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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C51A6A it is the complementary color #3AE595. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C51A6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C51A6A shade: #CA1A65, #DB2C78, #EC3E8B, #FD509E and #FF62B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C51A6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C51A6A shade: #C51A6A, #B40857, #A30044, #920031 and #81001E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C51A6A shade: #C6196A, #C6193C and #C61919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C51A6A shade: #C6196A, #C61999, #C519C6, #9619C6 and #6819C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C51A6A shade matches the following richer shades: #C6196A and #D80769

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C51A6A shade: #C6196A, #B42B6B, #A23E6C, #90506E and #7D626F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C51A6A shade: #C319C6, #C6199B, #C6196D, #C6193F and #C62219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C51A6A shade: #7D1043, #A21557, #C6196A, #E2267E and #E74B94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C51A6A shade: #C51A6A, #C69519 and #19B2C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C51A6A shade: #C51A6A, #6DC619 and #196DC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C51A6A shade: #C51A6A, #C69519, #19C673 and #194AC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C51A6A shade: #C51A6A, #C3C619, #19C673 and #1C19C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 46 / 23

HEX #C51A6A

RGB 197 26 106

HSL 331.93, 0.77%, 0.44%

LAB 43.73, 67.12, -0.09

 

Complementary color

CMYK 75 / 0 / 35 / 10

HEX #3AE595

RGB 58 229 149

HSL 151.93, 0.77%, 0.56%

LAB 81.35, -60.59, 27.05

 

CMYK 0 / 87 / 50 / 21

HEX #CA1A65

RGB 202 26 101

HSL 334.43, 0.77%, 0.45%

LAB 44.57, 67.92, 4.37

 

CMYK 0 / 80 / 45 / 14

HEX #DB2C78

RGB 219 44 120

HSL 333.94, 0.71%, 0.52%

LAB 49.76, 69.76, 0.61

 

CMYK 0 / 74 / 41 / 7

HEX #EC3E8B

RGB 236 62 139

HSL 333.45, 0.82%, 0.58%

LAB 55.22, 70.74, -2.45

 

CMYK 0 / 68 / 38 / 1

HEX #FD509E

RGB 253 80 158

HSL 332.95, 0.98%, 0.65%

LAB 60.86, 71.12, -4.94

 

CMYK 0 / 62 / 31 / 0

HEX #FF62B1

RGB 255 98 177

HSL 329.81, 1%, 0.69%

LAB 64.3, 66.83, -10.72

 

CMYK 0 / 87 / 46 / 23

HEX #C51A6A

RGB 197 26 106

HSL 331.93, 0.77%, 0.44%

LAB 43.73, 67.12, -0.09

 

CMYK 0 / 96 / 52 / 29

HEX #B40857

RGB 180 8 87

HSL 332.44, 0.91%, 0.37%

LAB 38.84, 64.11, 4.41

 

CMYK 0 / 100 / 58 / 36

HEX #A30044

RGB 163 0 68

HSL 334.97, 1%, 0.32%

LAB 34.4, 59.67, 9.95

 

CMYK 0 / 100 / 66 / 43

HEX #920031

RGB 146 0 49

HSL 339.86, 1%, 0.29%

LAB 30.24, 54.35, 16.28

 

CMYK 0 / 100 / 77 / 49

HEX #81001E

RGB 129 0 30

HSL 346.05, 1%, 0.25%

LAB 26.04, 49.08, 22.92

 

CMYK 0 / 87 / 46 / 22

HEX #C6196A

RGB 198 25 106

HSL 331.91, 0.78%, 0.44%

LAB 43.86, 67.54, 0.13

 

CMYK 0 / 87 / 70 / 22

HEX #C6193C

RGB 198 25 60

HSL 347.86, 0.78%, 0.44%

LAB 42.8, 64.53, 27.45

 

CMYK 0 / 87 / 87 / 22

HEX #C61919

RGB 198 25 25

HSL 0, 0.78%, 0.44%

LAB 42.42, 63.41, 46.83

 

CMYK 0 / 87 / 46 / 22

HEX #C6196A

RGB 198 25 106

HSL 331.91, 0.78%, 0.44%

LAB 43.86, 67.54, 0.13

 

CMYK 0 / 87 / 23 / 22

HEX #C61999

RGB 198 25 153

HSL 315.61, 0.78%, 0.44%

LAB 45.64, 72.42, -25.98

 

CMYK 1 / 87 / 0 / 22

HEX #C519C6

RGB 197 25 198

HSL 299.65, 0.78%, 0.44%

LAB 47.81, 78.39, -49.14

 

CMYK 24 / 87 / 0 / 22

HEX #9619C6

RGB 150 25 198

HSL 283.35, 0.78%, 0.44%

LAB 40.01, 70.69, -62.11

 

CMYK 47 / 87 / 0 / 22

HEX #6819C6

RGB 104 25 198

HSL 267.4, 0.78%, 0.44%

LAB 33.38, 64.65, -73.22

 

CMYK 0 / 87 / 46 / 22

HEX #C6196A

RGB 198 25 106

HSL 331.91, 0.78%, 0.44%

LAB 43.86, 67.54, 0.13

 

CMYK 0 / 97 / 51 / 15

HEX #D80769

RGB 216 7 105

HSL 331.87, 0.94%, 0.44%

LAB 46.67, 73.83, 5.27

 

CMYK 0 / 87 / 46 / 22

HEX #C6196A

RGB 198 25 106

HSL 331.91, 0.78%, 0.44%

LAB 43.86, 67.54, 0.13

 

CMYK 0 / 76 / 41 / 29

HEX #B42B6B

RGB 180 43 107

HSL 331.97, 0.61%, 0.44%

LAB 41.99, 58.62, -3.64

 

CMYK 0 / 62 / 33 / 36

HEX #A23E6C

RGB 162 62 108

HSL 332.4, 0.45%, 0.44%

LAB 41.55, 45.99, -5.27

 

CMYK 0 / 44 / 24 / 44

HEX #90506E

RGB 144 80 110

HSL 331.88, 0.29%, 0.44%

LAB 42.45, 30.8, -5.45

 

CMYK 0 / 22 / 11 / 51

HEX #7D626F

RGB 125 98 111

HSL 331.11, 0.12%, 0.44%

LAB 44.58, 13.19, -3.16

 

CMYK 2 / 87 / 0 / 22

HEX #C319C6

RGB 195 25 198

HSL 298.96, 0.78%, 0.44%

LAB 47.46, 78.04, -49.71

 

CMYK 0 / 87 / 22 / 22

HEX #C6199B

RGB 198 25 155

HSL 314.91, 0.78%, 0.44%

LAB 45.73, 72.67, -27.04

 

CMYK 0 / 87 / 45 / 22

HEX #C6196D

RGB 198 25 109

HSL 330.87, 0.78%, 0.44%

LAB 43.95, 67.8, -1.6

 

CMYK 0 / 87 / 68 / 22

HEX #C6193F

RGB 198 25 63

HSL 346.82, 0.78%, 0.44%

LAB 42.85, 64.68, 25.66

 

CMYK 0 / 83 / 87 / 22

HEX #C62219

RGB 198 34 25

HSL 3.12, 0.78%, 0.44%

LAB 43.09, 61.48, 47.37

 

CMYK 0 / 87 / 46 / 51

HEX #7D1043

RGB 125 16 67

HSL 331.93, 0.77%, 0.28%

LAB 27.12, 47.45, -0.88

 

CMYK 0 / 87 / 46 / 36

HEX #A21557

RGB 162 21 87

HSL 331.91, 0.77%, 0.36%

LAB 35.8, 57.81, -0.45

 

CMYK 0 / 87 / 46 / 22

HEX #C6196A

RGB 198 25 106

HSL 331.91, 0.78%, 0.44%

LAB 43.86, 67.54, 0.13

 

CMYK 0 / 83 / 44 / 11

HEX #E2267E

RGB 226 38 126

HSL 331.91, 0.76%, 0.52%

LAB 50.76, 73.42, -1.42

 

CMYK 0 / 68 / 36 / 9

HEX #E74B94

RGB 231 75 148

HSL 331.92, 0.76%, 0.6%

LAB 56.25, 65.82, -6.34

 

CMYK 0 / 87 / 46 / 23

HEX #C51A6A

RGB 197 26 106

HSL 331.93, 0.77%, 0.44%

LAB 43.73, 67.12, -0.09

 

CMYK 0 / 25 / 87 / 22

HEX #C69519

RGB 198 149 25

HSL 43.01, 0.78%, 0.44%

LAB 64.62, 8.17, 64.64

 

CMYK 87 / 10 / 0 / 22

HEX #19B2C6

RGB 25 178 198

HSL 186.94, 0.78%, 0.44%

LAB 66.62, -29.4, -20.61

 

CMYK 0 / 87 / 46 / 23

HEX #C51A6A

RGB 197 26 106

HSL 331.93, 0.77%, 0.44%

LAB 43.73, 67.12, -0.09

 

CMYK 45 / 0 / 87 / 22

HEX #6DC619

RGB 109 198 25

HSL 90.87, 0.78%, 0.44%

LAB 72.03, -52.09, 68.19

 

CMYK 87 / 45 / 0 / 22

HEX #196DC6

RGB 25 109 198

HSL 210.87, 0.78%, 0.44%

LAB 45.94, 9.47, -52.99

 

CMYK 0 / 87 / 46 / 23

HEX #C51A6A

RGB 197 26 106

HSL 331.93, 0.77%, 0.44%

LAB 43.73, 67.12, -0.09

 

CMYK 0 / 25 / 87 / 22

HEX #C69519

RGB 198 149 25

HSL 43.01, 0.78%, 0.44%

LAB 64.62, 8.17, 64.64

 

CMYK 87 / 0 / 42 / 22

HEX #19C673

RGB 25 198 115

HSL 151.21, 0.78%, 0.44%

LAB 70.76, -59.28, 30.39

 

CMYK 87 / 63 / 0 / 22

HEX #194AC6

RGB 25 74 198

HSL 223.01, 0.78%, 0.44%

LAB 36.33, 32.33, -68.58

 

CMYK 0 / 87 / 46 / 23

HEX #C51A6A

RGB 197 26 106

HSL 331.93, 0.77%, 0.44%

LAB 43.73, 67.12, -0.09

 

CMYK 2 / 0 / 87 / 22

HEX #C3C619

RGB 195 198 25

HSL 61.04, 0.78%, 0.44%

LAB 77.32, -18.76, 74.72

 

CMYK 87 / 0 / 42 / 22

HEX #19C673

RGB 25 198 115

HSL 151.21, 0.78%, 0.44%

LAB 70.76, -59.28, 30.39

 

CMYK 86 / 87 / 0 / 22

HEX #1C19C6

RGB 28 25 198

HSL 241.04, 0.78%, 0.44%

LAB 26.79, 59.37, -84.35

 

Description

Color code: HEX #C51A6A | qconv.com Color code: HEX #C51A6A | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 26 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 26 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 46 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 46% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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