

HSL 182, 0.13%, 0.54%

LAB 60.37, -9.86, -3.89

 

CMYK 0 / 62 / 30 / 22

HEX #C64C8B

RGB 198 76 139

HSL 329.02, 0.52%, 0.54%

LAB 50.73, 54.8, -9.8

 

CMYK 0 / 62 / 46 / 22

HEX #C64C6B

RGB 198 76 107

HSL 344.75, 0.52%, 0.54%

LAB 49.78, 51.23, 8.04

 

CMYK 0 / 61 / 62 / 22

HEX #C64E4C

RGB 198 78 76

HSL 0.98, 0.52%, 0.54%

LAB 49.47, 47.78, 26.18

 

CMYK 0 / 44 / 62 / 22

HEX #C66F4C

RGB 198 111 76

HSL 17.21, 0.52%, 0.54%

LAB 55.98, 31.2, 34.32

 

CMYK 0 / 28 / 62 / 22

HEX #C68F4C

RGB 198 143 76

HSL 32.95, 0.52%, 0.54%

LAB 63.49, 13.77, 43.24

 

CMYK 0 / 67 / 68 / 43

HEX #92302E

RGB 146 48 46

HSL 1.2, 0.52%, 0.38%

LAB 34.85, 41.09, 24.05

 

CMYK 0 / 67 / 68 / 31

HEX #B13B38

RGB 177 59 56

HSL 1.49, 0.52%, 0.46%

LAB 42.4, 47.68, 28.46

 

CMYK 0 / 60 / 62 / 22

HEX #C64F4C

RGB 198 79 76

HSL 1.48, 0.52%, 0.54%

LAB 49.64, 47.32, 26.4

 

CMYK 0 / 47 / 48 / 18

HEX #D06E6C

RGB 208 110 108

HSL 1.2, 0.52%, 0.62%

LAB 57.7, 38.3, 18.68

 

CMYK 0 / 35 / 36 / 15

HEX #DA8D8B

RGB 218 141 139

HSL 1.52, 0.52%, 0.7%

LAB 66.38, 29.04, 13.26

 

CMYK 0 / 60 / 62 / 22

HEX #C74F4C

RGB 199 79 76

HSL 1.46, 0.52%, 0.54%

LAB 49.81, 47.67, 26.65

 

CMYK 13 / 0 / 62 / 22

HEX #ACC64C

RGB 172 198 76

HSL 72.79, 0.52%, 0.54%

LAB 75.87, -26.01, 56.51

 

CMYK 62 / 38 / 0 / 22

HEX #4C7BC6

RGB 76 123 198

HSL 216.89, 0.52%, 0.54%

LAB 51.59, 7.34, -43.88

 

CMYK 0 / 60 / 62 / 22

HEX #C74F4C

RGB 199 79 76

HSL 1.46, 0.52%, 0.54%

LAB 49.81, 47.67, 26.65

 

CMYK 62 / 0 / 61 / 22

HEX #4CC64E

RGB 76 198 78

HSL 120.98, 0.52%, 0.54%

LAB 71.2, -57.42, 49.13

 

CMYK 61 / 62 / 0 / 22

HEX #4E4CC6

RGB 78 76 198

HSL 240.98, 0.52%, 0.54%

LAB 39.35, 37.02, -63.54

 

CMYK 0 / 60 / 62 / 22

HEX #C74F4C

RGB 199 79 76

HSL 1.46, 0.52%, 0.54%

LAB 49.81, 47.67, 26.65

 

CMYK 13 / 0 / 62 / 22

HEX #ACC64C

RGB 172 198 76

HSL 72.79, 0.52%, 0.54%

LAB 75.87, -26.01, 56.51

 

CMYK 62 / 1 / 0 / 22

HEX #4CC4C6

RGB 76 196 198

HSL 180.98, 0.52%, 0.54%

LAB 72.95, -32.31, -10.96

 

CMYK 48 / 62 / 0 / 22

HEX #674CC6

RGB 103 76 198

HSL 253.28, 0.52%, 0.54%

LAB 41.42, 41.58, -60.08

 

CMYK 0 / 60 / 62 / 22

HEX #C74F4C

RGB 199 79 76

HSL 1.46, 0.52%, 0.54%

LAB 49.81, 47.67, 26.65

 

CMYK 32 / 0 / 62 / 22

HEX #87C64C

RGB 135 198 76

HSL 90.98, 0.52%, 0.54%

LAB 73.59, -40.16, 53.35

 

CMYK 62 / 1 / 0 / 22

HEX #4CC4C6

RGB 76 196 198

HSL 180.98, 0.52%, 0.54%

LAB 72.95, -32.31, -10.96

 

CMYK 30 / 62 / 0 / 22

HEX #8B4CC6

RGB 139 76 198

HSL 270.98, 0.52%, 0.54%

LAB 45.27, 49.39, -53.68

 

Description

Color code: RGB 199 79 76 | qconv.com Color code: RGB 199 79 76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 79 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 79 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 62 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 62% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

62% - Vantage Point Church...
Link: http://www.vantagepointchurch.org.au

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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