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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 95 131 it is the complementary color RGB 60 160 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 95 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 95 131 shade: RGB 200 95 126, RGB 217 113 145, RGB 234 131 164, RGB 251 149 183 and RGB 255 167 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 95 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 95 131 shade: RGB 195 95 131, RGB 178 77 112, RGB 161 59 93, RGB 144 41 74 and RGB 127 23 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 95 131 shade: RGB 194 96 131, RGB 194 96 104 and RGB 194 96 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 95 131 shade: RGB 194 96 131, RGB 194 96 158, RGB 194 96 184, RGB 178 96 194 and RGB 151 96 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 95 131 shade matches the following richer shades: RGB 194 96 131, RGB 212 78 126, RGB 230 60 121 and RGB 247 42 116

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 95 131 shade: RGB 194 96 131, RGB 176 113 136, RGB 159 131 141, RGB 141 149 146 and RGB 123 166 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 95 131 shade: RGB 194 96 184, RGB 194 96 158, RGB 194 96 132, RGB 194 96 105 and RGB 194 112 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 95 131 shade: RGB 150 57 90, RGB 180 68 109, RGB 194 96 131, RGB 206 125 154 and RGB 217 155 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 95 131 shade: RGB 195 95 131, RGB 194 178 96 and RGB 96 171 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 95 131 shade: RGB 195 95 131, RGB 132 194 96 and RGB 96 132 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 95 131 shade: RGB 195 95 131, RGB 194 178 96, RGB 96 194 158 and RGB 96 112 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 95 131 shade: RGB 195 95 131, RGB 181 194 96, RGB 96 194 158 and RGB 109 96 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 33 / 24

HEX #C35F83

RGB 195 95 131

HSL 338.4, 0.45%, 0.57%

LAB 53.41, 43.85, -1.12

 

Complementary color

CMYK 63 / 0 / 23 / 37

HEX #3CA07C

RGB 60 160 124

HSL 158.4, 0.45%, 0.43%

LAB 59.49, -37.86, 10.29

 

CMYK 0 / 53 / 37 / 22

HEX #C85F7E

RGB 200 95 126

HSL 342.29, 0.49%, 0.58%

LAB 54, 44.96, 2.77

 

CMYK 0 / 48 / 33 / 15

HEX #D97191

RGB 217 113 145

HSL 341.54, 0.58%, 0.65%

LAB 60.43, 44.09, 1.32

 

CMYK 0 / 44 / 30 / 8

HEX #EA83A4

RGB 234 131 164

HSL 340.78, 0.71%, 0.72%

LAB 66.83, 43.21, 0.07

 

CMYK 0 / 41 / 27 / 2

HEX #FB95B7

RGB 251 149 183

HSL 340, 0.93%, 0.78%

LAB 73.17, 42.36, -1.02

 

CMYK 0 / 35 / 21 / 0

HEX #FFA7CA

RGB 255 167 202

HSL 336.14, 1%, 0.83%

LAB 77.97, 37.09, -4.35

 

CMYK 0 / 51 / 33 / 24

HEX #C35F83

RGB 195 95 131

HSL 338.4, 0.45%, 0.57%

LAB 53.41, 43.85, -1.12

 

CMYK 0 / 57 / 37 / 30

HEX #B24D70

RGB 178 77 112

HSL 339.21, 0.4%, 0.5%

LAB 46.9, 44.64, 0.45

 

CMYK 0 / 63 / 42 / 37

HEX #A13B5D

RGB 161 59 93

HSL 340, 0.46%, 0.43%

LAB 40.4, 45.28, 2.4

 

CMYK 0 / 72 / 49 / 44

HEX #90294A

RGB 144 41 74

HSL 340.78, 0.56%, 0.36%

LAB 34, 45.54, 4.92

 

CMYK 0 / 82 / 57 / 50

HEX #7F1737

RGB 127 23 55

HSL 341.54, 0.69%, 0.29%

LAB 27.85, 45.05, 8.33

 

CMYK 0 / 51 / 32 / 24

HEX #C26083

RGB 194 96 131

HSL 338.57, 0.45%, 0.57%

LAB 53.46, 43, -1.06

 

CMYK 0 / 51 / 46 / 24

HEX #C26068

RGB 194 96 104

HSL 355.1, 0.45%, 0.57%

LAB 52.77, 39.92, 13.93

 

CMYK 0 / 51 / 51 / 24

HEX #C26060

RGB 194 96 96

HSL 0, 0.45%, 0.57%

LAB 52.6, 39.15, 18.41

 

CMYK 0 / 51 / 32 / 24

HEX #C26083

RGB 194 96 131

HSL 338.57, 0.45%, 0.57%

LAB 53.46, 43, -1.06

 

CMYK 0 / 51 / 19 / 24

HEX #C2609E

RGB 194 96 158

HSL 322.04, 0.45%, 0.57%

LAB 54.35, 46.78, -15.63

 

CMYK 0 / 51 / 5 / 24

HEX #C260B8

RGB 194 96 184

HSL 306.12, 0.45%, 0.57%

LAB 55.38, 51.01, -29.15

 

CMYK 8 / 51 / 0 / 24

HEX #B260C2

RGB 178 96 194

HSL 290.2, 0.45%, 0.57%

LAB 53.73, 48.27, -37.62

 

CMYK 22 / 51 / 0 / 24

HEX #9760C2

RGB 151 96 194

HSL 273.67, 0.45%, 0.57%

LAB 50.5, 40.76, -42.94

 

CMYK 0 / 51 / 32 / 24

HEX #C26083

RGB 194 96 131

HSL 338.57, 0.45%, 0.57%

LAB 53.46, 43, -1.06

 

CMYK 0 / 63 / 41 / 17

HEX #D44E7E

RGB 212 78 126

HSL 338.51, 0.61%, 0.57%

LAB 52.9, 56.71, 1.41

 

CMYK 0 / 74 / 47 / 10

HEX #E63C79

RGB 230 60 121

HSL 338.47, 0.77%, 0.57%

LAB 53.42, 68.14, 5.55

 

CMYK 0 / 83 / 53 / 3

HEX #F72A74

RGB 247 42 116

HSL 338.34, 0.93%, 0.57%

LAB 54.75, 76.89, 10.87

 

CMYK 0 / 51 / 32 / 24

HEX #C26083

RGB 194 96 131

HSL 338.57, 0.45%, 0.57%

LAB 53.46, 43, -1.06

 

CMYK 0 / 36 / 23 / 31

HEX #B07188

RGB 176 113 136

HSL 338.1, 0.29%, 0.57%

LAB 54.88, 28.16, -2.2

 

CMYK 0 / 18 / 11 / 38

HEX #9F838D

RGB 159 131 141

HSL 338.57, 0.13%, 0.57%

LAB 57.58, 12.41, -1.35

 

CMYK 5 / 0 / 2 / 42

HEX #8D9592

RGB 141 149 146

HSL 157.5, 0.04%, 0.57%

LAB 60.99, -3.48, 0.58

 

CMYK 26 / 0 / 9 / 35

HEX #7BA697

RGB 123 166 151

HSL 159.07, 0.19%, 0.57%

LAB 64.74, -17.75, 3.06

 

CMYK 0 / 51 / 5 / 24

HEX #C260B8

RGB 194 96 184

HSL 306.12, 0.45%, 0.57%

LAB 55.38, 51.01, -29.15

 

CMYK 0 / 51 / 19 / 24

HEX #C2609E

RGB 194 96 158

HSL 322.04, 0.45%, 0.57%

LAB 54.35, 46.78, -15.63

 

CMYK 0 / 51 / 32 / 24

HEX #C26084

RGB 194 96 132

HSL 337.96, 0.45%, 0.57%

LAB 53.49, 43.13, -1.61

 

CMYK 0 / 51 / 46 / 24

HEX #C26069

RGB 194 96 105

HSL 354.49, 0.45%, 0.57%

LAB 52.79, 40.02, 13.37

 

CMYK 0 / 42 / 51 / 24

HEX #C27060

RGB 194 112 96

HSL 9.8, 0.45%, 0.57%

LAB 55.99, 30.71, 22.96

 

CMYK 0 / 62 / 40 / 41

HEX #96395A

RGB 150 57 90

HSL 338.71, 0.45%, 0.41%

LAB 38.11, 42.2, 0.72

 

CMYK 0 / 62 / 39 / 29

HEX #B4446D

RGB 180 68 109

HSL 338.04, 0.45%, 0.49%

LAB 45.55, 49.17, 0.36

 

CMYK 0 / 51 / 32 / 24

HEX #C26083

RGB 194 96 131

HSL 338.57, 0.45%, 0.57%

LAB 53.46, 43, -1.06

 

CMYK 0 / 39 / 25 / 19

HEX #CE7D9A

RGB 206 125 154

HSL 338.52, 0.45%, 0.65%

LAB 61.76, 35.16, -2.08

 

CMYK 0 / 29 / 18 / 15

HEX #D99BB1

RGB 217 155 177

HSL 338.71, 0.45%, 0.73%

LAB 70.43, 26.37, -2.17

 

CMYK 0 / 51 / 33 / 24

HEX #C35F83

RGB 195 95 131

HSL 338.4, 0.45%, 0.57%

LAB 53.41, 43.85, -1.12

 

CMYK 0 / 8 / 51 / 24

HEX #C2B260

RGB 194 178 96

HSL 50.2, 0.45%, 0.57%

LAB 72.33, -5.17, 43.63

 

CMYK 51 / 12 / 0 / 24

HEX #60ABC2

RGB 96 171 194

HSL 194.08, 0.45%, 0.57%

LAB 66.14, -16.97, -18.96

 

CMYK 0 / 51 / 33 / 24

HEX #C35F83

RGB 195 95 131

HSL 338.4, 0.45%, 0.57%

LAB 53.41, 43.85, -1.12

 

CMYK 32 / 0 / 51 / 24

HEX #84C260

RGB 132 194 96

HSL 97.96, 0.45%, 0.57%

LAB 72.45, -37.38, 42.75

 

CMYK 51 / 32 / 0 / 24

HEX #6084C2

RGB 96 132 194

HSL 217.96, 0.45%, 0.57%

LAB 54.95, 4.9, -36.22

 

CMYK 0 / 51 / 33 / 24

HEX #C35F83

RGB 195 95 131

HSL 338.4, 0.45%, 0.57%

LAB 53.41, 43.85, -1.12

 

CMYK 0 / 8 / 51 / 24

HEX #C2B260

RGB 194 178 96

HSL 50.2, 0.45%, 0.57%

LAB 72.33, -5.17, 43.63

 

CMYK 51 / 0 / 19 / 24

HEX #60C29E

RGB 96 194 158

HSL 157.96, 0.45%, 0.57%

LAB 71.92, -37.45, 9.36

 

CMYK 51 / 42 / 0 / 24

HEX #6070C2

RGB 96 112 194

HSL 230.2, 0.45%, 0.57%

LAB 49.46, 16.99, -44.89

 

CMYK 0 / 51 / 33 / 24

HEX #C35F83

RGB 195 95 131

HSL 338.4, 0.45%, 0.57%

LAB 53.41, 43.85, -1.12

 

CMYK 7 / 0 / 51 / 24

HEX #B5C260

RGB 181 194 96

HSL 67.96, 0.45%, 0.57%

LAB 75.61, -18.74, 47.29

 

CMYK 51 / 0 / 19 / 24

HEX #60C29E

RGB 96 194 158

HSL 157.96, 0.45%, 0.57%

LAB 71.92, -37.45, 9.36

 

CMYK 44 / 51 / 0 / 24

HEX #6D60C2

RGB 109 96 194

HSL 247.96, 0.45%, 0.57%

LAB 46.33, 29.86, -49.83

 

Description

Color code: RGB 195 95 131 | qconv.com Color code: RGB 195 95 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 95 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 95 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 33 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 33% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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