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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3DAB4 it is the complementary color #1C254B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3DAB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3DAB4 shade: #E8DAAF, #F9ECC2, #FFFED5, #FFFFE8 and #FFFFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3DAB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3DAB4 shade: #E3DAB4, #D2C8A1, #C1B68E, #B0A47B and #9F9268

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3DAB4 shade: #E3DAB4, #E3CDB4, #E3C1B4 and #E3B4B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3DAB4 shade: #E3DAB4, #DFE3B4, #D3E3B4, #C6E3B4 and #B9E3B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3DAB4 shade matches the following richer shades: #E3DAB4, #EBDFAC, #F3E4A4 and #FCE99B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3DAB4 shade: #E3DAB4, #DBD5BC, #D2D0C5, #CACBCD and #C2C6D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3DAB4 shade: #E3C1B4, #E3CDB4, #E3DAB4, #E0E3B4 and #D3E3B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3DAB4 shade: #CDBC78, #D8CB96, #E3DAB4, #EEE9D2 and #F9F8F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3DAB4 shade: #E3DAB4, #B4E3B4 and #C7B4E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3DAB4 shade: #E3DAB4, #B4E3DA and #DAB4E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3DAB4 shade: #E3DAB4, #B4E3B4, #B4BDE3 and #E3B4E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3DAB4 shade: #E3DAB4, #B4E3C2, #B4BDE3 and #E3B4D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 21 / 11

HEX #E3DAB4

RGB 227 218 180

HSL 48.51, 0.46%, 0.8%

LAB 86.88, -2.97, 19.84

 

Complementary color

CMYK 63 / 51 / 0 / 71

HEX #1C254B

RGB 28 37 75

HSL 228.51, 0.46%, 0.2%

LAB 15.89, 9.44, -24.87

 

CMYK 0 / 6 / 25 / 9

HEX #E8DAAF

RGB 232 218 175

HSL 45.26, 0.55%, 0.8%

LAB 87.19, -1.82, 22.94

 

CMYK 0 / 5 / 22 / 2

HEX #F9ECC2

RGB 249 236 194

HSL 45.82, 0.82%, 0.87%

LAB 93.46, -2.1, 21.98

 

CMYK 0 / 0 / 16 / 0

HEX #FFFED5

RGB 255 254 213

HSL 58.57, 1%, 0.92%

LAB 98.81, -6.26, 19.77

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 0 / 4 / 21 / 11

HEX #E3DAB4

RGB 227 218 180

HSL 48.51, 0.46%, 0.8%

LAB 86.88, -2.97, 19.84

 

CMYK 0 / 5 / 23 / 18

HEX #D2C8A1

RGB 210 200 161

HSL 47.76, 0.35%, 0.73%

LAB 80.51, -2.72, 20.8

 

CMYK 0 / 6 / 26 / 24

HEX #C1B68E

RGB 193 182 142

HSL 47.06, 0.29%, 0.66%

LAB 74.03, -2.43, 21.81

 

CMYK 0 / 7 / 30 / 31

HEX #B0A47B

RGB 176 164 123

HSL 46.42, 0.25%, 0.59%

LAB 67.44, -2.09, 22.89

 

CMYK 0 / 8 / 35 / 38

HEX #9F9268

RGB 159 146 104

HSL 45.82, 0.22%, 0.52%

LAB 60.72, -1.69, 24.05

 

CMYK 0 / 4 / 21 / 11

HEX #E3DAB4

RGB 227 218 180

HSL 48.51, 0.46%, 0.8%

LAB 86.88, -2.97, 19.84

 

CMYK 0 / 10 / 21 / 11

HEX #E3CDB4

RGB 227 205 180

HSL 31.91, 0.46%, 0.8%

LAB 83.59, 3.76, 15.24

 

CMYK 0 / 15 / 21 / 11

HEX #E3C1B4

RGB 227 193 180

HSL 16.6, 0.46%, 0.8%

LAB 80.61, 10.07, 11.02

 

CMYK 0 / 21 / 21 / 11

HEX #E3B4B4

RGB 227 180 180

HSL 0, 0.46%, 0.8%

LAB 77.44, 17, 6.49

 

CMYK 0 / 4 / 21 / 11

HEX #E3DAB4

RGB 227 218 180

HSL 48.51, 0.46%, 0.8%

LAB 86.88, -2.97, 19.84

 

CMYK 2 / 0 / 21 / 11

HEX #DFE3B4

RGB 223 227 180

HSL 65.11, 0.46%, 0.8%

LAB 88.89, -9.02, 22.56

 

CMYK 7 / 0 / 21 / 11

HEX #D3E3B4

RGB 211 227 180

HSL 80.43, 0.46%, 0.8%

LAB 88.01, -13.35, 21.21

 

CMYK 13 / 0 / 21 / 11

HEX #C6E3B4

RGB 198 227 180

HSL 97.02, 0.46%, 0.8%

LAB 87.11, -17.95, 19.84

 

CMYK 19 / 0 / 21 / 11

HEX #B9E3B4

RGB 185 227 180

HSL 113.62, 0.46%, 0.8%

LAB 86.28, -22.41, 18.55

 

CMYK 0 / 4 / 21 / 11

HEX #E3DAB4

RGB 227 218 180

HSL 48.51, 0.46%, 0.8%

LAB 86.88, -2.97, 19.84

 

CMYK 0 / 5 / 27 / 8

HEX #EBDFAC

RGB 235 223 172

HSL 48.57, 0.61%, 0.8%

LAB 88.65, -3.66, 26.52

 

CMYK 0 / 6 / 33 / 5

HEX #F3E4A4

RGB 243 228 164

HSL 48.61, 0.77%, 0.8%

LAB 90.42, -4.19, 33.13

 

CMYK 0 / 8 / 38 / 1

HEX #FCE99B

RGB 252 233 155

HSL 48.25, 0.94%, 0.8%

LAB 92.28, -4.29, 40.25

 

CMYK 0 / 4 / 21 / 11

HEX #E3DAB4

RGB 227 218 180

HSL 48.51, 0.46%, 0.8%

LAB 86.88, -2.97, 19.84

 

CMYK 0 / 3 / 14 / 14

HEX #DBD5BC

RGB 219 213 188

HSL 48.39, 0.3%, 0.8%

LAB 85.14, -2.11, 13.1

 

CMYK 0 / 1 / 6 / 18

HEX #D2D0C5

RGB 210 208 197

HSL 50.77, 0.13%, 0.8%

LAB 83.36, -1.25, 5.69

 

CMYK 1 / 1 / 0 / 20

HEX #CACBCD

RGB 202 203 205

HSL 220, 0.03%, 0.8%

LAB 81.66, 0.03, -1.12

 

CMYK 9 / 7 / 0 / 16

HEX #C2C6D5

RGB 194 198 213

HSL 227.37, 0.18%, 0.8%

LAB 79.99, 1.52, -7.95

 

CMYK 0 / 15 / 21 / 11

HEX #E3C1B4

RGB 227 193 180

HSL 16.6, 0.46%, 0.8%

LAB 80.61, 10.07, 11.02

 

CMYK 0 / 10 / 21 / 11

HEX #E3CDB4

RGB 227 205 180

HSL 31.91, 0.46%, 0.8%

LAB 83.59, 3.76, 15.24

 

CMYK 0 / 4 / 21 / 11

HEX #E3DAB4

RGB 227 218 180

HSL 48.51, 0.46%, 0.8%

LAB 86.88, -2.97, 19.84

 

CMYK 1 / 0 / 21 / 11

HEX #E0E3B4

RGB 224 227 180

HSL 63.83, 0.46%, 0.8%

LAB 88.96, -8.65, 22.68

 

CMYK 7 / 0 / 21 / 11

HEX #D3E3B4

RGB 211 227 180

HSL 80.43, 0.46%, 0.8%

LAB 88.01, -13.35, 21.21

 

CMYK 0 / 8 / 41 / 20

HEX #CDBC78

RGB 205 188 120

HSL 48, 0.46%, 0.64%

LAB 76.25, -3.52, 36.55

 

CMYK 0 / 6 / 31 / 15

HEX #D8CB96

RGB 216 203 150

HSL 48.18, 0.46%, 0.72%

LAB 81.57, -3.46, 28.12

 

CMYK 0 / 4 / 21 / 11

HEX #E3DAB4

RGB 227 218 180

HSL 48.51, 0.46%, 0.8%

LAB 86.88, -2.97, 19.84

 

CMYK 0 / 2 / 12 / 7

HEX #EEE9D2

RGB 238 233 210

HSL 49.29, 0.45%, 0.88%

LAB 92.18, -2.15, 11.77

 

CMYK 0 / 0 / 4 / 2

HEX #F9F8F0

RGB 249 248 240

HSL 53.33, 0.43%, 0.96%

LAB 97.46, -1.05, 3.94

 

CMYK 0 / 4 / 21 / 11

HEX #E3DAB4

RGB 227 218 180

HSL 48.51, 0.46%, 0.8%

LAB 86.88, -2.97, 19.84

 

CMYK 21 / 0 / 21 / 11

HEX #B4E3B4

RGB 180 227 180

HSL 120, 0.46%, 0.8%

LAB 85.97, -24.08, 18.08

 

CMYK 12 / 21 / 0 / 11

HEX #C7B4E3

RGB 199 180 227

HSL 264.26, 0.46%, 0.8%

LAB 76.27, 15.73, -21.05

 

CMYK 0 / 4 / 21 / 11

HEX #E3DAB4

RGB 227 218 180

HSL 48.51, 0.46%, 0.8%

LAB 86.88, -2.97, 19.84

 

CMYK 21 / 0 / 4 / 11

HEX #B4E3DA

RGB 180 227 218

HSL 168.51, 0.46%, 0.8%

LAB 86.85, -16.93, -0.61

 

CMYK 4 / 21 / 0 / 11

HEX #DAB4E3

RGB 218 180 227

HSL 288.51, 0.46%, 0.8%

LAB 77.93, 21.89, -18.38

 

CMYK 0 / 4 / 21 / 11

HEX #E3DAB4

RGB 227 218 180

HSL 48.51, 0.46%, 0.8%

LAB 86.88, -2.97, 19.84

 

CMYK 21 / 0 / 21 / 11

HEX #B4E3B4

RGB 180 227 180

HSL 120, 0.46%, 0.8%

LAB 85.97, -24.08, 18.08

 

CMYK 21 / 17 / 0 / 11

HEX #B4BDE3

RGB 180 189 227

HSL 228.51, 0.46%, 0.8%

LAB 77.07, 4.84, -19.98

 

CMYK 0 / 21 / 0 / 11

HEX #E3B4E3

RGB 227 180 227

HSL 300, 0.46%, 0.8%

LAB 78.76, 24.85, -17.04

 

CMYK 0 / 4 / 21 / 11

HEX #E3DAB4

RGB 227 218 180

HSL 48.51, 0.46%, 0.8%

LAB 86.88, -2.97, 19.84

 

CMYK 21 / 0 / 15 / 11

HEX #B4E3C2

RGB 180 227 194

HSL 137.87, 0.46%, 0.8%

LAB 86.27, -21.6, 11.18

 

CMYK 21 / 17 / 0 / 11

HEX #B4BDE3

RGB 180 189 227

HSL 228.51, 0.46%, 0.8%

LAB 77.07, 4.84, -19.98

 

CMYK 0 / 21 / 6 / 11

HEX #E3B4D5

RGB 227 180 213

HSL 317.87, 0.46%, 0.8%

LAB 78.33, 22.34, -10.11

 

Description

Color code: HEX #E3DAB4 | qconv.com Color code: HEX #E3DAB4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 218 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 218 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 21 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 21% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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