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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C55D00 it is the complementary color #3AA2FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C55D00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C55D00 shade: #CA5D00, #DB6F0E, #EC8121, #FD9334 and #FFA547

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C55D00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C55D00 shade: #C55D00, #B44B00, #A33900, #922700 and #811500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C55D00 shade: #C65D00, #C62800 and #C60000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C55D00 shade: #C65D00, #C69300, #C4C600, #8FC600 and #59C600

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C55D00 shade matches the following richer shades: #C65D00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C55D00 shade: #C65D00, #B65E10, #A65F20, #966030 and #866140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C55D00 shade: #C6000D, #C62700, #C65C00, #C69100 and #C6C600

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C55D00 shade: #743600, #9D4A00, #C65D00, #F07100 and #FF861A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C55D00 shade: #C55D00, #42C600 and #0D00C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C55D00 shade: #C55D00, #00C65C and #5C00C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C55D00 shade: #C55D00, #42C600, #006AC6 and #8400C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C55D00 shade: #C55D00, #06C600, #006AC6 and #C000C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 100 / 23

HEX #C55D00

RGB 197 93 0

HSL 28.32, 1%, 0.39%

LAB 51.5, 37.51, 60.43

 

Complementary color

CMYK 77 / 36 / 0 / 0

HEX #3AA2FF

RGB 58 162 255

HSL 208.32, 1%, 0.61%

LAB 64.93, 1.57, -54.51

 

CMYK 0 / 54 / 100 / 21

HEX #CA5D00

RGB 202 93 0

HSL 27.62, 1%, 0.4%

LAB 52.27, 39.5, 61.28

 

CMYK 0 / 49 / 94 / 14

HEX #DB6F0E

RGB 219 111 14

HSL 28.39, 0.88%, 0.46%

LAB 58.47, 37.31, 63.74

 

CMYK 0 / 45 / 86 / 7

HEX #EC8121

RGB 236 129 33

HSL 28.37, 0.84%, 0.53%

LAB 64.68, 35.24, 64.37

 

CMYK 0 / 42 / 79 / 1

HEX #FD9334

RGB 253 147 52

HSL 28.36, 0.98%, 0.6%

LAB 70.87, 33.35, 63.84

 

CMYK 0 / 35 / 72 / 0

HEX #FFA547

RGB 255 165 71

HSL 30.65, 1%, 0.64%

LAB 75.22, 25.57, 60.32

 

CMYK 0 / 53 / 100 / 23

HEX #C55D00

RGB 197 93 0

HSL 28.32, 1%, 0.39%

LAB 51.5, 37.51, 60.43

 

CMYK 0 / 58 / 100 / 29

HEX #B44B00

RGB 180 75 0

HSL 25, 1%, 0.35%

LAB 45.27, 39.79, 55.46

 

CMYK 0 / 65 / 100 / 36

HEX #A33900

RGB 163 57 0

HSL 20.98, 1%, 0.32%

LAB 39.09, 41.84, 50.55

 

CMYK 0 / 73 / 100 / 43

HEX #922700

RGB 146 39 0

HSL 16.03, 1%, 0.29%

LAB 33.05, 43.37, 45.59

 

CMYK 0 / 84 / 100 / 49

HEX #811500

RGB 129 21 0

HSL 9.77, 1%, 0.25%

LAB 27.31, 43.91, 39.74

 

CMYK 0 / 53 / 100 / 22

HEX #C65D00

RGB 198 93 0

HSL 28.18, 1%, 0.39%

LAB 51.65, 37.91, 60.6

 

CMYK 0 / 80 / 100 / 22

HEX #C62800

RGB 198 40 0

HSL 12.12, 1%, 0.39%

LAB 43.54, 59.59, 56.45

 

CMYK 0 / 100 / 100 / 22

HEX #C60000

RGB 198 0 0

HSL 0, 1%, 0.39%

LAB 41.23, 66.22, 55.56

 

CMYK 0 / 53 / 100 / 22

HEX #C65D00

RGB 198 93 0

HSL 28.18, 1%, 0.39%

LAB 51.65, 37.91, 60.6

 

CMYK 0 / 26 / 100 / 22

HEX #C69300

RGB 198 147 0

HSL 44.55, 1%, 0.39%

LAB 64.06, 8.89, 68.54

 

CMYK 1 / 0 / 100 / 22

HEX #C4C600

RGB 196 198 0

HSL 60.61, 1%, 0.39%

LAB 77.35, -18.68, 77.91

 

CMYK 28 / 0 / 100 / 22

HEX #8FC600

RGB 143 198 0

HSL 76.67, 1%, 0.39%

LAB 73.69, -40.51, 73.54

 

CMYK 55 / 0 / 100 / 22

HEX #59C600

RGB 89 198 0

HSL 93.03, 1%, 0.39%

LAB 71.22, -58.56, 70.55

 

CMYK 0 / 53 / 100 / 22

HEX #C65D00

RGB 198 93 0

HSL 28.18, 1%, 0.39%

LAB 51.65, 37.91, 60.6

 

CMYK 0 / 53 / 100 / 22

HEX #C65D00

RGB 198 93 0

HSL 28.18, 1%, 0.39%

LAB 51.65, 37.91, 60.6

 

CMYK 0 / 48 / 91 / 29

HEX #B65E10

RGB 182 94 16

HSL 28.19, 0.84%, 0.39%

LAB 49.48, 31.07, 54.37

 

CMYK 0 / 43 / 81 / 35

HEX #A65F20

RGB 166 95 32

HSL 28.21, 0.68%, 0.39%

LAB 47.49, 24.12, 46.04

 

CMYK 0 / 36 / 68 / 41

HEX #966030

RGB 150 96 48

HSL 28.24, 0.52%, 0.39%

LAB 45.72, 17.29, 35.8

 

CMYK 0 / 28 / 52 / 47

HEX #866140

RGB 134 97 64

HSL 28.29, 0.35%, 0.39%

LAB 44.22, 10.84, 24.63

 

CMYK 0 / 100 / 93 / 22

HEX #C6000D

RGB 198 0 13

HSL 356.06, 1%, 0.39%

LAB 41.27, 66.34, 51.09

 

CMYK 0 / 80 / 100 / 22

HEX #C62700

RGB 198 39 0

HSL 11.82, 1%, 0.39%

LAB 43.44, 59.87, 56.41

 

CMYK 0 / 54 / 100 / 22

HEX #C65C00

RGB 198 92 0

HSL 27.88, 1%, 0.39%

LAB 51.45, 38.42, 60.49

 

CMYK 0 / 27 / 100 / 22

HEX #C69100

RGB 198 145 0

HSL 43.94, 1%, 0.39%

LAB 63.55, 9.98, 68.19

 

CMYK 0 / 0 / 100 / 22

HEX #C6C600

RGB 198 198 0

HSL 60, 1%, 0.39%

LAB 77.52, -17.82, 78.1

 

CMYK 0 / 53 / 100 / 55

HEX #743600

RGB 116 54 0

HSL 27.93, 1%, 0.23%

LAB 30.28, 24.29, 41.1

 

CMYK 0 / 53 / 100 / 38

HEX #9D4A00

RGB 157 74 0

HSL 28.28, 1%, 0.31%

LAB 41.32, 31.02, 51.24

 

CMYK 0 / 53 / 100 / 22

HEX #C65D00

RGB 198 93 0

HSL 28.18, 1%, 0.39%

LAB 51.65, 37.91, 60.6

 

CMYK 0 / 53 / 100 / 6

HEX #F07100

RGB 240 113 0

HSL 28.25, 1%, 0.47%

LAB 61.94, 44.4, 69.9

 

CMYK 0 / 47 / 90 / 0

HEX #FF861A

RGB 255 134 26

HSL 28.3, 1%, 0.55%

LAB 68.3, 40.12, 70.3

 

CMYK 0 / 53 / 100 / 23

HEX #C55D00

RGB 197 93 0

HSL 28.32, 1%, 0.39%

LAB 51.5, 37.51, 60.43

 

CMYK 67 / 0 / 100 / 22

HEX #42C600

RGB 66 198 0

HSL 100, 1%, 0.39%

LAB 70.56, -64.06, 69.74

 

CMYK 93 / 100 / 0 / 22

HEX #0D00C6

RGB 13 0 198

HSL 243.94, 1%, 0.39%

LAB 24.2, 65.55, -88.69

 

CMYK 0 / 53 / 100 / 23

HEX #C55D00

RGB 197 93 0

HSL 28.32, 1%, 0.39%

LAB 51.5, 37.51, 60.43

 

CMYK 100 / 0 / 54 / 22

HEX #00C65C

RGB 0 198 92

HSL 147.88, 1%, 0.39%

LAB 70.29, -64.35, 41.28

 

CMYK 54 / 100 / 0 / 22

HEX #5C00C6

RGB 92 0 198

HSL 267.88, 1%, 0.39%

LAB 30.28, 68.31, -78.39

 

CMYK 0 / 53 / 100 / 23

HEX #C55D00

RGB 197 93 0

HSL 28.32, 1%, 0.39%

LAB 51.5, 37.51, 60.43

 

CMYK 67 / 0 / 100 / 22

HEX #42C600

RGB 66 198 0

HSL 100, 1%, 0.39%

LAB 70.56, -64.06, 69.74

 

CMYK 100 / 46 / 0 / 22

HEX #006AC6

RGB 0 106 198

HSL 207.88, 1%, 0.39%

LAB 44.78, 10.28, -54.87

 

CMYK 33 / 100 / 0 / 22

HEX #8400C6

RGB 132 0 198

HSL 280, 1%, 0.39%

LAB 35.95, 72.02, -68.86

 

CMYK 0 / 53 / 100 / 23

HEX #C55D00

RGB 197 93 0

HSL 28.32, 1%, 0.39%

LAB 51.5, 37.51, 60.43

 

CMYK 97 / 0 / 100 / 22

HEX #06C600

RGB 6 198 0

HSL 118.18, 1%, 0.39%

LAB 69.77, -70.99, 68.79

 

CMYK 100 / 46 / 0 / 22

HEX #006AC6

RGB 0 106 198

HSL 207.88, 1%, 0.39%

LAB 44.78, 10.28, -54.87

 

CMYK 3 / 100 / 0 / 22

HEX #C000C6

RGB 192 0 198

HSL 298.18, 1%, 0.39%

LAB 46.02, 80.26, -52.05

 

Description

Color code: HEX #C55D00 | qconv.com Color code: HEX #C55D00 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 93 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 93 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 100 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 100% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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