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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 97 119 it is the complementary color RGB 77 158 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 97 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 97 119 shade: RGB 183 97 114, RGB 200 115 133, RGB 217 133 152, RGB 234 151 171 and RGB 251 169 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 97 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 97 119 shade: RGB 178 97 119, RGB 161 79 100, RGB 144 61 81, RGB 127 43 62 and RGB 110 25 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 97 119 shade: RGB 177 97 119, RGB 177 97 97 and RGB 177 97 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 97 119 shade: RGB 177 97 119, RGB 177 97 140, RGB 177 97 162, RGB 171 97 177 and RGB 149 97 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 97 119 shade matches the following richer shades: RGB 177 97 119, RGB 196 78 110, RGB 215 59 102, RGB 234 40 93 and RGB 253 21 84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 97 119 shade: RGB 177 97 119, RGB 158 116 128, RGB 139 135 136, RGB 120 154 145 and RGB 101 173 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 97 119 shade: RGB 177 97 162, RGB 177 97 141, RGB 177 97 120, RGB 177 97 99 and RGB 177 117 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 97 119 shade: RGB 129 63 81, RGB 156 77 98, RGB 177 97 119, RGB 191 125 143 and RGB 204 153 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 97 119 shade: RGB 178 97 119, RGB 177 170 97 and RGB 97 152 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 97 119 shade: RGB 178 97 119, RGB 120 177 97 and RGB 97 120 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 97 119 shade: RGB 178 97 119, RGB 177 170 97, RGB 97 177 154 and RGB 97 104 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 97 119 shade: RGB 178 97 119, RGB 160 177 97, RGB 97 177 154 and RGB 115 97 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 33 / 30

HEX #B26177

RGB 178 97 119

HSL 343.7, 0.34%, 0.54%

LAB 51.09, 35.25, 2.33

 

Complementary color

CMYK 51 / 0 / 14 / 38

HEX #4D9E88

RGB 77 158 136

HSL 163.7, 0.34%, 0.46%

LAB 59.72, -30.3, 3.94

 

CMYK 0 / 47 / 38 / 28

HEX #B76172

RGB 183 97 114

HSL 348.14, 0.37%, 0.55%

LAB 51.65, 36.46, 6.19

 

CMYK 0 / 43 / 34 / 22

HEX #C87385

RGB 200 115 133

HSL 347.29, 0.44%, 0.62%

LAB 58.26, 35.49, 4.83

 

CMYK 0 / 39 / 30 / 15

HEX #D98598

RGB 217 133 152

HSL 346.43, 0.53%, 0.69%

LAB 64.8, 34.58, 3.65

 

CMYK 0 / 35 / 27 / 8

HEX #EA97AB

RGB 234 151 171

HSL 345.54, 0.66%, 0.75%

LAB 71.26, 33.73, 2.6

 

CMYK 0 / 33 / 24 / 2

HEX #FBA9BE

RGB 251 169 190

HSL 344.63, 0.91%, 0.82%

LAB 77.64, 32.94, 1.65

 

CMYK 0 / 46 / 33 / 30

HEX #B26177

RGB 178 97 119

HSL 343.7, 0.34%, 0.54%

LAB 51.09, 35.25, 2.33

 

CMYK 0 / 51 / 38 / 37

HEX #A14F64

RGB 161 79 100

HSL 344.63, 0.34%, 0.47%

LAB 44.36, 36.2, 3.77

 

CMYK 0 / 58 / 44 / 44

HEX #903D51

RGB 144 61 81

HSL 345.54, 0.4%, 0.4%

LAB 37.59, 37.12, 5.55

 

CMYK 0 / 66 / 51 / 50

HEX #7F2B3E

RGB 127 43 62

HSL 346.43, 0.49%, 0.33%

LAB 30.85, 37.87, 7.86

 

CMYK 0 / 77 / 61 / 57

HEX #6E192B

RGB 110 25 43

HSL 347.29, 0.63%, 0.26%

LAB 24.27, 38.11, 11.02

 

CMYK 0 / 45 / 33 / 31

HEX #B16177

RGB 177 97 119

HSL 343.5, 0.34%, 0.54%

LAB 50.95, 34.88, 2.11

 

CMYK 0 / 45 / 45 / 31

HEX #B16161

RGB 177 97 97

HSL 0, 0.34%, 0.54%

LAB 50.4, 32.26, 14.43

 

CMYK 0 / 45 / 45 / 31

HEX #B16161

RGB 177 97 97

HSL 0, 0.34%, 0.54%

LAB 50.4, 32.26, 14.43

 

CMYK 0 / 45 / 33 / 31

HEX #B16177

RGB 177 97 119

HSL 343.5, 0.34%, 0.54%

LAB 50.95, 34.88, 2.11

 

CMYK 0 / 45 / 21 / 31

HEX #B1618C

RGB 177 97 140

HSL 327.75, 0.34%, 0.54%

LAB 51.6, 37.88, -9.41

 

CMYK 0 / 45 / 8 / 31

HEX #B161A2

RGB 177 97 162

HSL 311.25, 0.34%, 0.54%

LAB 52.4, 41.48, -21.14

 

CMYK 3 / 45 / 0 / 31

HEX #AB61B1

RGB 171 97 177

HSL 295.5, 0.34%, 0.54%

LAB 52.27, 42.38, -30.16

 

CMYK 16 / 45 / 0 / 31

HEX #9561B1

RGB 149 97 177

HSL 279, 0.34%, 0.54%

LAB 49.63, 35.76, -34.47

 

CMYK 0 / 45 / 33 / 31

HEX #B16177

RGB 177 97 119

HSL 343.5, 0.34%, 0.54%

LAB 50.95, 34.88, 2.11

 

CMYK 0 / 60 / 44 / 23

HEX #C44E6E

RGB 196 78 110

HSL 343.73, 0.5%, 0.54%

LAB 49.87, 49.97, 6.31

 

CMYK 0 / 73 / 53 / 16

HEX #D73B66

RGB 215 59 102

HSL 343.46, 0.66%, 0.54%

LAB 50.14, 62.71, 11.99

 

CMYK 0 / 83 / 60 / 8

HEX #EA285D

RGB 234 40 93

HSL 343.61, 0.82%, 0.54%

LAB 51.61, 72.56, 20.03

 

CMYK 0 / 92 / 67 / 1

HEX #FD1554

RGB 253 21 84

HSL 343.71, 0.98%, 0.54%

LAB 54.09, 79.86, 29.39

 

CMYK 0 / 45 / 33 / 31

HEX #B16177

RGB 177 97 119

HSL 343.5, 0.34%, 0.54%

LAB 50.95, 34.88, 2.11

 

CMYK 0 / 27 / 19 / 38

HEX #9E7480

RGB 158 116 128

HSL 342.86, 0.18%, 0.54%

LAB 53.3, 18.4, -0.08

 

CMYK 0 / 3 / 2 / 45

HEX #8B8788

RGB 139 135 136

HSL 345, 0.02%, 0.54%

LAB 56.68, 1.68, -0.01

 

CMYK 22 / 0 / 6 / 40

HEX #789A91

RGB 120 154 145

HSL 164.12, 0.14%, 0.54%

LAB 60.91, -13.69, 0.86

 

CMYK 42 / 0 / 11 / 32

HEX #65AD9A

RGB 101 173 154

HSL 164.17, 0.31%, 0.54%

LAB 65.74, -27.15, 2.7

 

CMYK 0 / 45 / 8 / 31

HEX #B161A2

RGB 177 97 162

HSL 311.25, 0.34%, 0.54%

LAB 52.4, 41.48, -21.14

 

CMYK 0 / 45 / 20 / 31

HEX #B1618D

RGB 177 97 141

HSL 327, 0.34%, 0.54%

LAB 51.63, 38.03, -9.95

 

CMYK 0 / 45 / 32 / 31

HEX #B16178

RGB 177 97 120

HSL 342.75, 0.34%, 0.54%

LAB 50.98, 35.01, 1.56

 

CMYK 0 / 45 / 44 / 31

HEX #B16163

RGB 177 97 99

HSL 358.5, 0.34%, 0.54%

LAB 50.45, 32.47, 13.3

 

CMYK 0 / 34 / 45 / 31

HEX #B17561

RGB 177 117 97

HSL 15, 0.34%, 0.54%

LAB 55, 21.21, 20.68

 

CMYK 0 / 51 / 37 / 49

HEX #813F51

RGB 129 63 81

HSL 343.64, 0.34%, 0.38%

LAB 35.63, 30.48, 2.42

 

CMYK 0 / 51 / 37 / 39

HEX #9C4D62

RGB 156 77 98

HSL 344.05, 0.34%, 0.46%

LAB 43.15, 35.17, 3.16

 

CMYK 0 / 45 / 33 / 31

HEX #B16177

RGB 177 97 119

HSL 343.5, 0.34%, 0.54%

LAB 50.95, 34.88, 2.11

 

CMYK 0 / 35 / 25 / 25

HEX #BF7D8F

RGB 191 125 143

HSL 343.64, 0.34%, 0.62%

LAB 59.64, 28.12, 0.92

 

CMYK 0 / 25 / 18 / 20

HEX #CC99A7

RGB 204 153 167

HSL 343.53, 0.33%, 0.7%

LAB 68.32, 21.18, 0.15

 

CMYK 0 / 46 / 33 / 30

HEX #B26177

RGB 178 97 119

HSL 343.7, 0.34%, 0.54%

LAB 51.09, 35.25, 2.33

 

CMYK 0 / 4 / 45 / 31

HEX #B1AA61

RGB 177 170 97

HSL 54.75, 0.34%, 0.54%

LAB 68.72, -7.95, 38.37

 

CMYK 45 / 14 / 0 / 31

HEX #6198B1

RGB 97 152 177

HSL 198.75, 0.34%, 0.54%

LAB 60.04, -11.34, -18.7

 

CMYK 0 / 46 / 33 / 30

HEX #B26177

RGB 178 97 119

HSL 343.7, 0.34%, 0.54%

LAB 51.09, 35.25, 2.33

 

CMYK 32 / 0 / 45 / 31

HEX #78B161

RGB 120 177 97

HSL 102.75, 0.34%, 0.54%

LAB 66.75, -33.67, 35.05

 

CMYK 45 / 32 / 0 / 31

HEX #6178B1

RGB 97 120 177

HSL 222.75, 0.34%, 0.54%

LAB 50.86, 7.12, -32.88

 

CMYK 0 / 46 / 33 / 30

HEX #B26177

RGB 178 97 119

HSL 343.7, 0.34%, 0.54%

LAB 51.09, 35.25, 2.33

 

CMYK 0 / 4 / 45 / 31

HEX #B1AA61

RGB 177 170 97

HSL 54.75, 0.34%, 0.54%

LAB 68.72, -7.95, 38.37

 

CMYK 45 / 0 / 13 / 31

HEX #61B19A

RGB 97 177 154

HSL 162.75, 0.34%, 0.54%

LAB 66.76, -30.16, 4.16

 

CMYK 45 / 41 / 0 / 31

HEX #6168B1

RGB 97 104 177

HSL 234.75, 0.34%, 0.54%

LAB 46.47, 16.89, -39.79

 

CMYK 0 / 46 / 33 / 30

HEX #B26177

RGB 178 97 119

HSL 343.7, 0.34%, 0.54%

LAB 51.09, 35.25, 2.33

 

CMYK 10 / 0 / 45 / 31

HEX #A0B161

RGB 160 177 97

HSL 72.75, 0.34%, 0.54%

LAB 69.31, -18.53, 38.81

 

CMYK 45 / 0 / 13 / 31

HEX #61B19A

RGB 97 177 154

HSL 162.75, 0.34%, 0.54%

LAB 66.76, -30.16, 4.16

 

CMYK 35 / 45 / 0 / 31

HEX #7361B1

RGB 115 97 177

HSL 253.5, 0.34%, 0.54%

LAB 46.13, 25.96, -40.22

 

Description

Color code: RGB 178 97 119 | qconv.com Color code: RGB 178 97 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 97 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 97 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 33 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 33% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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