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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #502EC6 it is the complementary color #AFD139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #502EC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #502EC6 shade: #552EC1, #6640D4, #7752E7, #8864FA and #9976FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #502EC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #502EC6 shade: #502EC6, #3F1CB3, #2E0AA0, #1D008D and #0C007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #502EC6 shade: #502EC6, #792EC6, #A22EC6, #C62EC1 and #C62E98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #502EC6 shade: #502EC6 and #2E2EC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #502EC6 shade matches the following richer shades: #502EC6, #451ADA and #3A06ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #502EC6 shade: #502EC6, #5B42B2, #66569E, #71698A and #7C7D77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #502EC6 shade: #2E5EC6, #2E36C6, #4F2EC6, #772EC6 and #A02EC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #502EC6 shade: #351E83, #4226A4, #502EC6, #6849D4 and #846BDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #502EC6 shade: #502EC6, #C62E87 and #4AC62E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #502EC6 shade: #502EC6, #C64F2E and #2EC64F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #502EC6 shade: #502EC6, #C62E87, #A5C62E and #2EC66D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #502EC6 shade: #502EC6, #C62E59, #A5C62E and #2EC69B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 77 / 0 / 22

HEX #502EC6

RGB 80 46 198

HSL 253.42, 0.62%, 0.48%

LAB 33.43, 53.98, -73.24

 

Complementary color

CMYK 16 / 0 / 73 / 18

HEX #AFD139

RGB 175 209 57

HSL 73.42, 0.62%, 0.52%

LAB 79.05, -31.23, 67.15

 

CMYK 56 / 76 / 0 / 24

HEX #552EC1

RGB 85 46 193

HSL 255.92, 0.62%, 0.47%

LAB 33.43, 53.19, -70.3

 

CMYK 52 / 70 / 0 / 17

HEX #6640D4

RGB 102 64 212

HSL 255.41, 0.63%, 0.54%

LAB 39.99, 52.02, -70.51

 

CMYK 48 / 65 / 0 / 9

HEX #7752E7

RGB 119 82 231

HSL 254.9, 0.76%, 0.61%

LAB 46.61, 50.68, -70.48

 

CMYK 46 / 60 / 0 / 2

HEX #8864FA

RGB 136 100 250

HSL 254.4, 0.94%, 0.69%

LAB 53.22, 49.34, -70.31

 

CMYK 40 / 54 / 0 / 0

HEX #9976FF

RGB 153 118 255

HSL 255.33, 1%, 0.73%

LAB 58.93, 44.3, -63.8

 

CMYK 60 / 77 / 0 / 22

HEX #502EC6

RGB 80 46 198

HSL 253.42, 0.62%, 0.48%

LAB 33.43, 53.98, -73.24

 

CMYK 65 / 84 / 0 / 30

HEX #3F1CB3

RGB 63 28 179

HSL 253.91, 0.73%, 0.41%

LAB 27.14, 54.76, -72.46

 

CMYK 71 / 94 / 0 / 37

HEX #2E0AA0

RGB 46 10 160

HSL 254.4, 0.88%, 0.33%

LAB 21.34, 54.27, -70.64

 

CMYK 79 / 100 / 0 / 45

HEX #1D008D

RGB 29 0 141

HSL 252.34, 1%, 0.28%

LAB 16.43, 51.43, -67.12

 

CMYK 90 / 100 / 0 / 52

HEX #0C007A

RGB 12 0 122

HSL 245.9, 1%, 0.24%

LAB 12.5, 46.06, -61.64

 

CMYK 60 / 77 / 0 / 22

HEX #502EC6

RGB 80 46 198

HSL 253.42, 0.62%, 0.48%

LAB 33.43, 53.98, -73.24

 

CMYK 39 / 77 / 0 / 22

HEX #792EC6

RGB 121 46 198

HSL 269.61, 0.62%, 0.48%

LAB 38.01, 59.82, -65.54

 

CMYK 18 / 77 / 0 / 22

HEX #A22EC6

RGB 162 46 198

HSL 285.79, 0.62%, 0.48%

LAB 43.82, 67.03, -55.86

 

CMYK 0 / 77 / 3 / 22

HEX #C62EC1

RGB 198 46 193

HSL 301.97, 0.62%, 0.48%

LAB 49.26, 73.24, -43.91

 

CMYK 0 / 77 / 23 / 22

HEX #C62E98

RGB 198 46 152

HSL 318.16, 0.62%, 0.48%

LAB 47.27, 67.46, -22.85

 

CMYK 60 / 77 / 0 / 22

HEX #502EC6

RGB 80 46 198

HSL 253.42, 0.62%, 0.48%

LAB 33.43, 53.98, -73.24

 

CMYK 77 / 77 / 0 / 22

HEX #2E2EC6

RGB 46 46 198

HSL 240, 0.62%, 0.48%

LAB 30.91, 50.7, -77.49

 

CMYK 60 / 77 / 0 / 22

HEX #502EC6

RGB 80 46 198

HSL 253.42, 0.62%, 0.48%

LAB 33.43, 53.98, -73.24

 

CMYK 68 / 88 / 0 / 15

HEX #451ADA

RGB 69 26 218

HSL 253.44, 0.79%, 0.48%

LAB 31.96, 66.34, -87.32

 

CMYK 76 / 97 / 0 / 7

HEX #3A06ED

RGB 58 6 237

HSL 253.51, 0.95%, 0.48%

LAB 32.13, 74.77, -97.93

 

CMYK 60 / 77 / 0 / 22

HEX #502EC6

RGB 80 46 198

HSL 253.42, 0.62%, 0.48%

LAB 33.43, 53.98, -73.24

 

CMYK 49 / 63 / 0 / 30

HEX #5B42B2

RGB 91 66 178

HSL 253.39, 0.46%, 0.48%

LAB 36.62, 39.11, -56.2

 

CMYK 35 / 46 / 0 / 38

HEX #66569E

RGB 102 86 158

HSL 253.33, 0.3%, 0.48%

LAB 41.13, 23.8, -37

 

CMYK 18 / 24 / 0 / 46

HEX #71698A

RGB 113 105 138

HSL 254.55, 0.14%, 0.48%

LAB 46.24, 10.35, -17.02

 

CMYK 1 / 0 / 5 / 51

HEX #7C7D77

RGB 124 125 119

HSL 70, 0.02%, 0.48%

LAB 52.16, -1.55, 3.13

 

CMYK 77 / 53 / 0 / 22

HEX #2E5EC6

RGB 46 94 198

HSL 221.05, 0.62%, 0.48%

LAB 42.25, 21.04, -58.91

 

CMYK 77 / 73 / 0 / 22

HEX #2E36C6

RGB 46 54 198

HSL 236.84, 0.62%, 0.48%

LAB 32.47, 46.28, -74.9

 

CMYK 60 / 77 / 0 / 22

HEX #4F2EC6

RGB 79 46 198

HSL 253.03, 0.62%, 0.48%

LAB 33.34, 53.86, -73.4

 

CMYK 40 / 77 / 0 / 22

HEX #772EC6

RGB 119 46 198

HSL 268.82, 0.62%, 0.48%

LAB 37.76, 59.49, -65.97

 

CMYK 19 / 77 / 0 / 22

HEX #A02EC6

RGB 160 46 198

HSL 285, 0.62%, 0.48%

LAB 43.51, 66.66, -56.36

 

CMYK 60 / 77 / 0 / 49

HEX #351E83

RGB 53 30 131

HSL 253.66, 0.63%, 0.32%

LAB 21.3, 38.64, -52.69

 

CMYK 60 / 77 / 0 / 36

HEX #4226A4

RGB 66 38 164

HSL 253.33, 0.62%, 0.4%

LAB 27.37, 46.26, -63.04

 

CMYK 60 / 77 / 0 / 22

HEX #502EC6

RGB 80 46 198

HSL 253.42, 0.62%, 0.48%

LAB 33.43, 53.98, -73.24

 

CMYK 51 / 66 / 0 / 17

HEX #6849D4

RGB 104 73 212

HSL 253.38, 0.62%, 0.56%

LAB 41.94, 47.53, -67.32

 

CMYK 40 / 51 / 0 / 14

HEX #846BDC

RGB 132 107 220

HSL 253.27, 0.62%, 0.64%

LAB 52.5, 36.23, -54.7

 

CMYK 60 / 77 / 0 / 22

HEX #502EC6

RGB 80 46 198

HSL 253.42, 0.62%, 0.48%

LAB 33.43, 53.98, -73.24

 

CMYK 0 / 77 / 32 / 22

HEX #C62E87

RGB 198 46 135

HSL 324.87, 0.62%, 0.48%

LAB 46.59, 65.42, -13.64

 

CMYK 63 / 0 / 77 / 22

HEX #4AC62E

RGB 74 198 46

HSL 108.95, 0.62%, 0.48%

LAB 70.9, -60.7, 61.24

 

CMYK 60 / 77 / 0 / 22

HEX #502EC6

RGB 80 46 198

HSL 253.42, 0.62%, 0.48%

LAB 33.43, 53.98, -73.24

 

CMYK 0 / 60 / 77 / 22

HEX #C64F2E

RGB 198 79 46

HSL 13.03, 0.62%, 0.48%

LAB 49.25, 45.73, 42.74

 

CMYK 77 / 0 / 60 / 22

HEX #2EC64F

RGB 46 198 79

HSL 133.03, 0.62%, 0.48%

LAB 70.55, -62.69, 47.76

 

CMYK 60 / 77 / 0 / 22

HEX #502EC6

RGB 80 46 198

HSL 253.42, 0.62%, 0.48%

LAB 33.43, 53.98, -73.24

 

CMYK 0 / 77 / 32 / 22

HEX #C62E87

RGB 198 46 135

HSL 324.87, 0.62%, 0.48%

LAB 46.59, 65.42, -13.64

 

CMYK 17 / 0 / 77 / 22

HEX #A5C62E

RGB 165 198 46

HSL 73.03, 0.62%, 0.48%

LAB 75.19, -30.62, 66.83

 

CMYK 77 / 0 / 45 / 22

HEX #2EC66D

RGB 46 198 109

HSL 144.87, 0.62%, 0.48%

LAB 70.92, -58.28, 33.73

 

CMYK 60 / 77 / 0 / 22

HEX #502EC6

RGB 80 46 198

HSL 253.42, 0.62%, 0.48%

LAB 33.43, 53.98, -73.24

 

CMYK 0 / 77 / 55 / 22

HEX #C62E59

RGB 198 46 89

HSL 343.03, 0.62%, 0.48%

LAB 45.19, 61.09, 12.61

 

CMYK 17 / 0 / 77 / 22

HEX #A5C62E

RGB 165 198 46

HSL 73.03, 0.62%, 0.48%

LAB 75.19, -30.62, 66.83

 

CMYK 77 / 0 / 22 / 22

HEX #2EC69B

RGB 46 198 155

HSL 163.03, 0.62%, 0.48%

LAB 71.78, -48.73, 10.61

 

Description

Color code: HEX #502EC6 | qconv.com Color code: HEX #502EC6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 46 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 46 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 77 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 77% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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