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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 113 91 it is the complementary color RGB 128 142 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 113 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 113 91 shade: RGB 132 113 86, RGB 149 131 105, RGB 166 149 124, RGB 183 167 143 and RGB 200 185 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 113 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 113 91 shade: RGB 127 113 91, RGB 110 95 72, RGB 93 77 53, RGB 76 59 34 and RGB 59 41 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 113 91 shade: RGB 128 113 91, RGB 128 103 91, RGB 128 93 91 and RGB 128 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 113 91 shade: RGB 128 113 91, RGB 128 123 91, RGB 122 128 91, RGB 112 128 91 and RGB 102 128 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 113 91 shade matches the following richer shades: RGB 128 113 91, RGB 146 117 73, RGB 163 121 55, RGB 181 125 37 and RGB 199 129 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 113 91 shade: RGB 128 113 91, RGB 110 109 108, RGB 92 105 126, RGB 75 101 144 and RGB 57 98 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 113 91 shade: RGB 128 93 91, RGB 128 103 91, RGB 128 113 91, RGB 128 123 91 and RGB 123 128 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 113 91 shade: RGB 80 70 56, RGB 104 92 73, RGB 128 113 91, RGB 151 134 109 and RGB 168 154 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 113 91 shade: RGB 127 113 91, RGB 98 128 91 and RGB 98 91 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 113 91 shade: RGB 127 113 91, RGB 91 128 113 and RGB 113 91 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 113 91 shade: RGB 127 113 91, RGB 98 128 91, RGB 91 105 128 and RGB 120 91 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 113 91 shade: RGB 127 113 91, RGB 91 128 94, RGB 91 105 128 and RGB 128 91 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 28 / 50

HEX #7F715B

RGB 127 113 91

HSL 36.67, 0.17%, 0.43%

LAB 48.36, 1.78, 14.22

 

Complementary color

CMYK 22 / 13 / 0 / 36

HEX #808EA4

RGB 128 142 164

HSL 216.67, 0.17%, 0.57%

LAB 58.62, -0.09, -13.3

 

CMYK 0 / 14 / 35 / 48

HEX #847156

RGB 132 113 86

HSL 35.22, 0.21%, 0.43%

LAB 48.74, 3.19, 17.76

 

CMYK 0 / 12 / 30 / 42

HEX #958369

RGB 149 131 105

HSL 35.45, 0.17%, 0.5%

LAB 55.73, 2.68, 16.58

 

CMYK 0 / 10 / 25 / 35

HEX #A6957C

RGB 166 149 124

HSL 35.71, 0.19%, 0.57%

LAB 62.56, 2.25, 15.51

 

CMYK 0 / 9 / 22 / 28

HEX #B7A78F

RGB 183 167 143

HSL 36, 0.22%, 0.64%

LAB 69.25, 1.88, 14.52

 

CMYK 0 / 8 / 19 / 22

HEX #C8B9A2

RGB 200 185 162

HSL 36.32, 0.26%, 0.71%

LAB 75.81, 1.56, 13.6

 

CMYK 0 / 11 / 28 / 50

HEX #7F715B

RGB 127 113 91

HSL 36.67, 0.17%, 0.43%

LAB 48.36, 1.78, 14.22

 

CMYK 0 / 14 / 35 / 57

HEX #6E5F48

RGB 110 95 72

HSL 36.32, 0.21%, 0.36%

LAB 41.16, 2.27, 15.41

 

CMYK 0 / 17 / 43 / 64

HEX #5D4D35

RGB 93 77 53

HSL 36, 0.27%, 0.29%

LAB 33.76, 2.91, 16.74

 

CMYK 0 / 22 / 55 / 70

HEX #4C3B22

RGB 76 59 34

HSL 35.71, 0.38%, 0.22%

LAB 26.1, 3.78, 18.27

 

CMYK 0 / 31 / 75 / 77

HEX #3B290F

RGB 59 41 15

HSL 35.45, 0.59%, 0.15%

LAB 18.14, 5.06, 19.8

 

CMYK 0 / 12 / 29 / 50

HEX #80715B

RGB 128 113 91

HSL 35.68, 0.17%, 0.43%

LAB 48.45, 2.2, 14.37

 

CMYK 0 / 20 / 29 / 50

HEX #80675B

RGB 128 103 91

HSL 19.46, 0.17%, 0.43%

LAB 45.7, 8.06, 10.54

 

CMYK 0 / 27 / 29 / 50

HEX #805D5B

RGB 128 93 91

HSL 3.24, 0.17%, 0.43%

LAB 43.02, 14.01, 6.77

 

CMYK 0 / 29 / 29 / 50

HEX #805B5B

RGB 128 91 91

HSL 0, 0.17%, 0.43%

LAB 42.5, 15.2, 6.03

 

CMYK 0 / 12 / 29 / 50

HEX #80715B

RGB 128 113 91

HSL 35.68, 0.17%, 0.43%

LAB 48.45, 2.2, 14.37

 

CMYK 0 / 4 / 29 / 50

HEX #807B5B

RGB 128 123 91

HSL 51.89, 0.17%, 0.43%

LAB 51.28, -3.54, 18.22

 

CMYK 5 / 0 / 29 / 50

HEX #7A805B

RGB 122 128 91

HSL 69.73, 0.17%, 0.43%

LAB 52.21, -8.84, 19.39

 

CMYK 13 / 0 / 29 / 50

HEX #70805B

RGB 112 128 91

HSL 85.95, 0.17%, 0.43%

LAB 51.43, -12.9, 18.2

 

CMYK 20 / 0 / 29 / 50

HEX #66805B

RGB 102 128 91

HSL 102.16, 0.17%, 0.43%

LAB 50.71, -16.82, 17.11

 

CMYK 0 / 12 / 29 / 50

HEX #80715B

RGB 128 113 91

HSL 35.68, 0.17%, 0.43%

LAB 48.45, 2.2, 14.37

 

CMYK 0 / 20 / 50 / 43

HEX #927549

RGB 146 117 73

HSL 36.16, 0.33%, 0.43%

LAB 51.05, 5.46, 28.46

 

CMYK 0 / 26 / 66 / 36

HEX #A37937

RGB 163 121 55

HSL 36.67, 0.5%, 0.43%

LAB 53.75, 9.27, 41.62

 

CMYK 0 / 31 / 80 / 29

HEX #B57D25

RGB 181 125 37

HSL 36.67, 0.66%, 0.43%

LAB 56.71, 14.16, 53.29

 

CMYK 0 / 35 / 90 / 22

HEX #C78114

RGB 199 129 20

HSL 36.54, 0.82%, 0.43%

LAB 59.79, 19.43, 62.13

 

CMYK 0 / 12 / 29 / 50

HEX #80715B

RGB 128 113 91

HSL 35.68, 0.17%, 0.43%

LAB 48.45, 2.2, 14.37

 

CMYK 0 / 1 / 2 / 57

HEX #6E6D6C

RGB 110 109 108

HSL 30, 0.01%, 0.43%

LAB 46.09, 0.19, 0.69

 

CMYK 27 / 17 / 0 / 51

HEX #5C697E

RGB 92 105 126

HSL 217.06, 0.16%, 0.43%

LAB 44.07, 0.22, -13.3

 

CMYK 48 / 30 / 0 / 44

HEX #4B6590

RGB 75 101 144

HSL 217.39, 0.32%, 0.43%

LAB 42.49, 2.78, -26.64

 

CMYK 65 / 39 / 0 / 37

HEX #3962A1

RGB 57 98 161

HSL 216.35, 0.48%, 0.43%

LAB 41.5, 6.35, -38.4

 

CMYK 0 / 27 / 29 / 50

HEX #805D5B

RGB 128 93 91

HSL 3.24, 0.17%, 0.43%

LAB 43.02, 14.01, 6.77

 

CMYK 0 / 20 / 29 / 50

HEX #80675B

RGB 128 103 91

HSL 19.46, 0.17%, 0.43%

LAB 45.7, 8.06, 10.54

 

CMYK 0 / 12 / 29 / 50

HEX #80715B

RGB 128 113 91

HSL 35.68, 0.17%, 0.43%

LAB 48.45, 2.2, 14.37

 

CMYK 0 / 4 / 29 / 50

HEX #807B5B

RGB 128 123 91

HSL 51.89, 0.17%, 0.43%

LAB 51.28, -3.54, 18.22

 

CMYK 4 / 0 / 29 / 50

HEX #7B805B

RGB 123 128 91

HSL 68.11, 0.17%, 0.43%

LAB 52.29, -8.43, 19.52

 

CMYK 0 / 13 / 30 / 69

HEX #504638

RGB 80 70 56

HSL 35, 0.18%, 0.27%

LAB 30.33, 1.71, 10

 

CMYK 0 / 12 / 30 / 59

HEX #685C49

RGB 104 92 73

HSL 36.77, 0.18%, 0.35%

LAB 39.71, 1.58, 12.72

 

CMYK 0 / 12 / 29 / 50

HEX #80715B

RGB 128 113 91

HSL 35.68, 0.17%, 0.43%

LAB 48.45, 2.2, 14.37

 

CMYK 0 / 11 / 28 / 41

HEX #97866D

RGB 151 134 109

HSL 35.71, 0.17%, 0.51%

LAB 56.81, 2.38, 15.83

 

CMYK 0 / 8 / 21 / 34

HEX #A89A85

RGB 168 154 133

HSL 36, 0.17%, 0.59%

LAB 64.27, 1.64, 12.89

 

CMYK 0 / 11 / 28 / 50

HEX #7F715B

RGB 127 113 91

HSL 36.67, 0.17%, 0.43%

LAB 48.36, 1.78, 14.22

 

CMYK 23 / 0 / 29 / 50

HEX #62805B

RGB 98 128 91

HSL 108.65, 0.17%, 0.43%

LAB 50.44, -18.33, 16.7

 

CMYK 23 / 29 / 0 / 50

HEX #625B80

RGB 98 91 128

HSL 251.35, 0.17%, 0.43%

LAB 40.63, 11.33, -19.72

 

CMYK 0 / 11 / 28 / 50

HEX #7F715B

RGB 127 113 91

HSL 36.67, 0.17%, 0.43%

LAB 48.36, 1.78, 14.22

 

CMYK 29 / 0 / 12 / 50

HEX #5B8071

RGB 91 128 113

HSL 155.68, 0.17%, 0.43%

LAB 50.52, -16.42, 3.97

 

CMYK 12 / 29 / 0 / 50

HEX #715B80

RGB 113 91 128

HSL 275.68, 0.17%, 0.43%

LAB 42.08, 16.5, -17.37

 

CMYK 0 / 11 / 28 / 50

HEX #7F715B

RGB 127 113 91

HSL 36.67, 0.17%, 0.43%

LAB 48.36, 1.78, 14.22

 

CMYK 23 / 0 / 29 / 50

HEX #62805B

RGB 98 128 91

HSL 108.65, 0.17%, 0.43%

LAB 50.44, -18.33, 16.7

 

CMYK 29 / 18 / 0 / 50

HEX #5B6980

RGB 91 105 128

HSL 217.3, 0.17%, 0.43%

LAB 44.07, 0.42, -14.51

 

CMYK 6 / 29 / 0 / 50

HEX #785B80

RGB 120 91 128

HSL 287.03, 0.17%, 0.43%

LAB 42.81, 18.97, -16.18

 

CMYK 0 / 11 / 28 / 50

HEX #7F715B

RGB 127 113 91

HSL 36.67, 0.17%, 0.43%

LAB 48.36, 1.78, 14.22

 

CMYK 29 / 0 / 27 / 50

HEX #5B805E

RGB 91 128 94

HSL 124.86, 0.17%, 0.43%

LAB 50.06, -20.35, 14.38

 

CMYK 29 / 18 / 0 / 50

HEX #5B6980

RGB 91 105 128

HSL 217.3, 0.17%, 0.43%

LAB 44.07, 0.42, -14.51

 

CMYK 0 / 29 / 3 / 50

HEX #805B7C

RGB 128 91 124

HSL 306.49, 0.17%, 0.43%

LAB 43.55, 21.02, -12.56

 

Description

Color code: RGB 127 113 91 | qconv.com Color code: RGB 127 113 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 113 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 113 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 28 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 28% 50% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Welcome to UCLA's Hi...
Link: http://www.history.ucla.edu

36% - Manfroni Iluminación
Link: http://manfroni.net

Verification of their color palette as a manufacturer!

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