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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 20 245 it is the complementary color RGB 57 235 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 20 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 20 245 shade: RGB 203 20 240, RGB 220 38 255, RGB 237 56 255, RGB 254 74 255 and RGB 255 92 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 20 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 20 245 shade: RGB 198 20 245, RGB 181 2 226, RGB 164 0 207, RGB 147 0 188 and RGB 130 0 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 20 245 shade: RGB 198 19 245, RGB 245 19 231, RGB 245 19 170, RGB 245 19 110 and RGB 245 19 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 20 245 shade: RGB 198 19 245, RGB 137 19 245, RGB 76 19 245 and RGB 19 19 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 20 245 shade matches the following richer shades: RGB 198 19 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 20 245 shade: RGB 198 19 245, RGB 186 39 225, RGB 175 59 205, RGB 163 79 185 and RGB 152 99 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 20 245 shade: RGB 76 19 245, RGB 136 19 245, RGB 196 19 245, RGB 245 19 233 and RGB 245 19 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 20 245 shade: RGB 140 7 175, RGB 171 8 214, RGB 198 19 245, RGB 207 59 246 and RGB 217 99 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 20 245 shade: RGB 198 20 245, RGB 245 19 23 and RGB 19 245 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 20 245 shade: RGB 198 20 245, RGB 245 196 19 and RGB 19 245 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 20 245 shade: RGB 198 20 245, RGB 245 19 23, RGB 68 245 19 and RGB 19 245 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 20 245 shade: RGB 198 20 245, RGB 245 83 19, RGB 68 245 19 and RGB 19 181 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 92 / 0 / 4

HEX #C614F5

RGB 198 20 245

HSL 287.47, 0.92%, 0.52%

LAB 50.8, 86.82, -71.09

 

Complementary color

CMYK 76 / 0 / 96 / 8

HEX #39EB0A

RGB 57 235 10

HSL 107.47, 0.92%, 0.48%

LAB 82.01, -76.6, 77.93

 

CMYK 15 / 92 / 0 / 6

HEX #CB14F0

RGB 203 20 240

HSL 289.91, 0.88%, 0.51%

LAB 51.25, 86.69, -67.52

 

CMYK 14 / 85 / 0 / 0

HEX #DC26FF

RGB 220 38 255

HSL 290.32, 1%, 0.57%

LAB 55.91, 88.93, -68.24

 

CMYK 7 / 78 / 0 / 0

HEX #ED38FF

RGB 237 56 255

HSL 294.57, 1%, 0.61%

LAB 59.94, 87.8, -61.62

 

CMYK 0 / 71 / 0 / 0

HEX #FE4AFF

RGB 254 74 255

HSL 299.67, 1%, 0.65%

LAB 64.31, 85.98, -54.49

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 19 / 92 / 0 / 4

HEX #C614F5

RGB 198 20 245

HSL 287.47, 0.92%, 0.52%

LAB 50.8, 86.82, -71.09

 

CMYK 20 / 99 / 0 / 11

HEX #B502E2

RGB 181 2 226

HSL 287.95, 0.98%, 0.45%

LAB 46.12, 82.97, -68.09

 

CMYK 21 / 100 / 0 / 19

HEX #A400CF

RGB 164 0 207

HSL 287.54, 1%, 0.41%

LAB 41.84, 77.62, -64.26

 

CMYK 22 / 100 / 0 / 26

HEX #9300BC

RGB 147 0 188

HSL 286.91, 1%, 0.37%

LAB 37.54, 72.01, -60.28

 

CMYK 23 / 100 / 0 / 34

HEX #8200A9

RGB 130 0 169

HSL 286.15, 1%, 0.33%

LAB 33.16, 66.29, -56.23

 

CMYK 19 / 92 / 0 / 4

HEX #C613F5

RGB 198 19 245

HSL 287.52, 0.92%, 0.52%

LAB 50.76, 86.94, -71.16

 

CMYK 0 / 92 / 6 / 4

HEX #F513E7

RGB 245 19 231

HSL 303.72, 0.92%, 0.52%

LAB 57.7, 92.08, -51.73

 

CMYK 0 / 92 / 31 / 4

HEX #F513AA

RGB 245 19 170

HSL 319.91, 0.92%, 0.52%

LAB 54.85, 84.75, -21.15

 

CMYK 0 / 92 / 55 / 4

HEX #F5136E

RGB 245 19 110

HSL 335.84, 0.92%, 0.52%

LAB 52.95, 79.66, 11.91

 

CMYK 0 / 92 / 80 / 4

HEX #F51331

RGB 245 19 49

HSL 352.04, 0.92%, 0.52%

LAB 51.95, 76.88, 46.7

 

CMYK 19 / 92 / 0 / 4

HEX #C613F5

RGB 198 19 245

HSL 287.52, 0.92%, 0.52%

LAB 50.76, 86.94, -71.16

 

CMYK 44 / 92 / 0 / 4

HEX #8913F5

RGB 137 19 245

HSL 271.33, 0.92%, 0.52%

LAB 41.81, 79.63, -86.17

 

CMYK 69 / 92 / 0 / 4

HEX #4C13F5

RGB 76 19 245

HSL 255.13, 0.92%, 0.52%

LAB 35.19, 75.22, -97.33

 

CMYK 92 / 92 / 0 / 4

HEX #1313F5

RGB 19 19 245

HSL 240, 0.92%, 0.52%

LAB 32.25, 73.64, -102.31

 

CMYK 19 / 92 / 0 / 4

HEX #C613F5

RGB 198 19 245

HSL 287.52, 0.92%, 0.52%

LAB 50.76, 86.94, -71.16

 

CMYK 19 / 92 / 0 / 4

HEX #C613F5

RGB 198 19 245

HSL 287.52, 0.92%, 0.52%

LAB 50.76, 86.94, -71.16

 

CMYK 17 / 83 / 0 / 12

HEX #BA27E1

RGB 186 39 225

HSL 287.42, 0.76%, 0.52%

LAB 48.67, 78.15, -63.35

 

CMYK 15 / 71 / 0 / 20

HEX #AF3BCD

RGB 175 59 205

HSL 287.67, 0.59%, 0.52%

LAB 47.82, 66.36, -53.37

 

CMYK 12 / 57 / 0 / 27

HEX #A34FB9

RGB 163 79 185

HSL 287.55, 0.43%, 0.52%

LAB 48.11, 50.95, -41.42

 

CMYK 8 / 40 / 0 / 35

HEX #9863A5

RGB 152 99 165

HSL 288.18, 0.27%, 0.52%

LAB 49.88, 32.96, -27.05

 

CMYK 69 / 92 / 0 / 4

HEX #4C13F5

RGB 76 19 245

HSL 255.13, 0.92%, 0.52%

LAB 35.19, 75.22, -97.33

 

CMYK 44 / 92 / 0 / 4

HEX #8813F5

RGB 136 19 245

HSL 271.06, 0.92%, 0.52%

LAB 41.68, 79.54, -86.39

 

CMYK 20 / 92 / 0 / 4

HEX #C413F5

RGB 196 19 245

HSL 286.99, 0.92%, 0.52%

LAB 50.45, 86.66, -71.69

 

CMYK 0 / 92 / 5 / 4

HEX #F513E9

RGB 245 19 233

HSL 303.19, 0.92%, 0.52%

LAB 57.81, 92.35, -52.68

 

CMYK 0 / 92 / 29 / 4

HEX #F513AD

RGB 245 19 173

HSL 319.12, 0.92%, 0.52%

LAB 54.96, 85.06, -22.73

 

CMYK 20 / 96 / 0 / 31

HEX #8C07AF

RGB 140 7 175

HSL 287.5, 0.92%, 0.36%

LAB 35.64, 67.85, -55.71

 

CMYK 20 / 96 / 0 / 16

HEX #AB08D6

RGB 171 8 214

HSL 287.48, 0.93%, 0.44%

LAB 43.78, 79.01, -65.1

 

CMYK 19 / 92 / 0 / 4

HEX #C613F5

RGB 198 19 245

HSL 287.52, 0.92%, 0.52%

LAB 50.76, 86.94, -71.16

 

CMYK 16 / 76 / 0 / 4

HEX #CF3BF6

RGB 207 59 246

HSL 287.49, 0.91%, 0.6%

LAB 55.12, 80.03, -64.6

 

CMYK 13 / 60 / 0 / 3

HEX #D963F8

RGB 217 99 248

HSL 287.52, 0.91%, 0.68%

LAB 62.04, 67.29, -54.55

 

CMYK 19 / 92 / 0 / 4

HEX #C614F5

RGB 198 20 245

HSL 287.47, 0.92%, 0.52%

LAB 50.8, 86.82, -71.09

 

CMYK 0 / 92 / 91 / 4

HEX #F51317

RGB 245 19 23

HSL 358.94, 0.92%, 0.52%

LAB 51.77, 76.37, 58.85

 

CMYK 92 / 0 / 57 / 4

HEX #13F56A

RGB 19 245 106

HSL 143.1, 0.92%, 0.52%

LAB 85.24, -76.23, 52.75

 

CMYK 19 / 92 / 0 / 4

HEX #C614F5

RGB 198 20 245

HSL 287.47, 0.92%, 0.52%

LAB 50.8, 86.82, -71.09

 

CMYK 0 / 20 / 92 / 4

HEX #F5C413

RGB 245 196 19

HSL 46.99, 0.92%, 0.52%

LAB 81.26, 3.69, 80.69

 

CMYK 92 / 0 / 20 / 4

HEX #13F5C4

RGB 19 245 196

HSL 166.99, 0.92%, 0.52%

LAB 86.72, -59.25, 10.12

 

CMYK 19 / 92 / 0 / 4

HEX #C614F5

RGB 198 20 245

HSL 287.47, 0.92%, 0.52%

LAB 50.8, 86.82, -71.09

 

CMYK 0 / 92 / 91 / 4

HEX #F51317

RGB 245 19 23

HSL 358.94, 0.92%, 0.52%

LAB 51.77, 76.37, 58.85

 

CMYK 72 / 0 / 92 / 4

HEX #44F513

RGB 68 245 19

HSL 106.99, 0.92%, 0.52%

LAB 85.29, -77.7, 79.79

 

CMYK 92 / 0 / 2 / 4

HEX #13F5F1

RGB 19 245 241

HSL 178.94, 0.92%, 0.52%

LAB 87.87, -47.35, -11.69

 

CMYK 19 / 92 / 0 / 4

HEX #C614F5

RGB 198 20 245

HSL 287.47, 0.92%, 0.52%

LAB 50.8, 86.82, -71.09

 

CMYK 0 / 66 / 92 / 4

HEX #F55313

RGB 245 83 19

HSL 16.99, 0.92%, 0.52%

LAB 57.7, 59.71, 64.01

 

CMYK 72 / 0 / 92 / 4

HEX #44F513

RGB 68 245 19

HSL 106.99, 0.92%, 0.52%

LAB 85.29, -77.7, 79.79

 

CMYK 92 / 26 / 0 / 4

HEX #13B5F5

RGB 19 181 245

HSL 196.99, 0.92%, 0.52%

LAB 69.31, -15.33, -42.2

 

Description

Color code: RGB 198 20 245 | qconv.com Color code: RGB 198 20 245 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 20 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 20 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 92 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 92% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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