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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FE541 it is the complementary color #801ABE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FE541. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FE541 shade: #84E53C, #95F74F, #A6FF62, #B7FF75 and #C8FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FE541. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FE541 shade: #7FE541, #6ED32E, #5DC11B, #4CAF08 and #3B9D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FE541 shade: #80E542, #ABE542, #D7E542, #E5C642 and #E59A42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FE541 shade: #80E542, #54E542, #42E55C, #42E588 and #42E5B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FE541 shade matches the following richer shades: #80E542 and #7BF631

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FE541 shade: #80E542, #84D353, #88C265, #8CB176 and #909F87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FE541 shade: #D7E542, #ACE542, #80E542, #55E542 and #42E55A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FE541 shade: #56BB19, #67DF1E, #80E542, #98EA66 and #B0EF8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FE541 shade: #7FE541, #42E5C7 and #E542C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FE541 shade: #7FE541, #4280E5 and #E54280

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FE541 shade: #7FE541, #42E5C7, #A642E5 and #E54260

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FE541 shade: #7FE541, #42D2E5, #A642E5 and #E55542

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 72 / 10

HEX #7FE541

RGB 127 229 65

HSL 97.32, 0.76%, 0.58%

LAB 82.34, -56.43, 66.78

 

Complementary color

CMYK 33 / 86 / 0 / 25

HEX #801ABE

RGB 128 26 190

HSL 277.32, 0.76%, 0.42%

LAB 36.07, 65.66, -63.99

 

CMYK 42 / 0 / 74 / 10

HEX #84E53C

RGB 132 229 60

HSL 94.44, 0.76%, 0.57%

LAB 82.52, -55.2, 68.73

 

CMYK 40 / 0 / 68 / 3

HEX #95F74F

RGB 149 247 79

HSL 95, 0.91%, 0.64%

LAB 88.67, -55.61, 68.52

 

CMYK 35 / 0 / 62 / 0

HEX #A6FF62

RGB 166 255 98

HSL 94.01, 1%, 0.69%

LAB 91.91, -51.82, 64.8

 

CMYK 28 / 0 / 54 / 0

HEX #B7FF75

RGB 183 255 117

HSL 91.3, 1%, 0.73%

LAB 92.96, -44.34, 58.09

 

CMYK 22 / 0 / 47 / 0

HEX #C8FF88

RGB 200 255 136

HSL 87.73, 1%, 0.77%

LAB 94.13, -36.4, 51.03

 

CMYK 45 / 0 / 72 / 10

HEX #7FE541

RGB 127 229 65

HSL 97.32, 0.76%, 0.58%

LAB 82.34, -56.43, 66.78

 

CMYK 48 / 0 / 78 / 17

HEX #6ED32E

RGB 110 211 46

HSL 96.73, 0.65%, 0.5%

LAB 76.13, -55.86, 66.66

 

CMYK 52 / 0 / 86 / 24

HEX #5DC11B

RGB 93 193 27

HSL 96.14, 0.75%, 0.43%

LAB 69.86, -55, 65.65

 

CMYK 57 / 0 / 95 / 31

HEX #4CAF08

RGB 76 175 8

HSL 95.57, 0.91%, 0.36%

LAB 63.52, -53.75, 63.26

 

CMYK 62 / 0 / 100 / 38

HEX #3B9D00

RGB 59 157 0

HSL 97.45, 1%, 0.31%

LAB 57.12, -51.98, 59.01

 

CMYK 44 / 0 / 71 / 10

HEX #80E542

RGB 128 229 66

HSL 97.18, 0.76%, 0.58%

LAB 82.39, -56.06, 66.49

 

CMYK 25 / 0 / 71 / 10

HEX #ABE542

RGB 171 229 66

HSL 81.35, 0.76%, 0.58%

LAB 84.53, -41.33, 69.34

 

CMYK 6 / 0 / 71 / 10

HEX #D7E542

RGB 215 229 66

HSL 65.15, 0.76%, 0.58%

LAB 87.43, -24.09, 73.16

 

CMYK 0 / 14 / 71 / 10

HEX #E5C642

RGB 229 198 66

HSL 48.59, 0.76%, 0.58%

LAB 80.43, -2.82, 66.72

 

CMYK 0 / 33 / 71 / 10

HEX #E59A42

RGB 229 154 66

HSL 32.39, 0.76%, 0.58%

LAB 69.59, 20.37, 55.72

 

CMYK 44 / 0 / 71 / 10

HEX #80E542

RGB 128 229 66

HSL 97.18, 0.76%, 0.58%

LAB 82.39, -56.06, 66.49

 

CMYK 63 / 0 / 71 / 10

HEX #54E542

RGB 84 229 66

HSL 113.37, 0.76%, 0.58%

LAB 80.91, -67.53, 64.52

 

CMYK 71 / 0 / 60 / 10

HEX #42E55C

RGB 66 229 92

HSL 129.57, 0.76%, 0.58%

LAB 80.72, -68.35, 53.8

 

CMYK 71 / 0 / 41 / 10

HEX #42E588

RGB 66 229 136

HSL 145.77, 0.76%, 0.58%

LAB 81.28, -61.91, 33.59

 

CMYK 71 / 0 / 21 / 10

HEX #42E5B4

RGB 66 229 180

HSL 161.96, 0.76%, 0.58%

LAB 82.1, -52.9, 11.99

 

CMYK 44 / 0 / 71 / 10

HEX #80E542

RGB 128 229 66

HSL 97.18, 0.76%, 0.58%

LAB 82.39, -56.06, 66.49

 

CMYK 50 / 0 / 80 / 4

HEX #7BF631

RGB 123 246 49

HSL 97.46, 0.92%, 0.58%

LAB 87.17, -64.81, 76.24

 

CMYK 44 / 0 / 71 / 10

HEX #80E542

RGB 128 229 66

HSL 97.18, 0.76%, 0.58%

LAB 82.39, -56.06, 66.49

 

CMYK 37 / 0 / 61 / 17

HEX #84D353

RGB 132 211 83

HSL 97.03, 0.59%, 0.58%

LAB 77.35, -46.15, 54.47

 

CMYK 30 / 0 / 48 / 24

HEX #88C265

RGB 136 194 101

HSL 97.42, 0.43%, 0.58%

LAB 72.73, -35.38, 40.69

 

CMYK 21 / 0 / 33 / 31

HEX #8CB176

RGB 140 177 118

HSL 97.63, 0.27%, 0.58%

LAB 68.26, -23.49, 26.23

 

CMYK 9 / 0 / 15 / 38

HEX #909F87

RGB 144 159 135

HSL 97.5, 0.11%, 0.58%

LAB 63.73, -9.91, 10.74

 

CMYK 6 / 0 / 71 / 10

HEX #D7E542

RGB 215 229 66

HSL 65.15, 0.76%, 0.58%

LAB 87.43, -24.09, 73.16

 

CMYK 25 / 0 / 71 / 10

HEX #ACE542

RGB 172 229 66

HSL 80.98, 0.76%, 0.58%

LAB 84.59, -40.96, 69.42

 

CMYK 44 / 0 / 71 / 10

HEX #80E542

RGB 128 229 66

HSL 97.18, 0.76%, 0.58%

LAB 82.39, -56.06, 66.49

 

CMYK 63 / 0 / 71 / 10

HEX #55E542

RGB 85 229 66

HSL 113.01, 0.76%, 0.58%

LAB 80.94, -67.32, 64.55

 

CMYK 71 / 0 / 61 / 10

HEX #42E55A

RGB 66 229 90

HSL 128.83, 0.76%, 0.58%

LAB 80.7, -68.58, 54.65

 

CMYK 54 / 0 / 87 / 27

HEX #56BB19

RGB 86 187 25

HSL 97.41, 0.76%, 0.42%

LAB 67.72, -54.86, 64.12

 

CMYK 54 / 0 / 87 / 13

HEX #67DF1E

RGB 103 223 30

HSL 97.31, 0.76%, 0.5%

LAB 79.47, -62.91, 73.5

 

CMYK 44 / 0 / 71 / 10

HEX #80E542

RGB 128 229 66

HSL 97.18, 0.76%, 0.58%

LAB 82.39, -56.06, 66.49

 

CMYK 35 / 0 / 56 / 8

HEX #98EA66

RGB 152 234 102

HSL 97.27, 0.76%, 0.66%

LAB 85.24, -47.35, 55.37

 

CMYK 26 / 0 / 42 / 6

HEX #B0EF8B

RGB 176 239 139

HSL 97.8, 0.76%, 0.74%

LAB 88.37, -37.19, 42.07

 

CMYK 45 / 0 / 72 / 10

HEX #7FE541

RGB 127 229 65

HSL 97.32, 0.76%, 0.58%

LAB 82.34, -56.43, 66.78

 

CMYK 71 / 0 / 13 / 10

HEX #42E5C7

RGB 66 229 199

HSL 168.96, 0.76%, 0.58%

LAB 82.55, -48.31, 2.62

 

CMYK 0 / 71 / 15 / 10

HEX #E542C2

RGB 229 66 194

HSL 312.88, 0.76%, 0.58%

LAB 56.54, 74.14, -32.7

 

CMYK 45 / 0 / 72 / 10

HEX #7FE541

RGB 127 229 65

HSL 97.32, 0.76%, 0.58%

LAB 82.34, -56.43, 66.78

 

CMYK 71 / 44 / 0 / 10

HEX #4280E5

RGB 66 128 229

HSL 217.18, 0.76%, 0.58%

LAB 54.3, 13.51, -57.11

 

CMYK 0 / 71 / 44 / 10

HEX #E54280

RGB 229 66 128

HSL 337.18, 0.76%, 0.58%

LAB 54.15, 66.49, 2.39

 

CMYK 45 / 0 / 72 / 10

HEX #7FE541

RGB 127 229 65

HSL 97.32, 0.76%, 0.58%

LAB 82.34, -56.43, 66.78

 

CMYK 71 / 0 / 13 / 10

HEX #42E5C7

RGB 66 229 199

HSL 168.96, 0.76%, 0.58%

LAB 82.55, -48.31, 2.62

 

CMYK 28 / 71 / 0 / 10

HEX #A642E5

RGB 166 66 229

HSL 276.81, 0.76%, 0.58%

LAB 49.08, 66.65, -65.09

 

CMYK 0 / 71 / 58 / 10

HEX #E54260

RGB 229 66 96

HSL 348.96, 0.76%, 0.58%

LAB 53.38, 63.94, 20.44

 

CMYK 45 / 0 / 72 / 10

HEX #7FE541

RGB 127 229 65

HSL 97.32, 0.76%, 0.58%

LAB 82.34, -56.43, 66.78

 

CMYK 71 / 8 / 0 / 10

HEX #42D2E5

RGB 66 210 229

HSL 186.99, 0.76%, 0.58%

LAB 77.82, -31.48, -20.4

 

CMYK 28 / 71 / 0 / 10

HEX #A642E5

RGB 166 66 229

HSL 276.81, 0.76%, 0.58%

LAB 49.08, 66.65, -65.09

 

CMYK 0 / 63 / 71 / 10

HEX #E55542

RGB 229 85 66

HSL 6.99, 0.76%, 0.58%

LAB 55.63, 54.82, 40.54

 

Description

Color code: HEX #7FE541 | qconv.com Color code: HEX #7FE541 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 229 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 229 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 72 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 72% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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