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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 84 196 it is the complementary color RGB 61 171 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 84 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 84 196 shade: RGB 199 84 191, RGB 216 102 210, RGB 233 120 229, RGB 250 138 248 and RGB 255 156 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 84 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 84 196 shade: RGB 194 84 196, RGB 177 66 177, RGB 160 48 158, RGB 143 30 139 and RGB 126 12 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 84 196 shade: RGB 194 84 196, RGB 196 84 168, RGB 196 84 137, RGB 196 84 107 and RGB 196 84 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 84 196 shade: RGB 194 84 196, RGB 164 84 196, RGB 133 84 196, RGB 103 84 196 and RGB 84 84 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 84 196 shade matches the following richer shades: RGB 194 84 196, RGB 212 65 215, RGB 230 46 233 and RGB 248 28 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 84 196 shade: RGB 194 84 196, RGB 176 102 177, RGB 158 121 159, RGB 140 139 140 and RGB 122 158 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 84 196 shade: RGB 132 84 196, RGB 162 84 196, RGB 192 84 196, RGB 196 84 170 and RGB 196 84 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 84 196 shade: RGB 145 50 147, RGB 176 61 178, RGB 194 84 196, RGB 205 114 206 and RGB 216 145 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 84 196 shade: RGB 194 84 196, RGB 196 102 84 and RGB 84 196 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 84 196 shade: RGB 194 84 196, RGB 196 192 84 and RGB 84 196 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 84 196 shade: RGB 194 84 196, RGB 196 102 84, RGB 87 196 84 and RGB 84 177 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 84 196 shade: RGB 194 84 196, RGB 196 136 84, RGB 87 196 84 and RGB 84 143 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 57 / 0 / 23

HEX #C254C4

RGB 194 84 196

HSL 298.93, 0.49%, 0.55%

LAB 53.81, 58.78, -38.5

 

Complementary color

CMYK 64 / 0 / 65 / 33

HEX #3DAB3B

RGB 61 171 59

HSL 118.93, 0.49%, 0.45%

LAB 62.03, -53.09, 47.08

 

CMYK 0 / 58 / 4 / 22

HEX #C754BF

RGB 199 84 191

HSL 304.17, 0.51%, 0.55%

LAB 54.29, 59.24, -34.83

 

CMYK 0 / 53 / 3 / 15

HEX #D866D2

RGB 216 102 210

HSL 303.16, 0.59%, 0.62%

LAB 60.56, 58.82, -35.67

 

CMYK 0 / 48 / 2 / 9

HEX #E978E5

RGB 233 120 229

HSL 302.12, 0.72%, 0.69%

LAB 66.83, 58.25, -36.35

 

CMYK 0 / 45 / 1 / 2

HEX #FA8AF8

RGB 250 138 248

HSL 301.07, 0.92%, 0.76%

LAB 73.07, 57.6, -36.93

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 1 / 57 / 0 / 23

HEX #C254C4

RGB 194 84 196

HSL 298.93, 0.49%, 0.55%

LAB 53.81, 58.78, -38.5

 

CMYK 0 / 63 / 0 / 31

HEX #B142B1

RGB 177 66 177

HSL 300, 0.46%, 0.48%

LAB 47.52, 58.97, -37.55

 

CMYK 0 / 70 / 1 / 37

HEX #A0309E

RGB 160 48 158

HSL 301.07, 0.54%, 0.41%

LAB 41.31, 58.71, -36.26

 

CMYK 0 / 79 / 3 / 44

HEX #8F1E8B

RGB 143 30 139

HSL 302.12, 0.65%, 0.34%

LAB 35.27, 57.68, -34.44

 

CMYK 0 / 90 / 5 / 51

HEX #7E0C78

RGB 126 12 120

HSL 303.16, 0.83%, 0.27%

LAB 29.55, 55.37, -31.84

 

CMYK 1 / 57 / 0 / 23

HEX #C254C4

RGB 194 84 196

HSL 298.93, 0.49%, 0.55%

LAB 53.81, 58.78, -38.5

 

CMYK 0 / 57 / 14 / 23

HEX #C454A8

RGB 196 84 168

HSL 315, 0.49%, 0.55%

LAB 52.84, 54.69, -23.75

 

CMYK 0 / 57 / 30 / 23

HEX #C45489

RGB 196 84 137

HSL 331.61, 0.49%, 0.55%

LAB 51.7, 50.3, -7.19

 

CMYK 0 / 57 / 45 / 23

HEX #C4546B

RGB 196 84 107

HSL 347.68, 0.49%, 0.55%

LAB 50.85, 46.87, 9.5

 

CMYK 0 / 57 / 57 / 23

HEX #C45454

RGB 196 84 84

HSL 0, 0.49%, 0.55%

LAB 50.35, 44.83, 22.55

 

CMYK 1 / 57 / 0 / 23

HEX #C254C4

RGB 194 84 196

HSL 298.93, 0.49%, 0.55%

LAB 53.81, 58.78, -38.5

 

CMYK 16 / 57 / 0 / 23

HEX #A454C4

RGB 164 84 196

HSL 282.86, 0.49%, 0.55%

LAB 49.76, 50.99, -45.17

 

CMYK 32 / 57 / 0 / 23

HEX #8554C4

RGB 133 84 196

HSL 266.25, 0.49%, 0.55%

LAB 46.06, 43.21, -51.29

 

CMYK 47 / 57 / 0 / 23

HEX #6754C4

RGB 103 84 196

HSL 250.18, 0.49%, 0.55%

LAB 43.08, 36.31, -56.24

 

CMYK 57 / 57 / 0 / 23

HEX #5454C4

RGB 84 84 196

HSL 240, 0.49%, 0.55%

LAB 41.55, 32.49, -58.79

 

CMYK 1 / 57 / 0 / 23

HEX #C254C4

RGB 194 84 196

HSL 298.93, 0.49%, 0.55%

LAB 53.81, 58.78, -38.5

 

CMYK 1 / 70 / 0 / 16

HEX #D441D7

RGB 212 65 215

HSL 298.8, 0.65%, 0.55%

LAB 54.75, 73.8, -47.71

 

CMYK 1 / 80 / 0 / 9

HEX #E62EE9

RGB 230 46 233

HSL 299.04, 0.81%, 0.55%

LAB 56.74, 85.5, -54.53

 

CMYK 2 / 89 / 0 / 1

HEX #F81CFC

RGB 248 28 252

HSL 298.93, 0.97%, 0.55%

LAB 59.72, 94.51, -60.2

 

CMYK 1 / 57 / 0 / 23

HEX #C254C4

RGB 194 84 196

HSL 298.93, 0.49%, 0.55%

LAB 53.81, 58.78, -38.5

 

CMYK 1 / 42 / 0 / 31

HEX #B066B1

RGB 176 102 177

HSL 299.2, 0.32%, 0.55%

LAB 53.93, 41.24, -27.53

 

CMYK 1 / 24 / 0 / 38

HEX #9E799F

RGB 158 121 159

HSL 298.42, 0.17%, 0.55%

LAB 55.53, 21.16, -14.83

 

CMYK 0 / 1 / 0 / 45

HEX #8C8B8C

RGB 140 139 140

HSL 300, 0%, 0.55%

LAB 57.97, 0.57, -0.41

 

CMYK 23 / 0 / 23 / 38

HEX #7A9E7A

RGB 122 158 122

HSL 120, 0.16%, 0.55%

LAB 61.65, -19.71, 14.86

 

CMYK 33 / 57 / 0 / 23

HEX #8454C4

RGB 132 84 196

HSL 265.71, 0.49%, 0.55%

LAB 45.95, 42.96, -51.47

 

CMYK 17 / 57 / 0 / 23

HEX #A254C4

RGB 162 84 196

HSL 281.79, 0.49%, 0.55%

LAB 49.51, 50.48, -45.59

 

CMYK 2 / 57 / 0 / 23

HEX #C054C4

RGB 192 84 196

HSL 297.86, 0.49%, 0.55%

LAB 53.53, 58.26, -38.96

 

CMYK 0 / 57 / 13 / 23

HEX #C454AA

RGB 196 84 170

HSL 313.93, 0.49%, 0.55%

LAB 52.93, 55, -24.79

 

CMYK 0 / 57 / 29 / 23

HEX #C4548C

RGB 196 84 140

HSL 330, 0.49%, 0.55%

LAB 51.8, 50.69, -8.82

 

CMYK 1 / 66 / 0 / 42

HEX #913293

RGB 145 50 147

HSL 298.76, 0.49%, 0.39%

LAB 38.56, 52.39, -34.1

 

CMYK 1 / 66 / 0 / 30

HEX #B03DB2

RGB 176 61 178

HSL 298.97, 0.49%, 0.47%

LAB 46.69, 60.93, -39.46

 

CMYK 1 / 57 / 0 / 23

HEX #C254C4

RGB 194 84 196

HSL 298.93, 0.49%, 0.55%

LAB 53.81, 58.78, -38.5

 

CMYK 0 / 45 / 0 / 19

HEX #CD72CE

RGB 205 114 206

HSL 299.35, 0.48%, 0.63%

LAB 61.19, 49.11, -32.54

 

CMYK 0 / 33 / 0 / 15

HEX #D891D9

RGB 216 145 217

HSL 299.17, 0.49%, 0.71%

LAB 69.37, 38.25, -25.96

 

CMYK 1 / 57 / 0 / 23

HEX #C254C4

RGB 194 84 196

HSL 298.93, 0.49%, 0.55%

LAB 53.81, 58.78, -38.5

 

CMYK 0 / 48 / 57 / 23

HEX #C46654

RGB 196 102 84

HSL 9.64, 0.49%, 0.55%

LAB 53.9, 35.77, 27.15

 

CMYK 57 / 0 / 25 / 23

HEX #54C493

RGB 84 196 147

HSL 153.75, 0.49%, 0.55%

LAB 71.87, -43.47, 15.18

 

CMYK 1 / 57 / 0 / 23

HEX #C254C4

RGB 194 84 196

HSL 298.93, 0.49%, 0.55%

LAB 53.81, 58.78, -38.5

 

CMYK 0 / 2 / 57 / 23

HEX #C4C054

RGB 196 192 84

HSL 57.86, 0.49%, 0.55%

LAB 76.12, -12.57, 53.78

 

CMYK 57 / 0 / 2 / 23

HEX #54C4C0

RGB 84 196 192

HSL 177.86, 0.49%, 0.55%

LAB 73, -32.53, -7.6

 

CMYK 1 / 57 / 0 / 23

HEX #C254C4

RGB 194 84 196

HSL 298.93, 0.49%, 0.55%

LAB 53.81, 58.78, -38.5

 

CMYK 0 / 48 / 57 / 23

HEX #C46654

RGB 196 102 84

HSL 9.64, 0.49%, 0.55%

LAB 53.9, 35.77, 27.15

 

CMYK 56 / 0 / 57 / 23

HEX #57C454

RGB 87 196 84

HSL 118.39, 0.49%, 0.55%

LAB 70.97, -53.37, 46.22

 

CMYK 57 / 10 / 0 / 23

HEX #54B1C4

RGB 84 177 196

HSL 190.18, 0.49%, 0.55%

LAB 67.51, -22.04, -18.03

 

CMYK 1 / 57 / 0 / 23

HEX #C254C4

RGB 194 84 196

HSL 298.93, 0.49%, 0.55%

LAB 53.81, 58.78, -38.5

 

CMYK 0 / 31 / 57 / 23

HEX #C48854

RGB 196 136 84

HSL 27.86, 0.49%, 0.55%

LAB 61.64, 17.36, 36.85

 

CMYK 56 / 0 / 57 / 23

HEX #57C454

RGB 87 196 84

HSL 118.39, 0.49%, 0.55%

LAB 70.97, -53.37, 46.22

 

CMYK 57 / 27 / 0 / 23

HEX #548FC4

RGB 84 143 196

HSL 208.39, 0.49%, 0.55%

LAB 57.57, -3.57, -33.31

 

Description

Color code: RGB 194 84 196 | qconv.com Color code: RGB 194 84 196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 84 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 84 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 57 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 57% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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