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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C438C6 it is the complementary color #3BC739. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C438C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C438C6 shade: #C938C1, #DA4AD4, #EB5CE7, #FC6EFA and #FF80FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C438C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C438C6 shade: #C438C6, #B326B3, #A214A0, #91028D and #80007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C438C6 shade: #C438C6, #C638A2, #C6387B, #C63855 and #C63838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C438C6 shade: #C438C6, #9E38C6, #7738C6, #5138C6 and #3838C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C438C6 shade matches the following richer shades: #C438C6, #D823DB and #EC0EF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C438C6 shade: #C438C6, #B04CB2, #9C619D, #887589 and #748A74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C438C6 shade: #7838C6, #9E38C6, #C438C6, #C638A3 and #C6387D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C438C6 shade: #852586, #A52FA6, #C438C6, #CE58CF and #D778D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C438C6 shade: #C438C6, #C65238 and #38C68B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C438C6 shade: #C438C6, #C6C438 and #38C6C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C438C6 shade: #C438C6, #C65238, #3AC638 and #38ACC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C438C6 shade: #C438C6, #C67D38, #3AC638 and #3881C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 72 / 0 / 22

HEX #C438C6

RGB 196 56 198

HSL 299.15, 0.56%, 0.5%

LAB 50.26, 70.6, -45.24

 

Complementary color

CMYK 70 / 0 / 71 / 22

HEX #3BC739

RGB 59 199 57

HSL 119.15, 0.56%, 0.5%

LAB 70.92, -63.24, 57.34

 

CMYK 0 / 72 / 4 / 21

HEX #C938C1

RGB 201 56 193

HSL 303.31, 0.57%, 0.5%

LAB 50.8, 70.89, -41.45

 

CMYK 0 / 66 / 3 / 15

HEX #DA4AD4

RGB 218 74 212

HSL 302.5, 0.66%, 0.57%

LAB 56.64, 71.46, -42.94

 

CMYK 0 / 61 / 2 / 8

HEX #EB5CE7

RGB 235 92 231

HSL 301.68, 0.78%, 0.64%

LAB 62.58, 71.57, -44.11

 

CMYK 0 / 56 / 1 / 1

HEX #FC6EFA

RGB 252 110 250

HSL 300.85, 0.96%, 0.71%

LAB 68.57, 71.37, -45.03

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 1 / 72 / 0 / 22

HEX #C438C6

RGB 196 56 198

HSL 299.15, 0.56%, 0.5%

LAB 50.26, 70.6, -45.24

 

CMYK 0 / 79 / 0 / 30

HEX #B326B3

RGB 179 38 179

HSL 300, 0.65%, 0.43%

LAB 44.55, 69.37, -43.4

 

CMYK 0 / 88 / 1 / 36

HEX #A214A0

RGB 162 20 160

HSL 300.85, 0.78%, 0.36%

LAB 39.1, 67.11, -40.94

 

CMYK 0 / 99 / 3 / 43

HEX #91028D

RGB 145 2 141

HSL 301.68, 0.97%, 0.29%

LAB 33.95, 63.64, -37.75

 

CMYK 0 / 100 / 5 / 50

HEX #80007A

RGB 128 0 122

HSL 302.81, 1%, 0.25%

LAB 29.4, 58.01, -33.32

 

CMYK 1 / 72 / 0 / 22

HEX #C438C6

RGB 196 56 198

HSL 299.15, 0.56%, 0.5%

LAB 50.26, 70.6, -45.24

 

CMYK 0 / 72 / 18 / 22

HEX #C638A2

RGB 198 56 162

HSL 315.21, 0.56%, 0.5%

LAB 48.81, 65.64, -26.43

 

CMYK 0 / 72 / 38 / 22

HEX #C6387B

RGB 198 56 123

HSL 331.69, 0.56%, 0.5%

LAB 47.32, 60.86, -5.25

 

CMYK 0 / 72 / 57 / 22

HEX #C63855

RGB 198 56 85

HSL 347.75, 0.56%, 0.5%

LAB 46.3, 57.47, 16.59

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 1 / 72 / 0 / 22

HEX #C438C6

RGB 196 56 198

HSL 299.15, 0.56%, 0.5%

LAB 50.26, 70.6, -45.24

 

CMYK 20 / 72 / 0 / 22

HEX #9E38C6

RGB 158 56 198

HSL 283.1, 0.56%, 0.5%

LAB 44.48, 62.65, -54.81

 

CMYK 40 / 72 / 0 / 22

HEX #7738C6

RGB 119 56 198

HSL 266.62, 0.56%, 0.5%

LAB 39.29, 55.14, -63.48

 

CMYK 59 / 72 / 0 / 22

HEX #5138C6

RGB 81 56 198

HSL 250.56, 0.56%, 0.5%

LAB 35.31, 49.04, -70.14

 

CMYK 72 / 72 / 0 / 22

HEX #3838C6

RGB 56 56 198

HSL 240, 0.56%, 0.5%

LAB 33.45, 46.04, -73.27

 

CMYK 1 / 72 / 0 / 22

HEX #C438C6

RGB 196 56 198

HSL 299.15, 0.56%, 0.5%

LAB 50.26, 70.6, -45.24

 

CMYK 1 / 84 / 0 / 14

HEX #D823DB

RGB 216 35 219

HSL 299.02, 0.72%, 0.5%

LAB 52.86, 83.15, -52.95

 

CMYK 2 / 94 / 0 / 6

HEX #EC0EF0

RGB 236 14 240

HSL 298.94, 0.89%, 0.5%

LAB 56.52, 92.3, -58.75

 

CMYK 1 / 72 / 0 / 22

HEX #C438C6

RGB 196 56 198

HSL 299.15, 0.56%, 0.5%

LAB 50.26, 70.6, -45.24

 

CMYK 1 / 57 / 0 / 30

HEX #B04CB2

RGB 176 76 178

HSL 298.82, 0.4%, 0.5%

LAB 49.02, 54.48, -35.77

 

CMYK 1 / 38 / 0 / 38

HEX #9C619D

RGB 156 97 157

HSL 299, 0.24%, 0.5%

LAB 49.56, 33.76, -22.81

 

CMYK 1 / 15 / 0 / 46

HEX #887589

RGB 136 117 137

HSL 297, 0.08%, 0.5%

LAB 51.57, 11.17, -8.17

 

CMYK 16 / 0 / 16 / 46

HEX #748A74

RGB 116 138 116

HSL 120, 0.09%, 0.5%

LAB 55.23, -12.4, 9.18

 

CMYK 39 / 72 / 0 / 22

HEX #7838C6

RGB 120 56 198

HSL 267.04, 0.56%, 0.5%

LAB 39.41, 55.32, -63.27

 

CMYK 20 / 72 / 0 / 22

HEX #9E38C6

RGB 158 56 198

HSL 283.1, 0.56%, 0.5%

LAB 44.48, 62.65, -54.81

 

CMYK 1 / 72 / 0 / 22

HEX #C438C6

RGB 196 56 198

HSL 299.15, 0.56%, 0.5%

LAB 50.26, 70.6, -45.24

 

CMYK 0 / 72 / 18 / 22

HEX #C638A3

RGB 198 56 163

HSL 314.79, 0.56%, 0.5%

LAB 48.86, 65.77, -26.95

 

CMYK 0 / 72 / 37 / 22

HEX #C6387D

RGB 198 56 125

HSL 330.85, 0.56%, 0.5%

LAB 47.38, 61.08, -6.37

 

CMYK 1 / 72 / 0 / 47

HEX #852586

RGB 133 37 134

HSL 299.38, 0.57%, 0.34%

LAB 34.05, 52.29, -33.39

 

CMYK 1 / 72 / 0 / 35

HEX #A52FA6

RGB 165 47 166

HSL 299.5, 0.56%, 0.42%

LAB 42.44, 61.56, -39.2

 

CMYK 1 / 72 / 0 / 22

HEX #C438C6

RGB 196 56 198

HSL 299.15, 0.56%, 0.5%

LAB 50.26, 70.6, -45.24

 

CMYK 0 / 57 / 0 / 19

HEX #CE58CF

RGB 206 88 207

HSL 299.5, 0.55%, 0.58%

LAB 56.69, 62.02, -40.14

 

CMYK 1 / 45 / 0 / 15

HEX #D778D9

RGB 215 120 217

HSL 298.76, 0.56%, 0.66%

LAB 64.07, 50.99, -34.15

 

CMYK 1 / 72 / 0 / 22

HEX #C438C6

RGB 196 56 198

HSL 299.15, 0.56%, 0.5%

LAB 50.26, 70.6, -45.24

 

CMYK 0 / 59 / 72 / 22

HEX #C65238

RGB 198 82 56

HSL 10.99, 0.56%, 0.5%

LAB 49.89, 44.76, 38.11

 

CMYK 72 / 0 / 30 / 22

HEX #38C68B

RGB 56 198 139

HSL 155.07, 0.56%, 0.5%

LAB 71.62, -51.08, 19

 

CMYK 1 / 72 / 0 / 22

HEX #C438C6

RGB 196 56 198

HSL 299.15, 0.56%, 0.5%

LAB 50.26, 70.6, -45.24

 

CMYK 0 / 1 / 72 / 22

HEX #C6C438

RGB 198 196 56

HSL 59.15, 0.56%, 0.5%

LAB 77.14, -15.45, 66.25

 

CMYK 72 / 0 / 1 / 22

HEX #38C6C4

RGB 56 198 196

HSL 179.15, 0.56%, 0.5%

LAB 73.03, -36.69, -9.8

 

CMYK 1 / 72 / 0 / 22

HEX #C438C6

RGB 196 56 198

HSL 299.15, 0.56%, 0.5%

LAB 50.26, 70.6, -45.24

 

CMYK 0 / 59 / 72 / 22

HEX #C65238

RGB 198 82 56

HSL 10.99, 0.56%, 0.5%

LAB 49.89, 44.76, 38.11

 

CMYK 71 / 0 / 72 / 22

HEX #3AC638

RGB 58 198 56

HSL 119.15, 0.56%, 0.5%

LAB 70.58, -63.17, 57.34

 

CMYK 72 / 13 / 0 / 22

HEX #38ACC6

RGB 56 172 198

HSL 190.99, 0.56%, 0.5%

LAB 65.3, -23.46, -22.58

 

CMYK 1 / 72 / 0 / 22

HEX #C438C6

RGB 196 56 198

HSL 299.15, 0.56%, 0.5%

LAB 50.26, 70.6, -45.24

 

CMYK 0 / 37 / 72 / 22

HEX #C67D38

RGB 198 125 56

HSL 29.15, 0.56%, 0.5%

LAB 58.94, 22.41, 47.98

 

CMYK 71 / 0 / 72 / 22

HEX #3AC638

RGB 58 198 56

HSL 119.15, 0.56%, 0.5%

LAB 70.58, -63.17, 57.34

 

CMYK 72 / 35 / 0 / 22

HEX #3881C6

RGB 56 129 198

HSL 209.15, 0.56%, 0.5%

LAB 52.53, 0.39, -42.44

 

Description

Color code: HEX #C438C6 | qconv.com Color code: HEX #C438C6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 56 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 56 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 72 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 72% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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