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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 132 53 it is the complementary color RGB 57 123 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 132 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 132 53 shade: RGB 203 132 48, RGB 220 150 67, RGB 237 168 86, RGB 254 186 105 and RGB 255 204 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 132 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 132 53 shade: RGB 198 132 53, RGB 181 114 34, RGB 164 96 15, RGB 147 78 0 and RGB 130 60 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 132 53 shade: RGB 197 131 52, RGB 197 92 52, RGB 197 53 52 and RGB 197 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 132 53 shade: RGB 197 131 52, RGB 197 170 52, RGB 185 197 52, RGB 146 197 52 and RGB 107 197 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 132 53 shade matches the following richer shades: RGB 197 131 52, RGB 217 133 32 and RGB 237 135 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 132 53 shade: RGB 197 131 52, RGB 177 129 72, RGB 156 127 92, RGB 136 126 113 and RGB 116 124 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 132 53 shade: RGB 197 52 52, RGB 197 91 52, RGB 197 129 52, RGB 197 168 52 and RGB 187 197 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 132 53 shade: RGB 132 88 35, RGB 164 109 43, RGB 197 131 52, RGB 209 151 82 and RGB 217 170 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 132 53 shade: RGB 198 132 53, RGB 91 197 52 and RGB 71 52 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 132 53 shade: RGB 198 132 53, RGB 52 197 129 and RGB 129 52 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 132 53 shade: RGB 198 132 53, RGB 91 197 52, RGB 52 120 197 and RGB 158 52 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 132 53 shade: RGB 198 132 53, RGB 52 197 57, RGB 52 120 197 and RGB 197 52 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 73 / 22

HEX #C68435

RGB 198 132 53

HSL 32.69, 0.58%, 0.49%

LAB 60.57, 18.44, 51.06

 

Complementary color

CMYK 72 / 39 / 0 / 21

HEX #397BCA

RGB 57 123 202

HSL 212.69, 0.58%, 0.51%

LAB 51.04, 5.6, -47.08

 

CMYK 0 / 35 / 76 / 20

HEX #CB8430

RGB 203 132 48

HSL 32.52, 0.62%, 0.49%

LAB 61.14, 20.37, 54

 

CMYK 0 / 32 / 70 / 14

HEX #DC9643

RGB 220 150 67

HSL 32.55, 0.69%, 0.56%

LAB 67.6, 18.77, 52.86

 

CMYK 0 / 29 / 64 / 7

HEX #EDA856

RGB 237 168 86

HSL 32.58, 0.81%, 0.63%

LAB 73.99, 17.39, 51.52

 

CMYK 0 / 27 / 59 / 0

HEX #FEBA69

RGB 254 186 105

HSL 32.62, 0.99%, 0.7%

LAB 80.3, 16.17, 50.12

 

CMYK 0 / 20 / 51 / 0

HEX #FFCC7C

RGB 255 204 124

HSL 36.64, 1%, 0.74%

LAB 84.95, 8.7, 46.43

 

CMYK 0 / 33 / 73 / 22

HEX #C68435

RGB 198 132 53

HSL 32.69, 0.58%, 0.49%

LAB 60.57, 18.44, 51.06

 

CMYK 0 / 37 / 81 / 29

HEX #B57222

RGB 181 114 34

HSL 32.65, 0.68%, 0.42%

LAB 54, 20.18, 51.96

 

CMYK 0 / 41 / 91 / 36

HEX #A4600F

RGB 164 96 15

HSL 32.62, 0.83%, 0.35%

LAB 47.36, 22.21, 51.9

 

CMYK 0 / 47 / 100 / 42

HEX #934E00

RGB 147 78 0

HSL 31.84, 1%, 0.29%

LAB 40.66, 24.52, 50.05

 

CMYK 0 / 54 / 100 / 49

HEX #823C00

RGB 130 60 0

HSL 27.69, 1%, 0.25%

LAB 33.94, 27.1, 44.64

 

CMYK 0 / 34 / 74 / 23

HEX #C58334

RGB 197 131 52

HSL 32.69, 0.58%, 0.49%

LAB 60.2, 18.5, 51.09

 

CMYK 0 / 53 / 74 / 23

HEX #C55C34

RGB 197 92 52

HSL 16.55, 0.58%, 0.49%

LAB 51.58, 39.3, 42.06

 

CMYK 0 / 73 / 74 / 23

HEX #C53534

RGB 197 53 52

HSL 0.41, 0.58%, 0.49%

LAB 45.17, 56.34, 34.98

 

CMYK 0 / 74 / 74 / 23

HEX #C53434

RGB 197 52 52

HSL 0, 0.58%, 0.49%

LAB 45.05, 56.69, 34.84

 

CMYK 0 / 34 / 74 / 23

HEX #C58334

RGB 197 131 52

HSL 32.69, 0.58%, 0.49%

LAB 60.2, 18.5, 51.09

 

CMYK 0 / 14 / 74 / 23

HEX #C5AA34

RGB 197 170 52

HSL 48.83, 0.58%, 0.49%

LAB 70.08, -2.64, 60.87

 

CMYK 6 / 0 / 74 / 23

HEX #B9C534

RGB 185 197 52

HSL 64.97, 0.58%, 0.49%

LAB 76.37, -21.62, 66.52

 

CMYK 26 / 0 / 74 / 23

HEX #92C534

RGB 146 197 52

HSL 81.1, 0.58%, 0.49%

LAB 73.73, -37.36, 63.07

 

CMYK 46 / 0 / 74 / 23

HEX #6BC534

RGB 107 197 52

HSL 97.24, 0.58%, 0.49%

LAB 71.76, -51.03, 60.47

 

CMYK 0 / 34 / 74 / 23

HEX #C58334

RGB 197 131 52

HSL 32.69, 0.58%, 0.49%

LAB 60.2, 18.5, 51.09

 

CMYK 0 / 39 / 85 / 15

HEX #D98520

RGB 217 133 32

HSL 32.76, 0.74%, 0.49%

LAB 63.04, 25.27, 62.3

 

CMYK 0 / 43 / 95 / 7

HEX #ED870C

RGB 237 135 12

HSL 32.8, 0.9%, 0.49%

LAB 66.03, 32.21, 70.42

 

CMYK 0 / 34 / 74 / 23

HEX #C58334

RGB 197 131 52

HSL 32.69, 0.58%, 0.49%

LAB 60.2, 18.5, 51.09

 

CMYK 0 / 27 / 59 / 31

HEX #B18148

RGB 177 129 72

HSL 32.57, 0.42%, 0.49%

LAB 57.57, 12.17, 37.76

 

CMYK 0 / 19 / 41 / 39

HEX #9C7F5C

RGB 156 127 92

HSL 32.81, 0.26%, 0.49%

LAB 55.09, 6.19, 23.23

 

CMYK 0 / 7 / 17 / 47

HEX #887E71

RGB 136 126 113

HSL 33.91, 0.09%, 0.49%

LAB 53.33, 1.49, 8.44

 

CMYK 13 / 7 / 0 / 48

HEX #747C85

RGB 116 124 133

HSL 211.76, 0.07%, 0.49%

LAB 51.64, -1.02, -5.91

 

CMYK 0 / 74 / 74 / 23

HEX #C53434

RGB 197 52 52

HSL 0, 0.58%, 0.49%

LAB 45.05, 56.69, 34.84

 

CMYK 0 / 54 / 74 / 23

HEX #C55B34

RGB 197 91 52

HSL 16.14, 0.58%, 0.49%

LAB 51.38, 39.8, 41.85

 

CMYK 0 / 35 / 74 / 23

HEX #C58134

RGB 197 129 52

HSL 31.86, 0.58%, 0.49%

LAB 59.72, 19.6, 50.6

 

CMYK 0 / 15 / 74 / 23

HEX #C5A834

RGB 197 168 52

HSL 48, 0.58%, 0.49%

LAB 69.56, -1.58, 60.36

 

CMYK 5 / 0 / 74 / 23

HEX #BBC534

RGB 187 197 52

HSL 64.14, 0.58%, 0.49%

LAB 76.52, -20.78, 66.72

 

CMYK 0 / 33 / 73 / 48

HEX #845823

RGB 132 88 35

HSL 32.78, 0.58%, 0.33%

LAB 41.23, 12.97, 36.91

 

CMYK 0 / 34 / 74 / 36

HEX #A46D2B

RGB 164 109 43

HSL 32.73, 0.58%, 0.41%

LAB 50.69, 15.83, 44.16

 

CMYK 0 / 34 / 74 / 23

HEX #C58334

RGB 197 131 52

HSL 32.69, 0.58%, 0.49%

LAB 60.2, 18.5, 51.09

 

CMYK 0 / 28 / 61 / 18

HEX #D19752

RGB 209 151 82

HSL 32.6, 0.58%, 0.57%

LAB 66.75, 14.51, 44.34

 

CMYK 0 / 22 / 47 / 15

HEX #D9AA72

RGB 217 170 114

HSL 32.62, 0.58%, 0.65%

LAB 72.7, 10.29, 35.36

 

CMYK 0 / 33 / 73 / 22

HEX #C68435

RGB 198 132 53

HSL 32.69, 0.58%, 0.49%

LAB 60.57, 18.44, 51.06

 

CMYK 54 / 0 / 74 / 23

HEX #5BC534

RGB 91 197 52

HSL 103.86, 0.58%, 0.49%

LAB 71.15, -55.71, 59.66

 

CMYK 64 / 74 / 0 / 23

HEX #4734C5

RGB 71 52 197

HSL 247.86, 0.58%, 0.49%

LAB 33.62, 49.58, -72.37

 

CMYK 0 / 33 / 73 / 22

HEX #C68435

RGB 198 132 53

HSL 32.69, 0.58%, 0.49%

LAB 60.57, 18.44, 51.06

 

CMYK 74 / 0 / 35 / 23

HEX #34C581

RGB 52 197 129

HSL 151.86, 0.58%, 0.49%

LAB 71.04, -53.35, 23.52

 

CMYK 35 / 74 / 0 / 23

HEX #8134C5

RGB 129 52 197

HSL 271.86, 0.58%, 0.49%

LAB 39.84, 58.48, -61.94

 

CMYK 0 / 33 / 73 / 22

HEX #C68435

RGB 198 132 53

HSL 32.69, 0.58%, 0.49%

LAB 60.57, 18.44, 51.06

 

CMYK 54 / 0 / 74 / 23

HEX #5BC534

RGB 91 197 52

HSL 103.86, 0.58%, 0.49%

LAB 71.15, -55.71, 59.66

 

CMYK 74 / 39 / 0 / 23

HEX #3478C5

RGB 52 120 197

HSL 211.86, 0.58%, 0.49%

LAB 49.73, 4.93, -46.31

 

CMYK 20 / 74 / 0 / 23

HEX #9E34C5

RGB 158 52 197

HSL 283.86, 0.58%, 0.49%

LAB 43.88, 63.98, -55.2

 

CMYK 0 / 33 / 73 / 22

HEX #C68435

RGB 198 132 53

HSL 32.69, 0.58%, 0.49%

LAB 60.57, 18.44, 51.06

 

CMYK 74 / 0 / 71 / 23

HEX #34C539

RGB 52 197 57

HSL 122.07, 0.58%, 0.49%

LAB 70.15, -63.76, 56.49

 

CMYK 74 / 39 / 0 / 23

HEX #3478C5

RGB 52 120 197

HSL 211.86, 0.58%, 0.49%

LAB 49.73, 4.93, -46.31

 

CMYK 0 / 74 / 3 / 23

HEX #C534C0

RGB 197 52 192

HSL 302.07, 0.58%, 0.49%

LAB 49.66, 71.13, -42.72

 

Description

Color code: RGB 198 132 53 | qconv.com Color code: RGB 198 132 53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 132 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 132 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 73 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 73% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

70% - daspixl inc. | web d...
Link: http://daspixl.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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