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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 177 90 it is the complementary color RGB 75 78 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 177 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 177 90 shade: RGB 185 177 85, RGB 202 195 104, RGB 219 213 123, RGB 236 231 142 and RGB 253 249 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 177 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 177 90 shade: RGB 180 177 90, RGB 163 159 71, RGB 146 141 52, RGB 129 123 33 and RGB 112 105 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 177 90 shade: RGB 180 177 89, RGB 180 153 89, RGB 180 128 89, RGB 180 103 89 and RGB 180 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 177 90 shade: RGB 180 177 89, RGB 159 180 89, RGB 134 180 89, RGB 110 180 89 and RGB 89 180 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 177 90 shade matches the following richer shades: RGB 180 177 89, RGB 200 195 70, RGB 219 213 50 and RGB 238 231 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 177 90 shade: RGB 180 177 89, RGB 161 159 108, RGB 141 141 128, RGB 122 123 147 and RGB 103 105 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 177 90 shade: RGB 180 129 89, RGB 180 153 89, RGB 180 177 89, RGB 159 180 89 and RGB 135 180 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 177 90 shade: RGB 129 127 58, RGB 158 155 71, RGB 180 177 89, RGB 193 190 118 and RGB 206 204 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 177 90 shade: RGB 180 177 90, RGB 89 180 104 and RGB 141 89 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 177 90 shade: RGB 180 177 90, RGB 89 180 177 and RGB 177 89 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 177 90 shade: RGB 180 177 90, RGB 89 180 104, RGB 89 92 180 and RGB 180 89 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 177 90 shade: RGB 180 177 90, RGB 89 180 132, RGB 89 92 180 and RGB 180 89 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 50 / 29

HEX #B4B15A

RGB 180 177 90

HSL 58, 0.38%, 0.53%

LAB 70.79, -11.04, 44.46

 

Complementary color

CMYK 55 / 53 / 0 / 35

HEX #4B4EA5

RGB 75 78 165

HSL 238, 0.38%, 0.47%

LAB 37.23, 24.28, -47.55

 

CMYK 0 / 4 / 54 / 27

HEX #B9B155

RGB 185 177 85

HSL 55.2, 0.42%, 0.53%

LAB 71.16, -9.38, 47.41

 

CMYK 0 / 3 / 49 / 21

HEX #CAC368

RGB 202 195 104

HSL 55.71, 0.48%, 0.6%

LAB 77.63, -9.96, 46.24

 

CMYK 0 / 3 / 44 / 14

HEX #DBD57B

RGB 219 213 123

HSL 56.25, 0.57%, 0.67%

LAB 84.01, -10.45, 45.05

 

CMYK 0 / 2 / 40 / 7

HEX #ECE78E

RGB 236 231 142

HSL 56.81, 0.71%, 0.74%

LAB 90.29, -10.86, 43.88

 

CMYK 0 / 2 / 36 / 1

HEX #FDF9A1

RGB 253 249 161

HSL 57.39, 0.96%, 0.81%

LAB 96.5, -11.21, 42.74

 

CMYK 0 / 2 / 50 / 29

HEX #B4B15A

RGB 180 177 90

HSL 58, 0.38%, 0.53%

LAB 70.79, -11.04, 44.46

 

CMYK 0 / 2 / 56 / 36

HEX #A39F47

RGB 163 159 71

HSL 57.39, 0.39%, 0.46%

LAB 64.19, -10.45, 45.6

 

CMYK 0 / 3 / 64 / 43

HEX #928D34

RGB 146 141 52

HSL 56.81, 0.47%, 0.39%

LAB 57.47, -9.7, 46.58

 

CMYK 0 / 5 / 74 / 49

HEX #817B21

RGB 129 123 33

HSL 56.25, 0.59%, 0.32%

LAB 50.62, -8.74, 47.12

 

CMYK 0 / 6 / 88 / 56

HEX #70690E

RGB 112 105 14

HSL 55.71, 0.78%, 0.25%

LAB 43.62, -7.48, 46.61

 

CMYK 0 / 2 / 51 / 29

HEX #B4B159

RGB 180 177 89

HSL 58.02, 0.38%, 0.53%

LAB 70.78, -11.13, 44.93

 

CMYK 0 / 15 / 51 / 29

HEX #B49959

RGB 180 153 89

HSL 42.2, 0.38%, 0.53%

LAB 64.33, 1.65, 37.14

 

CMYK 0 / 29 / 51 / 29

HEX #B48059

RGB 180 128 89

HSL 25.71, 0.38%, 0.53%

LAB 57.91, 15.49, 29.07

 

CMYK 0 / 43 / 51 / 29

HEX #B46759

RGB 180 103 89

HSL 9.23, 0.38%, 0.53%

LAB 51.98, 29.37, 21.33

 

CMYK 0 / 51 / 51 / 29

HEX #B45959

RGB 180 89 89

HSL 0, 0.38%, 0.53%

LAB 48.97, 36.85, 17.29

 

CMYK 0 / 2 / 51 / 29

HEX #B4B159

RGB 180 177 89

HSL 58.02, 0.38%, 0.53%

LAB 70.78, -11.13, 44.93

 

CMYK 12 / 0 / 51 / 29

HEX #9FB459

RGB 159 180 89

HSL 73.85, 0.38%, 0.53%

LAB 69.99, -21.29, 43.59

 

CMYK 26 / 0 / 51 / 29

HEX #86B459

RGB 134 180 89

HSL 90.33, 0.38%, 0.53%

LAB 68.34, -31.01, 41.22

 

CMYK 39 / 0 / 51 / 29

HEX #6EB459

RGB 110 180 89

HSL 106.15, 0.38%, 0.53%

LAB 67.04, -39.46, 39.33

 

CMYK 51 / 0 / 48 / 29

HEX #59B45D

RGB 89 180 93

HSL 122.64, 0.38%, 0.53%

LAB 66.18, -45.3, 36.07

 

CMYK 0 / 2 / 51 / 29

HEX #B4B159

RGB 180 177 89

HSL 58.02, 0.38%, 0.53%

LAB 70.78, -11.13, 44.93

 

CMYK 0 / 3 / 65 / 22

HEX #C8C346

RGB 200 195 70

HSL 57.69, 0.54%, 0.53%

LAB 77.13, -13.36, 60.99

 

CMYK 0 / 3 / 77 / 14

HEX #DBD532

RGB 219 213 50

HSL 57.87, 0.7%, 0.53%

LAB 83.38, -15.31, 74.58

 

CMYK 0 / 3 / 87 / 7

HEX #EEE71F

RGB 238 231 31

HSL 57.97, 0.86%, 0.53%

LAB 89.59, -16.71, 84.91

 

CMYK 0 / 2 / 51 / 29

HEX #B4B159

RGB 180 177 89

HSL 58.02, 0.38%, 0.53%

LAB 70.78, -11.13, 44.93

 

CMYK 0 / 1 / 33 / 37

HEX #A19F6C

RGB 161 159 108

HSL 57.74, 0.22%, 0.53%

LAB 64.53, -7.42, 26.93

 

CMYK 0 / 0 / 9 / 45

HEX #8D8D80

RGB 141 141 128

HSL 60, 0.05%, 0.53%

LAB 58.29, -2.43, 6.93

 

CMYK 17 / 16 / 0 / 42

HEX #7A7B93

RGB 122 123 147

HSL 237.6, 0.1%, 0.53%

LAB 52.3, 4.86, -13.06

 

CMYK 38 / 37 / 0 / 35

HEX #6769A7

RGB 103 105 167

HSL 238.13, 0.27%, 0.53%

LAB 46.68, 14.92, -33.57

 

CMYK 0 / 28 / 51 / 29

HEX #B48159

RGB 180 129 89

HSL 26.37, 0.38%, 0.53%

LAB 58.16, 14.93, 29.39

 

CMYK 0 / 15 / 51 / 29

HEX #B49959

RGB 180 153 89

HSL 42.2, 0.38%, 0.53%

LAB 64.33, 1.65, 37.14

 

CMYK 0 / 2 / 51 / 29

HEX #B4B159

RGB 180 177 89

HSL 58.02, 0.38%, 0.53%

LAB 70.78, -11.13, 44.93

 

CMYK 12 / 0 / 51 / 29

HEX #9FB459

RGB 159 180 89

HSL 73.85, 0.38%, 0.53%

LAB 69.99, -21.29, 43.59

 

CMYK 25 / 0 / 51 / 29

HEX #87B459

RGB 135 180 89

HSL 89.67, 0.38%, 0.53%

LAB 68.4, -30.63, 41.3

 

CMYK 0 / 2 / 55 / 49

HEX #817F3A

RGB 129 127 58

HSL 58.31, 0.38%, 0.37%

LAB 52.01, -9.2, 37.23

 

CMYK 0 / 2 / 55 / 38

HEX #9E9B47

RGB 158 155 71

HSL 57.93, 0.38%, 0.45%

LAB 62.65, -10.48, 43.72

 

CMYK 0 / 2 / 51 / 29

HEX #B4B159

RGB 180 177 89

HSL 58.02, 0.38%, 0.53%

LAB 70.78, -11.13, 44.93

 

CMYK 0 / 2 / 39 / 24

HEX #C1BE76

RGB 193 190 118

HSL 57.6, 0.38%, 0.61%

LAB 75.74, -9.61, 36.72

 

CMYK 0 / 1 / 29 / 19

HEX #CECC92

RGB 206 204 146

HSL 58, 0.38%, 0.69%

LAB 80.95, -8.34, 29.23

 

CMYK 0 / 2 / 50 / 29

HEX #B4B15A

RGB 180 177 90

HSL 58, 0.38%, 0.53%

LAB 70.79, -11.04, 44.46

 

CMYK 51 / 0 / 42 / 29

HEX #59B468

RGB 89 180 104

HSL 129.89, 0.38%, 0.53%

LAB 66.34, -43.61, 30.62

 

CMYK 22 / 51 / 0 / 29

HEX #8D59B4

RGB 141 89 180

HSL 274.29, 0.38%, 0.53%

LAB 47.11, 38.63, -40.26

 

CMYK 0 / 2 / 50 / 29

HEX #B4B15A

RGB 180 177 90

HSL 58, 0.38%, 0.53%

LAB 70.79, -11.04, 44.46

 

CMYK 51 / 0 / 2 / 29

HEX #59B4B1

RGB 89 180 177

HSL 178.02, 0.38%, 0.53%

LAB 67.98, -27.79, -6.81

 

CMYK 2 / 51 / 0 / 29

HEX #B159B4

RGB 177 89 180

HSL 298.02, 0.38%, 0.53%

LAB 51.6, 48.85, -32.89

 

CMYK 0 / 2 / 50 / 29

HEX #B4B15A

RGB 180 177 90

HSL 58, 0.38%, 0.53%

LAB 70.79, -11.04, 44.46

 

CMYK 51 / 0 / 42 / 29

HEX #59B468

RGB 89 180 104

HSL 129.89, 0.38%, 0.53%

LAB 66.34, -43.61, 30.62

 

CMYK 51 / 49 / 0 / 29

HEX #595CB4

RGB 89 92 180

HSL 238.02, 0.38%, 0.53%

LAB 42.87, 23.37, -47.3

 

CMYK 0 / 51 / 8 / 29

HEX #B459A5

RGB 180 89 165

HSL 309.89, 0.38%, 0.53%

LAB 51.34, 47.06, -24.5

 

CMYK 0 / 2 / 50 / 29

HEX #B4B15A

RGB 180 177 90

HSL 58, 0.38%, 0.53%

LAB 70.79, -11.04, 44.46

 

CMYK 51 / 0 / 27 / 29

HEX #59B484

RGB 89 180 132

HSL 148.35, 0.38%, 0.53%

LAB 66.85, -38.44, 16.32

 

CMYK 51 / 49 / 0 / 29

HEX #595CB4

RGB 89 92 180

HSL 238.02, 0.38%, 0.53%

LAB 42.87, 23.37, -47.3

 

CMYK 0 / 51 / 23 / 29

HEX #B4598A

RGB 180 89 138

HSL 327.69, 0.38%, 0.53%

LAB 50.31, 42.77, -10.11

 

Description

Color code: RGB 180 177 90 | qconv.com Color code: RGB 180 177 90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 177 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 177 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 50 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 50% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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