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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 195 83 it is the complementary color RGB 59 60 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 195 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 195 83 shade: RGB 201 195 78, RGB 218 213 97, RGB 235 231 116, RGB 252 249 135 and RGB 255 255 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 195 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 195 83 shade: RGB 196 195 83, RGB 179 177 64, RGB 162 159 45, RGB 145 141 26 and RGB 128 123 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 195 83 shade: RGB 196 195 84, RGB 196 165 84, RGB 196 134 84, RGB 196 104 84 and RGB 196 84 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 195 83 shade: RGB 196 195 84, RGB 167 196 84, RGB 136 196 84, RGB 106 196 84 and RGB 84 196 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 195 83 shade matches the following richer shades: RGB 196 195 84, RGB 215 213 65, RGB 233 231 46 and RGB 252 250 28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 195 83 shade: RGB 196 195 84, RGB 177 177 102, RGB 159 159 121, RGB 140 140 139 and RGB 122 122 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 195 83 shade: RGB 196 134 84, RGB 196 164 84, RGB 196 194 84, RGB 168 196 84 and RGB 138 196 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 195 83 shade: RGB 147 146 50, RGB 178 177 61, RGB 196 195 84, RGB 206 206 114 and RGB 217 216 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 195 83 shade: RGB 196 195 83, RGB 84 196 104 and RGB 149 84 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 195 83 shade: RGB 196 195 83, RGB 84 196 194 and RGB 194 84 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 195 83 shade: RGB 196 195 83, RGB 84 196 104, RGB 84 85 196 and RGB 196 84 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 195 83 shade: RGB 196 195 83, RGB 84 196 138, RGB 84 85 196 and RGB 196 84 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 58 / 23

HEX #C4C353

RGB 196 195 83

HSL 59.47, 0.49%, 0.55%

LAB 76.91, -14.17, 55.12

 

Complementary color

CMYK 66 / 65 / 0 / 33

HEX #3B3CAC

RGB 59 60 172

HSL 239.47, 0.49%, 0.45%

LAB 32.12, 35.24, -60.07

 

CMYK 0 / 3 / 61 / 21

HEX #C9C34E

RGB 201 195 78

HSL 57.07, 0.53%, 0.55%

LAB 77.28, -12.43, 57.82

 

CMYK 0 / 2 / 56 / 15

HEX #DAD561

RGB 218 213 97

HSL 57.52, 0.62%, 0.62%

LAB 83.63, -13.12, 56.87

 

CMYK 0 / 2 / 51 / 8

HEX #EBE774

RGB 235 231 116

HSL 57.98, 0.75%, 0.69%

LAB 89.89, -13.7, 55.8

 

CMYK 0 / 1 / 46 / 1

HEX #FCF987

RGB 252 249 135

HSL 58.46, 0.95%, 0.76%

LAB 96.08, -14.19, 54.69

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 1 / 58 / 23

HEX #C4C353

RGB 196 195 83

HSL 59.47, 0.49%, 0.55%

LAB 76.91, -14.17, 55.12

 

CMYK 0 / 1 / 64 / 30

HEX #B3B140

RGB 179 177 64

HSL 58.96, 0.47%, 0.48%

LAB 70.45, -13.45, 55.96

 

CMYK 0 / 2 / 72 / 36

HEX #A29F2D

RGB 162 159 45

HSL 58.46, 0.57%, 0.41%

LAB 63.89, -12.57, 56.4

 

CMYK 0 / 3 / 82 / 43

HEX #918D1A

RGB 145 141 26

HSL 57.98, 0.7%, 0.34%

LAB 57.22, -11.46, 56.06

 

CMYK 0 / 4 / 95 / 50

HEX #807B07

RGB 128 123 7

HSL 57.52, 0.9%, 0.26%

LAB 50.42, -10.07, 54.24

 

CMYK 0 / 1 / 57 / 23

HEX #C4C354

RGB 196 195 84

HSL 59.46, 0.49%, 0.55%

LAB 76.92, -14.1, 54.68

 

CMYK 0 / 16 / 57 / 23

HEX #C4A554

RGB 196 165 84

HSL 43.39, 0.49%, 0.55%

LAB 68.96, 1.56, 45.59

 

CMYK 0 / 32 / 57 / 23

HEX #C48654

RGB 196 134 84

HSL 26.79, 0.49%, 0.55%

LAB 61.16, 18.46, 36.26

 

CMYK 0 / 47 / 57 / 23

HEX #C46854

RGB 196 104 84

HSL 10.71, 0.49%, 0.55%

LAB 54.32, 34.72, 27.69

 

CMYK 0 / 57 / 57 / 23

HEX #C45454

RGB 196 84 84

HSL 0, 0.49%, 0.55%

LAB 50.35, 44.83, 22.55

 

CMYK 0 / 1 / 57 / 23

HEX #C4C354

RGB 196 195 84

HSL 59.46, 0.49%, 0.55%

LAB 76.92, -14.1, 54.68

 

CMYK 15 / 0 / 57 / 23

HEX #A7C454

RGB 167 196 84

HSL 75.54, 0.49%, 0.55%

LAB 75.04, -26.41, 51.97

 

CMYK 31 / 0 / 57 / 23

HEX #88C454

RGB 136 196 84

HSL 92.14, 0.49%, 0.55%

LAB 73.12, -38.17, 49.27

 

CMYK 46 / 0 / 57 / 23

HEX #6AC454

RGB 106 196 84

HSL 108.21, 0.49%, 0.55%

LAB 71.68, -48.1, 47.23

 

CMYK 57 / 0 / 54 / 23

HEX #54C45B

RGB 84 196 91

HSL 123.75, 0.49%, 0.55%

LAB 70.95, -53.23, 42.87

 

CMYK 0 / 1 / 57 / 23

HEX #C4C354

RGB 196 195 84

HSL 59.46, 0.49%, 0.55%

LAB 76.92, -14.1, 54.68

 

CMYK 0 / 1 / 70 / 16

HEX #D7D541

RGB 215 213 65

HSL 59.2, 0.65%, 0.55%

LAB 83.13, -16.35, 69.34

 

CMYK 0 / 1 / 80 / 9

HEX #E9E72E

RGB 233 231 46

HSL 59.36, 0.81%, 0.55%

LAB 89.24, -18.42, 81.24

 

CMYK 0 / 1 / 89 / 1

HEX #FCFA1C

RGB 252 250 28

HSL 59.46, 0.97%, 0.55%

LAB 95.64, -20.13, 90.64

 

CMYK 0 / 1 / 57 / 23

HEX #C4C354

RGB 196 195 84

HSL 59.46, 0.49%, 0.55%

LAB 76.92, -14.1, 54.68

 

CMYK 0 / 0 / 42 / 31

HEX #B1B166

RGB 177 177 102

HSL 60, 0.32%, 0.55%

LAB 70.7, -11.1, 38.27

 

CMYK 0 / 0 / 24 / 38

HEX #9F9F79

RGB 159 159 121

HSL 60, 0.17%, 0.55%

LAB 64.6, -6.43, 19.9

 

CMYK 0 / 0 / 1 / 45

HEX #8C8C8B

RGB 140 140 139

HSL 60, 0%, 0.55%

LAB 58.22, -0.19, 0.53

 

CMYK 23 / 23 / 0 / 38

HEX #7A7A9E

RGB 122 122 158

HSL 240, 0.16%, 0.55%

LAB 52.43, 8.08, -19.28

 

CMYK 0 / 32 / 57 / 23

HEX #C48654

RGB 196 134 84

HSL 26.79, 0.49%, 0.55%

LAB 61.16, 18.46, 36.26

 

CMYK 0 / 16 / 57 / 23

HEX #C4A454

RGB 196 164 84

HSL 42.86, 0.49%, 0.55%

LAB 68.7, 2.1, 45.29

 

CMYK 0 / 1 / 57 / 23

HEX #C4C254

RGB 196 194 84

HSL 58.93, 0.49%, 0.55%

LAB 76.65, -13.59, 54.38

 

CMYK 14 / 0 / 57 / 23

HEX #A8C454

RGB 168 196 84

HSL 75, 0.49%, 0.55%

LAB 75.1, -26.01, 52.06

 

CMYK 30 / 0 / 57 / 23

HEX #8AC454

RGB 138 196 84

HSL 91.07, 0.49%, 0.55%

LAB 73.24, -37.45, 49.43

 

CMYK 0 / 1 / 66 / 42

HEX #939232

RGB 147 146 50

HSL 59.38, 0.49%, 0.39%

LAB 58.97, -12.06, 49.05

 

CMYK 0 / 1 / 66 / 30

HEX #B2B13D

RGB 178 177 61

HSL 59.49, 0.49%, 0.47%

LAB 70.35, -14.07, 57.06

 

CMYK 0 / 1 / 57 / 23

HEX #C4C354

RGB 196 195 84

HSL 59.46, 0.49%, 0.55%

LAB 76.92, -14.1, 54.68

 

CMYK 0 / 0 / 45 / 19

HEX #CECE72

RGB 206 206 114

HSL 60, 0.48%, 0.63%

LAB 81, -12.99, 45.53

 

CMYK 0 / 0 / 33 / 15

HEX #D9D891

RGB 217 216 145

HSL 59.17, 0.49%, 0.71%

LAB 84.95, -10.34, 35.2

 

CMYK 0 / 1 / 58 / 23

HEX #C4C353

RGB 196 195 83

HSL 59.47, 0.49%, 0.55%

LAB 76.91, -14.17, 55.12

 

CMYK 57 / 0 / 47 / 23

HEX #54C468

RGB 84 196 104

HSL 130.71, 0.49%, 0.55%

LAB 71.12, -51.39, 36.69

 

CMYK 24 / 57 / 0 / 23

HEX #9554C4

RGB 149 84 196

HSL 274.82, 0.49%, 0.55%

LAB 47.9, 47.17, -48.24

 

CMYK 0 / 1 / 58 / 23

HEX #C4C353

RGB 196 195 83

HSL 59.47, 0.49%, 0.55%

LAB 76.91, -14.17, 55.12

 

CMYK 57 / 0 / 1 / 23

HEX #54C4C2

RGB 84 196 194

HSL 178.93, 0.49%, 0.55%

LAB 73.06, -31.99, -8.6

 

CMYK 1 / 57 / 0 / 23

HEX #C254C4

RGB 194 84 196

HSL 298.93, 0.49%, 0.55%

LAB 53.81, 58.78, -38.5

 

CMYK 0 / 1 / 58 / 23

HEX #C4C353

RGB 196 195 83

HSL 59.47, 0.49%, 0.55%

LAB 76.91, -14.17, 55.12

 

CMYK 57 / 0 / 47 / 23

HEX #54C468

RGB 84 196 104

HSL 130.71, 0.49%, 0.55%

LAB 71.12, -51.39, 36.69

 

CMYK 57 / 57 / 0 / 23

HEX #5455C4

RGB 84 85 196

HSL 239.46, 0.49%, 0.55%

LAB 41.79, 31.87, -58.39

 

CMYK 0 / 57 / 11 / 23

HEX #C454AF

RGB 196 84 175

HSL 311.25, 0.49%, 0.55%

LAB 53.14, 55.79, -27.38

 

CMYK 0 / 1 / 58 / 23

HEX #C4C353

RGB 196 195 83

HSL 59.47, 0.49%, 0.55%

LAB 76.91, -14.17, 55.12

 

CMYK 57 / 0 / 30 / 23

HEX #54C48A

RGB 84 196 138

HSL 148.93, 0.49%, 0.55%

LAB 71.69, -45.35, 19.75

 

CMYK 57 / 57 / 0 / 23

HEX #5455C4

RGB 84 85 196

HSL 239.46, 0.49%, 0.55%

LAB 41.79, 31.87, -58.39

 

CMYK 0 / 57 / 28 / 23

HEX #C4548E

RGB 196 84 142

HSL 328.93, 0.49%, 0.55%

LAB 51.87, 50.95, -9.91

 

Description

Color code: RGB 196 195 83 | qconv.com Color code: RGB 196 195 83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 195 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 195 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 58 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 58% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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