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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 127 21 it is the complementary color RGB 58 128 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 127 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 127 21 shade: RGB 202 127 16, RGB 219 145 35, RGB 236 163 54, RGB 253 181 73 and RGB 255 199 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 127 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 127 21 shade: RGB 197 127 21, RGB 180 109 2, RGB 163 91 0, RGB 146 73 0 and RGB 129 55 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 127 21 shade: RGB 198 127 20, RGB 198 79 20, RGB 198 32 20 and RGB 198 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 127 21 shade: RGB 198 127 20, RGB 198 175 20, RGB 173 198 20, RGB 125 198 20 and RGB 77 198 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 127 21 shade matches the following richer shades: RGB 198 127 20 and RGB 216 131 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 127 21 shade: RGB 198 127 20, RGB 180 124 38, RGB 162 120 56, RGB 145 116 74 and RGB 127 113 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 127 21 shade: RGB 198 32 20, RGB 198 80 20, RGB 198 127 20, RGB 198 174 20 and RGB 174 198 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 127 21 shade: RGB 123 79 12, RGB 161 103 16, RGB 198 127 20, RGB 231 150 29 and RGB 235 168 66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 127 21 shade: RGB 197 127 21, RGB 56 198 20 and RGB 56 20 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 127 21 shade: RGB 197 127 21, RGB 20 198 127 and RGB 127 20 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 127 21 shade: RGB 197 127 21, RGB 56 198 20, RGB 20 91 198 and RGB 162 20 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 127 21 shade: RGB 197 127 21, RGB 20 198 38, RGB 20 91 198 and RGB 198 20 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 89 / 23

HEX #C57F15

RGB 197 127 21

HSL 36.14, 0.81%, 0.43%

LAB 59.07, 19.67, 61.22

 

Complementary color

CMYK 75 / 45 / 0 / 8

HEX #3A80EA

RGB 58 128 234

HSL 216.14, 0.81%, 0.57%

LAB 54.32, 14.3, -59.87

 

CMYK 0 / 37 / 92 / 21

HEX #CA7F10

RGB 202 127 16

HSL 35.81, 0.85%, 0.43%

LAB 59.68, 21.76, 63.11

 

CMYK 0 / 34 / 84 / 14

HEX #DB9123

RGB 219 145 35

HSL 35.87, 0.72%, 0.5%

LAB 66.08, 19.76, 64.01

 

CMYK 0 / 31 / 77 / 7

HEX #ECA336

RGB 236 163 54

HSL 35.93, 0.83%, 0.57%

LAB 72.42, 18.01, 63.78

 

CMYK 0 / 28 / 71 / 1

HEX #FDB549

RGB 253 181 73

HSL 36, 0.98%, 0.64%

LAB 78.7, 16.47, 62.97

 

CMYK 0 / 22 / 64 / 0

HEX #FFC75C

RGB 255 199 92

HSL 39.39, 1%, 0.68%

LAB 83.38, 8.96, 59.76

 

CMYK 0 / 36 / 89 / 23

HEX #C57F15

RGB 197 127 21

HSL 36.14, 0.81%, 0.43%

LAB 59.07, 19.67, 61.22

 

CMYK 0 / 39 / 99 / 29

HEX #B46D02

RGB 180 109 2

HSL 36.07, 0.98%, 0.36%

LAB 52.56, 21.84, 59.44

 

CMYK 0 / 44 / 100 / 36

HEX #A35B00

RGB 163 91 0

HSL 33.5, 1%, 0.32%

LAB 46, 24.32, 54.54

 

CMYK 0 / 50 / 100 / 43

HEX #924900

RGB 146 73 0

HSL 30, 1%, 0.29%

LAB 39.37, 26.87, 49.19

 

CMYK 0 / 57 / 100 / 49

HEX #813700

RGB 129 55 0

HSL 25.58, 1%, 0.25%

LAB 32.7, 29.39, 43.8

 

CMYK 0 / 36 / 90 / 22

HEX #C67F14

RGB 198 127 20

HSL 36.07, 0.82%, 0.43%

LAB 59.19, 20.09, 61.61

 

CMYK 0 / 60 / 90 / 22

HEX #C64F14

RGB 198 79 20

HSL 19.89, 0.82%, 0.43%

LAB 49.07, 44.99, 53.96

 

CMYK 0 / 84 / 90 / 22

HEX #C62014

RGB 198 32 20

HSL 4.04, 0.82%, 0.43%

LAB 42.9, 61.86, 49.43

 

CMYK 0 / 90 / 90 / 22

HEX #C61414

RGB 198 20 20

HSL 0, 0.82%, 0.43%

LAB 42.09, 64.18, 48.84

 

CMYK 0 / 36 / 90 / 22

HEX #C67F14

RGB 198 127 20

HSL 36.07, 0.82%, 0.43%

LAB 59.19, 20.09, 61.61

 

CMYK 0 / 12 / 90 / 22

HEX #C6AF14

RGB 198 175 20

HSL 52.25, 0.82%, 0.43%

LAB 71.36, -5.83, 71.02

 

CMYK 13 / 0 / 90 / 22

HEX #ADC614

RGB 173 198 20

HSL 68.43, 0.82%, 0.43%

LAB 75.65, -28.16, 73.55

 

CMYK 37 / 0 / 90 / 22

HEX #7DC614

RGB 125 198 20

HSL 84.61, 0.82%, 0.43%

LAB 72.76, -46.84, 70

 

CMYK 61 / 0 / 90 / 22

HEX #4DC614

RGB 77 198 20

HSL 100.79, 0.82%, 0.43%

LAB 70.88, -61.2, 67.67

 

CMYK 0 / 36 / 90 / 22

HEX #C67F14

RGB 198 127 20

HSL 36.07, 0.82%, 0.43%

LAB 59.19, 20.09, 61.61

 

CMYK 0 / 39 / 99 / 15

HEX #D88303

RGB 216 131 3

HSL 36.06, 0.97%, 0.43%

LAB 62.37, 25.47, 67.99

 

CMYK 0 / 36 / 90 / 22

HEX #C67F14

RGB 198 127 20

HSL 36.07, 0.82%, 0.43%

LAB 59.19, 20.09, 61.61

 

CMYK 0 / 31 / 79 / 29

HEX #B47C26

RGB 180 124 38

HSL 36.34, 0.65%, 0.43%

LAB 56.35, 14.31, 52.52

 

CMYK 0 / 26 / 65 / 36

HEX #A27838

RGB 162 120 56

HSL 36.23, 0.49%, 0.43%

LAB 53.38, 9.45, 40.69

 

CMYK 0 / 20 / 49 / 43

HEX #91744A

RGB 145 116 74

HSL 35.49, 0.32%, 0.43%

LAB 50.69, 5.69, 27.43

 

CMYK 0 / 11 / 28 / 50

HEX #7F715B

RGB 127 113 91

HSL 36.67, 0.17%, 0.43%

LAB 48.36, 1.78, 14.22

 

CMYK 0 / 84 / 90 / 22

HEX #C62014

RGB 198 32 20

HSL 4.04, 0.82%, 0.43%

LAB 42.9, 61.86, 49.43

 

CMYK 0 / 60 / 90 / 22

HEX #C65014

RGB 198 80 20

HSL 20.22, 0.82%, 0.43%

LAB 49.24, 44.52, 54.09

 

CMYK 0 / 36 / 90 / 22

HEX #C67F14

RGB 198 127 20

HSL 36.07, 0.82%, 0.43%

LAB 59.19, 20.09, 61.61

 

CMYK 0 / 12 / 90 / 22

HEX #C6AE14

RGB 198 174 20

HSL 51.91, 0.82%, 0.43%

LAB 71.1, -5.3, 70.82

 

CMYK 12 / 0 / 90 / 22

HEX #AEC614

RGB 174 198 20

HSL 68.09, 0.82%, 0.43%

LAB 75.72, -27.74, 73.64

 

CMYK 0 / 36 / 90 / 52

HEX #7B4F0C

RGB 123 79 12

HSL 36.22, 0.82%, 0.26%

LAB 37.53, 13.14, 42.67

 

CMYK 0 / 36 / 90 / 37

HEX #A16710

RGB 161 103 16

HSL 36, 0.82%, 0.35%

LAB 48.65, 16.93, 52.46

 

CMYK 0 / 36 / 90 / 22

HEX #C67F14

RGB 198 127 20

HSL 36.07, 0.82%, 0.43%

LAB 59.19, 20.09, 61.61

 

CMYK 0 / 35 / 87 / 9

HEX #E7961D

RGB 231 150 29

HSL 35.94, 0.81%, 0.51%

LAB 68.67, 22.07, 68.44

 

CMYK 0 / 29 / 72 / 8

HEX #EBA842

RGB 235 168 66

HSL 36.21, 0.81%, 0.59%

LAB 73.58, 15.45, 60.06

 

CMYK 0 / 36 / 89 / 23

HEX #C57F15

RGB 197 127 21

HSL 36.14, 0.81%, 0.43%

LAB 59.07, 19.67, 61.22

 

CMYK 72 / 0 / 90 / 22

HEX #38C614

RGB 56 198 20

HSL 107.87, 0.82%, 0.43%

LAB 70.37, -65.52, 67.03

 

CMYK 72 / 90 / 0 / 22

HEX #3814C6

RGB 56 20 198

HSL 252.13, 0.82%, 0.43%

LAB 27.89, 62.15, -82.47

 

CMYK 0 / 36 / 89 / 23

HEX #C57F15

RGB 197 127 21

HSL 36.14, 0.81%, 0.43%

LAB 59.07, 19.67, 61.22

 

CMYK 90 / 0 / 36 / 22

HEX #14C67F

RGB 20 198 127

HSL 156.07, 0.82%, 0.43%

LAB 70.92, -57.25, 24.34

 

CMYK 36 / 90 / 0 / 22

HEX #7F14C6

RGB 127 20 198

HSL 276.07, 0.82%, 0.43%

LAB 36.16, 68.54, -68.55

 

CMYK 0 / 36 / 89 / 23

HEX #C57F15

RGB 197 127 21

HSL 36.14, 0.81%, 0.43%

LAB 59.07, 19.67, 61.22

 

CMYK 72 / 0 / 90 / 22

HEX #38C614

RGB 56 198 20

HSL 107.87, 0.82%, 0.43%

LAB 70.37, -65.52, 67.03

 

CMYK 90 / 54 / 0 / 22

HEX #145BC6

RGB 20 91 198

HSL 216.07, 0.82%, 0.43%

LAB 40.75, 20.85, -61.38

 

CMYK 18 / 90 / 0 / 22

HEX #A214C6

RGB 162 20 198

HSL 287.87, 0.82%, 0.43%

LAB 41.62, 73.44, -59.4

 

CMYK 0 / 36 / 89 / 23

HEX #C57F15

RGB 197 127 21

HSL 36.14, 0.81%, 0.43%

LAB 59.07, 19.67, 61.22

 

CMYK 90 / 0 / 81 / 22

HEX #14C626

RGB 20 198 38

HSL 126.07, 0.82%, 0.43%

LAB 69.95, -69, 62.42

 

CMYK 90 / 54 / 0 / 22

HEX #145BC6

RGB 20 91 198

HSL 216.07, 0.82%, 0.43%

LAB 40.75, 20.85, -61.38

 

CMYK 0 / 90 / 9 / 22

HEX #C614B4

RGB 198 20 180

HSL 306.07, 0.82%, 0.43%

LAB 46.71, 76.71, -40.36

 

Description

Color code: RGB 197 127 21 | qconv.com Color code: RGB 197 127 21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 127 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 127 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 89 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 89% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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