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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 227 209 it is the complementary color RGB 75 28 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 227 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 227 209 shade: RGB 185 227 204, RGB 202 245 223, RGB 219 255 242, RGB 236 255 255 and RGB 253 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 227 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 227 209 shade: RGB 180 227 209, RGB 163 209 190, RGB 146 191 171, RGB 129 173 152 and RGB 112 155 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 227 209 shade: RGB 180 227 209, RGB 180 227 196, RGB 180 227 184, RGB 189 227 180 and RGB 202 227 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 227 209 shade: RGB 180 227 209, RGB 180 227 222, RGB 180 220 227, RGB 180 207 227 and RGB 180 194 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 227 209 shade matches the following richer shades: RGB 180 227 209, RGB 172 235 211, RGB 164 243 213 and RGB 155 252 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 227 209 shade: RGB 180 227 209, RGB 188 219 207, RGB 197 210 205, RGB 205 202 203 and RGB 213 194 201

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 227 209 shade: RGB 180 227 184, RGB 180 227 196, RGB 180 227 209, RGB 180 227 221 and RGB 180 220 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 227 209 shade: RGB 120 205 172, RGB 150 216 191, RGB 180 227 209, RGB 210 238 227 and RGB 240 249 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 227 209 shade: RGB 180 227 209, RGB 180 189 227 and RGB 227 190 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 227 209 shade: RGB 180 227 209, RGB 209 180 227 and RGB 227 209 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 227 209 shade: RGB 180 227 209, RGB 180 189 227, RGB 227 180 198 and RGB 227 218 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 227 209 shade: RGB 180 227 209, RGB 186 180 227, RGB 227 180 198 and RGB 221 227 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 8 / 11

HEX #B4E3D1

RGB 180 227 209

HSL 157.02, 0.46%, 0.8%

LAB 86.63, -18.74, 3.8

 

Complementary color

CMYK 0 / 63 / 39 / 71

HEX #4B1C2E

RGB 75 28 46

HSL 337.02, 0.46%, 0.2%

LAB 18.03, 24.46, -0.86

 

CMYK 19 / 0 / 10 / 11

HEX #B9E3CC

RGB 185 227 204

HSL 147.14, 0.43%, 0.81%

LAB 86.81, -18.12, 6.73

 

CMYK 18 / 0 / 9 / 4

HEX #CAF5DF

RGB 202 245 223

HSL 149.3, 0.68%, 0.88%

LAB 93.1, -18.01, 6.02

 

CMYK 14 / 0 / 5 / 0

HEX #DBFFF2

RGB 219 255 242

HSL 158.33, 1%, 0.93%

LAB 97.22, -13.99, 2.32

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 21 / 0 / 8 / 11

HEX #B4E3D1

RGB 180 227 209

HSL 157.02, 0.46%, 0.8%

LAB 86.63, -18.74, 3.8

 

CMYK 22 / 0 / 9 / 18

HEX #A3D1BE

RGB 163 209 190

HSL 155.22, 0.33%, 0.73%

LAB 80.24, -18.88, 4.5

 

CMYK 24 / 0 / 10 / 25

HEX #92BFAB

RGB 146 191 171

HSL 153.33, 0.26%, 0.66%

LAB 73.75, -19.03, 5.24

 

CMYK 25 / 0 / 12 / 32

HEX #81AD98

RGB 129 173 152

HSL 151.36, 0.21%, 0.59%

LAB 67.14, -19.22, 6.02

 

CMYK 28 / 0 / 14 / 39

HEX #709B85

RGB 112 155 133

HSL 149.3, 0.18%, 0.52%

LAB 60.41, -19.42, 6.85

 

CMYK 21 / 0 / 8 / 11

HEX #B4E3D1

RGB 180 227 209

HSL 157.02, 0.46%, 0.8%

LAB 86.63, -18.74, 3.8

 

CMYK 21 / 0 / 14 / 11

HEX #B4E3C4

RGB 180 227 196

HSL 140.43, 0.46%, 0.8%

LAB 86.32, -21.23, 10.19

 

CMYK 21 / 0 / 19 / 11

HEX #B4E3B8

RGB 180 227 184

HSL 125.11, 0.46%, 0.8%

LAB 86.06, -23.39, 16.11

 

CMYK 17 / 0 / 21 / 11

HEX #BDE3B4

RGB 189 227 180

HSL 108.51, 0.46%, 0.8%

LAB 86.53, -21.05, 18.94

 

CMYK 11 / 0 / 21 / 11

HEX #CAE3B4

RGB 202 227 180

HSL 91.91, 0.46%, 0.8%

LAB 87.38, -16.54, 20.25

 

CMYK 21 / 0 / 8 / 11

HEX #B4E3D1

RGB 180 227 209

HSL 157.02, 0.46%, 0.8%

LAB 86.63, -18.74, 3.8

 

CMYK 21 / 0 / 2 / 11

HEX #B4E3DE

RGB 180 227 222

HSL 173.62, 0.46%, 0.8%

LAB 86.96, -16.11, -2.56

 

CMYK 21 / 3 / 0 / 11

HEX #B4DCE3

RGB 180 220 227

HSL 188.94, 0.46%, 0.8%

LAB 85.22, -11.5, -7.76

 

CMYK 21 / 9 / 0 / 11

HEX #B4CFE3

RGB 180 207 227

HSL 205.53, 0.46%, 0.8%

LAB 81.77, -4.77, -12.9

 

CMYK 21 / 15 / 0 / 11

HEX #B4C2E3

RGB 180 194 227

HSL 222.13, 0.46%, 0.8%

LAB 78.36, 2.14, -18.02

 

CMYK 21 / 0 / 8 / 11

HEX #B4E3D1

RGB 180 227 209

HSL 157.02, 0.46%, 0.8%

LAB 86.63, -18.74, 3.8

 

CMYK 27 / 0 / 10 / 8

HEX #ACEBD3

RGB 172 235 211

HSL 157.14, 0.61%, 0.8%

LAB 88.4, -24.72, 5.25

 

CMYK 33 / 0 / 12 / 5

HEX #A4F3D5

RGB 164 243 213

HSL 157.22, 0.77%, 0.8%

LAB 90.23, -30.47, 6.8

 

CMYK 38 / 0 / 15 / 1

HEX #9BFCD7

RGB 155 252 215

HSL 157.11, 0.94%, 0.8%

LAB 92.35, -36.71, 8.76

 

CMYK 21 / 0 / 8 / 11

HEX #B4E3D1

RGB 180 227 209

HSL 157.02, 0.46%, 0.8%

LAB 86.63, -18.74, 3.8

 

CMYK 14 / 0 / 5 / 14

HEX #BCDBCF

RGB 188 219 207

HSL 156.77, 0.3%, 0.8%

LAB 84.92, -12.55, 2.45

 

CMYK 6 / 0 / 2 / 18

HEX #C5D2CD

RGB 197 210 205

HSL 156.92, 0.13%, 0.8%

LAB 83.11, -5.33, 0.95

 

CMYK 0 / 1 / 1 / 20

HEX #CDCACB

RGB 205 202 203

HSL 340, 0.03%, 0.8%

LAB 81.58, 1.22, -0.14

 

CMYK 0 / 9 / 6 / 16

HEX #D5C2C9

RGB 213 194 201

HSL 337.89, 0.18%, 0.8%

LAB 80.15, 7.89, -1.09

 

CMYK 21 / 0 / 19 / 11

HEX #B4E3B8

RGB 180 227 184

HSL 125.11, 0.46%, 0.8%

LAB 86.06, -23.39, 16.11

 

CMYK 21 / 0 / 14 / 11

HEX #B4E3C4

RGB 180 227 196

HSL 140.43, 0.46%, 0.8%

LAB 86.32, -21.23, 10.19

 

CMYK 21 / 0 / 8 / 11

HEX #B4E3D1

RGB 180 227 209

HSL 157.02, 0.46%, 0.8%

LAB 86.63, -18.74, 3.8

 

CMYK 21 / 0 / 3 / 11

HEX #B4E3DD

RGB 180 227 221

HSL 172.34, 0.46%, 0.8%

LAB 86.93, -16.31, -2.07

 

CMYK 21 / 3 / 0 / 11

HEX #B4DCE3

RGB 180 220 227

HSL 188.94, 0.46%, 0.8%

LAB 85.22, -11.5, -7.76

 

CMYK 41 / 0 / 16 / 20

HEX #78CDAC

RGB 120 205 172

HSL 156.71, 0.46%, 0.64%

LAB 76.46, -33.36, 8.42

 

CMYK 31 / 0 / 12 / 15

HEX #96D8BF

RGB 150 216 191

HSL 157.27, 0.46%, 0.72%

LAB 81.49, -26.12, 5.68

 

CMYK 21 / 0 / 8 / 11

HEX #B4E3D1

RGB 180 227 209

HSL 157.02, 0.46%, 0.8%

LAB 86.63, -18.74, 3.8

 

CMYK 12 / 0 / 5 / 7

HEX #D2EEE3

RGB 210 238 227

HSL 156.43, 0.45%, 0.88%

LAB 91.86, -11.21, 2.21

 

CMYK 4 / 0 / 1 / 2

HEX #F0F9F6

RGB 240 249 246

HSL 160, 0.43%, 0.96%

LAB 97.2, -3.49, 0.4

 

CMYK 21 / 0 / 8 / 11

HEX #B4E3D1

RGB 180 227 209

HSL 157.02, 0.46%, 0.8%

LAB 86.63, -18.74, 3.8

 

CMYK 21 / 17 / 0 / 11

HEX #B4BDE3

RGB 180 189 227

HSL 228.51, 0.46%, 0.8%

LAB 77.07, 4.84, -19.98

 

CMYK 0 / 16 / 21 / 11

HEX #E3BEB4

RGB 227 190 180

HSL 12.77, 0.46%, 0.8%

LAB 79.87, 11.66, 9.97

 

CMYK 21 / 0 / 8 / 11

HEX #B4E3D1

RGB 180 227 209

HSL 157.02, 0.46%, 0.8%

LAB 86.63, -18.74, 3.8

 

CMYK 8 / 21 / 0 / 11

HEX #D1B4E3

RGB 209 180 227

HSL 277.02, 0.46%, 0.8%

LAB 77.13, 18.95, -19.67

 

CMYK 0 / 8 / 21 / 11

HEX #E3D1B4

RGB 227 209 180

HSL 37.02, 0.46%, 0.8%

LAB 84.6, 1.67, 16.65

 

CMYK 21 / 0 / 8 / 11

HEX #B4E3D1

RGB 180 227 209

HSL 157.02, 0.46%, 0.8%

LAB 86.63, -18.74, 3.8

 

CMYK 21 / 17 / 0 / 11

HEX #B4BDE3

RGB 180 189 227

HSL 228.51, 0.46%, 0.8%

LAB 77.07, 4.84, -19.98

 

CMYK 0 / 21 / 13 / 11

HEX #E3B4C6

RGB 227 180 198

HSL 337.02, 0.46%, 0.8%

LAB 77.9, 19.81, -2.61

 

CMYK 0 / 4 / 21 / 11

HEX #E3DAB4

RGB 227 218 180

HSL 48.51, 0.46%, 0.8%

LAB 86.88, -2.97, 19.84

 

CMYK 21 / 0 / 8 / 11

HEX #B4E3D1

RGB 180 227 209

HSL 157.02, 0.46%, 0.8%

LAB 86.63, -18.74, 3.8

 

CMYK 18 / 21 / 0 / 11

HEX #BAB4E3

RGB 186 180 227

HSL 247.66, 0.46%, 0.8%

LAB 75.22, 11.61, -22.74

 

CMYK 0 / 21 / 13 / 11

HEX #E3B4C6

RGB 227 180 198

HSL 337.02, 0.46%, 0.8%

LAB 77.9, 19.81, -2.61

 

CMYK 3 / 0 / 21 / 11

HEX #DDE3B4

RGB 221 227 180

HSL 67.66, 0.46%, 0.8%

LAB 88.74, -9.75, 22.33

 

Description

Color code: RGB 180 227 209 | qconv.com Color code: RGB 180 227 209 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 227 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 227 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 8 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 8% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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