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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA83A4 it is the complementary color #157C5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA83A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA83A4 shade: #EF839F, #FF95B2, #FFA7C5, #FFB9D8 and #FFCBEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA83A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA83A4 shade: #EA83A4, #D97191, #C85F7E, #B74D6B and #A63B58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA83A4 shade: #EA84A5, #EA848A and #EA8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA83A4 shade: #EA84A5, #EA84C0, #EA84DC, #DD84EA and #C184EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA83A4 shade matches the following richer shades: #EA84A5 and #F579A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA83A4 shade: #EA84A5, #DE90A9, #D39CAD, #C7A7B1 and #BCB3B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA83A4 shade: #EA84DC, #EA84C1, #EA84A6, #EA848B and #EA9984

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA83A4 shade: #DE3E71, #E4618B, #EA84A5, #F0A8BF and #F6CBD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA83A4 shade: #EA83A4, #EADC84 and #84CFEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA83A4 shade: #EA83A4, #A6EA84 and #84A6EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA83A4 shade: #EA83A4, #EADC84, #84EAC8 and #8492EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA83A4 shade: #EA83A4, #D9EA84, #84EAC8 and #9584EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 30 / 8

HEX #EA83A4

RGB 234 131 164

HSL 340.78, 0.71%, 0.72%

LAB 66.83, 43.21, 0.07

 

Complementary color

CMYK 83 / 0 / 27 / 51

HEX #157C5B

RGB 21 124 91

HSL 160.78, 0.71%, 0.28%

LAB 46.08, -36.33, 10.2

 

CMYK 0 / 45 / 33 / 6

HEX #EF839F

RGB 239 131 159

HSL 344.44, 0.77%, 0.73%

LAB 67.34, 44.32, 3.72

 

CMYK 0 / 42 / 30 / 0

HEX #FF95B2

RGB 255 149 178

HSL 343.58, 1%, 0.79%

LAB 73.53, 43.09, 2.32

 

CMYK 0 / 35 / 23 / 0

HEX #FFA7C5

RGB 255 167 197

HSL 339.55, 1%, 0.83%

LAB 77.83, 36.37, -1.83

 

CMYK 0 / 27 / 15 / 0

HEX #FFB9D8

RGB 255 185 216

HSL 333.43, 1%, 0.86%

LAB 82.33, 29.79, -5.49

 

CMYK 0 / 20 / 8 / 0

HEX #FFCBEB

RGB 255 203 235

HSL 323.08, 1%, 0.9%

LAB 86.98, 23.41, -8.75

 

CMYK 0 / 44 / 30 / 8

HEX #EA83A4

RGB 234 131 164

HSL 340.78, 0.71%, 0.72%

LAB 66.83, 43.21, 0.07

 

CMYK 0 / 48 / 33 / 15

HEX #D97191

RGB 217 113 145

HSL 341.54, 0.58%, 0.65%

LAB 60.43, 44.09, 1.32

 

CMYK 0 / 53 / 37 / 22

HEX #C85F7E

RGB 200 95 126

HSL 342.29, 0.49%, 0.58%

LAB 54, 44.96, 2.77

 

CMYK 0 / 58 / 42 / 28

HEX #B74D6B

RGB 183 77 107

HSL 343.02, 0.42%, 0.51%

LAB 47.54, 45.77, 4.52

 

CMYK 0 / 64 / 47 / 35

HEX #A63B58

RGB 166 59 88

HSL 343.74, 0.48%, 0.44%

LAB 41.12, 46.41, 6.67

 

CMYK 0 / 44 / 29 / 8

HEX #EA84A5

RGB 234 132 165

HSL 340.59, 0.71%, 0.72%

LAB 67.06, 42.83, -0.15

 

CMYK 0 / 44 / 41 / 8

HEX #EA848A

RGB 234 132 138

HSL 356.47, 0.71%, 0.72%

LAB 66.39, 39.61, 14.12

 

CMYK 0 / 44 / 44 / 8

HEX #EA8484

RGB 234 132 132

HSL 0, 0.71%, 0.72%

LAB 66.26, 38.98, 17.32

 

CMYK 0 / 44 / 29 / 8

HEX #EA84A5

RGB 234 132 165

HSL 340.59, 0.71%, 0.72%

LAB 67.06, 42.83, -0.15

 

CMYK 0 / 44 / 18 / 8

HEX #EA84C0

RGB 234 132 192

HSL 324.71, 0.71%, 0.72%

LAB 67.87, 46.62, -14.13

 

CMYK 0 / 44 / 6 / 8

HEX #EA84DC

RGB 234 132 220

HSL 308.24, 0.71%, 0.72%

LAB 68.87, 51.1, -28.21

 

CMYK 6 / 44 / 0 / 8

HEX #DD84EA

RGB 221 132 234

HSL 292.35, 0.71%, 0.72%

LAB 67.88, 49.77, -37.59

 

CMYK 18 / 44 / 0 / 8

HEX #C184EA

RGB 193 132 234

HSL 275.88, 0.71%, 0.72%

LAB 64.79, 41.75, -42.66

 

CMYK 0 / 44 / 29 / 8

HEX #EA84A5

RGB 234 132 165

HSL 340.59, 0.71%, 0.72%

LAB 67.06, 42.83, -0.15

 

CMYK 0 / 51 / 34 / 4

HEX #F579A1

RGB 245 121 161

HSL 340.65, 0.86%, 0.72%

LAB 66.26, 51.54, 1.12

 

CMYK 0 / 44 / 29 / 8

HEX #EA84A5

RGB 234 132 165

HSL 340.59, 0.71%, 0.72%

LAB 67.06, 42.83, -0.15

 

CMYK 0 / 35 / 24 / 13

HEX #DE90A9

RGB 222 144 169

HSL 340.77, 0.54%, 0.72%

LAB 68.27, 32.88, -0.81

 

CMYK 0 / 26 / 18 / 17

HEX #D39CAD

RGB 211 156 173

HSL 341.45, 0.38%, 0.72%

LAB 69.93, 23.03, -0.76

 

CMYK 0 / 16 / 11 / 22

HEX #C7A7B1

RGB 199 167 177

HSL 341.25, 0.22%, 0.72%

LAB 71.52, 13.33, -0.78

 

CMYK 0 / 5 / 4 / 26

HEX #BCB3B5

RGB 188 179 181

HSL 346.67, 0.06%, 0.72%

LAB 73.72, 3.55, 0.12

 

CMYK 0 / 44 / 6 / 8

HEX #EA84DC

RGB 234 132 220

HSL 308.24, 0.71%, 0.72%

LAB 68.87, 51.1, -28.21

 

CMYK 0 / 44 / 18 / 8

HEX #EA84C1

RGB 234 132 193

HSL 324.12, 0.71%, 0.72%

LAB 67.91, 46.77, -14.64

 

CMYK 0 / 44 / 29 / 8

HEX #EA84A6

RGB 234 132 166

HSL 340, 0.71%, 0.72%

LAB 67.09, 42.96, -0.68

 

CMYK 0 / 44 / 41 / 8

HEX #EA848B

RGB 234 132 139

HSL 355.88, 0.71%, 0.72%

LAB 66.41, 39.72, 13.59

 

CMYK 0 / 35 / 44 / 8

HEX #EA9984

RGB 234 153 132

HSL 12.35, 0.71%, 0.72%

LAB 70.83, 27.98, 23.57

 

CMYK 0 / 72 / 49 / 13

HEX #DE3E71

RGB 222 62 113

HSL 340.88, 0.71%, 0.56%

LAB 52.03, 64.58, 8.17

 

CMYK 0 / 57 / 39 / 11

HEX #E4618B

RGB 228 97 139

HSL 340.76, 0.71%, 0.64%

LAB 58.89, 54.78, 2.75

 

CMYK 0 / 44 / 29 / 8

HEX #EA84A5

RGB 234 132 165

HSL 340.59, 0.71%, 0.72%

LAB 67.06, 42.83, -0.15

 

CMYK 0 / 30 / 20 / 6

HEX #F0A8BF

RGB 240 168 191

HSL 340.83, 0.71%, 0.8%

LAB 76.25, 29.72, -1.07

 

CMYK 0 / 17 / 12 / 4

HEX #F6CBD9

RGB 246 203 217

HSL 340.47, 0.7%, 0.88%

LAB 85.66, 17.35, -1.23

 

CMYK 0 / 44 / 30 / 8

HEX #EA83A4

RGB 234 131 164

HSL 340.78, 0.71%, 0.72%

LAB 66.83, 43.21, 0.07

 

CMYK 0 / 6 / 44 / 8

HEX #EADC84

RGB 234 220 132

HSL 51.76, 0.71%, 0.72%

LAB 87.17, -7.14, 44.83

 

CMYK 44 / 12 / 0 / 8

HEX #84CFEA

RGB 132 207 234

HSL 195.88, 0.71%, 0.72%

LAB 79.31, -16.34, -20.61

 

CMYK 0 / 44 / 30 / 8

HEX #EA83A4

RGB 234 131 164

HSL 340.78, 0.71%, 0.72%

LAB 66.83, 43.21, 0.07

 

CMYK 29 / 0 / 44 / 8

HEX #A6EA84

RGB 166 234 132

HSL 100, 0.71%, 0.72%

LAB 86.31, -39.24, 42.78

 

CMYK 44 / 29 / 0 / 8

HEX #84A6EA

RGB 132 166 234

HSL 220, 0.71%, 0.72%

LAB 68.11, 5.82, -37.83

 

CMYK 0 / 44 / 30 / 8

HEX #EA83A4

RGB 234 131 164

HSL 340.78, 0.71%, 0.72%

LAB 66.83, 43.21, 0.07

 

CMYK 0 / 6 / 44 / 8

HEX #EADC84

RGB 234 220 132

HSL 51.76, 0.71%, 0.72%

LAB 87.17, -7.14, 44.83

 

CMYK 44 / 0 / 15 / 8

HEX #84EAC8

RGB 132 234 200

HSL 160, 0.71%, 0.72%

LAB 85.97, -37.61, 7.27

 

CMYK 44 / 38 / 0 / 8

HEX #8492EA

RGB 132 146 234

HSL 231.76, 0.71%, 0.72%

LAB 62.85, 17.31, -46.08

 

CMYK 0 / 44 / 30 / 8

HEX #EA83A4

RGB 234 131 164

HSL 340.78, 0.71%, 0.72%

LAB 66.83, 43.21, 0.07

 

CMYK 7 / 0 / 44 / 8

HEX #D9EA84

RGB 217 234 132

HSL 70, 0.71%, 0.72%

LAB 89.52, -20.71, 47.47

 

CMYK 44 / 0 / 15 / 8

HEX #84EAC8

RGB 132 234 200

HSL 160, 0.71%, 0.72%

LAB 85.97, -37.61, 7.27

 

CMYK 36 / 44 / 0 / 8

HEX #9584EA

RGB 149 132 234

HSL 250, 0.71%, 0.72%

LAB 60.63, 29.75, -49.49

 

Description

Color code: HEX #EA83A4 | qconv.com Color code: HEX #EA83A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 131 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 131 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 30 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 30% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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