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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 126 205 it is the complementary color RGB 61 129 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 126 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 126 205 shade: RGB 199 126 200, RGB 216 144 219, RGB 233 162 238, RGB 250 180 255 and RGB 255 198 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 126 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 126 205 shade: RGB 194 126 205, RGB 177 108 186, RGB 160 90 167, RGB 143 72 148 and RGB 126 54 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 126 205 shade: RGB 194 126 205, RGB 205 126 194, RGB 205 126 173, RGB 205 126 152 and RGB 205 126 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 126 205 shade: RGB 194 126 205, RGB 172 126 205, RGB 151 126 205, RGB 130 126 205 and RGB 126 126 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 126 205 shade matches the following richer shades: RGB 194 126 205, RGB 204 112 219, RGB 214 97 233 and RGB 225 83 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 126 205 shade: RGB 194 126 205, RGB 183 140 190, RGB 173 155 176, RGB 162 169 161 and RGB 152 184 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 126 205 shade: RGB 151 126 205, RGB 172 126 205, RGB 193 126 205, RGB 205 126 195 and RGB 205 126 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 126 205 shade: RGB 164 69 179, RGB 180 96 193, RGB 194 126 205, RGB 208 156 216 and RGB 222 185 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 126 205 shade: RGB 194 126 205, RGB 205 130 126 and RGB 126 205 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 126 205 shade: RGB 194 126 205, RGB 205 193 126 and RGB 126 205 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 126 205 shade: RGB 194 126 205, RGB 205 130 126, RGB 138 205 126 and RGB 126 201 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 126 205 shade: RGB 194 126 205, RGB 205 153 126, RGB 138 205 126 and RGB 126 177 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 39 / 0 / 20

HEX #C27ECD

RGB 194 126 205

HSL 291.65, 0.44%, 0.65%

LAB 62.34, 39.29, -30.31

 

Complementary color

CMYK 53 / 0 / 61 / 49

HEX #3D8132

RGB 61 129 50

HSL 111.65, 0.44%, 0.35%

LAB 48.16, -37.8, 35.64

 

CMYK 0 / 37 / 0 / 22

HEX #C77EC8

RGB 199 126 200

HSL 299.19, 0.4%, 0.64%

LAB 62.7, 39.89, -26.88

 

CMYK 1 / 34 / 0 / 14

HEX #D890DB

RGB 216 144 219

HSL 297.6, 0.51%, 0.71%

LAB 69.23, 39.15, -27.28

 

CMYK 2 / 32 / 0 / 7

HEX #E9A2EE

RGB 233 162 238

HSL 296.05, 0.69%, 0.78%

LAB 75.66, 38.44, -27.66

 

CMYK 2 / 29 / 0 / 0

HEX #FAB4FF

RGB 250 180 255

HSL 296, 1%, 0.85%

LAB 81.94, 37.4, -27.05

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 5 / 39 / 0 / 20

HEX #C27ECD

RGB 194 126 205

HSL 291.65, 0.44%, 0.65%

LAB 62.34, 39.29, -30.31

 

CMYK 5 / 42 / 0 / 27

HEX #B16CBA

RGB 177 108 186

HSL 293.08, 0.36%, 0.58%

LAB 55.7, 40.06, -29.96

 

CMYK 4 / 46 / 0 / 35

HEX #A05AA7

RGB 160 90 167

HSL 294.55, 0.3%, 0.5%

LAB 48.98, 40.83, -29.55

 

CMYK 3 / 51 / 0 / 42

HEX #8F4894

RGB 143 72 148

HSL 296.05, 0.35%, 0.43%

LAB 42.17, 41.56, -29.04

 

CMYK 2 / 58 / 0 / 49

HEX #7E3681

RGB 126 54 129

HSL 297.6, 0.41%, 0.36%

LAB 35.32, 42.14, -28.36

 

CMYK 5 / 39 / 0 / 20

HEX #C27ECD

RGB 194 126 205

HSL 291.65, 0.44%, 0.65%

LAB 62.34, 39.29, -30.31

 

CMYK 0 / 39 / 5 / 20

HEX #CD7EC2

RGB 205 126 194

HSL 308.35, 0.44%, 0.65%

LAB 63.17, 40.7, -22.72

 

CMYK 0 / 39 / 16 / 20

HEX #CD7EAD

RGB 205 126 173

HSL 324.3, 0.44%, 0.65%

LAB 62.44, 37.16, -11.93

 

CMYK 0 / 39 / 26 / 20

HEX #CD7E98

RGB 205 126 152

HSL 340.25, 0.44%, 0.65%

LAB 61.8, 33.99, -0.9

 

CMYK 0 / 39 / 36 / 20

HEX #CD7E83

RGB 205 126 131

HSL 356.2, 0.44%, 0.65%

LAB 61.25, 31.21, 10.34

 

CMYK 5 / 39 / 0 / 20

HEX #C27ECD

RGB 194 126 205

HSL 291.65, 0.44%, 0.65%

LAB 62.34, 39.29, -30.31

 

CMYK 16 / 39 / 0 / 20

HEX #AC7ECD

RGB 172 126 205

HSL 274.94, 0.44%, 0.65%

LAB 59.98, 32.56, -34.16

 

CMYK 26 / 39 / 0 / 20

HEX #977ECD

RGB 151 126 205

HSL 258.99, 0.44%, 0.65%

LAB 57.95, 26.32, -37.47

 

CMYK 37 / 39 / 0 / 20

HEX #827ECD

RGB 130 126 205

HSL 243.04, 0.44%, 0.65%

LAB 56.16, 20.4, -40.41

 

CMYK 39 / 39 / 0 / 20

HEX #7E7ECD

RGB 126 126 205

HSL 240, 0.44%, 0.65%

LAB 55.85, 19.32, -40.92

 

CMYK 5 / 39 / 0 / 20

HEX #C27ECD

RGB 194 126 205

HSL 291.65, 0.44%, 0.65%

LAB 62.34, 39.29, -30.31

 

CMYK 7 / 49 / 0 / 14

HEX #CC70DB

RGB 204 112 219

HSL 291.59, 0.6%, 0.65%

LAB 61.26, 52.27, -39.77

 

CMYK 8 / 58 / 0 / 9

HEX #D661E9

RGB 214 97 233

HSL 291.62, 0.76%, 0.65%

LAB 60.54, 64.66, -48.63

 

CMYK 9 / 67 / 0 / 3

HEX #E153F8

RGB 225 83 248

HSL 291.64, 0.92%, 0.65%

LAB 60.76, 75.69, -56.54

 

CMYK 5 / 39 / 0 / 20

HEX #C27ECD

RGB 194 126 205

HSL 291.65, 0.44%, 0.65%

LAB 62.34, 39.29, -30.31

 

CMYK 4 / 26 / 0 / 25

HEX #B78CBE

RGB 183 140 190

HSL 291.6, 0.28%, 0.65%

LAB 63.79, 25.08, -19.74

 

CMYK 2 / 12 / 0 / 31

HEX #AD9BB0

RGB 173 155 176

HSL 291.43, 0.12%, 0.65%

LAB 66.11, 10.49, -8.49

 

CMYK 4 / 0 / 5 / 34

HEX #A2A9A1

RGB 162 169 161

HSL 112.5, 0.04%, 0.65%

LAB 68.48, -4, 3.26

 

CMYK 17 / 0 / 20 / 28

HEX #98B893

RGB 152 184 147

HSL 111.89, 0.21%, 0.65%

LAB 71.6, -17.98, 15.27

 

CMYK 26 / 39 / 0 / 20

HEX #977ECD

RGB 151 126 205

HSL 258.99, 0.44%, 0.65%

LAB 57.95, 26.32, -37.47

 

CMYK 16 / 39 / 0 / 20

HEX #AC7ECD

RGB 172 126 205

HSL 274.94, 0.44%, 0.65%

LAB 59.98, 32.56, -34.16

 

CMYK 6 / 39 / 0 / 20

HEX #C17ECD

RGB 193 126 205

HSL 290.89, 0.44%, 0.65%

LAB 62.23, 38.99, -30.49

 

CMYK 0 / 39 / 5 / 20

HEX #CD7EC3

RGB 205 126 195

HSL 307.59, 0.44%, 0.65%

LAB 63.21, 40.88, -23.23

 

CMYK 0 / 39 / 15 / 20

HEX #CD7EAE

RGB 205 126 174

HSL 323.54, 0.44%, 0.65%

LAB 62.47, 37.32, -12.45

 

CMYK 8 / 61 / 0 / 30

HEX #A445B3

RGB 164 69 179

HSL 291.82, 0.44%, 0.49%

LAB 46.18, 54.77, -40.96

 

CMYK 7 / 50 / 0 / 24

HEX #B460C1

RGB 180 96 193

HSL 291.96, 0.44%, 0.57%

LAB 53.94, 48.64, -36.7

 

CMYK 5 / 39 / 0 / 20

HEX #C27ECD

RGB 194 126 205

HSL 291.65, 0.44%, 0.65%

LAB 62.34, 39.29, -30.31

 

CMYK 4 / 28 / 0 / 15

HEX #D09CD8

RGB 208 156 216

HSL 292, 0.43%, 0.73%

LAB 70.97, 29.55, -23.03

 

CMYK 3 / 19 / 0 / 11

HEX #DEB9E4

RGB 222 185 228

HSL 291.63, 0.44%, 0.81%

LAB 79.52, 20.7, -16.49

 

CMYK 5 / 39 / 0 / 20

HEX #C27ECD

RGB 194 126 205

HSL 291.65, 0.44%, 0.65%

LAB 62.34, 39.29, -30.31

 

CMYK 0 / 37 / 39 / 20

HEX #CD827E

RGB 205 130 126

HSL 3.04, 0.44%, 0.65%

LAB 62.04, 28.45, 14.3

 

CMYK 39 / 0 / 21 / 20

HEX #7ECDA1

RGB 126 205 161

HSL 146.58, 0.44%, 0.65%

LAB 76.48, -33.97, 14.37

 

CMYK 5 / 39 / 0 / 20

HEX #C27ECD

RGB 194 126 205

HSL 291.65, 0.44%, 0.65%

LAB 62.34, 39.29, -30.31

 

CMYK 0 / 6 / 39 / 20

HEX #CDC17E

RGB 205 193 126

HSL 50.89, 0.44%, 0.65%

LAB 77.65, -5.47, 35.26

 

CMYK 39 / 0 / 6 / 20

HEX #7ECDC1

RGB 126 205 193

HSL 170.89, 0.44%, 0.65%

LAB 77.25, -27.05, -1.69

 

CMYK 5 / 39 / 0 / 20

HEX #C27ECD

RGB 194 126 205

HSL 291.65, 0.44%, 0.65%

LAB 62.34, 39.29, -30.31

 

CMYK 0 / 37 / 39 / 20

HEX #CD827E

RGB 205 130 126

HSL 3.04, 0.44%, 0.65%

LAB 62.04, 28.45, 14.3

 

CMYK 33 / 0 / 39 / 20

HEX #8ACD7E

RGB 138 205 126

HSL 110.89, 0.44%, 0.65%

LAB 76.42, -36.33, 32.77

 

CMYK 39 / 2 / 0 / 20

HEX #7EC9CD

RGB 126 201 205

HSL 183.04, 0.44%, 0.65%

LAB 76.45, -22.19, -9.35

 

CMYK 5 / 39 / 0 / 20

HEX #C27ECD

RGB 194 126 205

HSL 291.65, 0.44%, 0.65%

LAB 62.34, 39.29, -30.31

 

CMYK 0 / 25 / 39 / 20

HEX #CD997E

RGB 205 153 126

HSL 20.51, 0.44%, 0.65%

LAB 67.48, 15.92, 21.78

 

CMYK 33 / 0 / 39 / 20

HEX #8ACD7E

RGB 138 205 126

HSL 110.89, 0.44%, 0.65%

LAB 76.42, -36.33, 32.77

 

CMYK 39 / 14 / 0 / 20

HEX #7EB1CD

RGB 126 177 205

HSL 201.27, 0.44%, 0.65%

LAB 69.67, -9.73, -19.53

 

Description

Color code: RGB 194 126 205 | qconv.com Color code: RGB 194 126 205 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 126 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 126 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 39 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 39% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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