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Color name
RGB 165 43 38

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 43 38 it is the complementary color RGB 90 212 217. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 43 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 43 38 shade: RGB 170 43 33, RGB 187 61 52, RGB 204 79 71, RGB 221 97 90 and RGB 238 115 109

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 43 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 43 38 shade: RGB 165 43 38, RGB 148 25 19, RGB 131 7 0, RGB 114 0 0 and RGB 97 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 43 38 shade: RGB 166 42 37 and RGB 166 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 43 38 shade: RGB 166 42 37, RGB 166 77 37, RGB 166 112 37, RGB 166 146 37 and RGB 151 166 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 43 38 shade matches the following richer shades: RGB 166 42 37, RGB 182 27 21 and RGB 199 12 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 43 38 shade: RGB 166 42 37, RGB 149 58 54, RGB 133 73 70, RGB 116 88 87 and RGB 100 103 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 43 38 shade: RGB 166 37 102, RGB 166 37 67, RGB 166 42 37, RGB 166 76 37 and RGB 166 110 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 43 38 shade: RGB 99 25 22, RGB 132 34 30, RGB 166 42 37, RGB 199 51 45 and RGB 213 78 72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 43 38 shade: RGB 165 43 38, RGB 136 166 37 and RGB 37 84 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 43 38 shade: RGB 165 43 38, RGB 37 166 42 and RGB 42 37 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 43 38 shade: RGB 165 43 38, RGB 136 166 37, RGB 37 161 166 and RGB 67 37 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 43 38 shade: RGB 165 43 38, RGB 97 166 37, RGB 37 161 166 and RGB 106 37 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 77 / 35

HEX #A52B26

RGB 165 43 38

HSL 2.36, 0.63%, 0.4%

LAB 37.6, 49.17, 32.99

 

Complementary color

CMYK 59 / 2 / 0 / 15

HEX #5AD4D9

RGB 90 212 217

HSL 182.36, 0.63%, 0.6%

LAB 78.62, -32.26, -12.7

 

CMYK 0 / 75 / 81 / 33

HEX #AA2B21

RGB 170 43 33

HSL 4.38, 0.67%, 0.4%

LAB 38.52, 50.6, 37.09

 

CMYK 0 / 67 / 72 / 27

HEX #BB3D34

RGB 187 61 52

HSL 4, 0.56%, 0.47%

LAB 44.45, 50.04, 33.67

 

CMYK 0 / 61 / 65 / 20

HEX #CC4F47

RGB 204 79 71

HSL 3.61, 0.57%, 0.54%

LAB 50.55, 49.11, 30.68

 

CMYK 0 / 56 / 59 / 13

HEX #DD615A

RGB 221 97 90

HSL 3.21, 0.66%, 0.61%

LAB 56.74, 48.01, 28.12

 

CMYK 0 / 52 / 54 / 7

HEX #EE736D

RGB 238 115 109

HSL 2.79, 0.79%, 0.68%

LAB 62.96, 46.87, 25.91

 

CMYK 0 / 74 / 77 / 35

HEX #A52B26

RGB 165 43 38

HSL 2.36, 0.63%, 0.4%

LAB 37.6, 49.17, 32.99

 

CMYK 0 / 83 / 87 / 42

HEX #941913

RGB 148 25 19

HSL 2.79, 0.77%, 0.33%

LAB 31.89, 49.03, 36.79

 

CMYK 0 / 95 / 100 / 49

HEX #830700

RGB 131 7 0

HSL 3.21, 1%, 0.26%

LAB 26.67, 47.6, 39.35

 

CMYK 0 / 100 / 100 / 55

HEX #720000

RGB 114 0 0

HSL 0, 1%, 0.22%

LAB 22.22, 44.23, 33.67

 

CMYK 0 / 100 / 100 / 62

HEX #610000

RGB 97 0 0

HSL 0, 1%, 0.19%

LAB 18.1, 39.46, 27.92

 

CMYK 0 / 75 / 78 / 35

HEX #A62A25

RGB 166 42 37

HSL 2.33, 0.64%, 0.4%

LAB 37.66, 49.82, 33.69

 

CMYK 0 / 78 / 78 / 35

HEX #A62525

RGB 166 37 37

HSL 0, 0.64%, 0.4%

LAB 37.05, 51.51, 33.03

 

CMYK 0 / 75 / 78 / 35

HEX #A62A25

RGB 166 42 37

HSL 2.33, 0.64%, 0.4%

LAB 37.66, 49.82, 33.69

 

CMYK 0 / 54 / 78 / 35

HEX #A64D25

RGB 166 77 37

HSL 18.6, 0.64%, 0.4%

LAB 43.58, 34.08, 39.87

 

CMYK 0 / 33 / 78 / 35

HEX #A67025

RGB 166 112 37

HSL 34.88, 0.64%, 0.4%

LAB 51.64, 14.75, 47.86

 

CMYK 0 / 12 / 78 / 35

HEX #A69225

RGB 166 146 37

HSL 50.7, 0.64%, 0.4%

LAB 60.6, -4.21, 56.3

 

CMYK 9 / 0 / 78 / 35

HEX #97A625

RGB 151 166 37

HSL 66.98, 0.64%, 0.4%

LAB 64.95, -21.33, 59.83

 

CMYK 0 / 75 / 78 / 35

HEX #A62A25

RGB 166 42 37

HSL 2.33, 0.64%, 0.4%

LAB 37.66, 49.82, 33.69

 

CMYK 0 / 85 / 88 / 29

HEX #B61B15

RGB 182 27 21

HSL 2.24, 0.79%, 0.4%

LAB 39.21, 58.51, 44.76

 

CMYK 0 / 94 / 98 / 22

HEX #C70C04

RGB 199 12 4

HSL 2.46, 0.96%, 0.4%

LAB 41.87, 65.31, 54.51

 

CMYK 0 / 75 / 78 / 35

HEX #A62A25

RGB 166 42 37

HSL 2.33, 0.64%, 0.4%

LAB 37.66, 49.82, 33.69

 

CMYK 0 / 61 / 64 / 42

HEX #953A36

RGB 149 58 54

HSL 2.53, 0.47%, 0.4%

LAB 37.27, 38.02, 22.23

 

CMYK 0 / 45 / 47 / 48

HEX #854946

RGB 133 73 70

HSL 2.86, 0.31%, 0.4%

LAB 38.19, 25.1, 13.05

 

CMYK 0 / 24 / 25 / 55

HEX #745857

RGB 116 88 87

HSL 2.07, 0.14%, 0.4%

LAB 40.21, 11.37, 5.03

 

CMYK 3 / 0 / 0 / 60

HEX #646767

RGB 100 103 103

HSL 180, 0.01%, 0.4%

LAB 43.34, -1.16, -0.41

 

CMYK 0 / 78 / 39 / 35

HEX #A62566

RGB 166 37 102

HSL 329.77, 0.64%, 0.4%

LAB 38.53, 56.2, -5.92

 

CMYK 0 / 78 / 60 / 35

HEX #A62543

RGB 166 37 67

HSL 346.05, 0.64%, 0.4%

LAB 37.55, 53.11, 15

 

CMYK 0 / 75 / 78 / 35

HEX #A62A25

RGB 166 42 37

HSL 2.33, 0.64%, 0.4%

LAB 37.66, 49.82, 33.69

 

CMYK 0 / 54 / 78 / 35

HEX #A64C25

RGB 166 76 37

HSL 18.14, 0.64%, 0.4%

LAB 43.37, 34.6, 39.66

 

CMYK 0 / 34 / 78 / 35

HEX #A66E25

RGB 166 110 37

HSL 33.95, 0.64%, 0.4%

LAB 51.14, 15.88, 47.38

 

CMYK 0 / 75 / 78 / 61

HEX #631916

RGB 99 25 22

HSL 2.34, 0.64%, 0.24%

LAB 21.6, 32.93, 21.34

 

CMYK 0 / 74 / 77 / 48

HEX #84221E

RGB 132 34 30

HSL 2.35, 0.63%, 0.32%

LAB 29.77, 41.26, 27.31

 

CMYK 0 / 75 / 78 / 35

HEX #A62A25

RGB 166 42 37

HSL 2.33, 0.64%, 0.4%

LAB 37.66, 49.82, 33.69

 

CMYK 0 / 74 / 77 / 22

HEX #C7332D

RGB 199 51 45

HSL 2.34, 0.63%, 0.48%

LAB 45.22, 57.38, 39.11

 

CMYK 0 / 63 / 66 / 16

HEX #D54E48

RGB 213 78 72

HSL 2.55, 0.63%, 0.56%

LAB 51.91, 52.7, 32.11

 

CMYK 0 / 74 / 77 / 35

HEX #A52B26

RGB 165 43 38

HSL 2.36, 0.63%, 0.4%

LAB 37.6, 49.17, 32.99

 

CMYK 18 / 0 / 78 / 35

HEX #88A625

RGB 136 166 37

HSL 73.95, 0.64%, 0.4%

LAB 63.87, -27.69, 58.44

 

CMYK 78 / 49 / 0 / 35

HEX #2554A6

RGB 37 84 166

HSL 218.14, 0.64%, 0.4%

LAB 36.91, 14.26, -48.77

 

CMYK 0 / 74 / 77 / 35

HEX #A52B26

RGB 165 43 38

HSL 2.36, 0.63%, 0.4%

LAB 37.6, 49.17, 32.99

 

CMYK 78 / 0 / 75 / 35

HEX #25A62A

RGB 37 166 42

HSL 122.33, 0.64%, 0.4%

LAB 59.74, -57.36, 51.3

 

CMYK 75 / 78 / 0 / 35

HEX #2A25A6

RGB 42 37 166

HSL 242.33, 0.64%, 0.4%

LAB 25.47, 44.85, -67.45

 

CMYK 0 / 74 / 77 / 35

HEX #A52B26

RGB 165 43 38

HSL 2.36, 0.63%, 0.4%

LAB 37.6, 49.17, 32.99

 

CMYK 18 / 0 / 78 / 35

HEX #88A625

RGB 136 166 37

HSL 73.95, 0.64%, 0.4%

LAB 63.87, -27.69, 58.44

 

CMYK 78 / 3 / 0 / 35

HEX #25A1A6

RGB 37 161 166

HSL 182.33, 0.64%, 0.4%

LAB 60.46, -30.25, -12.04

 

CMYK 60 / 78 / 0 / 35

HEX #4325A6

RGB 67 37 166

HSL 253.95, 0.64%, 0.4%

LAB 27.49, 47.48, -64.05

 

CMYK 0 / 74 / 77 / 35

HEX #A52B26

RGB 165 43 38

HSL 2.36, 0.63%, 0.4%

LAB 37.6, 49.17, 32.99

 

CMYK 42 / 0 / 78 / 35

HEX #61A625

RGB 97 166 37

HSL 92.09, 0.64%, 0.4%

LAB 61.61, -42.68, 55.5

 

CMYK 78 / 3 / 0 / 35

HEX #25A1A6

RGB 37 161 166

HSL 182.33, 0.64%, 0.4%

LAB 60.46, -30.25, -12.04

 

CMYK 36 / 78 / 0 / 35

HEX #6A25A6

RGB 106 37 166

HSL 272.09, 0.64%, 0.4%

LAB 32.12, 53.37, -56.27

 

Description

Color code: RGB 165 43 38 | qconv.com Color code: RGB 165 43 38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 43 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 43 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 77 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 77% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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