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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 153 89 it is the complementary color RGB 75 102 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 153 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 153 89 shade: RGB 185 153 84, RGB 202 171 103, RGB 219 189 122, RGB 236 207 141 and RGB 253 225 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 153 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 153 89 shade: RGB 180 153 89, RGB 163 135 70, RGB 146 117 51, RGB 129 99 32 and RGB 112 81 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 153 89 shade: RGB 180 153 89, RGB 180 129 89, RGB 180 104 89 and RGB 180 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 153 89 shade: RGB 180 153 89, RGB 180 178 89, RGB 158 180 89, RGB 134 180 89 and RGB 109 180 89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 153 89 shade matches the following richer shades: RGB 180 153 89, RGB 200 161 70, RGB 219 169 50 and RGB 238 177 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 153 89 shade: RGB 180 153 89, RGB 161 145 108, RGB 141 137 128, RGB 122 130 147 and RGB 103 122 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 153 89 shade: RGB 180 104 89, RGB 180 129 89, RGB 180 153 89, RGB 180 177 89 and RGB 159 180 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 153 89 shade: RGB 129 108 58, RGB 158 132 71, RGB 180 153 89, RGB 193 171 118 and RGB 206 188 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 153 89 shade: RGB 180 153 89, RGB 98 180 89 and RGB 116 89 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 153 89 shade: RGB 180 153 89, RGB 89 180 153 and RGB 153 89 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 153 89 shade: RGB 180 153 89, RGB 98 180 89, RGB 89 116 180 and RGB 171 89 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 153 89 shade: RGB 180 153 89, RGB 89 180 107, RGB 89 116 180 and RGB 180 89 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 51 / 29

HEX #B49959

RGB 180 153 89

HSL 42.2, 0.38%, 0.53%

LAB 64.33, 1.65, 37.14

 

Complementary color

CMYK 55 / 39 / 0 / 35

HEX #4B66A6

RGB 75 102 166

HSL 222.2, 0.38%, 0.47%

LAB 43.87, 9.3, -37.54

 

CMYK 0 / 17 / 55 / 27

HEX #B99954

RGB 185 153 84

HSL 40.99, 0.42%, 0.53%

LAB 64.75, 3.34, 40.34

 

CMYK 0 / 15 / 49 / 21

HEX #CAAB67

RGB 202 171 103

HSL 41.21, 0.48%, 0.6%

LAB 71.32, 2.52, 39.02

 

CMYK 0 / 14 / 44 / 14

HEX #DBBD7A

RGB 219 189 122

HSL 41.44, 0.57%, 0.67%

LAB 77.79, 1.82, 37.74

 

CMYK 0 / 12 / 40 / 7

HEX #ECCF8D

RGB 236 207 141

HSL 41.68, 0.71%, 0.74%

LAB 84.16, 1.22, 36.52

 

CMYK 0 / 11 / 37 / 1

HEX #FDE1A0

RGB 253 225 160

HSL 41.94, 0.96%, 0.81%

LAB 90.45, 0.7, 35.35

 

CMYK 0 / 15 / 51 / 29

HEX #B49959

RGB 180 153 89

HSL 42.2, 0.38%, 0.53%

LAB 64.33, 1.65, 37.14

 

CMYK 0 / 17 / 57 / 36

HEX #A38746

RGB 163 135 70

HSL 41.94, 0.4%, 0.46%

LAB 57.61, 2.52, 38.48

 

CMYK 0 / 20 / 65 / 43

HEX #927533

RGB 146 117 51

HSL 41.68, 0.48%, 0.39%

LAB 50.77, 3.58, 39.78

 

CMYK 0 / 23 / 75 / 49

HEX #816320

RGB 129 99 32

HSL 41.44, 0.6%, 0.32%

LAB 43.79, 4.92, 40.84

 

CMYK 0 / 28 / 88 / 56

HEX #70510D

RGB 112 81 13

HSL 41.21, 0.79%, 0.25%

LAB 36.67, 6.63, 41.05

 

CMYK 0 / 15 / 51 / 29

HEX #B49959

RGB 180 153 89

HSL 42.2, 0.38%, 0.53%

LAB 64.33, 1.65, 37.14

 

CMYK 0 / 28 / 51 / 29

HEX #B48159

RGB 180 129 89

HSL 26.37, 0.38%, 0.53%

LAB 58.16, 14.93, 29.39

 

CMYK 0 / 42 / 51 / 29

HEX #B46859

RGB 180 104 89

HSL 9.89, 0.38%, 0.53%

LAB 52.2, 28.82, 21.63

 

CMYK 0 / 51 / 51 / 29

HEX #B45959

RGB 180 89 89

HSL 0, 0.38%, 0.53%

LAB 48.97, 36.85, 17.29

 

CMYK 0 / 15 / 51 / 29

HEX #B49959

RGB 180 153 89

HSL 42.2, 0.38%, 0.53%

LAB 64.33, 1.65, 37.14

 

CMYK 0 / 1 / 51 / 29

HEX #B4B259

RGB 180 178 89

HSL 58.68, 0.38%, 0.53%

LAB 71.05, -11.65, 45.25

 

CMYK 12 / 0 / 51 / 29

HEX #9EB459

RGB 158 180 89

HSL 74.51, 0.38%, 0.53%

LAB 69.92, -21.69, 43.49

 

CMYK 26 / 0 / 51 / 29

HEX #86B459

RGB 134 180 89

HSL 90.33, 0.38%, 0.53%

LAB 68.34, -31.01, 41.22

 

CMYK 39 / 0 / 51 / 29

HEX #6DB459

RGB 109 180 89

HSL 106.81, 0.38%, 0.53%

LAB 66.99, -39.79, 39.26

 

CMYK 0 / 15 / 51 / 29

HEX #B49959

RGB 180 153 89

HSL 42.2, 0.38%, 0.53%

LAB 64.33, 1.65, 37.14

 

CMYK 0 / 20 / 65 / 22

HEX #C8A146

RGB 200 161 70

HSL 42, 0.54%, 0.53%

LAB 68.18, 4.44, 51.47

 

CMYK 0 / 23 / 77 / 14

HEX #DBA932

RGB 219 169 50

HSL 42.25, 0.7%, 0.53%

LAB 72, 7.39, 64.2

 

CMYK 0 / 26 / 87 / 7

HEX #EEB11F

RGB 238 177 31

HSL 42.32, 0.86%, 0.53%

LAB 75.9, 10.8, 74.01

 

CMYK 0 / 15 / 51 / 29

HEX #B49959

RGB 180 153 89

HSL 42.2, 0.38%, 0.53%

LAB 64.33, 1.65, 37.14

 

CMYK 0 / 10 / 33 / 37

HEX #A1916C

RGB 161 145 108

HSL 41.89, 0.22%, 0.53%

LAB 60.7, 0.21, 21.84

 

CMYK 0 / 3 / 9 / 45

HEX #8D8980

RGB 141 137 128

HSL 41.54, 0.05%, 0.53%

LAB 57.18, -0.19, 5.35

 

CMYK 17 / 12 / 0 / 42

HEX #7A8293

RGB 122 130 147

HSL 220.8, 0.1%, 0.53%

LAB 54.25, 0.79, -10.13

 

CMYK 38 / 27 / 0 / 35

HEX #677AA7

RGB 103 122 167

HSL 222.19, 0.27%, 0.53%

LAB 51.37, 4.63, -26.25

 

CMYK 0 / 42 / 51 / 29

HEX #B46859

RGB 180 104 89

HSL 9.89, 0.38%, 0.53%

LAB 52.2, 28.82, 21.63

 

CMYK 0 / 28 / 51 / 29

HEX #B48159

RGB 180 129 89

HSL 26.37, 0.38%, 0.53%

LAB 58.16, 14.93, 29.39

 

CMYK 0 / 15 / 51 / 29

HEX #B49959

RGB 180 153 89

HSL 42.2, 0.38%, 0.53%

LAB 64.33, 1.65, 37.14

 

CMYK 0 / 2 / 51 / 29

HEX #B4B159

RGB 180 177 89

HSL 58.02, 0.38%, 0.53%

LAB 70.78, -11.13, 44.93

 

CMYK 12 / 0 / 51 / 29

HEX #9FB459

RGB 159 180 89

HSL 73.85, 0.38%, 0.53%

LAB 69.99, -21.29, 43.59

 

CMYK 0 / 16 / 55 / 49

HEX #816C3A

RGB 129 108 58

HSL 42.25, 0.38%, 0.37%

LAB 46.58, 1.55, 30.81

 

CMYK 0 / 16 / 55 / 38

HEX #9E8447

RGB 158 132 71

HSL 42.07, 0.38%, 0.45%

LAB 56.31, 2.07, 36.29

 

CMYK 0 / 15 / 51 / 29

HEX #B49959

RGB 180 153 89

HSL 42.2, 0.38%, 0.53%

LAB 64.33, 1.65, 37.14

 

CMYK 0 / 11 / 39 / 24

HEX #C1AB76

RGB 193 171 118

HSL 42.4, 0.38%, 0.61%

LAB 70.71, 0.39, 30.22

 

CMYK 0 / 9 / 29 / 19

HEX #CEBC92

RGB 206 188 146

HSL 42, 0.38%, 0.69%

LAB 76.78, -0.01, 23.6

 

CMYK 0 / 15 / 51 / 29

HEX #B49959

RGB 180 153 89

HSL 42.2, 0.38%, 0.53%

LAB 64.33, 1.65, 37.14

 

CMYK 46 / 0 / 51 / 29

HEX #62B459

RGB 98 180 89

HSL 114.07, 0.38%, 0.53%

LAB 66.49, -43.25, 38.54

 

CMYK 36 / 51 / 0 / 29

HEX #7459B4

RGB 116 89 180

HSL 257.8, 0.38%, 0.53%

LAB 44.45, 31.85, -44.65

 

CMYK 0 / 15 / 51 / 29

HEX #B49959

RGB 180 153 89

HSL 42.2, 0.38%, 0.53%

LAB 64.33, 1.65, 37.14

 

CMYK 51 / 0 / 15 / 29

HEX #59B499

RGB 89 180 153

HSL 162.2, 0.38%, 0.53%

LAB 67.33, -33.8, 5.48

 

CMYK 15 / 51 / 0 / 29

HEX #9959B4

RGB 153 89 180

HSL 282.2, 0.38%, 0.53%

LAB 48.53, 42, -37.93

 

CMYK 0 / 15 / 51 / 29

HEX #B49959

RGB 180 153 89

HSL 42.2, 0.38%, 0.53%

LAB 64.33, 1.65, 37.14

 

CMYK 46 / 0 / 51 / 29

HEX #62B459

RGB 98 180 89

HSL 114.07, 0.38%, 0.53%

LAB 66.49, -43.25, 38.54

 

CMYK 51 / 36 / 0 / 29

HEX #5974B4

RGB 89 116 180

HSL 222.2, 0.38%, 0.53%

LAB 49.39, 8.47, -36.96

 

CMYK 5 / 51 / 0 / 29

HEX #AB59B4

RGB 171 89 180

HSL 294.07, 0.38%, 0.53%

LAB 50.8, 47.13, -34.19

 

CMYK 0 / 15 / 51 / 29

HEX #B49959

RGB 180 153 89

HSL 42.2, 0.38%, 0.53%

LAB 64.33, 1.65, 37.14

 

CMYK 51 / 0 / 41 / 29

HEX #59B46B

RGB 89 180 107

HSL 131.87, 0.38%, 0.53%

LAB 66.39, -43.12, 29.11

 

CMYK 51 / 36 / 0 / 29

HEX #5974B4

RGB 89 116 180

HSL 222.2, 0.38%, 0.53%

LAB 49.39, 8.47, -36.96

 

CMYK 0 / 51 / 10 / 29

HEX #B459A2

RGB 180 89 162

HSL 311.87, 0.38%, 0.53%

LAB 51.22, 46.55, -22.93

 

Description

Color code: RGB 180 153 89 | qconv.com Color code: RGB 180 153 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 153 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 153 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 51 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 51% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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