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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 145 1 it is the complementary color RGB 59 110 254. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 145 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 145 1 shade: RGB 201 145 0, RGB 218 163 15, RGB 235 181 34, RGB 252 199 53 and RGB 255 217 72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 145 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 145 1 shade: RGB 196 145 1, RGB 179 127 0, RGB 162 109 0, RGB 145 91 0 and RGB 128 73 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 145 1 shade: RGB 197 146 0, RGB 197 93 0, RGB 197 40 0 and RGB 197 0 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 145 1 shade: RGB 197 146 0, RGB 196 197 0, RGB 143 197 0, RGB 90 197 0 and RGB 36 197 0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 145 1 shade matches the following richer shades: RGB 197 146 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 145 1 shade: RGB 197 146 0, RGB 181 138 17, RGB 165 131 33, RGB 149 123 49 and RGB 133 115 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 145 1 shade: RGB 197 40 0, RGB 197 92 0, RGB 197 145 0, RGB 197 197 0 and RGB 145 197 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 145 1 shade: RGB 115 85 0, RGB 156 116 0, RGB 197 146 0, RGB 238 176 1 and RGB 253 194 27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 145 1 shade: RGB 196 145 1, RGB 14 197 0 and RGB 66 0 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 145 1 shade: RGB 196 145 1, RGB 0 197 145 and RGB 145 0 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 145 1 shade: RGB 196 145 1, RGB 14 197 0, RGB 0 53 197 and RGB 184 0 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 145 1 shade: RGB 196 145 1, RGB 0 197 46, RGB 0 53 197 and RGB 197 0 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 99 / 23

HEX #C49101

RGB 196 145 1

HSL 44.31, 0.99%, 0.39%

LAB 63.33, 9.1, 67.79

 

Complementary color

CMYK 77 / 57 / 0 / 0

HEX #3B6EFE

RGB 59 110 254

HSL 224.31, 0.99%, 0.61%

LAB 50.96, 32.87, -76.42

 

CMYK 0 / 28 / 100 / 21

HEX #C99100

RGB 201 145 0

HSL 43.28, 1%, 0.39%

LAB 63.89, 11.32, 68.58

 

CMYK 0 / 25 / 93 / 15

HEX #DAA30F

RGB 218 163 15

HSL 43.74, 0.87%, 0.46%

LAB 70.27, 9.28, 71.91

 

CMYK 0 / 23 / 86 / 8

HEX #EBB522

RGB 235 181 34

HSL 43.88, 0.83%, 0.53%

LAB 76.57, 7.47, 73.69

 

CMYK 0 / 21 / 79 / 1

HEX #FCC735

RGB 252 199 53

HSL 44.02, 0.97%, 0.6%

LAB 82.81, 5.89, 74.28

 

CMYK 0 / 15 / 72 / 0

HEX #FFD948

RGB 255 217 72

HSL 47.54, 1%, 0.64%

LAB 87.66, -1.31, 72.39

 

CMYK 0 / 26 / 99 / 23

HEX #C49101

RGB 196 145 1

HSL 44.31, 0.99%, 0.39%

LAB 63.33, 9.1, 67.79

 

CMYK 0 / 29 / 100 / 30

HEX #B37F00

RGB 179 127 0

HSL 42.57, 1%, 0.35%

LAB 56.84, 11.34, 62.61

 

CMYK 0 / 33 / 100 / 36

HEX #A26D00

RGB 162 109 0

HSL 40.37, 1%, 0.32%

LAB 50.24, 13.7, 57.21

 

CMYK 0 / 37 / 100 / 43

HEX #915B00

RGB 145 91 0

HSL 37.66, 1%, 0.28%

LAB 43.51, 16.18, 51.72

 

CMYK 0 / 43 / 100 / 50

HEX #804900

RGB 128 73 0

HSL 34.22, 1%, 0.25%

LAB 36.66, 18.77, 46.15

 

CMYK 0 / 26 / 100 / 23

HEX #C59200

RGB 197 146 0

HSL 44.47, 1%, 0.39%

LAB 63.7, 8.99, 68.24

 

CMYK 0 / 53 / 100 / 23

HEX #C55D00

RGB 197 93 0

HSL 28.32, 1%, 0.39%

LAB 51.5, 37.51, 60.43

 

CMYK 0 / 80 / 100 / 23

HEX #C52800

RGB 197 40 0

HSL 12.18, 1%, 0.39%

LAB 43.34, 59.3, 56.25

 

CMYK 0 / 100 / 100 / 23

HEX #C50000

RGB 197 0 0

HSL 0, 1%, 0.39%

LAB 41.01, 65.97, 55.35

 

CMYK 0 / 26 / 100 / 23

HEX #C59200

RGB 197 146 0

HSL 44.47, 1%, 0.39%

LAB 63.7, 8.99, 68.24

 

CMYK 1 / 0 / 100 / 23

HEX #C4C500

RGB 196 197 0

HSL 60.3, 1%, 0.39%

LAB 77.08, -18.18, 77.71

 

CMYK 27 / 0 / 100 / 23

HEX #8FC500

RGB 143 197 0

HSL 76.45, 1%, 0.39%

LAB 73.4, -40.08, 73.31

 

CMYK 54 / 0 / 100 / 23

HEX #5AC500

RGB 90 197 0

HSL 92.59, 1%, 0.39%

LAB 70.94, -57.93, 70.35

 

CMYK 82 / 0 / 100 / 23

HEX #24C500

RGB 36 197 0

HSL 109.04, 1%, 0.39%

LAB 69.69, -68.55, 68.82

 

CMYK 0 / 26 / 100 / 23

HEX #C59200

RGB 197 146 0

HSL 44.47, 1%, 0.39%

LAB 63.7, 8.99, 68.24

 

CMYK 0 / 26 / 100 / 23

HEX #C59200

RGB 197 146 0

HSL 44.47, 1%, 0.39%

LAB 63.7, 8.99, 68.24

 

CMYK 0 / 24 / 91 / 29

HEX #B58A11

RGB 181 138 17

HSL 44.27, 0.83%, 0.39%

LAB 59.93, 6.4, 61.99

 

CMYK 0 / 21 / 80 / 35

HEX #A58321

RGB 165 131 33

HSL 44.55, 0.67%, 0.39%

LAB 56.43, 3.43, 53.85

 

CMYK 0 / 17 / 67 / 42

HEX #957B31

RGB 149 123 49

HSL 44.4, 0.51%, 0.39%

LAB 52.7, 1.41, 42.94

 

CMYK 0 / 14 / 51 / 48

HEX #857341

RGB 133 115 65

HSL 44.12, 0.34%, 0.39%

LAB 49.04, 0.01, 30.09

 

CMYK 0 / 80 / 100 / 23

HEX #C52800

RGB 197 40 0

HSL 12.18, 1%, 0.39%

LAB 43.34, 59.3, 56.25

 

CMYK 0 / 53 / 100 / 23

HEX #C55C00

RGB 197 92 0

HSL 28.02, 1%, 0.39%

LAB 51.3, 38.02, 60.32

 

CMYK 0 / 26 / 100 / 23

HEX #C59100

RGB 197 145 0

HSL 44.16, 1%, 0.39%

LAB 63.44, 9.53, 68.07

 

CMYK 0 / 0 / 100 / 23

HEX #C5C500

RGB 197 197 0

HSL 60, 1%, 0.39%

LAB 77.16, -17.75, 77.8

 

CMYK 26 / 0 / 100 / 23

HEX #91C500

RGB 145 197 0

HSL 75.84, 1%, 0.39%

LAB 73.51, -39.3, 73.45

 

CMYK 0 / 26 / 100 / 55

HEX #735500

RGB 115 85 0

HSL 44.35, 1%, 0.23%

LAB 38.1, 5.35, 46.26

 

CMYK 0 / 26 / 100 / 39

HEX #9C7400

RGB 156 116 0

HSL 44.62, 1%, 0.31%

LAB 51.33, 6.94, 57.6

 

CMYK 0 / 26 / 100 / 23

HEX #C59200

RGB 197 146 0

HSL 44.47, 1%, 0.39%

LAB 63.7, 8.99, 68.24

 

CMYK 0 / 26 / 100 / 7

HEX #EEB001

RGB 238 176 1

HSL 44.3, 0.99%, 0.47%

LAB 75.59, 10.94, 78.36

 

CMYK 0 / 23 / 89 / 1

HEX #FDC21B

RGB 253 194 27

HSL 44.34, 0.98%, 0.55%

LAB 81.59, 8.26, 79.97

 

CMYK 0 / 26 / 99 / 23

HEX #C49101

RGB 196 145 1

HSL 44.31, 0.99%, 0.39%

LAB 63.33, 9.1, 67.79

 

CMYK 93 / 0 / 100 / 23

HEX #0EC500

RGB 14 197 0

HSL 115.74, 1%, 0.39%

LAB 69.49, -70.36, 68.58

 

CMYK 66 / 100 / 0 / 23

HEX #4200C5

RGB 66 0 197

HSL 260.1, 1%, 0.39%

LAB 27.27, 66.58, -82.9

 

CMYK 0 / 26 / 99 / 23

HEX #C49101

RGB 196 145 1

HSL 44.31, 0.99%, 0.39%

LAB 63.33, 9.1, 67.79

 

CMYK 100 / 0 / 26 / 23

HEX #00C591

RGB 0 197 145

HSL 164.16, 1%, 0.39%

LAB 70.85, -53.69, 14.64

 

CMYK 26 / 100 / 0 / 23

HEX #9100C5

RGB 145 0 197

HSL 284.16, 1%, 0.39%

LAB 37.93, 73.38, -64.95

 

CMYK 0 / 26 / 99 / 23

HEX #C49101

RGB 196 145 1

HSL 44.31, 0.99%, 0.39%

LAB 63.33, 9.1, 67.79

 

CMYK 93 / 0 / 100 / 23

HEX #0EC500

RGB 14 197 0

HSL 115.74, 1%, 0.39%

LAB 69.49, -70.36, 68.58

 

CMYK 100 / 73 / 0 / 23

HEX #0035C5

RGB 0 53 197

HSL 223.86, 1%, 0.39%

LAB 30.82, 44.4, -77.08

 

CMYK 7 / 100 / 0 / 23

HEX #B800C5

RGB 184 0 197

HSL 296.04, 1%, 0.39%

LAB 44.55, 78.86, -53.91

 

CMYK 0 / 26 / 99 / 23

HEX #C49101

RGB 196 145 1

HSL 44.31, 0.99%, 0.39%

LAB 63.33, 9.1, 67.79

 

CMYK 100 / 0 / 77 / 23

HEX #00C52E

RGB 0 197 46

HSL 134.01, 1%, 0.39%

LAB 69.56, -69.15, 59.59

 

CMYK 100 / 73 / 0 / 23

HEX #0035C5

RGB 0 53 197

HSL 223.86, 1%, 0.39%

LAB 30.82, 44.4, -77.08

 

CMYK 0 / 100 / 23 / 23

HEX #C50097

RGB 197 0 151

HSL 314.01, 1%, 0.39%

LAB 44.38, 74.83, -26.74

 

Description

Color code: RGB 196 145 1 | qconv.com Color code: RGB 196 145 1 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 145 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 145 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 99 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 99% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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