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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B61515 it is the complementary color #49EAEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B61515. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B61515 shade: #BB1510, #CC2723, #DD3936, #EE4B49 and #FF5D5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B61515. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B61515 shade: #B61515, #A50302, #940000, #830000 and #720000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B61515 shade: #B61515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B61515 shade: #B61515, #B64015, #B66C15, #B69715 and #A9B615

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B61515 shade matches the following richer shades: #B61515 and #C70404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B61515 shade: #B61515, #A62525, #953636, #854646 and #745757

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B61515 shade: #B6156B, #B61540, #B61515, #B64015 and #B66B15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B61515 shade: #6C0C0C, #911111, #B61515, #DB1919 and #E73636

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B61515 shade: #B61515, #96B615 and #1555B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B61515 shade: #B61515, #15B615 and #1515B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B61515 shade: #B61515, #96B615, #15B6B6 and #3515B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B61515 shade: #B61515, #66B615, #15B6B6 and #6615B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

Complementary color

CMYK 69 / 0 / 0 / 8

HEX #49EAEA

RGB 73 234 234

HSL 180, 0.79%, 0.6%

LAB 85.1, -40.33, -12.09

 

CMYK 0 / 89 / 91 / 27

HEX #BB1510

RGB 187 21 16

HSL 1.75, 0.84%, 0.4%

LAB 39.81, 61, 47.85

 

CMYK 0 / 81 / 83 / 20

HEX #CC2723

RGB 204 39 35

HSL 1.42, 0.71%, 0.47%

LAB 44.81, 62.15, 44.41

 

CMYK 0 / 74 / 76 / 13

HEX #DD3936

RGB 221 57 54

HSL 1.08, 0.71%, 0.54%

LAB 50.17, 62.41, 40.66

 

CMYK 0 / 68 / 69 / 7

HEX #EE4B49

RGB 238 75 73

HSL 0.73, 0.83%, 0.61%

LAB 55.78, 62.1, 37.21

 

CMYK 0 / 64 / 64 / 0

HEX #FF5D5C

RGB 255 93 92

HSL 0.37, 1%, 0.68%

LAB 61.53, 61.43, 34.18

 

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

CMYK 0 / 98 / 99 / 35

HEX #A50302

RGB 165 3 2

HSL 0.37, 0.98%, 0.33%

LAB 34.13, 57.47, 47.47

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

HEX #830000

CMYK 0 / 100 / 100 / 55

HEX #720000

RGB 114 0 0

HSL 0, 1%, 0.22%

LAB 22.22, 44.23, 33.67

HEX #720000

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

CMYK 0 / 65 / 88 / 29

HEX #B64015

RGB 182 64 21

HSL 16.02, 0.79%, 0.4%

LAB 43.75, 45.97, 48.32

 

CMYK 0 / 41 / 88 / 29

HEX #B66C15

RGB 182 108 21

HSL 32.42, 0.79%, 0.4%

LAB 52.65, 23.57, 55.36

 

CMYK 0 / 17 / 88 / 29

HEX #B69715

RGB 182 151 21

HSL 48.45, 0.79%, 0.4%

LAB 63.45, -0.18, 63.94

 

CMYK 7 / 0 / 88 / 29

HEX #A9B615

RGB 169 182 21

HSL 64.84, 0.79%, 0.4%

LAB 70.83, -22.06, 69.38

 

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

CMYK 0 / 98 / 98 / 22

HEX #C70404

RGB 199 4 4

HSL 0, 0.96%, 0.4%

LAB 41.59, 66.11, 54.39

 

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

CMYK 0 / 78 / 78 / 35

HEX #A62525

RGB 166 37 37

HSL 0, 0.64%, 0.4%

LAB 37.05, 51.51, 33.03

 

CMYK 0 / 64 / 64 / 42

HEX #953636

RGB 149 54 54

HSL 0, 0.47%, 0.4%

LAB 36.54, 39.94, 21.31

 

CMYK 0 / 47 / 47 / 48

HEX #854646

RGB 133 70 70

HSL 0, 0.31%, 0.4%

LAB 37.5, 26.81, 12.1

 

CMYK 0 / 25 / 25 / 55

HEX #745757

RGB 116 87 87

HSL 0, 0.14%, 0.4%

LAB 39.94, 11.98, 4.65

 

CMYK 0 / 88 / 41 / 29

HEX #B6156B

RGB 182 21 107

HSL 327.95, 0.79%, 0.4%

LAB 40.48, 64.54, -5.84

 

CMYK 0 / 88 / 65 / 29

HEX #B61540

RGB 182 21 64

HSL 343.98, 0.79%, 0.4%

LAB 39.33, 61.29, 19.86

 

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

CMYK 0 / 65 / 88 / 29

HEX #B64015

RGB 182 64 21

HSL 16.02, 0.79%, 0.4%

LAB 43.75, 45.97, 48.32

 

CMYK 0 / 41 / 88 / 29

HEX #B66B15

RGB 182 107 21

HSL 32.05, 0.79%, 0.4%

LAB 52.41, 24.12, 55.17

 

CMYK 0 / 89 / 89 / 58

HEX #6C0C0C

RGB 108 12 12

HSL 0, 0.8%, 0.24%

LAB 21.86, 40.02, 27.93

 

CMYK 0 / 88 / 88 / 43

HEX #911111

RGB 145 17 17

HSL 0, 0.79%, 0.32%

LAB 30.55, 50.05, 36.42

 

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

CMYK 0 / 89 / 89 / 14

HEX #DB1919

RGB 219 25 25

HSL 0, 0.8%, 0.48%

LAB 46.74, 68.98, 52.05

 

CMYK 0 / 77 / 77 / 9

HEX #E73636

RGB 231 54 54

HSL 0, 0.79%, 0.56%

LAB 51.72, 66.3, 42.87

 

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

CMYK 18 / 0 / 88 / 29

HEX #96B615

RGB 150 182 21

HSL 71.93, 0.79%, 0.4%

LAB 69.47, -30.08, 67.7

 

CMYK 88 / 53 / 0 / 29

HEX #1555B6

RGB 21 85 182

HSL 216.15, 0.79%, 0.4%

LAB 37.9, 18.5, -56.65

 

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

CMYK 88 / 0 / 88 / 29

HEX #15B615

RGB 21 182 21

HSL 120, 0.79%, 0.4%

LAB 64.7, -65.18, 61.77

 

CMYK 88 / 88 / 0 / 29

HEX #1515B6

RGB 21 21 182

HSL 240, 0.79%, 0.4%

LAB 23.91, 56.04, -79.68

 

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

CMYK 18 / 0 / 88 / 29

HEX #96B615

RGB 150 182 21

HSL 71.93, 0.79%, 0.4%

LAB 69.47, -30.08, 67.7

 

CMYK 88 / 0 / 0 / 29

HEX #15B6B6

RGB 21 182 182

HSL 180, 0.79%, 0.4%

LAB 67.27, -36.53, -10.78

 

CMYK 71 / 88 / 0 / 29

HEX #3515B6

RGB 53 21 182

HSL 251.93, 0.79%, 0.4%

LAB 25.77, 57.38, -76.53

 

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

CMYK 44 / 0 / 88 / 29

HEX #66B615

RGB 102 182 21

HSL 89.81, 0.79%, 0.4%

LAB 66.77, -48.21, 64.37

 

CMYK 88 / 0 / 0 / 29

HEX #15B6B6

RGB 21 182 182

HSL 180, 0.79%, 0.4%

LAB 67.27, -36.53, -10.78

 

CMYK 44 / 88 / 0 / 29

HEX #6615B6

RGB 102 21 182

HSL 270.19, 0.79%, 0.4%

LAB 31.2, 61.79, -67.38

 

Description

Color code: HEX #B61515 | qconv.com Color code: HEX #B61515 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 21 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 21 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 88 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 88% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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