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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 239 138 it is the complementary color RGB 79 16 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 239 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 239 138 shade: RGB 181 239 133, RGB 198 255 152, RGB 215 255 171, RGB 232 255 190 and RGB 249 255 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 239 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 239 138 shade: RGB 176 239 138, RGB 159 221 119, RGB 142 203 100, RGB 125 185 81 and RGB 108 167 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 239 138 shade: RGB 176 239 138, RGB 203 239 138, RGB 230 239 138, RGB 239 220 138 and RGB 239 193 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 239 138 shade: RGB 176 239 138, RGB 149 239 138, RGB 138 239 154, RGB 138 239 181 and RGB 138 239 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 239 138 shade matches the following richer shades: RGB 176 239 138 and RGB 173 249 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 239 138 shade: RGB 176 239 138, RGB 178 228 149, RGB 181 217 159, RGB 184 206 170 and RGB 186 196 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 239 138 shade: RGB 230 239 138, RGB 203 239 138, RGB 176 239 138, RGB 150 239 138 and RGB 138 239 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 239 138 shade: RGB 127 229 65, RGB 151 234 102, RGB 176 239 138, RGB 200 244 174 and RGB 225 248 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 239 138 shade: RGB 176 239 138, RGB 138 239 220 and RGB 239 138 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 239 138 shade: RGB 176 239 138, RGB 138 176 239 and RGB 239 138 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 239 138 shade: RGB 176 239 138, RGB 138 239 220, RGB 200 138 239 and RGB 239 138 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 239 138 shade: RGB 176 239 138, RGB 138 227 239, RGB 200 138 239 and RGB 239 150 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 42 / 6

HEX #B0EF8A

RGB 176 239 138

HSL 97.43, 0.76%, 0.74%

LAB 88.35, -37.32, 42.54

 

Complementary color

CMYK 32 / 86 / 0 / 54

HEX #4F1075

RGB 79 16 117

HSL 277.43, 0.76%, 0.26%

LAB 21.27, 45.07, -43.69

 

CMYK 24 / 0 / 44 / 6

HEX #B5EF85

RGB 181 239 133

HSL 92.83, 0.77%, 0.73%

LAB 88.57, -36.2, 45.3

 

CMYK 22 / 0 / 40 / 0

HEX #C6FF98

RGB 198 255 152

HSL 93.2, 1%, 0.8%

LAB 94.22, -35.23, 43.47

 

CMYK 16 / 0 / 33 / 0

HEX #D7FFAB

RGB 215 255 171

HSL 88.57, 1%, 0.84%

LAB 95.54, -26.82, 36.04

 

CMYK 9 / 0 / 25 / 0

HEX #E8FFBE

RGB 232 255 190

HSL 81.23, 1%, 0.87%

LAB 96.98, -18.2, 28.65

 

CMYK 2 / 0 / 18 / 0

HEX #F9FFD1

RGB 249 255 209

HSL 67.83, 1%, 0.91%

LAB 98.54, -9.46, 21.36

 

CMYK 26 / 0 / 42 / 6

HEX #B0EF8A

RGB 176 239 138

HSL 97.43, 0.76%, 0.74%

LAB 88.35, -37.32, 42.54

 

CMYK 28 / 0 / 46 / 13

HEX #9FDD77

RGB 159 221 119

HSL 96.47, 0.6%, 0.67%

LAB 82.06, -37.42, 43.7

 

CMYK 30 / 0 / 51 / 20

HEX #8ECB64

RGB 142 203 100

HSL 95.53, 0.5%, 0.59%

LAB 75.69, -37.47, 44.86

 

CMYK 32 / 0 / 56 / 27

HEX #7DB951

RGB 125 185 81

HSL 94.62, 0.43%, 0.52%

LAB 69.22, -37.47, 45.99

 

CMYK 35 / 0 / 63 / 35

HEX #6CA73E

RGB 108 167 62

HSL 93.71, 0.46%, 0.45%

LAB 62.65, -37.37, 46.98

 

CMYK 26 / 0 / 42 / 6

HEX #B0EF8A

RGB 176 239 138

HSL 97.43, 0.76%, 0.74%

LAB 88.35, -37.32, 42.54

 

CMYK 15 / 0 / 42 / 6

HEX #CBEF8A

RGB 203 239 138

HSL 81.39, 0.76%, 0.74%

LAB 89.98, -27.7, 44.95

 

CMYK 4 / 0 / 42 / 6

HEX #E6EF8A

RGB 230 239 138

HSL 65.35, 0.76%, 0.74%

LAB 91.86, -17.53, 47.7

 

CMYK 0 / 8 / 42 / 6

HEX #EFDC8A

RGB 239 220 138

HSL 48.71, 0.76%, 0.74%

LAB 87.67, -4.57, 42.58

 

CMYK 0 / 19 / 42 / 6

HEX #EFC18A

RGB 239 193 138

HSL 32.67, 0.76%, 0.74%

LAB 80.92, 9.38, 33.88

 

CMYK 26 / 0 / 42 / 6

HEX #B0EF8A

RGB 176 239 138

HSL 97.43, 0.76%, 0.74%

LAB 88.35, -37.32, 42.54

 

CMYK 38 / 0 / 42 / 6

HEX #95EF8A

RGB 149 239 138

HSL 113.47, 0.76%, 0.74%

LAB 86.98, -46.11, 40.51

 

CMYK 42 / 0 / 36 / 6

HEX #8AEF9A

RGB 138 239 154

HSL 129.5, 0.76%, 0.74%

LAB 86.74, -46.93, 32.13

 

CMYK 42 / 0 / 24 / 6

HEX #8AEFB5

RGB 138 239 181

HSL 145.54, 0.76%, 0.74%

LAB 87.23, -42.16, 18.99

 

CMYK 42 / 0 / 13 / 6

HEX #8AEFD1

RGB 138 239 209

HSL 162.18, 0.76%, 0.74%

LAB 87.84, -36.43, 5.3

 

CMYK 26 / 0 / 42 / 6

HEX #B0EF8A

RGB 176 239 138

HSL 97.43, 0.76%, 0.74%

LAB 88.35, -37.32, 42.54

 

CMYK 31 / 0 / 49 / 2

HEX #ADF97F

RGB 173 249 127

HSL 97.38, 0.91%, 0.74%

LAB 90.86, -44.08, 50.89

 

CMYK 26 / 0 / 42 / 6

HEX #B0EF8A

RGB 176 239 138

HSL 97.43, 0.76%, 0.74%

LAB 88.35, -37.32, 42.54

 

CMYK 22 / 0 / 35 / 11

HEX #B2E495

RGB 178 228 149

HSL 97.97, 0.59%, 0.74%

LAB 85.57, -30.08, 33.47

 

CMYK 17 / 0 / 27 / 15

HEX #B5D99F

RGB 181 217 159

HSL 97.24, 0.43%, 0.74%

LAB 82.89, -22.27, 24.77

 

CMYK 11 / 0 / 17 / 19

HEX #B8CEAA

RGB 184 206 170

HSL 96.67, 0.27%, 0.74%

LAB 80.31, -13.96, 15.45

 

CMYK 5 / 0 / 8 / 23

HEX #BAC4B5

RGB 186 196 181

HSL 100, 0.11%, 0.74%

LAB 78.03, -6.2, 6.34

 

CMYK 4 / 0 / 42 / 6

HEX #E6EF8A

RGB 230 239 138

HSL 65.35, 0.76%, 0.74%

LAB 91.86, -17.53, 47.7

 

CMYK 15 / 0 / 42 / 6

HEX #CBEF8A

RGB 203 239 138

HSL 81.39, 0.76%, 0.74%

LAB 89.98, -27.7, 44.95

 

CMYK 26 / 0 / 42 / 6

HEX #B0EF8A

RGB 176 239 138

HSL 97.43, 0.76%, 0.74%

LAB 88.35, -37.32, 42.54

 

CMYK 37 / 0 / 42 / 6

HEX #96EF8A

RGB 150 239 138

HSL 112.87, 0.76%, 0.74%

LAB 87.02, -45.8, 40.58

 

CMYK 42 / 0 / 36 / 6

HEX #8AEF99

RGB 138 239 153

HSL 128.91, 0.76%, 0.74%

LAB 86.72, -47.1, 32.61

 

CMYK 45 / 0 / 72 / 10

HEX #7FE541

RGB 127 229 65

HSL 97.32, 0.76%, 0.58%

LAB 82.34, -56.43, 66.78

 

CMYK 35 / 0 / 56 / 8

HEX #97EA66

RGB 151 234 102

HSL 97.73, 0.76%, 0.66%

LAB 85.19, -47.68, 55.3

 

CMYK 26 / 0 / 42 / 6

HEX #B0EF8A

RGB 176 239 138

HSL 97.43, 0.76%, 0.74%

LAB 88.35, -37.32, 42.54

 

CMYK 18 / 0 / 29 / 4

HEX #C8F4AE

RGB 200 244 174

HSL 97.71, 0.76%, 0.82%

LAB 91.7, -26.42, 29.23

 

CMYK 9 / 0 / 15 / 3

HEX #E1F8D2

RGB 225 248 210

HSL 96.32, 0.73%, 0.9%

LAB 95.07, -14.18, 15.75

 

CMYK 26 / 0 / 42 / 6

HEX #B0EF8A

RGB 176 239 138

HSL 97.43, 0.76%, 0.74%

LAB 88.35, -37.32, 42.54

 

CMYK 42 / 0 / 8 / 6

HEX #8AEFDC

RGB 138 239 220

HSL 168.71, 0.76%, 0.74%

LAB 88.11, -33.97, -0.06

 

CMYK 0 / 42 / 9 / 6

HEX #EF8AD9

RGB 239 138 217

HSL 313.07, 0.76%, 0.74%

LAB 70.55, 49.1, -23.92

 

CMYK 26 / 0 / 42 / 6

HEX #B0EF8A

RGB 176 239 138

HSL 97.43, 0.76%, 0.74%

LAB 88.35, -37.32, 42.54

 

CMYK 42 / 26 / 0 / 6

HEX #8AB0EF

RGB 138 176 239

HSL 217.43, 0.76%, 0.74%

LAB 71.34, 3.11, -35.5

 

CMYK 0 / 42 / 26 / 6

HEX #EF8AB0

RGB 239 138 176

HSL 337.43, 0.76%, 0.74%

LAB 69.23, 42.94, -3.08

 

CMYK 26 / 0 / 42 / 6

HEX #B0EF8A

RGB 176 239 138

HSL 97.43, 0.76%, 0.74%

LAB 88.35, -37.32, 42.54

 

CMYK 42 / 0 / 8 / 6

HEX #8AEFDC

RGB 138 239 220

HSL 168.71, 0.76%, 0.74%

LAB 88.11, -33.97, -0.06

 

CMYK 16 / 42 / 0 / 6

HEX #C88AEF

RGB 200 138 239

HSL 276.83, 0.76%, 0.74%

LAB 67.04, 41.57, -41.83

 

CMYK 0 / 42 / 35 / 6

HEX #EF8A9C

RGB 239 138 156

HSL 349.31, 0.76%, 0.74%

LAB 68.7, 40.38, 7.36

 

CMYK 26 / 0 / 42 / 6

HEX #B0EF8A

RGB 176 239 138

HSL 97.43, 0.76%, 0.74%

LAB 88.35, -37.32, 42.54

 

CMYK 42 / 5 / 0 / 6

HEX #8AE3EF

RGB 138 227 239

HSL 187.13, 0.76%, 0.74%

LAB 85.29, -23.67, -14.23

 

CMYK 16 / 42 / 0 / 6

HEX #C88AEF

RGB 200 138 239

HSL 276.83, 0.76%, 0.74%

LAB 67.04, 41.57, -41.83

 

CMYK 0 / 37 / 42 / 6

HEX #EF968A

RGB 239 150 138

HSL 7.13, 0.76%, 0.74%

LAB 70.87, 32.1, 20.42

 

Description

Color code: RGB 176 239 138 | qconv.com Color code: RGB 176 239 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 239 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 239 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 42 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 42% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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