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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 28 185 it is the complementary color RGB 65 227 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 28 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 28 185 shade: RGB 195 28 180, RGB 212 46 199, RGB 229 64 218, RGB 246 82 237 and RGB 255 100 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 28 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 28 185 shade: RGB 190 28 185, RGB 173 10 166, RGB 156 0 147, RGB 139 0 128 and RGB 122 0 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 28 185 shade: RGB 190 28 185, RGB 190 28 142, RGB 190 28 98, RGB 190 28 54 and RGB 190 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 28 185 shade: RGB 190 28 185, RGB 152 28 190, RGB 108 28 190, RGB 64 28 190 and RGB 28 28 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 28 185 shade matches the following richer shades: RGB 190 28 185 and RGB 208 10 202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 28 185 shade: RGB 190 28 185, RGB 173 46 169, RGB 155 63 152, RGB 137 81 135 and RGB 119 99 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 28 185 shade: RGB 106 28 190, RGB 150 28 190, RGB 190 28 188, RGB 190 28 144 and RGB 190 28 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 28 185 shade: RGB 119 17 115, RGB 154 23 150, RGB 190 28 185, RGB 222 37 216 and RGB 227 73 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 28 185 shade: RGB 190 28 185, RGB 190 63 28 and RGB 28 190 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 28 185 shade: RGB 190 28 185, RGB 188 190 28 and RGB 28 188 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 28 185 shade: RGB 190 28 185, RGB 190 63 28, RGB 28 190 31 and RGB 28 155 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 28 185 shade: RGB 190 28 185, RGB 190 112 28, RGB 28 190 31 and RGB 28 106 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 3 / 25

HEX #BE1CB9

RGB 190 28 185

HSL 301.85, 0.74%, 0.43%

LAB 46.02, 74.66, -44.49

 

Complementary color

CMYK 71 / 0 / 69 / 11

HEX #41E346

RGB 65 227 70

HSL 121.85, 0.74%, 0.57%

LAB 79.9, -70.1, 61.87

 

CMYK 0 / 86 / 8 / 24

HEX #C31CB4

RGB 195 28 180

HSL 305.39, 0.75%, 0.44%

LAB 46.62, 74.87, -40.55

 

CMYK 0 / 78 / 6 / 17

HEX #D42EC7

RGB 212 46 199

HSL 304.7, 0.66%, 0.51%

LAB 51.92, 76.98, -43.02

 

CMYK 0 / 72 / 5 / 10

HEX #E540DA

RGB 229 64 218

HSL 304, 0.76%, 0.57%

LAB 57.45, 78.23, -44.95

 

CMYK 0 / 67 / 4 / 4

HEX #F652ED

RGB 246 82 237

HSL 303.29, 0.9%, 0.64%

LAB 63.13, 78.86, -46.47

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 0 / 85 / 3 / 25

HEX #BE1CB9

RGB 190 28 185

HSL 301.85, 0.74%, 0.43%

LAB 46.02, 74.66, -44.49

 

CMYK 0 / 94 / 4 / 32

HEX #AD0AA6

RGB 173 10 166

HSL 302.58, 0.89%, 0.36%

LAB 40.98, 71.39, -41.43

 

CMYK 0 / 100 / 6 / 39

HEX #9C0093

RGB 156 0 147

HSL 303.46, 1%, 0.31%

LAB 36.32, 66.73, -37.54

 

CMYK 0 / 100 / 8 / 45

HEX #8B0080

RGB 139 0 128

HSL 304.75, 1%, 0.27%

LAB 31.91, 60.9, -32.97

 

CMYK 0 / 100 / 11 / 52

HEX #7A006D

RGB 122 0 109

HSL 306.39, 1%, 0.24%

LAB 27.41, 54.95, -28.24

 

CMYK 0 / 85 / 3 / 25

HEX #BE1CB9

RGB 190 28 185

HSL 301.85, 0.74%, 0.43%

LAB 46.02, 74.66, -44.49

 

CMYK 0 / 85 / 25 / 25

HEX #BE1C8E

RGB 190 28 142

HSL 317.78, 0.74%, 0.43%

LAB 43.84, 68.83, -22.23

 

CMYK 0 / 85 / 48 / 25

HEX #BE1C62

RGB 190 28 98

HSL 334.07, 0.74%, 0.43%

LAB 42.25, 64.33, 2.6

 

CMYK 0 / 85 / 72 / 25

HEX #BE1C36

RGB 190 28 54

HSL 350.37, 0.74%, 0.43%

LAB 41.29, 61.54, 28.92

 

CMYK 0 / 85 / 85 / 25

HEX #BE1C1C

RGB 190 28 28

HSL 0, 0.74%, 0.43%

LAB 41, 60.67, 43.5

 

CMYK 0 / 85 / 3 / 25

HEX #BE1CB9

RGB 190 28 185

HSL 301.85, 0.74%, 0.43%

LAB 46.02, 74.66, -44.49

 

CMYK 20 / 85 / 0 / 25

HEX #981CBE

RGB 152 28 190

HSL 285.93, 0.74%, 0.43%

LAB 39.95, 68.84, -57.5

 

CMYK 43 / 85 / 0 / 25

HEX #6C1CBE

RGB 108 28 190

HSL 269.63, 0.74%, 0.43%

LAB 33.43, 62.42, -68.43

 

CMYK 66 / 85 / 0 / 25

HEX #401CBE

RGB 64 28 190

HSL 253.33, 0.74%, 0.43%

LAB 28.48, 57.87, -76.76

 

CMYK 85 / 85 / 0 / 25

HEX #1C1CBE

RGB 28 28 190

HSL 240, 0.74%, 0.43%

LAB 26.14, 55.87, -80.71

 

CMYK 0 / 85 / 3 / 25

HEX #BE1CB9

RGB 190 28 185

HSL 301.85, 0.74%, 0.43%

LAB 46.02, 74.66, -44.49

 

CMYK 0 / 95 / 3 / 18

HEX #D00ACA

RGB 208 10 202

HSL 301.82, 0.91%, 0.43%

LAB 49.36, 82.62, -48.86

 

CMYK 0 / 85 / 3 / 25

HEX #BE1CB9

RGB 190 28 185

HSL 301.85, 0.74%, 0.43%

LAB 46.02, 74.66, -44.49

 

CMYK 0 / 73 / 2 / 32

HEX #AD2EA9

RGB 173 46 169

HSL 301.89, 0.58%, 0.43%

LAB 43.8, 64.17, -38.74

 

CMYK 0 / 59 / 2 / 39

HEX #9B3F98

RGB 155 63 152

HSL 301.96, 0.42%, 0.43%

LAB 42.45, 50.17, -30.9

 

CMYK 0 / 41 / 1 / 46

HEX #895187

RGB 137 81 135

HSL 302.14, 0.26%, 0.43%

LAB 42.69, 32.18, -20.44

 

CMYK 0 / 17 / 0 / 53

HEX #776377

RGB 119 99 119

HSL 300, 0.09%, 0.43%

LAB 44.49, 11.86, -8.21

 

CMYK 44 / 85 / 0 / 25

HEX #6A1CBE

RGB 106 28 190

HSL 268.89, 0.74%, 0.43%

LAB 33.16, 62.16, -68.88

 

CMYK 21 / 85 / 0 / 25

HEX #961CBE

RGB 150 28 190

HSL 285.19, 0.74%, 0.43%

LAB 39.63, 68.52, -58.04

 

CMYK 0 / 85 / 1 / 25

HEX #BE1CBC

RGB 190 28 188

HSL 300.74, 0.74%, 0.43%

LAB 46.19, 75.11, -45.97

 

CMYK 0 / 85 / 24 / 25

HEX #BE1C90

RGB 190 28 144

HSL 317.04, 0.74%, 0.43%

LAB 43.93, 69.07, -23.31

 

CMYK 0 / 85 / 47 / 25

HEX #BE1C65

RGB 190 28 101

HSL 332.96, 0.74%, 0.43%

LAB 42.33, 64.59, 0.84

 

CMYK 0 / 86 / 3 / 53

HEX #771173

RGB 119 17 115

HSL 302.35, 0.75%, 0.27%

LAB 28.28, 52.1, -30.76

 

CMYK 0 / 85 / 3 / 40

HEX #9A1796

RGB 154 23 150

HSL 301.83, 0.74%, 0.35%

LAB 37.27, 63.44, -37.88

 

CMYK 0 / 85 / 3 / 25

HEX #BE1CB9

RGB 190 28 185

HSL 301.85, 0.74%, 0.43%

LAB 46.02, 74.66, -44.49

 

CMYK 0 / 83 / 3 / 13

HEX #DE25D8

RGB 222 37 216

HSL 301.95, 0.74%, 0.51%

LAB 53.83, 83.4, -49.64

 

CMYK 0 / 68 / 2 / 11

HEX #E349DF

RGB 227 73 223

HSL 301.56, 0.73%, 0.59%

LAB 58.44, 75.6, -46.24

 

CMYK 0 / 85 / 3 / 25

HEX #BE1CB9

RGB 190 28 185

HSL 301.85, 0.74%, 0.43%

LAB 46.02, 74.66, -44.49

 

CMYK 0 / 67 / 85 / 25

HEX #BE3F1C

RGB 190 63 28

HSL 12.96, 0.74%, 0.43%

LAB 45.06, 49.38, 47.03

 

CMYK 85 / 0 / 33 / 25

HEX #1CBE80

RGB 28 190 128

HSL 157.04, 0.74%, 0.43%

LAB 68.48, -53.54, 20.51

 

CMYK 0 / 85 / 3 / 25

HEX #BE1CB9

RGB 190 28 185

HSL 301.85, 0.74%, 0.43%

LAB 46.02, 74.66, -44.49

 

CMYK 1 / 0 / 85 / 25

HEX #BCBE1C

RGB 188 190 28

HSL 60.74, 0.74%, 0.43%

LAB 74.57, -17.71, 71.66

 

CMYK 85 / 1 / 0 / 25

HEX #1CBCBE

RGB 28 188 190

HSL 180.74, 0.74%, 0.43%

LAB 69.42, -36.47, -11.97

 

CMYK 0 / 85 / 3 / 25

HEX #BE1CB9

RGB 190 28 185

HSL 301.85, 0.74%, 0.43%

LAB 46.02, 74.66, -44.49

 

CMYK 0 / 67 / 85 / 25

HEX #BE3F1C

RGB 190 63 28

HSL 12.96, 0.74%, 0.43%

LAB 45.06, 49.38, 47.03

 

CMYK 85 / 0 / 84 / 25

HEX #1CBE1F

RGB 28 190 31

HSL 121.11, 0.74%, 0.43%

LAB 67.41, -66.44, 61.96

 

CMYK 85 / 18 / 0 / 25

HEX #1C9BBE

RGB 28 155 190

HSL 192.96, 0.74%, 0.43%

LAB 59.35, -20.16, -27.29

 

CMYK 0 / 85 / 3 / 25

HEX #BE1CB9

RGB 190 28 185

HSL 301.85, 0.74%, 0.43%

LAB 46.02, 74.66, -44.49

 

CMYK 0 / 41 / 85 / 25

HEX #BE701C

RGB 190 112 28

HSL 31.11, 0.74%, 0.43%

LAB 54.68, 25, 55.21

 

CMYK 85 / 0 / 84 / 25

HEX #1CBE1F

RGB 28 190 31

HSL 121.11, 0.74%, 0.43%

LAB 67.41, -66.44, 61.96

 

CMYK 85 / 44 / 0 / 25

HEX #1C6ABE

RGB 28 106 190

HSL 211.11, 0.74%, 0.43%

LAB 44.62, 8.46, -50.48

 

Description

Color code: RGB 190 28 185 | qconv.com Color code: RGB 190 28 185 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 28 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 28 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 3 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 3% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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