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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 27 60 it is the complementary color RGB 59 228 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 27 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 27 60 shade: RGB 201 27 55, RGB 218 45 74, RGB 235 63 93, RGB 252 81 112 and RGB 255 99 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 27 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 27 60 shade: RGB 196 27 60, RGB 179 9 41, RGB 162 0 22, RGB 145 0 3 and RGB 128 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 27 60 shade: RGB 197 26 60 and RGB 197 26 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 27 60 shade: RGB 197 26 60, RGB 197 26 106, RGB 197 26 152, RGB 196 26 197 and RGB 150 26 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 27 60 shade matches the following richer shades: RGB 197 26 60 and RGB 215 8 49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 27 60 shade: RGB 197 26 60, RGB 179 45 71, RGB 161 63 82, RGB 143 81 93 and RGB 124 99 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 27 60 shade: RGB 197 26 151, RGB 197 26 106, RGB 197 26 61, RGB 197 38 26 and RGB 197 83 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 27 60 shade: RGB 124 17 38, RGB 161 21 49, RGB 197 26 60, RGB 225 39 76 and RGB 230 76 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 27 60 shade: RGB 196 27 60, RGB 197 197 26 and RGB 26 129 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 27 60 shade: RGB 196 27 60, RGB 61 197 26 and RGB 26 61 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 27 60 shade: RGB 196 27 60, RGB 197 197 26, RGB 26 197 163 and RGB 26 26 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 27 60 shade: RGB 196 27 60, RGB 146 197 26, RGB 26 197 163 and RGB 78 26 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 69 / 23

HEX #C41B3C

RGB 196 27 60

HSL 348.28, 0.76%, 0.44%

LAB 42.53, 63.62, 27.02

 

Complementary color

CMYK 74 / 0 / 14 / 11

HEX #3BE4C3

RGB 59 228 195

HSL 168.28, 0.76%, 0.56%

LAB 82.03, -49.75, 3.96

 

CMYK 0 / 87 / 73 / 21

HEX #C91B37

RGB 201 27 55

HSL 350.34, 0.76%, 0.45%

LAB 43.47, 64.73, 31.45

 

CMYK 0 / 79 / 66 / 15

HEX #DA2D4A

RGB 218 45 74

HSL 349.94, 0.7%, 0.52%

LAB 48.61, 66.02, 27.02

 

CMYK 0 / 73 / 60 / 8

HEX #EB3F5D

RGB 235 63 93

HSL 349.53, 0.81%, 0.58%

LAB 54.03, 66.51, 23.29

 

CMYK 0 / 68 / 56 / 1

HEX #FC5170

RGB 252 81 112

HSL 349.12, 0.97%, 0.65%

LAB 59.66, 66.47, 20.16

 

CMYK 0 / 61 / 49 / 0

HEX #FF6383

RGB 255 99 131

HSL 347.69, 1%, 0.69%

LAB 63.2, 61.72, 14.09

 

CMYK 0 / 86 / 69 / 23

HEX #C41B3C

RGB 196 27 60

HSL 348.28, 0.76%, 0.44%

LAB 42.53, 63.62, 27.02

 

CMYK 0 / 95 / 77 / 30

HEX #B30929

RGB 179 9 41

HSL 348.71, 0.9%, 0.37%

LAB 37.73, 61.2, 32.17

 

CMYK 0 / 100 / 86 / 36

HEX #A20016

RGB 162 0 22

HSL 351.85, 1%, 0.32%

LAB 33.43, 57.39, 37.72

 

CMYK 0 / 100 / 98 / 43

HEX #910003

RGB 145 0 3

HSL 358.76, 1%, 0.28%

LAB 29.48, 52.65, 41.77

 

CMYK 0 / 100 / 100 / 50

HEX #800000

RGB 128 0 0

HSL 0, 1%, 0.25%

LAB 25.53, 48.06, 38.06

 

CMYK 0 / 87 / 70 / 23

HEX #C51A3C

RGB 197 26 60

HSL 348.07, 0.77%, 0.44%

LAB 42.67, 64.08, 27.24

 

CMYK 0 / 87 / 87 / 23

HEX #C51A1A

RGB 197 26 26

HSL 0, 0.77%, 0.44%

LAB 42.28, 62.96, 46.16

 

CMYK 0 / 87 / 70 / 23

HEX #C51A3C

RGB 197 26 60

HSL 348.07, 0.77%, 0.44%

LAB 42.67, 64.08, 27.24

 

CMYK 0 / 87 / 46 / 23

HEX #C51A6A

RGB 197 26 106

HSL 331.93, 0.77%, 0.44%

LAB 43.73, 67.12, -0.09

 

CMYK 0 / 87 / 23 / 23

HEX #C51A98

RGB 197 26 152

HSL 315.79, 0.77%, 0.44%

LAB 45.46, 71.92, -25.66

 

CMYK 1 / 87 / 0 / 23

HEX #C41AC5

RGB 196 26 197

HSL 299.65, 0.77%, 0.44%

LAB 47.63, 77.9, -48.85

 

CMYK 24 / 87 / 0 / 23

HEX #961AC5

RGB 150 26 197

HSL 283.51, 0.77%, 0.44%

LAB 40.01, 70.29, -61.54

 

CMYK 0 / 87 / 70 / 23

HEX #C51A3C

RGB 197 26 60

HSL 348.07, 0.77%, 0.44%

LAB 42.67, 64.08, 27.24

 

CMYK 0 / 96 / 77 / 16

HEX #D70831

RGB 215 8 49

HSL 348.12, 0.93%, 0.44%

LAB 45.42, 70.58, 38

 

CMYK 0 / 87 / 70 / 23

HEX #C51A3C

RGB 197 26 60

HSL 348.07, 0.77%, 0.44%

LAB 42.67, 64.08, 27.24

 

CMYK 0 / 75 / 60 / 30

HEX #B32D47

RGB 179 45 71

HSL 348.36, 0.6%, 0.44%

LAB 41.08, 54.62, 17.65

 

CMYK 0 / 61 / 49 / 37

HEX #A13F52

RGB 161 63 82

HSL 348.37, 0.44%, 0.44%

LAB 40.8, 42.29, 9.85

 

CMYK 0 / 43 / 35 / 44

HEX #8F515D

RGB 143 81 93

HSL 348.39, 0.28%, 0.44%

LAB 42.02, 27.39, 4.38

 

CMYK 0 / 20 / 16 / 51

HEX #7C6368

RGB 124 99 104

HSL 348, 0.11%, 0.44%

LAB 44.53, 10.92, 0.99

 

CMYK 0 / 87 / 23 / 23

HEX #C51A97

RGB 197 26 151

HSL 316.14, 0.77%, 0.44%

LAB 45.42, 71.8, -25.13

 

CMYK 0 / 87 / 46 / 23

HEX #C51A6A

RGB 197 26 106

HSL 331.93, 0.77%, 0.44%

LAB 43.73, 67.12, -0.09

 

CMYK 0 / 87 / 69 / 23

HEX #C51A3D

RGB 197 26 61

HSL 347.72, 0.77%, 0.44%

LAB 42.68, 64.13, 26.64

 

CMYK 0 / 81 / 87 / 23

HEX #C5261A

RGB 197 38 26

HSL 4.21, 0.77%, 0.44%

LAB 43.26, 60.19, 46.96

 

CMYK 0 / 58 / 87 / 23

HEX #C5531A

RGB 197 83 26

HSL 20, 0.77%, 0.44%

LAB 49.66, 42.85, 52.19

 

CMYK 0 / 86 / 69 / 51

HEX #7C1126

RGB 124 17 38

HSL 348.22, 0.76%, 0.28%

LAB 26.23, 44.69, 17.54

 

CMYK 0 / 87 / 70 / 37

HEX #A11531

RGB 161 21 49

HSL 348, 0.77%, 0.36%

LAB 34.67, 54.88, 22.6

 

CMYK 0 / 87 / 70 / 23

HEX #C51A3C

RGB 197 26 60

HSL 348.07, 0.77%, 0.44%

LAB 42.67, 64.08, 27.24

 

CMYK 0 / 83 / 66 / 12

HEX #E1274C

RGB 225 39 76

HSL 348.06, 0.76%, 0.52%

LAB 49.47, 69.5, 27.19

 

CMYK 0 / 67 / 54 / 10

HEX #E64C6A

RGB 230 76 106

HSL 348.31, 0.75%, 0.6%

LAB 55.11, 61.27, 16.86

 

CMYK 0 / 86 / 69 / 23

HEX #C41B3C

RGB 196 27 60

HSL 348.28, 0.76%, 0.44%

LAB 42.53, 63.62, 27.02

 

CMYK 0 / 0 / 87 / 23

HEX #C5C51A

RGB 197 197 26

HSL 60, 0.77%, 0.44%

LAB 77.21, -17.39, 74.51

 

CMYK 87 / 35 / 0 / 23

HEX #1A81C5

RGB 26 129 197

HSL 203.86, 0.77%, 0.44%

LAB 51.78, -3.16, -43.09

 

CMYK 0 / 86 / 69 / 23

HEX #C41B3C

RGB 196 27 60

HSL 348.28, 0.76%, 0.44%

LAB 42.53, 63.62, 27.02

 

CMYK 69 / 0 / 87 / 23

HEX #3DC51A

RGB 61 197 26

HSL 107.72, 0.77%, 0.44%

LAB 70.18, -64.09, 65.77

 

CMYK 87 / 69 / 0 / 23

HEX #1A3DC5

RGB 26 61 197

HSL 227.72, 0.77%, 0.44%

LAB 33.11, 40.35, -73.29

 

CMYK 0 / 86 / 69 / 23

HEX #C41B3C

RGB 196 27 60

HSL 348.28, 0.76%, 0.44%

LAB 42.53, 63.62, 27.02

 

CMYK 0 / 0 / 87 / 23

HEX #C5C51A

RGB 197 197 26

HSL 60, 0.77%, 0.44%

LAB 77.21, -17.39, 74.51

 

CMYK 87 / 0 / 17 / 23

HEX #1AC5A3

RGB 26 197 163

HSL 168.07, 0.77%, 0.44%

LAB 71.42, -48.1, 5.72

 

CMYK 87 / 87 / 0 / 23

HEX #1A1AC5

RGB 26 26 197

HSL 240, 0.77%, 0.44%

LAB 26.71, 58.65, -83.91

 

CMYK 0 / 86 / 69 / 23

HEX #C41B3C

RGB 196 27 60

HSL 348.28, 0.76%, 0.44%

LAB 42.53, 63.62, 27.02

 

CMYK 26 / 0 / 87 / 23

HEX #92C51A

RGB 146 197 26

HSL 77.89, 0.77%, 0.44%

LAB 73.62, -38.44, 70.09

 

CMYK 87 / 0 / 17 / 23

HEX #1AC5A3

RGB 26 197 163

HSL 168.07, 0.77%, 0.44%

LAB 71.42, -48.1, 5.72

 

CMYK 60 / 87 / 0 / 23

HEX #4E1AC5

RGB 78 26 197

HSL 258.25, 0.77%, 0.44%

LAB 30.38, 61.56, -77.71

 

Description

Color code: RGB 196 27 60 | qconv.com Color code: RGB 196 27 60 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 27 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 27 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 69 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 69% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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