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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 47 193 it is the complementary color RGB 57 208 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 47 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 47 193 shade: RGB 203 47 188, RGB 220 65 207, RGB 237 83 226, RGB 254 101 245 and RGB 255 119 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 47 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 47 193 shade: RGB 198 47 193, RGB 181 29 174, RGB 164 11 155, RGB 147 0 136 and RGB 130 0 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 47 193 shade: RGB 198 46 193, RGB 198 46 152, RGB 198 46 111, RGB 198 46 70 and RGB 198 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 47 193 shade: RGB 198 46 193, RGB 162 46 198, RGB 121 46 198, RGB 80 46 198 and RGB 46 46 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 47 193 shade matches the following richer shades: RGB 198 46 193, RGB 218 26 211 and RGB 237 6 230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 47 193 shade: RGB 198 46 193, RGB 178 66 174, RGB 158 86 156, RGB 138 105 137 and RGB 119 125 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 47 193 shade: RGB 119 46 198, RGB 160 46 198, RGB 198 46 195, RGB 198 46 155 and RGB 198 46 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 47 193 shade: RGB 131 30 128, RGB 164 38 160, RGB 198 46 193, RGB 212 73 207 and RGB 220 107 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 47 193 shade: RGB 198 47 193, RGB 198 79 46 and RGB 46 198 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 47 193 shade: RGB 198 47 193, RGB 195 198 46 and RGB 46 195 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 47 193 shade: RGB 198 47 193, RGB 198 79 46, RGB 46 198 49 and RGB 46 165 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 47 193 shade: RGB 198 47 193, RGB 198 124 46, RGB 46 198 49 and RGB 46 119 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 3 / 22

HEX #C62FC1

RGB 198 47 193

HSL 301.99, 0.62%, 0.48%

LAB 49.36, 72.97, -43.76

 

Complementary color

CMYK 73 / 0 / 70 / 18

HEX #39D03E

RGB 57 208 62

HSL 121.99, 0.62%, 0.52%

LAB 73.76, -66.05, 58.4

 

CMYK 0 / 77 / 7 / 20

HEX #CB2FBC

RGB 203 47 188

HSL 305.77, 0.62%, 0.49%

LAB 49.93, 73.25, -39.89

 

CMYK 0 / 70 / 6 / 14

HEX #DC41CF

RGB 220 65 207

HSL 305.03, 0.69%, 0.56%

LAB 55.58, 74.29, -41.74

 

CMYK 0 / 65 / 5 / 7

HEX #ED53E2

RGB 237 83 226

HSL 304.29, 0.81%, 0.63%

LAB 61.38, 74.74, -43.18

 

CMYK 0 / 60 / 4 / 0

HEX #FE65F5

RGB 254 101 245

HSL 303.53, 0.99%, 0.7%

LAB 67.26, 74.79, -44.33

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 76 / 3 / 22

HEX #C62FC1

RGB 198 47 193

HSL 301.99, 0.62%, 0.48%

LAB 49.36, 72.97, -43.76

 

CMYK 0 / 84 / 4 / 29

HEX #B51DAE

RGB 181 29 174

HSL 302.76, 0.72%, 0.41%

LAB 43.88, 71.11, -41.49

 

CMYK 0 / 93 / 5 / 36

HEX #A40B9B

RGB 164 11 155

HSL 303.53, 0.87%, 0.34%

LAB 38.72, 68.05, -38.5

 

CMYK 0 / 100 / 7 / 42

HEX #930088

RGB 147 0 136

HSL 304.49, 1%, 0.29%

LAB 33.94, 63.52, -34.65

 

CMYK 0 / 100 / 10 / 49

HEX #820075

RGB 130 0 117

HSL 306, 1%, 0.25%

LAB 29.49, 57.63, -29.98

 

CMYK 0 / 77 / 3 / 22

HEX #C62EC1

RGB 198 46 193

HSL 301.97, 0.62%, 0.48%

LAB 49.26, 73.24, -43.91

 

CMYK 0 / 77 / 23 / 22

HEX #C62E98

RGB 198 46 152

HSL 318.16, 0.62%, 0.48%

LAB 47.27, 67.46, -22.85

 

CMYK 0 / 77 / 44 / 22

HEX #C62E6F

RGB 198 46 111

HSL 334.34, 0.62%, 0.48%

LAB 45.78, 62.93, -0.16

 

CMYK 0 / 77 / 65 / 22

HEX #C62E46

RGB 198 46 70

HSL 350.53, 0.62%, 0.48%

LAB 44.8, 59.85, 23.82

 

CMYK 0 / 77 / 77 / 22

HEX #C62E2E

RGB 198 46 46

HSL 0, 0.62%, 0.48%

LAB 44.46, 58.73, 37.68

 

CMYK 0 / 77 / 3 / 22

HEX #C62EC1

RGB 198 46 193

HSL 301.97, 0.62%, 0.48%

LAB 49.26, 73.24, -43.91

 

CMYK 18 / 77 / 0 / 22

HEX #A22EC6

RGB 162 46 198

HSL 285.79, 0.62%, 0.48%

LAB 43.82, 67.03, -55.86

 

CMYK 39 / 77 / 0 / 22

HEX #792EC6

RGB 121 46 198

HSL 269.61, 0.62%, 0.48%

LAB 38.01, 59.82, -65.54

 

CMYK 60 / 77 / 0 / 22

HEX #502EC6

RGB 80 46 198

HSL 253.42, 0.62%, 0.48%

LAB 33.43, 53.98, -73.24

 

CMYK 77 / 77 / 0 / 22

HEX #2E2EC6

RGB 46 46 198

HSL 240, 0.62%, 0.48%

LAB 30.91, 50.7, -77.49

 

CMYK 0 / 77 / 3 / 22

HEX #C62EC1

RGB 198 46 193

HSL 301.97, 0.62%, 0.48%

LAB 49.26, 73.24, -43.91

 

CMYK 0 / 88 / 3 / 15

HEX #DA1AD3

RGB 218 26 211

HSL 302.19, 0.79%, 0.48%

LAB 52.23, 83.83, -49.37

 

CMYK 0 / 97 / 3 / 7

HEX #ED06E6

RGB 237 6 230

HSL 301.82, 0.95%, 0.48%

LAB 55.94, 91.6, -54.06

 

CMYK 0 / 77 / 3 / 22

HEX #C62EC1

RGB 198 46 193

HSL 301.97, 0.62%, 0.48%

LAB 49.26, 73.24, -43.91

 

CMYK 0 / 63 / 2 / 30

HEX #B242AE

RGB 178 66 174

HSL 302.14, 0.46%, 0.48%

LAB 47.52, 58.71, -35.77

 

CMYK 0 / 46 / 1 / 38

HEX #9E569C

RGB 158 86 156

HSL 301.67, 0.3%, 0.48%

LAB 47.4, 40.24, -25.53

 

CMYK 0 / 24 / 1 / 46

HEX #8A6989

RGB 138 105 137

HSL 301.82, 0.14%, 0.48%

LAB 48.65, 18.96, -12.54

 

CMYK 5 / 0 / 5 / 51

HEX #777D77

RGB 119 125 119

HSL 120, 0.02%, 0.48%

LAB 51.75, -3.45, 2.49

 

CMYK 40 / 77 / 0 / 22

HEX #772EC6

RGB 119 46 198

HSL 268.82, 0.62%, 0.48%

LAB 37.76, 59.49, -65.97

 

CMYK 19 / 77 / 0 / 22

HEX #A02EC6

RGB 160 46 198

HSL 285, 0.62%, 0.48%

LAB 43.51, 66.66, -56.36

 

CMYK 0 / 77 / 2 / 22

HEX #C62EC3

RGB 198 46 195

HSL 301.18, 0.62%, 0.48%

LAB 49.37, 73.55, -44.9

 

CMYK 0 / 77 / 22 / 22

HEX #C62E9B

RGB 198 46 155

HSL 316.97, 0.62%, 0.48%

LAB 47.4, 67.85, -24.45

 

CMYK 0 / 77 / 42 / 22

HEX #C62E72

RGB 198 46 114

HSL 333.16, 0.62%, 0.48%

LAB 45.87, 63.22, -1.88

 

CMYK 0 / 77 / 2 / 49

HEX #831E80

RGB 131 30 128

HSL 301.78, 0.63%, 0.32%

LAB 32.51, 53.21, -32.12

 

CMYK 0 / 77 / 2 / 36

HEX #A426A0

RGB 164 38 160

HSL 301.9, 0.62%, 0.4%

LAB 40.92, 63.25, -38.02

 

CMYK 0 / 77 / 3 / 22

HEX #C62EC1

RGB 198 46 193

HSL 301.97, 0.62%, 0.48%

LAB 49.26, 73.24, -43.91

 

CMYK 0 / 66 / 2 / 17

HEX #D449CF

RGB 212 73 207

HSL 302.16, 0.62%, 0.56%

LAB 55.35, 69.64, -42.2

 

CMYK 0 / 51 / 2 / 14

HEX #DC6BD8

RGB 220 107 216

HSL 302.12, 0.62%, 0.64%

LAB 62.24, 58.6, -36.39

 

CMYK 0 / 76 / 3 / 22

HEX #C62FC1

RGB 198 47 193

HSL 301.99, 0.62%, 0.48%

LAB 49.36, 72.97, -43.76

 

CMYK 0 / 60 / 77 / 22

HEX #C64F2E

RGB 198 79 46

HSL 13.03, 0.62%, 0.48%

LAB 49.25, 45.73, 42.74

 

CMYK 77 / 0 / 29 / 22

HEX #2EC68C

RGB 46 198 140

HSL 157.11, 0.62%, 0.48%

LAB 71.46, -52.19, 18.23

 

CMYK 0 / 76 / 3 / 22

HEX #C62FC1

RGB 198 47 193

HSL 301.99, 0.62%, 0.48%

LAB 49.36, 72.97, -43.76

 

CMYK 2 / 0 / 77 / 22

HEX #C3C62E

RGB 195 198 46

HSL 61.18, 0.62%, 0.48%

LAB 77.39, -18.15, 69.65

 

CMYK 77 / 2 / 0 / 22

HEX #2EC3C6

RGB 46 195 198

HSL 181.18, 0.62%, 0.48%

LAB 72.02, -35.83, -12.42

 

CMYK 0 / 76 / 3 / 22

HEX #C62FC1

RGB 198 47 193

HSL 301.99, 0.62%, 0.48%

LAB 49.36, 72.97, -43.76

 

CMYK 0 / 60 / 77 / 22

HEX #C64F2E

RGB 198 79 46

HSL 13.03, 0.62%, 0.48%

LAB 49.25, 45.73, 42.74

 

CMYK 77 / 0 / 75 / 22

HEX #2EC631

RGB 46 198 49

HSL 121.18, 0.62%, 0.48%

LAB 70.31, -65.61, 59.48

 

CMYK 77 / 17 / 0 / 22

HEX #2EA5C6

RGB 46 165 198

HSL 193.03, 0.62%, 0.48%

LAB 62.98, -21.06, -26.14

 

CMYK 0 / 76 / 3 / 22

HEX #C62FC1

RGB 198 47 193

HSL 301.99, 0.62%, 0.48%

LAB 49.36, 72.97, -43.76

 

CMYK 0 / 37 / 77 / 22

HEX #C67C2E

RGB 198 124 46

HSL 30.79, 0.62%, 0.48%

LAB 58.62, 22.5, 52.17

 

CMYK 77 / 0 / 75 / 22

HEX #2EC631

RGB 46 198 49

HSL 121.18, 0.62%, 0.48%

LAB 70.31, -65.61, 59.48

 

CMYK 77 / 40 / 0 / 22

HEX #2E77C6

RGB 46 119 198

HSL 211.18, 0.62%, 0.48%

LAB 49.32, 5.15, -47.56

 

Description

Color code: RGB 198 47 193 | qconv.com Color code: RGB 198 47 193 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 47 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 47 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 3 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 3% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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