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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 218 83 it is the complementary color RGB 79 37 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 218 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 218 83 shade: RGB 181 218 78, RGB 198 236 97, RGB 215 254 116, RGB 232 255 135 and RGB 249 255 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 218 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 218 83 shade: RGB 176 218 83, RGB 159 200 64, RGB 142 182 45, RGB 125 164 26 and RGB 108 146 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 218 83 shade: RGB 176 218 82, RGB 212 218 82, RGB 218 187 82, RGB 218 150 82 and RGB 218 114 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 218 83 shade: RGB 176 218 82, RGB 139 218 82, RGB 102 218 82, RGB 82 218 98 and RGB 82 218 135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 218 83 shade matches the following richer shades: RGB 176 218 82, RGB 182 235 65 and RGB 188 252 48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 218 83 shade: RGB 176 218 82, RGB 169 201 99, RGB 163 184 116, RGB 156 167 133 and RGB 150 150 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 218 83 shade: RGB 218 186 82, RGB 213 218 82, RGB 177 218 82, RGB 141 218 82 and RGB 105 218 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 218 83 shade: RGB 135 180 38, RGB 160 211 48, RGB 176 218 82, RGB 191 225 116 and RGB 207 232 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 218 83 shade: RGB 176 218 83, RGB 82 218 150 and RGB 204 82 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 218 83 shade: RGB 176 218 83, RGB 82 177 218 and RGB 218 82 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 218 83 shade: RGB 176 218 83, RGB 82 218 150, RGB 123 82 218 and RGB 218 82 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 218 83 shade: RGB 176 218 83, RGB 82 218 191, RGB 123 82 218 and RGB 218 82 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 62 / 15

HEX #B0DA53

RGB 176 218 83

HSL 78.67, 0.65%, 0.59%

LAB 81.84, -33.35, 60.12

 

Complementary color

CMYK 54 / 78 / 0 / 33

HEX #4F25AC

RGB 79 37 172

HSL 258.67, 0.65%, 0.41%

LAB 29.32, 50.74, -64.6

 

CMYK 17 / 0 / 64 / 15

HEX #B5DA4E

RGB 181 218 78

HSL 75.86, 0.65%, 0.58%

LAB 82.12, -31.78, 62.56

 

CMYK 16 / 0 / 59 / 7

HEX #C6EC61

RGB 198 236 97

HSL 76.4, 0.79%, 0.65%

LAB 88.38, -32.15, 61.81

 

CMYK 15 / 0 / 54 / 0

HEX #D7FE74

RGB 215 254 116

HSL 76.96, 0.99%, 0.73%

LAB 94.56, -32.43, 60.88

 

CMYK 9 / 0 / 47 / 0

HEX #E8FF87

RGB 232 255 135

HSL 71.5, 1%, 0.76%

LAB 96.17, -24.75, 54.46

 

CMYK 2 / 0 / 40 / 0

HEX #F9FF9A

RGB 249 255 154

HSL 63.56, 1%, 0.8%

LAB 97.63, -16.4, 47.53

 

CMYK 19 / 0 / 62 / 15

HEX #B0DA53

RGB 176 218 83

HSL 78.67, 0.65%, 0.59%

LAB 81.84, -33.35, 60.12

 

CMYK 21 / 0 / 68 / 22

HEX #9FC840

RGB 159 200 64

HSL 78.09, 0.55%, 0.52%

LAB 75.48, -32.97, 60.71

 

CMYK 22 / 0 / 75 / 29

HEX #8EB62D

RGB 142 182 45

HSL 77.52, 0.6%, 0.45%

LAB 69.04, -32.44, 60.83

 

CMYK 24 / 0 / 84 / 36

HEX #7DA41A

RGB 125 164 26

HSL 76.96, 0.73%, 0.37%

LAB 62.5, -31.72, 60.07

 

CMYK 26 / 0 / 95 / 43

HEX #6C9207

RGB 108 146 7

HSL 76.4, 0.91%, 0.3%

LAB 55.85, -30.76, 57.85

 

CMYK 19 / 0 / 62 / 15

HEX #B0DA52

RGB 176 218 82

HSL 78.53, 0.65%, 0.59%

LAB 81.83, -33.43, 60.52

 

CMYK 3 / 0 / 62 / 15

HEX #D4DA52

RGB 212 218 82

HSL 62.65, 0.65%, 0.59%

LAB 84.35, -19.1, 63.98

 

CMYK 0 / 14 / 62 / 15

HEX #DABB52

RGB 218 187 82

HSL 46.32, 0.65%, 0.59%

LAB 76.71, -0.88, 55.88

 

CMYK 0 / 31 / 62 / 15

HEX #DA9652

RGB 218 150 82

HSL 30, 0.65%, 0.59%

LAB 67.52, 18.83, 45.5

 

CMYK 0 / 48 / 62 / 15

HEX #DA7252

RGB 218 114 82

HSL 14.12, 0.65%, 0.59%

LAB 59.48, 37.94, 35.93

 

CMYK 19 / 0 / 62 / 15

HEX #B0DA52

RGB 176 218 82

HSL 78.53, 0.65%, 0.59%

LAB 81.83, -33.43, 60.52

 

CMYK 36 / 0 / 62 / 15

HEX #8BDA52

RGB 139 218 82

HSL 94.85, 0.65%, 0.59%

LAB 79.75, -46.84, 57.66

 

CMYK 53 / 0 / 62 / 15

HEX #66DA52

RGB 102 218 82

HSL 111.18, 0.65%, 0.59%

LAB 78.21, -57.99, 55.52

 

CMYK 62 / 0 / 55 / 15

HEX #52DA62

RGB 82 218 98

HSL 127.06, 0.65%, 0.59%

LAB 77.77, -60.9, 47.73

 

CMYK 62 / 0 / 38 / 15

HEX #52DA87

RGB 82 218 135

HSL 143.38, 0.65%, 0.59%

LAB 78.28, -55.22, 30.2

 

CMYK 19 / 0 / 62 / 15

HEX #B0DA52

RGB 176 218 82

HSL 78.53, 0.65%, 0.59%

LAB 81.83, -33.43, 60.52

 

CMYK 23 / 0 / 72 / 8

HEX #B6EB41

RGB 182 235 65

HSL 78.71, 0.81%, 0.59%

LAB 86.87, -39.91, 72.2

 

CMYK 25 / 0 / 81 / 1

HEX #BCFC30

RGB 188 252 48

HSL 78.82, 0.97%, 0.59%

LAB 91.92, -45.8, 81.9

 

CMYK 19 / 0 / 62 / 15

HEX #B0DA52

RGB 176 218 82

HSL 78.53, 0.65%, 0.59%

LAB 81.83, -33.43, 60.52

 

CMYK 16 / 0 / 51 / 21

HEX #A9C963

RGB 169 201 99

HSL 78.82, 0.49%, 0.59%

LAB 76.75, -26.63, 47

 

CMYK 11 / 0 / 37 / 28

HEX #A3B874

RGB 163 184 116

HSL 78.53, 0.32%, 0.59%

LAB 71.78, -18.62, 32.19

 

CMYK 7 / 0 / 20 / 35

HEX #9CA785

RGB 156 167 133

HSL 79.41, 0.16%, 0.59%

LAB 66.82, -10.02, 16.31

 

CMYK 0 / 0 / 0 / 41

HEX #969696

RGB 150 150 150

HSL 0, 0%, 0.59%

LAB 62.08, 0, -0.01

 

CMYK 0 / 15 / 62 / 15

HEX #DABA52

RGB 218 186 82

HSL 45.88, 0.65%, 0.59%

LAB 76.46, -0.36, 55.6

 

CMYK 2 / 0 / 62 / 15

HEX #D5DA52

RGB 213 218 82

HSL 62.21, 0.65%, 0.59%

LAB 84.43, -18.69, 64.08

 

CMYK 19 / 0 / 62 / 15

HEX #B1DA52

RGB 177 218 82

HSL 78.09, 0.65%, 0.59%

LAB 81.89, -33.04, 60.61

 

CMYK 35 / 0 / 62 / 15

HEX #8DDA52

RGB 141 218 82

HSL 93.97, 0.65%, 0.59%

LAB 79.85, -46.17, 57.79

 

CMYK 52 / 0 / 62 / 15

HEX #69DA52

RGB 105 218 82

HSL 109.85, 0.65%, 0.59%

LAB 78.32, -57.2, 55.67

 

CMYK 25 / 0 / 79 / 29

HEX #87B426

RGB 135 180 38

HSL 79.01, 0.65%, 0.43%

LAB 67.97, -34.64, 61.89

 

CMYK 24 / 0 / 77 / 17

HEX #A0D330

RGB 160 211 48

HSL 78.77, 0.65%, 0.51%

LAB 78.62, -38.46, 69.29

 

CMYK 19 / 0 / 62 / 15

HEX #B0DA52

RGB 176 218 82

HSL 78.53, 0.65%, 0.59%

LAB 81.83, -33.43, 60.52

 

CMYK 15 / 0 / 48 / 12

HEX #BFE174

RGB 191 225 116

HSL 78.72, 0.64%, 0.67%

LAB 85.09, -27.95, 49.3

 

CMYK 11 / 0 / 35 / 9

HEX #CFE896

RGB 207 232 150

HSL 78.29, 0.64%, 0.75%

LAB 88.53, -21.44, 37.22

 

CMYK 19 / 0 / 62 / 15

HEX #B0DA53

RGB 176 218 83

HSL 78.67, 0.65%, 0.59%

LAB 81.84, -33.35, 60.12

 

CMYK 62 / 0 / 31 / 15

HEX #52DA96

RGB 82 218 150

HSL 150, 0.65%, 0.59%

LAB 78.54, -52.38, 22.8

 

CMYK 6 / 62 / 0 / 15

HEX #CC52DA

RGB 204 82 218

HSL 293.82, 0.65%, 0.59%

LAB 56.02, 66.04, -47.46

 

CMYK 19 / 0 / 62 / 15

HEX #B0DA53

RGB 176 218 83

HSL 78.67, 0.65%, 0.59%

LAB 81.84, -33.35, 60.12

 

CMYK 62 / 19 / 0 / 15

HEX #52B1DA

RGB 82 177 218

HSL 198.09, 0.65%, 0.59%

LAB 68.24, -15.79, -29.03

 

CMYK 0 / 62 / 19 / 15

HEX #DA52B1

RGB 218 82 177

HSL 318.09, 0.65%, 0.59%

LAB 56.2, 63.06, -23.54

 

CMYK 19 / 0 / 62 / 15

HEX #B0DA53

RGB 176 218 83

HSL 78.67, 0.65%, 0.59%

LAB 81.84, -33.35, 60.12

 

CMYK 62 / 0 / 31 / 15

HEX #52DA96

RGB 82 218 150

HSL 150, 0.65%, 0.59%

LAB 78.54, -52.38, 22.8

 

CMYK 44 / 62 / 0 / 15

HEX #7B52DA

RGB 123 82 218

HSL 258.09, 0.65%, 0.59%

LAB 46.05, 47.86, -63.99

 

CMYK 0 / 62 / 31 / 15

HEX #DA5296

RGB 218 82 150

HSL 330, 0.65%, 0.59%

LAB 55.22, 59.53, -9.27

 

CMYK 19 / 0 / 62 / 15

HEX #B0DA53

RGB 176 218 83

HSL 78.67, 0.65%, 0.59%

LAB 81.84, -33.35, 60.12

 

CMYK 62 / 0 / 12 / 15

HEX #52DABF

RGB 82 218 191

HSL 168.09, 0.65%, 0.59%

LAB 79.44, -43.19, 2.39

 

CMYK 44 / 62 / 0 / 15

HEX #7B52DA

RGB 123 82 218

HSL 258.09, 0.65%, 0.59%

LAB 46.05, 47.86, -63.99

 

CMYK 0 / 62 / 50 / 15

HEX #DA526D

RGB 218 82 109

HSL 348.09, 0.65%, 0.59%

LAB 54.07, 55.28, 13.35

 

Description

Color code: RGB 176 218 83 | qconv.com Color code: RGB 176 218 83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 218 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 218 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 62 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 62% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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