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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 19 23 it is the complementary color RGB 10 236 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 19 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 19 23 shade: RGB 250 19 18, RGB 255 37 37, RGB 255 55 56, RGB 255 73 75 and RGB 255 91 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 19 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 19 23 shade: RGB 245 19 23, RGB 228 1 4, RGB 211 0 0, RGB 194 0 0 and RGB 177 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 19 23 shade: RGB 245 19 23 and RGB 245 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 19 23 shade: RGB 245 19 23, RGB 245 19 84, RGB 245 19 145, RGB 245 19 206 and RGB 223 19 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 19 23 shade matches the following richer shades: RGB 245 19 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 19 23 shade: RGB 245 19 23, RGB 225 39 43, RGB 205 59 62, RGB 185 79 81 and RGB 165 99 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 19 23 shade: RGB 245 19 147, RGB 245 19 87, RGB 245 19 27, RGB 245 72 19 and RGB 245 132 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 19 23 shade: RGB 175 7 10, RGB 214 8 12, RGB 245 19 23, RGB 246 59 62 and RGB 248 99 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 19 23 shade: RGB 245 19 23, RGB 207 245 19 and RGB 19 117 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 19 23 shade: RGB 245 19 23, RGB 27 245 19 and RGB 19 27 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 19 23 shade: RGB 245 19 23, RGB 207 245 19, RGB 19 245 237 and RGB 57 19 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 19 23 shade: RGB 245 19 23, RGB 140 245 19, RGB 19 245 237 and RGB 125 19 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 91 / 4

HEX #F51317

RGB 245 19 23

HSL 358.94, 0.92%, 0.52%

LAB 51.77, 76.37, 58.85

 

Complementary color

CMYK 96 / 0 / 2 / 7

HEX #0AECE8

RGB 10 236 232

HSL 178.94, 0.92%, 0.48%

LAB 84.94, -46.28, -11.35

 

CMYK 0 / 92 / 93 / 2

HEX #FA1312

RGB 250 19 18

HSL 0.26, 0.96%, 0.53%

LAB 52.77, 77.56, 61.74

 

CMYK 0 / 85 / 85 / 0

HEX #FF2525

RGB 255 37 37

HSL 0, 1%, 0.57%

LAB 54.78, 76.47, 56.06

 

CMYK 0 / 78 / 78 / 0

HEX #FF3738

RGB 255 55 56

HSL 359.7, 1%, 0.61%

LAB 56.36, 72.87, 48.05

 

CMYK 0 / 71 / 71 / 0

HEX #FF494B

RGB 255 73 75

HSL 359.34, 1%, 0.64%

LAB 58.54, 68.1, 40.09

 

CMYK 0 / 64 / 63 / 0

HEX #FF5B5E

RGB 255 91 94

HSL 358.9, 1%, 0.68%

LAB 61.26, 62.36, 32.71

 

CMYK 0 / 92 / 91 / 4

HEX #F51317

RGB 245 19 23

HSL 358.94, 0.92%, 0.52%

LAB 51.77, 76.37, 58.85

 

CMYK 0 / 100 / 98 / 11

HEX #E40104

RGB 228 1 4

HSL 359.21, 0.99%, 0.45%

LAB 47.66, 73.56, 60.6

 

CMYK 0 / 100 / 100 / 17

HEX #D30000

RGB 211 0 0

HSL 0, 1%, 0.41%

LAB 44.02, 69.44, 58.27

 

CMYK 0 / 100 / 100 / 24

HEX #C20000

RGB 194 0 0

HSL 0, 1%, 0.38%

LAB 40.36, 65.21, 54.72

 

CMYK 0 / 100 / 100 / 31

HEX #B10000

RGB 177 0 0

HSL 0, 1%, 0.35%

LAB 36.64, 60.91, 51.04

 

CMYK 0 / 92 / 91 / 4

HEX #F51317

RGB 245 19 23

HSL 358.94, 0.92%, 0.52%

LAB 51.77, 76.37, 58.85

 

CMYK 0 / 92 / 92 / 4

HEX #F51313

RGB 245 19 19

HSL 0, 0.92%, 0.52%

LAB 51.75, 76.33, 60.28

 

CMYK 0 / 92 / 91 / 4

HEX #F51317

RGB 245 19 23

HSL 358.94, 0.92%, 0.52%

LAB 51.77, 76.37, 58.85

 

CMYK 0 / 92 / 66 / 4

HEX #F51354

RGB 245 19 84

HSL 342.74, 0.92%, 0.52%

LAB 52.42, 78.19, 26.93

 

CMYK 0 / 92 / 41 / 4

HEX #F51391

RGB 245 19 145

HSL 326.55, 0.92%, 0.52%

LAB 53.94, 82.35, -7.72

 

CMYK 0 / 92 / 16 / 4

HEX #F513CE

RGB 245 19 206

HSL 310.35, 0.92%, 0.52%

LAB 56.42, 88.84, -39.56

 

CMYK 9 / 92 / 0 / 4

HEX #DF13F5

RGB 223 19 245

HSL 294.16, 0.92%, 0.52%

LAB 54.81, 90.58, -64.42

 

CMYK 0 / 92 / 91 / 4

HEX #F51317

RGB 245 19 23

HSL 358.94, 0.92%, 0.52%

LAB 51.77, 76.37, 58.85

 

CMYK 0 / 92 / 91 / 4

HEX #F51317

RGB 245 19 23

HSL 358.94, 0.92%, 0.52%

LAB 51.77, 76.37, 58.85

 

CMYK 0 / 83 / 81 / 12

HEX #E1272B

RGB 225 39 43

HSL 358.71, 0.76%, 0.52%

LAB 49.05, 68.23, 45.71

 

CMYK 0 / 71 / 70 / 20

HEX #CD3B3E

RGB 205 59 62

HSL 358.77, 0.59%, 0.52%

LAB 47.57, 57.15, 32.33

 

CMYK 0 / 57 / 56 / 27

HEX #B94F51

RGB 185 79 81

HSL 358.87, 0.43%, 0.52%

LAB 47.62, 43.05, 20.41

 

CMYK 0 / 40 / 39 / 35

HEX #A56364

RGB 165 99 100

HSL 359.09, 0.27%, 0.52%

LAB 49.31, 26.8, 10.87

 

CMYK 0 / 92 / 40 / 4

HEX #F51393

RGB 245 19 147

HSL 326.02, 0.92%, 0.52%

LAB 54.01, 82.53, -8.81

 

CMYK 0 / 92 / 64 / 4

HEX #F51357

RGB 245 19 87

HSL 341.95, 0.92%, 0.52%

LAB 52.47, 78.33, 25.19

 

CMYK 0 / 92 / 89 / 4

HEX #F5131B

RGB 245 19 27

HSL 357.88, 0.92%, 0.52%

LAB 51.79, 76.43, 57.28

 

CMYK 0 / 71 / 92 / 4

HEX #F54813

RGB 245 72 19

HSL 14.07, 0.92%, 0.52%

LAB 56.18, 63.85, 63.03

 

CMYK 0 / 46 / 92 / 4

HEX #F58413

RGB 245 132 19

HSL 30, 0.92%, 0.52%

LAB 66.49, 37.07, 69.98

 

CMYK 0 / 96 / 94 / 31

HEX #AF070A

RGB 175 7 10

HSL 358.93, 0.92%, 0.36%

LAB 36.53, 59.68, 46.8

 

CMYK 0 / 96 / 94 / 16

HEX #D6080C

RGB 214 8 12

HSL 358.83, 0.93%, 0.44%

LAB 44.94, 69.58, 55.31

 

CMYK 0 / 92 / 91 / 4

HEX #F51317

RGB 245 19 23

HSL 358.94, 0.92%, 0.52%

LAB 51.77, 76.37, 58.85

 

CMYK 0 / 76 / 75 / 4

HEX #F63B3E

RGB 246 59 62

HSL 359.04, 0.91%, 0.6%

LAB 55.14, 69.41, 43.01

 

CMYK 0 / 60 / 59 / 3

HEX #F86365

RGB 248 99 101

HSL 359.19, 0.91%, 0.68%

LAB 61.5, 57.15, 28.81

 

CMYK 0 / 92 / 91 / 4

HEX #F51317

RGB 245 19 23

HSL 358.94, 0.92%, 0.52%

LAB 51.77, 76.37, 58.85

 

CMYK 16 / 0 / 92 / 4

HEX #CFF513

RGB 207 245 19

HSL 70.09, 0.92%, 0.52%

LAB 91.06, -36.15, 86.85

 

CMYK 92 / 52 / 0 / 4

HEX #1375F5

RGB 19 117 245

HSL 213.98, 0.92%, 0.52%

LAB 51.21, 22.37, -71.06

 

CMYK 0 / 92 / 91 / 4

HEX #F51317

RGB 245 19 23

HSL 358.94, 0.92%, 0.52%

LAB 51.77, 76.37, 58.85

 

CMYK 89 / 0 / 92 / 4

HEX #1BF513

RGB 27 245 19

HSL 117.88, 0.92%, 0.52%

LAB 84.78, -82.21, 79.16

 

CMYK 92 / 89 / 0 / 4

HEX #131BF5

RGB 19 27 245

HSL 237.88, 0.92%, 0.52%

LAB 32.95, 71.5, -101.14

 

CMYK 0 / 92 / 91 / 4

HEX #F51317

RGB 245 19 23

HSL 358.94, 0.92%, 0.52%

LAB 51.77, 76.37, 58.85

 

CMYK 16 / 0 / 92 / 4

HEX #CFF513

RGB 207 245 19

HSL 70.09, 0.92%, 0.52%

LAB 91.06, -36.15, 86.85

 

CMYK 92 / 0 / 3 / 4

HEX #13F5ED

RGB 19 245 237

HSL 177.88, 0.92%, 0.52%

LAB 87.76, -48.48, -9.77

 

CMYK 77 / 92 / 0 / 4

HEX #3913F5

RGB 57 19 245

HSL 250.09, 0.92%, 0.52%

LAB 33.83, 74.46, -99.63

 

CMYK 0 / 92 / 91 / 4

HEX #F51317

RGB 245 19 23

HSL 358.94, 0.92%, 0.52%

LAB 51.77, 76.37, 58.85

 

CMYK 43 / 0 / 92 / 4

HEX #8CF513

RGB 140 245 19

HSL 87.88, 0.92%, 0.52%

LAB 87.45, -60.33, 82.45

 

CMYK 92 / 0 / 3 / 4

HEX #13F5ED

RGB 19 245 237

HSL 177.88, 0.92%, 0.52%

LAB 87.76, -48.48, -9.77

 

CMYK 49 / 92 / 0 / 4

HEX #7D13F5

RGB 125 19 245

HSL 268.14, 0.92%, 0.52%

LAB 40.28, 78.52, -88.75

 

Description

Color code: RGB 245 19 23 | qconv.com Color code: RGB 245 19 23 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 19 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 19 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 91 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 91% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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