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Color name
RGB 181 81 21

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 81 21 it is the complementary color RGB 74 174 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 81 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 181 81 21 shade: RGB 186 81 16, RGB 203 99 35, RGB 220 117 54, RGB 237 135 73 and RGB 254 153 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 81 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 181 81 21 shade: RGB 181 81 21, RGB 164 63 2, RGB 147 45 0, RGB 130 27 0 and RGB 113 9 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 181 81 21 shade: RGB 182 81 21, RGB 182 38 21 and RGB 182 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 181 81 21 shade: RGB 182 81 21, RGB 182 125 21, RGB 182 168 21, RGB 152 182 21 and RGB 109 182 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 181 81 21 shade matches the following richer shades: RGB 182 81 21 and RGB 199 77 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 181 81 21 shade: RGB 182 81 21, RGB 166 85 37, RGB 149 90 54, RGB 133 94 70 and RGB 116 98 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 181 81 21 shade: RGB 182 21 48, RGB 182 37 21, RGB 182 80 21, RGB 182 123 21 and RGB 182 166 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 181 81 21 shade: RGB 108 48 12, RGB 145 65 17, RGB 182 81 21, RGB 219 98 25 and RGB 231 121 54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 181 81 21 shade: RGB 181 81 21, RGB 91 182 21 and RGB 21 26 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 181 81 21 shade: RGB 181 81 21, RGB 21 182 80 and RGB 80 21 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 181 81 21 shade: RGB 181 81 21, RGB 91 182 21, RGB 21 123 182 and RGB 112 21 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 181 81 21 shade: RGB 181 81 21, RGB 42 182 21, RGB 21 123 182 and RGB 161 21 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 88 / 29

HEX #B55115

RGB 181 81 21

HSL 22.5, 0.79%, 0.4%

LAB 46.66, 37.52, 50.55

 

Complementary color

CMYK 68 / 26 / 0 / 8

HEX #4AAEEA

RGB 74 174 234

HSL 202.5, 0.79%, 0.6%

LAB 67.78, -10.35, -38.54

 

CMYK 0 / 56 / 91 / 27

HEX #BA5110

RGB 186 81 16

HSL 22.94, 0.84%, 0.4%

LAB 47.45, 39.39, 53.15

 

CMYK 0 / 51 / 83 / 20

HEX #CB6323

RGB 203 99 35

HSL 22.86, 0.71%, 0.47%

LAB 53.75, 37.47, 52.49

 

CMYK 0 / 47 / 75 / 14

HEX #DC7536

RGB 220 117 54

HSL 22.77, 0.7%, 0.54%

LAB 60.07, 35.67, 51.01

 

CMYK 0 / 43 / 69 / 7

HEX #ED8749

RGB 237 135 73

HSL 22.68, 0.82%, 0.61%

LAB 66.38, 34.02, 49.29

 

CMYK 0 / 40 / 64 / 0

HEX #FE995C

RGB 254 153 92

HSL 22.59, 0.99%, 0.68%

LAB 72.64, 32.53, 47.56

 

CMYK 0 / 55 / 88 / 29

HEX #B55115

RGB 181 81 21

HSL 22.5, 0.79%, 0.4%

LAB 46.66, 37.52, 50.55

 

CMYK 0 / 62 / 99 / 36

HEX #A43F02

RGB 164 63 2

HSL 22.59, 0.98%, 0.33%

LAB 40.33, 39.45, 50.64

 

CMYK 0 / 69 / 100 / 42

HEX #932D00

RGB 147 45 0

HSL 18.37, 1%, 0.29%

LAB 34.15, 41.27, 46.35

 

CMYK 0 / 79 / 100 / 49

HEX #821B00

RGB 130 27 0

HSL 12.46, 1%, 0.25%

LAB 28.19, 42.35, 40.58

 

CMYK 0 / 92 / 100 / 56

HEX #710900

RGB 113 9 0

HSL 4.78, 1%, 0.22%

LAB 22.67, 41.96, 34.07

 

CMYK 0 / 55 / 88 / 29

HEX #B65115

RGB 182 81 21

HSL 22.36, 0.79%, 0.4%

LAB 46.82, 37.92, 50.75

 

CMYK 0 / 79 / 88 / 29

HEX #B62615

RGB 182 38 21

HSL 6.34, 0.79%, 0.4%

LAB 40.22, 55.65, 45.55

 

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

CMYK 0 / 55 / 88 / 29

HEX #B65115

RGB 182 81 21

HSL 22.36, 0.79%, 0.4%

LAB 46.82, 37.92, 50.75

 

CMYK 0 / 31 / 88 / 29

HEX #B67D15

RGB 182 125 21

HSL 38.76, 0.79%, 0.4%

LAB 56.75, 14.14, 58.61

 

CMYK 0 / 8 / 88 / 29

HEX #B6A815

RGB 182 168 21

HSL 54.78, 0.79%, 0.4%

LAB 68.02, -9.23, 67.58

 

CMYK 16 / 0 / 88 / 29

HEX #98B615

RGB 152 182 21

HSL 71.18, 0.79%, 0.4%

LAB 69.6, -29.25, 67.87

 

CMYK 40 / 0 / 88 / 29

HEX #6DB615

RGB 109 182 21

HSL 87.2, 0.79%, 0.4%

LAB 67.1, -45.84, 64.77

 

CMYK 0 / 55 / 88 / 29

HEX #B65115

RGB 182 81 21

HSL 22.36, 0.79%, 0.4%

LAB 46.82, 37.92, 50.75

 

CMYK 0 / 61 / 98 / 22

HEX #C74D04

RGB 199 77 4

HSL 22.46, 0.96%, 0.4%

LAB 48.83, 46.07, 58.13

 

CMYK 0 / 55 / 88 / 29

HEX #B65115

RGB 182 81 21

HSL 22.36, 0.79%, 0.4%

LAB 46.82, 37.92, 50.75

 

CMYK 0 / 49 / 78 / 35

HEX #A65525

RGB 166 85 37

HSL 22.33, 0.64%, 0.4%

LAB 45.27, 29.82, 41.59

 

CMYK 0 / 40 / 64 / 42

HEX #955A36

RGB 149 90 54

HSL 22.74, 0.47%, 0.4%

LAB 44.19, 20.71, 30.72

 

CMYK 0 / 29 / 47 / 48

HEX #855E46

RGB 133 94 70

HSL 22.86, 0.31%, 0.4%

LAB 43.41, 12.8, 20.05

 

CMYK 0 / 16 / 25 / 55

HEX #746257

RGB 116 98 87

HSL 22.76, 0.14%, 0.4%

LAB 42.97, 5.35, 8.94

 

CMYK 0 / 88 / 74 / 29

HEX #B61530

RGB 182 21 48

HSL 349.94, 0.79%, 0.4%

LAB 39.06, 60.52, 29.57

 

CMYK 0 / 80 / 88 / 29

HEX #B62515

RGB 182 37 21

HSL 5.96, 0.79%, 0.4%

LAB 40.12, 55.94, 45.47

 

CMYK 0 / 56 / 88 / 29

HEX #B65015

RGB 182 80 21

HSL 21.99, 0.79%, 0.4%

LAB 46.63, 38.42, 50.59

 

CMYK 0 / 32 / 88 / 29

HEX #B67B15

RGB 182 123 21

HSL 38.01, 0.79%, 0.4%

LAB 56.25, 15.25, 58.22

 

CMYK 0 / 9 / 88 / 29

HEX #B6A615

RGB 182 166 21

HSL 54.04, 0.79%, 0.4%

LAB 67.48, -8.18, 67.15

 

CMYK 0 / 56 / 89 / 58

HEX #6C300C

RGB 108 48 12

HSL 22.5, 0.8%, 0.24%

LAB 27.65, 24.46, 33.5

 

CMYK 0 / 55 / 88 / 43

HEX #914111

RGB 145 65 17

HSL 22.5, 0.79%, 0.32%

LAB 37.56, 31.12, 42.26

 

CMYK 0 / 55 / 88 / 29

HEX #B65115

RGB 182 81 21

HSL 22.36, 0.79%, 0.4%

LAB 46.82, 37.92, 50.75

 

CMYK 0 / 55 / 89 / 14

HEX #DB6219

RGB 219 98 25

HSL 22.58, 0.8%, 0.48%

LAB 55.95, 43.94, 59

 

CMYK 0 / 48 / 77 / 9

HEX #E77936

RGB 231 121 54

HSL 22.71, 0.79%, 0.56%

LAB 62.45, 37.98, 53.9

 

CMYK 0 / 55 / 88 / 29

HEX #B55115

RGB 181 81 21

HSL 22.5, 0.79%, 0.4%

LAB 46.66, 37.52, 50.55

 

CMYK 50 / 0 / 88 / 29

HEX #5BB615

RGB 91 182 21

HSL 93.91, 0.79%, 0.4%

LAB 66.32, -51.69, 63.8

 

CMYK 88 / 86 / 0 / 29

HEX #151AB6

RGB 21 26 182

HSL 238.14, 0.79%, 0.4%

LAB 24.56, 54.08, -78.6

 

CMYK 0 / 55 / 88 / 29

HEX #B55115

RGB 181 81 21

HSL 22.5, 0.79%, 0.4%

LAB 46.66, 37.52, 50.55

 

CMYK 88 / 0 / 56 / 29

HEX #15B650

RGB 21 182 80

HSL 141.99, 0.79%, 0.4%

LAB 65.12, -59.95, 40.83

 

CMYK 56 / 88 / 0 / 29

HEX #5015B6

RGB 80 21 182

HSL 261.99, 0.79%, 0.4%

LAB 28.43, 59.46, -72.05

 

CMYK 0 / 55 / 88 / 29

HEX #B55115

RGB 181 81 21

HSL 22.5, 0.79%, 0.4%

LAB 46.66, 37.52, 50.55

 

CMYK 50 / 0 / 88 / 29

HEX #5BB615

RGB 91 182 21

HSL 93.91, 0.79%, 0.4%

LAB 66.32, -51.69, 63.8

 

CMYK 88 / 32 / 0 / 29

HEX #157BB6

RGB 21 123 182

HSL 201.99, 0.79%, 0.4%

LAB 49.13, -5.62, -38.68

 

CMYK 38 / 88 / 0 / 29

HEX #7015B6

RGB 112 21 182

HSL 273.91, 0.79%, 0.4%

LAB 32.61, 63.02, -65.02

 

CMYK 0 / 55 / 88 / 29

HEX #B55115

RGB 181 81 21

HSL 22.5, 0.79%, 0.4%

LAB 46.66, 37.52, 50.55

 

CMYK 77 / 0 / 88 / 29

HEX #2AB615

RGB 42 182 21

HSL 112.17, 0.79%, 0.4%

LAB 64.96, -62.82, 62.1

 

CMYK 88 / 32 / 0 / 29

HEX #157BB6

RGB 21 123 182

HSL 201.99, 0.79%, 0.4%

LAB 49.13, -5.62, -38.68

 

CMYK 12 / 88 / 0 / 29

HEX #A115B6

RGB 161 21 182

HSL 292.17, 0.79%, 0.4%

LAB 40.4, 70.33, -52.01

 

Description

Color code: RGB 181 81 21 | qconv.com Color code: RGB 181 81 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 81 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 81 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 88 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 88% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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