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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #397BCA it is the complementary color #C68435. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #397BCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #397BCA shade: #3E7BC5, #4F8DD8, #609FEB, #71B1FE and #82C3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #397BCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #397BCA shade: #397BCA, #2869B7, #1757A4, #064591 and #00337E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #397BCA shade: #397BCA, #3954CA, #4539CA, #6C39CA and #9339CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #397BCA shade: #397BCA, #3954CA and #3939CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #397BCA shade matches the following richer shades: #397BCA, #2579DE and #1177F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #397BCA shade: #397BCA, #4D7DB6, #627FA2, #76808D and #8A8279

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #397BCA shade: #39CACA, #39A3CA, #397DCA, #3956CA and #4339CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #397BCA shade: #25548C, #2D67AC, #397BCA, #5A91D3 and #7AA6DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #397BCA shade: #397BCA, #A339CA and #B7CA39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #397BCA shade: #397BCA, #CA397D and #7DCA39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #397BCA shade: #397BCA, #A339CA, #CA8639 and #60CA39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #397BCA shade: #397BCA, #CA39C5, #CA8639 and #39CA3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 39 / 0 / 21

HEX #397BCA

RGB 57 123 202

HSL 212.69, 0.58%, 0.51%

LAB 51.04, 5.6, -47.08

 

Complementary color

CMYK 0 / 33 / 73 / 22

HEX #C68435

RGB 198 132 53

HSL 32.69, 0.58%, 0.49%

LAB 60.57, 18.44, 51.06

 

CMYK 69 / 38 / 0 / 23

HEX #3E7BC5

RGB 62 123 197

HSL 212.89, 0.54%, 0.51%

LAB 50.95, 4.55, -44.36

 

CMYK 63 / 35 / 0 / 15

HEX #4F8DD8

RGB 79 141 216

HSL 212.85, 0.64%, 0.58%

LAB 57.72, 3.2, -44.34

 

CMYK 59 / 32 / 0 / 8

HEX #609FEB

RGB 96 159 235

HSL 212.81, 0.78%, 0.65%

LAB 64.39, 2.12, -44.34

 

CMYK 56 / 30 / 0 / 0

HEX #71B1FE

RGB 113 177 254

HSL 212.77, 0.99%, 0.72%

LAB 70.95, 1.23, -44.34

 

CMYK 49 / 24 / 0 / 0

HEX #82C3FF

RGB 130 195 255

HSL 208.8, 1%, 0.75%

LAB 76.68, -4.72, -35.9

 

CMYK 72 / 39 / 0 / 21

HEX #397BCA

RGB 57 123 202

HSL 212.69, 0.58%, 0.51%

LAB 51.04, 5.6, -47.08

 

CMYK 78 / 43 / 0 / 28

HEX #2869B7

RGB 40 105 183

HSL 212.73, 0.64%, 0.44%

LAB 44.19, 7.55, -47.08

 

CMYK 86 / 47 / 0 / 36

HEX #1757A4

RGB 23 87 164

HSL 212.77, 0.75%, 0.37%

LAB 37.26, 10.06, -47.03

 

CMYK 96 / 52 / 0 / 43

HEX #064591

RGB 6 69 145

HSL 212.81, 0.92%, 0.3%

LAB 30.25, 13.31, -46.87

 

CMYK 100 / 60 / 0 / 51

HEX #00337E

RGB 0 51 126

HSL 215.71, 1%, 0.25%

LAB 23.25, 17.53, -46.44

 

CMYK 72 / 39 / 0 / 21

HEX #397BCA

RGB 57 123 202

HSL 212.69, 0.58%, 0.51%

LAB 51.04, 5.6, -47.08

 

CMYK 72 / 58 / 0 / 21

HEX #3954CA

RGB 57 84 202

HSL 228.83, 0.58%, 0.51%

LAB 40.37, 30.31, -64.26

 

CMYK 66 / 72 / 0 / 21

HEX #4539CA

RGB 69 57 202

HSL 244.97, 0.58%, 0.51%

LAB 34.91, 48.18, -73.16

 

CMYK 47 / 72 / 0 / 21

HEX #6C39CA

RGB 108 57 202

HSL 261.1, 0.58%, 0.51%

LAB 38.51, 53.79, -67.12

 

CMYK 27 / 72 / 0 / 21

HEX #9339CA

RGB 147 57 202

HSL 277.24, 0.58%, 0.51%

LAB 43.35, 60.89, -59.04

 

CMYK 72 / 39 / 0 / 21

HEX #397BCA

RGB 57 123 202

HSL 212.69, 0.58%, 0.51%

LAB 51.04, 5.6, -47.08

 

CMYK 72 / 58 / 0 / 21

HEX #3954CA

RGB 57 84 202

HSL 228.83, 0.58%, 0.51%

LAB 40.37, 30.31, -64.26

 

CMYK 72 / 72 / 0 / 21

HEX #3939CA

RGB 57 57 202

HSL 240, 0.58%, 0.51%

LAB 34.11, 46.88, -74.52

 

CMYK 72 / 39 / 0 / 21

HEX #397BCA

RGB 57 123 202

HSL 212.69, 0.58%, 0.51%

LAB 51.04, 5.6, -47.08

 

CMYK 83 / 45 / 0 / 13

HEX #2579DE

RGB 37 121 222

HSL 212.76, 0.74%, 0.51%

LAB 51.08, 12.08, -58.37

 

CMYK 93 / 51 / 0 / 5

HEX #1177F2

RGB 17 119 242

HSL 212.8, 0.9%, 0.51%

LAB 51.52, 19.87, -68.89

 

CMYK 72 / 39 / 0 / 21

HEX #397BCA

RGB 57 123 202

HSL 212.69, 0.58%, 0.51%

LAB 51.04, 5.6, -47.08

 

CMYK 58 / 31 / 0 / 29

HEX #4D7DB6

RGB 77 125 182

HSL 212.57, 0.42%, 0.51%

LAB 51.41, 0.97, -34.98

 

CMYK 40 / 22 / 0 / 36

HEX #627FA2

RGB 98 127 162

HSL 212.81, 0.26%, 0.51%

LAB 52.27, -1.15, -22

 

CMYK 16 / 9 / 0 / 45

HEX #76808D

RGB 118 128 141

HSL 213.91, 0.09%, 0.51%

LAB 53.18, -0.81, -8.27

 

CMYK 0 / 6 / 12 / 46

HEX #8A8279

RGB 138 130 121

HSL 31.76, 0.07%, 0.51%

LAB 54.81, 1.37, 5.94

 

CMYK 72 / 0 / 0 / 21

HEX #39CACA

RGB 57 202 202

HSL 180, 0.58%, 0.51%

LAB 74.43, -36.7, -10.97

 

CMYK 72 / 19 / 0 / 21

HEX #39A3CA

RGB 57 163 202

HSL 196.14, 0.58%, 0.51%

LAB 62.78, -17.34, -28.66

 

CMYK 72 / 38 / 0 / 21

HEX #397DCA

RGB 57 125 202

HSL 211.86, 0.58%, 0.51%

LAB 51.61, 4.38, -46.17

 

CMYK 72 / 57 / 0 / 21

HEX #3956CA

RGB 57 86 202

HSL 228, 0.58%, 0.51%

LAB 40.88, 29.03, -63.43

 

CMYK 67 / 72 / 0 / 21

HEX #4339CA

RGB 67 57 202

HSL 244.14, 0.58%, 0.51%

LAB 34.77, 47.95, -73.4

 

CMYK 74 / 40 / 0 / 45

HEX #25548C

RGB 37 84 140

HSL 212.62, 0.58%, 0.35%

LAB 35.26, 4.12, -35.74

 

CMYK 74 / 40 / 0 / 33

HEX #2D67AC

RGB 45 103 172

HSL 212.6, 0.59%, 0.43%

LAB 43.12, 5.27, -42.35

 

CMYK 72 / 39 / 0 / 21

HEX #397BCA

RGB 57 123 202

HSL 212.69, 0.58%, 0.51%

LAB 51.04, 5.6, -47.08

 

CMYK 57 / 31 / 0 / 17

HEX #5A91D3

RGB 90 145 211

HSL 212.73, 0.58%, 0.59%

LAB 59.09, 1.32, -39.35

 

CMYK 44 / 24 / 0 / 14

HEX #7AA6DB

RGB 122 166 219

HSL 212.78, 0.57%, 0.67%

LAB 66.92, -0.92, -31.48

 

CMYK 72 / 39 / 0 / 21

HEX #397BCA

RGB 57 123 202

HSL 212.69, 0.58%, 0.51%

LAB 51.04, 5.6, -47.08

 

CMYK 19 / 72 / 0 / 21

HEX #A339CA

RGB 163 57 202

HSL 283.86, 0.58%, 0.51%

LAB 45.6, 64.08, -55.29

 

CMYK 9 / 0 / 72 / 21

HEX #B7CA39

RGB 183 202 57

HSL 67.86, 0.58%, 0.51%

LAB 77.64, -24.65, 65.98

 

CMYK 72 / 39 / 0 / 21

HEX #397BCA

RGB 57 123 202

HSL 212.69, 0.58%, 0.51%

LAB 51.04, 5.6, -47.08

 

CMYK 0 / 72 / 38 / 21

HEX #CA397D

RGB 202 57 125

HSL 331.86, 0.58%, 0.51%

LAB 48.21, 61.83, -5.06

 

CMYK 38 / 0 / 72 / 21

HEX #7DCA39

RGB 125 202 57

HSL 91.86, 0.58%, 0.51%

LAB 74.12, -46.84, 61.33

 

CMYK 72 / 39 / 0 / 21

HEX #397BCA

RGB 57 123 202

HSL 212.69, 0.58%, 0.51%

LAB 51.04, 5.6, -47.08

 

CMYK 19 / 72 / 0 / 21

HEX #A339CA

RGB 163 57 202

HSL 283.86, 0.58%, 0.51%

LAB 45.6, 64.08, -55.29

 

CMYK 0 / 34 / 72 / 21

HEX #CA8639

RGB 202 134 57

HSL 31.86, 0.58%, 0.51%

LAB 61.57, 19.26, 50.43

 

CMYK 52 / 0 / 72 / 21

HEX #60CA39

RGB 96 202 57

HSL 103.86, 0.58%, 0.51%

LAB 72.91, -55.83, 59.7

 

CMYK 72 / 39 / 0 / 21

HEX #397BCA

RGB 57 123 202

HSL 212.69, 0.58%, 0.51%

LAB 51.04, 5.6, -47.08

 

CMYK 0 / 72 / 2 / 21

HEX #CA39C5

RGB 202 57 197

HSL 302.07, 0.58%, 0.51%

LAB 51.28, 71.41, -42.98

 

CMYK 0 / 34 / 72 / 21

HEX #CA8639

RGB 202 134 57

HSL 31.86, 0.58%, 0.51%

LAB 61.57, 19.26, 50.43

 

CMYK 72 / 0 / 69 / 21

HEX #39CA3E

RGB 57 202 62

HSL 122.07, 0.58%, 0.51%

LAB 71.87, -64.12, 56.41

 

Description

Color code: HEX #397BCA | qconv.com Color code: HEX #397BCA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 123 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 123 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 39 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 39% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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