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Color name
RGB 199 57 125

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 57 125 it is the complementary color RGB 56 198 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 57 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 57 125 shade: RGB 204 57 120, RGB 221 75 139, RGB 238 93 158, RGB 255 111 177 and RGB 255 129 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 57 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 57 125 shade: RGB 199 57 125, RGB 182 39 106, RGB 165 21 87, RGB 148 3 68 and RGB 131 0 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 57 125 shade: RGB 198 56 124, RGB 198 56 85 and RGB 198 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 57 125 shade: RGB 198 56 124, RGB 198 56 162, RGB 196 56 198, RGB 157 56 198 and RGB 119 56 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 57 125 shade matches the following richer shades: RGB 198 56 124, RGB 219 35 123 and RGB 240 14 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 57 125 shade: RGB 198 56 124, RGB 178 76 125, RGB 157 97 126, RGB 137 117 127 and RGB 116 138 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 57 125 shade: RGB 196 56 198, RGB 198 56 163, RGB 198 56 125, RGB 198 56 87 and RGB 198 63 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 57 125 shade: RGB 134 37 84, RGB 166 47 104, RGB 198 56 124, RGB 207 88 145 and RGB 217 120 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 57 125 shade: RGB 199 57 125, RGB 198 158 56 and RGB 56 182 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 57 125 shade: RGB 199 57 125, RGB 125 198 56 and RGB 56 125 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 57 125 shade: RGB 199 57 125, RGB 198 158 56, RGB 56 198 129 and RGB 56 96 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 57 125 shade: RGB 199 57 125, RGB 196 198 56, RGB 56 198 129 and RGB 58 56 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 37 / 22

HEX #C7397D

RGB 199 57 125

HSL 331.27, 0.56%, 0.5%

LAB 47.69, 61, -5.9

 

Complementary color

CMYK 72 / 0 / 34 / 22

HEX #38C682

RGB 56 198 130

HSL 151.27, 0.56%, 0.5%

LAB 71.45, -52.96, 23.55

 

CMYK 0 / 72 / 41 / 20

HEX #CC3978

RGB 204 57 120

HSL 334.29, 0.59%, 0.51%

LAB 48.41, 61.87, -1.69

 

CMYK 0 / 66 / 37 / 13

HEX #DD4B8B

RGB 221 75 139

HSL 333.7, 0.68%, 0.58%

LAB 54.31, 62, -4.07

 

CMYK 0 / 61 / 34 / 7

HEX #EE5D9E

RGB 238 93 158

HSL 333.1, 0.81%, 0.65%

LAB 60.31, 61.75, -6.02

 

CMYK 0 / 56 / 31 / 0

HEX #FF6FB1

RGB 255 111 177

HSL 332.5, 1%, 0.72%

LAB 66.37, 61.26, -7.63

 

CMYK 0 / 49 / 23 / 0

HEX #FF81C4

RGB 255 129 196

HSL 328.1, 1%, 0.75%

LAB 70.14, 55.37, -12.69

 

CMYK 0 / 71 / 37 / 22

HEX #C7397D

RGB 199 57 125

HSL 331.27, 0.56%, 0.5%

LAB 47.69, 61, -5.9

 

CMYK 0 / 79 / 42 / 29

HEX #B6276A

RGB 182 39 106

HSL 331.89, 0.65%, 0.43%

LAB 41.9, 60.27, -3.1

 

CMYK 0 / 87 / 47 / 35

HEX #A51557

RGB 165 21 87

HSL 332.5, 0.77%, 0.36%

LAB 36.41, 58.57, 0.51

 

CMYK 0 / 98 / 54 / 42

HEX #940344

RGB 148 3 68

HSL 333.1, 0.96%, 0.3%

LAB 31.3, 55.64, 5.12

 

CMYK 0 / 100 / 63 / 49

HEX #830031

RGB 131 0 49

HSL 337.56, 1%, 0.26%

LAB 26.87, 50.59, 11.2

 

CMYK 0 / 72 / 37 / 22

HEX #C6387C

RGB 198 56 124

HSL 331.27, 0.56%, 0.5%

LAB 47.35, 60.97, -5.81

 

CMYK 0 / 72 / 57 / 22

HEX #C63855

RGB 198 56 85

HSL 347.75, 0.56%, 0.5%

LAB 46.3, 57.47, 16.59

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 0 / 72 / 37 / 22

HEX #C6387C

RGB 198 56 124

HSL 331.27, 0.56%, 0.5%

LAB 47.35, 60.97, -5.81

 

CMYK 0 / 72 / 18 / 22

HEX #C638A2

RGB 198 56 162

HSL 315.21, 0.56%, 0.5%

LAB 48.81, 65.64, -26.43

 

CMYK 1 / 72 / 0 / 22

HEX #C438C6

RGB 196 56 198

HSL 299.15, 0.56%, 0.5%

LAB 50.26, 70.6, -45.24

 

CMYK 21 / 72 / 0 / 22

HEX #9D38C6

RGB 157 56 198

HSL 282.68, 0.56%, 0.5%

LAB 44.34, 62.45, -55.05

 

CMYK 40 / 72 / 0 / 22

HEX #7738C6

RGB 119 56 198

HSL 266.62, 0.56%, 0.5%

LAB 39.29, 55.14, -63.48

 

CMYK 0 / 72 / 37 / 22

HEX #C6387C

RGB 198 56 124

HSL 331.27, 0.56%, 0.5%

LAB 47.35, 60.97, -5.81

 

CMYK 0 / 84 / 44 / 14

HEX #DB237B

RGB 219 35 123

HSL 331.3, 0.72%, 0.5%

LAB 49.12, 72.11, -2.15

 

CMYK 0 / 94 / 49 / 6

HEX #F00E7A

RGB 240 14 122

HSL 331.33, 0.89%, 0.5%

LAB 52.11, 79.87, 3.31

 

CMYK 0 / 72 / 37 / 22

HEX #C6387C

RGB 198 56 124

HSL 331.27, 0.56%, 0.5%

LAB 47.35, 60.97, -5.81

 

CMYK 0 / 57 / 30 / 30

HEX #B24C7D

RGB 178 76 125

HSL 331.18, 0.4%, 0.5%

LAB 47.12, 46.75, -7.11

 

CMYK 0 / 38 / 20 / 38

HEX #9D617E

RGB 157 97 126

HSL 331, 0.24%, 0.5%

LAB 48.54, 28.55, -5.92

 

CMYK 0 / 15 / 7 / 46

HEX #89757F

RGB 137 117 127

HSL 330, 0.08%, 0.5%

LAB 51.35, 9.59, -2.6

 

CMYK 16 / 0 / 8 / 46

HEX #748A7F

RGB 116 138 127

HSL 150, 0.09%, 0.5%

LAB 55.5, -10.21, 3.25

 

CMYK 1 / 72 / 0 / 22

HEX #C438C6

RGB 196 56 198

HSL 299.15, 0.56%, 0.5%

LAB 50.26, 70.6, -45.24

 

CMYK 0 / 72 / 18 / 22

HEX #C638A3

RGB 198 56 163

HSL 314.79, 0.56%, 0.5%

LAB 48.86, 65.77, -26.95

 

CMYK 0 / 72 / 37 / 22

HEX #C6387D

RGB 198 56 125

HSL 330.85, 0.56%, 0.5%

LAB 47.38, 61.08, -6.37

 

CMYK 0 / 72 / 56 / 22

HEX #C63857

RGB 198 56 87

HSL 346.9, 0.56%, 0.5%

LAB 46.34, 57.61, 15.42

 

CMYK 0 / 68 / 72 / 22

HEX #C63F38

RGB 198 63 56

HSL 2.96, 0.56%, 0.5%

LAB 46.77, 53.09, 34.56

 

CMYK 0 / 72 / 37 / 47

HEX #862554

RGB 134 37 84

HSL 330.93, 0.57%, 0.34%

LAB 31.88, 45.11, -4.92

 

CMYK 0 / 72 / 37 / 35

HEX #A62F68

RGB 166 47 104

HSL 331.26, 0.56%, 0.42%

LAB 39.81, 53.01, -5.27

 

CMYK 0 / 72 / 37 / 22

HEX #C6387C

RGB 198 56 124

HSL 331.27, 0.56%, 0.5%

LAB 47.35, 60.97, -5.81

 

CMYK 0 / 57 / 30 / 19

HEX #CF5891

RGB 207 88 145

HSL 331.26, 0.55%, 0.58%

LAB 54.33, 52.93, -7.83

 

CMYK 0 / 45 / 24 / 15

HEX #D978A6

RGB 217 120 166

HSL 331.55, 0.56%, 0.66%

LAB 62.46, 43.32, -7.76

 

CMYK 0 / 71 / 37 / 22

HEX #C7397D

RGB 199 57 125

HSL 331.27, 0.56%, 0.5%

LAB 47.69, 61, -5.9

 

CMYK 0 / 20 / 72 / 22

HEX #C69E38

RGB 198 158 56

HSL 43.1, 0.56%, 0.5%

LAB 67.09, 4.4, 56.37

 

CMYK 72 / 8 / 0 / 22

HEX #38B6C6

RGB 56 182 198

HSL 186.76, 0.56%, 0.5%

LAB 68.3, -28.48, -18.02

 

CMYK 0 / 71 / 37 / 22

HEX #C7397D

RGB 199 57 125

HSL 331.27, 0.56%, 0.5%

LAB 47.69, 61, -5.9

 

CMYK 37 / 0 / 72 / 22

HEX #7DC638

RGB 125 198 56

HSL 90.85, 0.56%, 0.5%

LAB 72.91, -45.24, 60.47

 

CMYK 72 / 37 / 0 / 22

HEX #387DC6

RGB 56 125 198

HSL 210.85, 0.56%, 0.5%

LAB 51.36, 2.79, -44.28

 

CMYK 0 / 71 / 37 / 22

HEX #C7397D

RGB 199 57 125

HSL 331.27, 0.56%, 0.5%

LAB 47.69, 61, -5.9

 

CMYK 0 / 20 / 72 / 22

HEX #C69E38

RGB 198 158 56

HSL 43.1, 0.56%, 0.5%

LAB 67.09, 4.4, 56.37

 

CMYK 72 / 0 / 35 / 22

HEX #38C681

RGB 56 198 129

HSL 150.85, 0.56%, 0.5%

LAB 71.43, -53.16, 24.05

 

CMYK 72 / 52 / 0 / 22

HEX #3860C6

RGB 56 96 198

HSL 223.1, 0.56%, 0.5%

LAB 43.19, 21, -57.37

 

CMYK 0 / 71 / 37 / 22

HEX #C7397D

RGB 199 57 125

HSL 331.27, 0.56%, 0.5%

LAB 47.69, 61, -5.9

 

CMYK 1 / 0 / 72 / 22

HEX #C4C638

RGB 196 198 56

HSL 60.85, 0.56%, 0.5%

LAB 77.53, -17.3, 66.56

 

CMYK 72 / 0 / 35 / 22

HEX #38C681

RGB 56 198 129

HSL 150.85, 0.56%, 0.5%

LAB 71.43, -53.16, 24.05

 

CMYK 71 / 72 / 0 / 22

HEX #3A38C6

RGB 58 56 198

HSL 240.85, 0.56%, 0.5%

LAB 33.57, 46.24, -73.06

 

Description

Color code: RGB 199 57 125 | qconv.com Color code: RGB 199 57 125 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 57 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 57 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 37 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 37% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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