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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6168B1 it is the complementary color #9E974E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6168B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6168B1 shade: #6668AC, #777ABF, #888CD2, #999EE5 and #AAB0F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6168B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6168B1 shade: #6168B1, #50569E, #3F448B, #2E3278 and #1D2065

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6168B1 shade: #6168B1, #7061B1, #8561B1, #9B61B1 and #B061B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6168B1 shade: #6168B1 and #6161B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6168B1 shade matches the following richer shades: #6168B1, #4E59C4, #3B49D7, #2839EA and #152AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6168B1 shade: #6168B1, #74789E, #87888B, #9A9778 and #ADA765

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6168B1 shade: #6194B1, #617FB1, #6169B1, #6F61B1 and #8461B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6168B1 shade: #3F4581, #4D549C, #6168B1, #7D83BF and #999DCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6168B1 shade: #6168B1, #B161A9 and #89B161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6168B1 shade: #6168B1, #B16169 and #69B161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6168B1 shade: #6168B1, #B161A9, #B1A961 and #61B169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6168B1 shade: #6168B1, #B16191, #B1A961 and #61B181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 41 / 0 / 31

HEX #6168B1

RGB 97 104 177

HSL 234.75, 0.34%, 0.54%

LAB 46.47, 16.89, -39.79

 

Complementary color

CMYK 0 / 4 / 51 / 38

HEX #9E974E

RGB 158 151 78

HSL 54.75, 0.34%, 0.46%

LAB 61.61, -7.72, 39.03

 

CMYK 41 / 40 / 0 / 33

HEX #6668AC

RGB 102 104 172

HSL 238.29, 0.3%, 0.54%

LAB 46.58, 16.71, -36.66

 

CMYK 38 / 36 / 0 / 25

HEX #777ABF

RGB 119 122 191

HSL 237.5, 0.36%, 0.61%

LAB 53.6, 15.89, -36.52

 

CMYK 35 / 33 / 0 / 18

HEX #888CD2

RGB 136 140 210

HSL 236.76, 0.45%, 0.68%

LAB 60.47, 15.19, -36.44

 

CMYK 33 / 31 / 0 / 10

HEX #999EE5

RGB 153 158 229

HSL 236.05, 0.59%, 0.75%

LAB 67.19, 14.57, -36.41

 

CMYK 31 / 29 / 0 / 3

HEX #AAB0F8

RGB 170 176 248

HSL 235.38, 0.85%, 0.82%

LAB 73.79, 14.03, -36.42

 

CMYK 45 / 41 / 0 / 31

HEX #6168B1

RGB 97 104 177

HSL 234.75, 0.34%, 0.54%

LAB 46.47, 16.89, -39.79

 

CMYK 49 / 46 / 0 / 38

HEX #50569E

RGB 80 86 158

HSL 235.38, 0.33%, 0.47%

LAB 39.29, 18.01, -40.04

 

CMYK 55 / 51 / 0 / 45

HEX #3F448B

RGB 63 68 139

HSL 236.05, 0.38%, 0.4%

LAB 31.93, 19.4, -40.36

 

CMYK 62 / 58 / 0 / 53

HEX #2E3278

RGB 46 50 120

HSL 236.76, 0.45%, 0.33%

LAB 24.38, 21.17, -40.72

 

CMYK 71 / 68 / 0 / 60

HEX #1D2065

RGB 29 32 101

HSL 237.5, 0.55%, 0.25%

LAB 16.67, 23.48, -41.05

 

CMYK 45 / 41 / 0 / 31

HEX #6168B1

RGB 97 104 177

HSL 234.75, 0.34%, 0.54%

LAB 46.47, 16.89, -39.79

 

CMYK 37 / 45 / 0 / 31

HEX #7061B1

RGB 112 97 177

HSL 251.25, 0.34%, 0.54%

LAB 45.86, 25.15, -40.67

 

CMYK 25 / 45 / 0 / 31

HEX #8561B1

RGB 133 97 177

HSL 267, 0.34%, 0.54%

LAB 47.89, 31.05, -37.33

 

CMYK 12 / 45 / 0 / 31

HEX #9B61B1

RGB 155 97 177

HSL 283.5, 0.34%, 0.54%

LAB 50.33, 37.55, -33.34

 

CMYK 1 / 45 / 0 / 31

HEX #B061B1

RGB 176 97 177

HSL 299.25, 0.34%, 0.54%

LAB 52.9, 43.89, -29.13

 

CMYK 45 / 41 / 0 / 31

HEX #6168B1

RGB 97 104 177

HSL 234.75, 0.34%, 0.54%

LAB 46.47, 16.89, -39.79

 

CMYK 45 / 45 / 0 / 31

HEX #6161B1

RGB 97 97 177

HSL 240, 0.34%, 0.54%

LAB 44.61, 21.23, -42.74

 

CMYK 45 / 41 / 0 / 31

HEX #6168B1

RGB 97 104 177

HSL 234.75, 0.34%, 0.54%

LAB 46.47, 16.89, -39.79

 

CMYK 60 / 55 / 0 / 23

HEX #4E59C4

RGB 78 89 196

HSL 234.41, 0.5%, 0.54%

LAB 42.38, 28.27, -57.46

 

CMYK 73 / 66 / 0 / 16

HEX #3B49D7

RGB 59 73 215

HSL 234.62, 0.66%, 0.54%

LAB 38.9, 42.01, -74.15

 

CMYK 83 / 76 / 0 / 8

HEX #2839EA

RGB 40 57 234

HSL 234.74, 0.82%, 0.54%

LAB 36.59, 56.08, -88.84

 

CMYK 92 / 83 / 0 / 1

HEX #152AFD

RGB 21 42 253

HSL 234.57, 0.98%, 0.54%

LAB 35.81, 68.37, -100.88

 

CMYK 45 / 41 / 0 / 31

HEX #6168B1

RGB 97 104 177

HSL 234.75, 0.34%, 0.54%

LAB 46.47, 16.89, -39.79

 

CMYK 27 / 24 / 0 / 38

HEX #74789E

RGB 116 120 158

HSL 234.29, 0.18%, 0.54%

LAB 51.4, 7.33, -20.9

 

CMYK 3 / 2 / 0 / 45

HEX #87888B

RGB 135 136 139

HSL 225, 0.02%, 0.54%

LAB 56.71, 0.23, -1.74

 

CMYK 0 / 2 / 22 / 40

HEX #9A9778

RGB 154 151 120

HSL 54.71, 0.14%, 0.54%

LAB 61.96, -4.22, 16.77

 

CMYK 0 / 3 / 42 / 32

HEX #ADA765

RGB 173 167 101

HSL 55, 0.31%, 0.54%

LAB 67.62, -7.6, 34.85

 

CMYK 45 / 16 / 0 / 31

HEX #6194B1

RGB 97 148 177

HSL 201.75, 0.34%, 0.54%

LAB 58.88, -9.13, -20.48

 

CMYK 45 / 28 / 0 / 31

HEX #617FB1

RGB 97 127 177

HSL 217.5, 0.34%, 0.54%

LAB 52.83, 2.94, -29.8

 

CMYK 45 / 41 / 0 / 31

HEX #6169B1

RGB 97 105 177

HSL 234, 0.34%, 0.54%

LAB 46.74, 16.28, -39.37

 

CMYK 37 / 45 / 0 / 31

HEX #6F61B1

RGB 111 97 177

HSL 250.5, 0.34%, 0.54%

LAB 45.78, 24.88, -40.82

 

CMYK 25 / 45 / 0 / 31

HEX #8461B1

RGB 132 97 177

HSL 266.25, 0.34%, 0.54%

LAB 47.79, 30.76, -37.5

 

CMYK 51 / 47 / 0 / 49

HEX #3F4581

RGB 63 69 129

HSL 234.55, 0.34%, 0.38%

LAB 31.57, 15.34, -34.75

 

CMYK 51 / 46 / 0 / 39

HEX #4D549C

RGB 77 84 156

HSL 234.68, 0.34%, 0.46%

LAB 38.41, 17.92, -40.26

 

CMYK 45 / 41 / 0 / 31

HEX #6168B1

RGB 97 104 177

HSL 234.75, 0.34%, 0.54%

LAB 46.47, 16.89, -39.79

 

CMYK 35 / 31 / 0 / 25

HEX #7D83BF

RGB 125 131 191

HSL 234.55, 0.34%, 0.62%

LAB 56.44, 12.24, -32.05

 

CMYK 25 / 23 / 0 / 20

HEX #999DCC

RGB 153 157 204

HSL 235.29, 0.33%, 0.7%

LAB 65.94, 8.89, -24.52

 

CMYK 45 / 41 / 0 / 31

HEX #6168B1

RGB 97 104 177

HSL 234.75, 0.34%, 0.54%

LAB 46.47, 16.89, -39.79

 

CMYK 0 / 45 / 5 / 31

HEX #B161A9

RGB 177 97 169

HSL 306, 0.34%, 0.54%

LAB 52.69, 42.72, -24.8

 

CMYK 23 / 0 / 45 / 31

HEX #89B161

RGB 137 177 97

HSL 90, 0.34%, 0.54%

LAB 67.74, -27.5, 36.51

 

CMYK 45 / 41 / 0 / 31

HEX #6168B1

RGB 97 104 177

HSL 234.75, 0.34%, 0.54%

LAB 46.47, 16.89, -39.79

 

CMYK 0 / 45 / 41 / 31

HEX #B16169

RGB 177 97 105

HSL 354, 0.34%, 0.54%

LAB 50.59, 33.15, 9.93

 

CMYK 41 / 0 / 45 / 31

HEX #69B161

RGB 105 177 97

HSL 114, 0.34%, 0.54%

LAB 65.99, -38.67, 33.93

 

CMYK 45 / 41 / 0 / 31

HEX #6168B1

RGB 97 104 177

HSL 234.75, 0.34%, 0.54%

LAB 46.47, 16.89, -39.79

 

CMYK 0 / 45 / 5 / 31

HEX #B161A9

RGB 177 97 169

HSL 306, 0.34%, 0.54%

LAB 52.69, 42.72, -24.8

 

CMYK 0 / 5 / 45 / 31

HEX #B1A961

RGB 177 169 97

HSL 54, 0.34%, 0.54%

LAB 68.45, -7.42, 38.04

 

CMYK 45 / 0 / 41 / 31

HEX #61B169

RGB 97 177 105

HSL 126, 0.34%, 0.54%

LAB 65.75, -39.9, 29.39

 

CMYK 45 / 41 / 0 / 31

HEX #6168B1

RGB 97 104 177

HSL 234.75, 0.34%, 0.54%

LAB 46.47, 16.89, -39.79

 

CMYK 0 / 45 / 18 / 31

HEX #B16191

RGB 177 97 145

HSL 324, 0.34%, 0.54%

LAB 51.77, 38.66, -12.11

 

CMYK 0 / 5 / 45 / 31

HEX #B1A961

RGB 177 169 97

HSL 54, 0.34%, 0.54%

LAB 68.45, -7.42, 38.04

 

CMYK 45 / 0 / 27 / 31

HEX #61B181

RGB 97 177 129

HSL 144, 0.34%, 0.54%

LAB 66.19, -35.57, 17.09

 

Description

Color code: HEX #6168B1 | qconv.com Color code: HEX #6168B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 104 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 104 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 41 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 41% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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