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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 69 179 it is the complementary color RGB 91 186 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 69 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 69 179 shade: RGB 169 69 174, RGB 186 87 193, RGB 203 105 212, RGB 220 123 231 and RGB 237 141 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 69 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 69 179 shade: RGB 164 69 179, RGB 147 51 160, RGB 130 33 141, RGB 113 15 122 and RGB 96 0 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 69 179 shade: RGB 164 69 179, RGB 179 69 165, RGB 179 69 135, RGB 179 69 105 and RGB 179 69 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 69 179 shade: RGB 164 69 179, RGB 135 69 179, RGB 105 69 179, RGB 75 69 179 and RGB 69 69 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 69 179 shade matches the following richer shades: RGB 164 69 179, RGB 179 49 200, RGB 194 29 220 and RGB 209 9 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 69 179 shade: RGB 164 69 179, RGB 150 90 159, RGB 135 110 139, RGB 120 130 119 and RGB 106 150 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 69 179 shade: RGB 104 69 179, RGB 134 69 179, RGB 163 69 179, RGB 179 69 167 and RGB 179 69 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 69 179 shade: RGB 110 46 120, RGB 137 58 150, RGB 164 69 179, RGB 180 97 193 and RGB 194 127 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 69 179 shade: RGB 164 69 179, RGB 179 75 69 and RGB 69 179 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 69 179 shade: RGB 164 69 179, RGB 179 163 69 and RGB 69 179 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 69 179 shade: RGB 164 69 179, RGB 179 75 69, RGB 86 179 69 and RGB 69 174 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 69 179 shade: RGB 164 69 179, RGB 179 108 69, RGB 86 179 69 and RGB 69 141 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 61 / 0 / 30

HEX #A445B3

RGB 164 69 179

HSL 291.82, 0.44%, 0.49%

LAB 46.18, 54.77, -40.96

 

Complementary color

CMYK 51 / 0 / 59 / 27

HEX #5BBA4C

RGB 91 186 76

HSL 111.82, 0.44%, 0.51%

LAB 67.92, -49.35, 46.4

 

CMYK 3 / 60 / 0 / 32

HEX #A945AE

RGB 169 69 174

HSL 297.14, 0.43%, 0.48%

LAB 46.64, 55.11, -37.25

 

CMYK 4 / 55 / 0 / 24

HEX #BA57C1

RGB 186 87 193

HSL 296.04, 0.46%, 0.55%

LAB 53.07, 54.73, -38.02

 

CMYK 4 / 50 / 0 / 17

HEX #CB69D4

RGB 203 105 212

HSL 294.95, 0.55%, 0.62%

LAB 59.48, 54.16, -38.62

 

CMYK 5 / 47 / 0 / 9

HEX #DC7BE7

RGB 220 123 231

HSL 293.89, 0.69%, 0.69%

LAB 65.87, 53.49, -39.09

 

CMYK 5 / 44 / 0 / 2

HEX #ED8DFA

RGB 237 141 250

HSL 292.84, 0.92%, 0.77%

LAB 72.2, 52.77, -39.49

 

CMYK 8 / 61 / 0 / 30

HEX #A445B3

RGB 164 69 179

HSL 291.82, 0.44%, 0.49%

LAB 46.18, 54.77, -40.96

 

CMYK 8 / 68 / 0 / 37

HEX #9333A0

RGB 147 51 160

HSL 292.84, 0.52%, 0.41%

LAB 39.76, 54.85, -40.03

 

CMYK 8 / 77 / 0 / 45

HEX #82218D

RGB 130 33 141

HSL 293.89, 0.62%, 0.34%

LAB 33.47, 54.28, -38.67

 

CMYK 7 / 88 / 0 / 52

HEX #710F7A

RGB 113 15 122

HSL 294.95, 0.78%, 0.27%

LAB 27.46, 52.55, -36.59

 

CMYK 7 / 100 / 0 / 60

HEX #600067

RGB 96 0 103

HSL 295.92, 1%, 0.2%

LAB 21.82, 49.24, -33.57

 

CMYK 8 / 61 / 0 / 30

HEX #A445B3

RGB 164 69 179

HSL 291.82, 0.44%, 0.49%

LAB 46.18, 54.77, -40.96

 

CMYK 0 / 61 / 8 / 30

HEX #B345A5

RGB 179 69 165

HSL 307.64, 0.44%, 0.49%

LAB 47.7, 56.19, -30.17

 

CMYK 0 / 61 / 25 / 30

HEX #B34587

RGB 179 69 135

HSL 324, 0.44%, 0.49%

LAB 46.43, 51.65, -14.19

 

CMYK 0 / 61 / 41 / 30

HEX #B34569

RGB 179 69 105

HSL 340.36, 0.44%, 0.49%

LAB 45.44, 47.95, 2.63

 

CMYK 0 / 61 / 58 / 30

HEX #B3454C

RGB 179 69 76

HSL 356.18, 0.44%, 0.49%

LAB 44.75, 45.26, 19.43

 

CMYK 8 / 61 / 0 / 30

HEX #A445B3

RGB 164 69 179

HSL 291.82, 0.44%, 0.49%

LAB 46.18, 54.77, -40.96

 

CMYK 25 / 61 / 0 / 30

HEX #8745B3

RGB 135 69 179

HSL 276, 0.44%, 0.49%

LAB 42.25, 47.59, -47.46

 

CMYK 41 / 61 / 0 / 30

HEX #6945B3

RGB 105 69 179

HSL 259.64, 0.44%, 0.49%

LAB 38.75, 40.61, -53.28

 

CMYK 58 / 61 / 0 / 30

HEX #4B45B3

RGB 75 69 179

HSL 243.27, 0.44%, 0.49%

LAB 36, 34.58, -57.87

 

CMYK 61 / 61 / 0 / 30

HEX #4545B3

RGB 69 69 179

HSL 240, 0.44%, 0.49%

LAB 35.55, 33.55, -58.62

 

CMYK 8 / 61 / 0 / 30

HEX #A445B3

RGB 164 69 179

HSL 291.82, 0.44%, 0.49%

LAB 46.18, 54.77, -40.96

 

CMYK 11 / 76 / 0 / 22

HEX #B331C8

RGB 179 49 200

HSL 291.66, 0.61%, 0.49%

LAB 46.91, 69.7, -51.9

 

CMYK 12 / 87 / 0 / 14

HEX #C21DDC

RGB 194 29 220

HSL 291.83, 0.77%, 0.49%

LAB 48.9, 80.68, -60.06

 

CMYK 13 / 96 / 0 / 6

HEX #D109F0

RGB 209 9 240

HSL 291.95, 0.93%, 0.49%

LAB 51.88, 88.6, -66.45

 

CMYK 8 / 61 / 0 / 30

HEX #A445B3

RGB 164 69 179

HSL 291.82, 0.44%, 0.49%

LAB 46.18, 54.77, -40.96

 

CMYK 6 / 43 / 0 / 38

HEX #965A9F

RGB 150 90 159

HSL 292.17, 0.28%, 0.49%

LAB 47.37, 36.14, -27.44

 

CMYK 3 / 21 / 0 / 45

HEX #876E8B

RGB 135 110 139

HSL 291.72, 0.12%, 0.49%

LAB 49.7, 15.34, -12.17

 

CMYK 8 / 0 / 8 / 49

HEX #788277

RGB 120 130 119

HSL 114.55, 0.04%, 0.49%

LAB 53.27, -5.91, 4.69

 

CMYK 29 / 0 / 34 / 41

HEX #6A9663

RGB 106 150 99

HSL 111.76, 0.2%, 0.49%

LAB 57.83, -25.34, 22.25

 

CMYK 42 / 61 / 0 / 30

HEX #6845B3

RGB 104 69 179

HSL 259.09, 0.44%, 0.49%

LAB 38.65, 40.39, -53.45

 

CMYK 25 / 61 / 0 / 30

HEX #8645B3

RGB 134 69 179

HSL 275.45, 0.44%, 0.49%

LAB 42.12, 47.34, -47.67

 

CMYK 9 / 61 / 0 / 30

HEX #A345B3

RGB 163 69 179

HSL 291.27, 0.44%, 0.49%

LAB 46.04, 54.52, -41.19

 

CMYK 0 / 61 / 7 / 30

HEX #B345A7

RGB 179 69 167

HSL 306.55, 0.44%, 0.49%

LAB 47.79, 56.52, -31.21

 

CMYK 0 / 61 / 23 / 30

HEX #B34589

RGB 179 69 137

HSL 322.91, 0.44%, 0.49%

LAB 46.51, 51.93, -15.28

 

CMYK 8 / 62 / 0 / 53

HEX #6E2E78

RGB 110 46 120

HSL 291.89, 0.45%, 0.33%

LAB 30.94, 39.84, -29.8

 

CMYK 9 / 61 / 0 / 41

HEX #893A96

RGB 137 58 150

HSL 291.52, 0.44%, 0.41%

LAB 38.81, 47.32, -35.61

 

CMYK 8 / 61 / 0 / 30

HEX #A445B3

RGB 164 69 179

HSL 291.82, 0.44%, 0.49%

LAB 46.18, 54.77, -40.96

 

CMYK 7 / 50 / 0 / 24

HEX #B461C1

RGB 180 97 193

HSL 291.88, 0.44%, 0.57%

LAB 54.14, 48.12, -36.4

 

CMYK 5 / 38 / 0 / 20

HEX #C27FCD

RGB 194 127 205

HSL 291.54, 0.44%, 0.65%

LAB 62.55, 38.75, -29.97

 

CMYK 8 / 61 / 0 / 30

HEX #A445B3

RGB 164 69 179

HSL 291.82, 0.44%, 0.49%

LAB 46.18, 54.77, -40.96

 

CMYK 0 / 58 / 61 / 30

HEX #B34B45

RGB 179 75 69

HSL 3.27, 0.44%, 0.49%

LAB 45.7, 41.9, 24.88

 

CMYK 61 / 0 / 34 / 30

HEX #45B377

RGB 69 179 119

HSL 147.27, 0.44%, 0.49%

LAB 65.62, -45.27, 21.58

 

CMYK 8 / 61 / 0 / 30

HEX #A445B3

RGB 164 69 179

HSL 291.82, 0.44%, 0.49%

LAB 46.18, 54.77, -40.96

 

CMYK 0 / 9 / 61 / 30

HEX #B3A345

RGB 179 163 69

HSL 51.27, 0.44%, 0.49%

LAB 66.68, -5.8, 49.71

 

CMYK 61 / 0 / 9 / 30

HEX #45B3A3

RGB 69 179 163

HSL 171.27, 0.44%, 0.49%

LAB 66.63, -35.03, -1.12

 

CMYK 8 / 61 / 0 / 30

HEX #A445B3

RGB 164 69 179

HSL 291.82, 0.44%, 0.49%

LAB 46.18, 54.77, -40.96

 

CMYK 0 / 58 / 61 / 30

HEX #B34B45

RGB 179 75 69

HSL 3.27, 0.44%, 0.49%

LAB 45.7, 41.9, 24.88

 

CMYK 52 / 0 / 61 / 30

HEX #56B345

RGB 86 179 69

HSL 110.73, 0.44%, 0.49%

LAB 65.47, -48.76, 46.74

 

CMYK 61 / 3 / 0 / 30

HEX #45AEB3

RGB 69 174 179

HSL 182.73, 0.44%, 0.49%

LAB 65.59, -28.23, -11.56

 

CMYK 8 / 61 / 0 / 30

HEX #A445B3

RGB 164 69 179

HSL 291.82, 0.44%, 0.49%

LAB 46.18, 54.77, -40.96

 

CMYK 0 / 40 / 61 / 30

HEX #B36C45

RGB 179 108 69

HSL 21.27, 0.44%, 0.49%

LAB 52.66, 24.52, 33.53

 

CMYK 52 / 0 / 61 / 30

HEX #56B345

RGB 86 179 69

HSL 110.73, 0.44%, 0.49%

LAB 65.47, -48.76, 46.74

 

CMYK 61 / 21 / 0 / 30

HEX #458DB3

RGB 69 141 179

HSL 200.73, 0.44%, 0.49%

LAB 55.65, -10.89, -26.68

 

Description

Color code: RGB 164 69 179 | qconv.com Color code: RGB 164 69 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 69 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 69 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 61 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 61% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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