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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B52DA it is the complementary color #84AD25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B52DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B52DA shade: #8052D5, #9164E8, #A276FB, #B388FF and #C49AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B52DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B52DA shade: #7B52DA, #6A40C7, #592EB4, #481CA1 and #370A8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B52DA shade: #7B52DA, #A052DA, #C452DA, #DA52CB and #DA52A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B52DA shade: #7B52DA, #5652DA and #5252DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B52DA shade matches the following richer shades: #7B52DA, #7441EB and #6E30FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B52DA shade: #7B52DA, #8263C9, #8874B8, #8F85A7 and #969696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B52DA shade: #5272DA, #5752DA, #7B52DA, #9F52DA and #C352DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B52DA shade: #5126B4, #6130D3, #7B52DA, #9574E1 and #AF96E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B52DA shade: #7B52DA, #DA5296 and #60DA52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B52DA shade: #7B52DA, #DA7B52 and #52DA7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B52DA shade: #7B52DA, #DA5296, #B1DA52 and #52DA96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B52DA shade: #7B52DA, #DA526D, #B1DA52 and #52DABF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 62 / 0 / 15

HEX #7B52DA

RGB 123 82 218

HSL 258.09, 0.65%, 0.59%

LAB 46.05, 47.86, -63.99

 

Complementary color

CMYK 24 / 0 / 79 / 32

HEX #84AD25

RGB 132 173 37

HSL 78.09, 0.65%, 0.41%

LAB 65.69, -32.64, 60.03

 

CMYK 40 / 62 / 0 / 16

HEX #8052D5

RGB 128 82 213

HSL 261.07, 0.61%, 0.58%

LAB 46.21, 47.55, -60.85

 

CMYK 38 / 57 / 0 / 9

HEX #9164E8

RGB 145 100 232

HSL 260.45, 0.74%, 0.65%

LAB 52.91, 46.42, -60.73

 

CMYK 35 / 53 / 0 / 2

HEX #A276FB

RGB 162 118 251

HSL 259.85, 0.94%, 0.72%

LAB 59.53, 45.33, -60.59

 

CMYK 30 / 47 / 0 / 0

HEX #B388FF

RGB 179 136 255

HSL 261.68, 1%, 0.77%

LAB 65.29, 40.6, -53.51

 

CMYK 23 / 40 / 0 / 0

HEX #C49AFF

RGB 196 154 255

HSL 264.95, 1%, 0.8%

LAB 70.92, 35.27, -44.53

 

CMYK 44 / 62 / 0 / 15

HEX #7B52DA

RGB 123 82 218

HSL 258.09, 0.65%, 0.59%

LAB 46.05, 47.86, -63.99

 

CMYK 47 / 68 / 0 / 22

HEX #6A40C7

RGB 106 64 199

HSL 258.67, 0.55%, 0.52%

LAB 39.33, 49.08, -64.05

 

CMYK 51 / 74 / 0 / 29

HEX #592EB4

RGB 89 46 180

HSL 259.25, 0.59%, 0.44%

LAB 32.64, 50.15, -63.89

 

CMYK 55 / 83 / 0 / 37

HEX #481CA1

RGB 72 28 161

HSL 259.85, 0.7%, 0.37%

LAB 26.1, 50.73, -63.28

 

CMYK 61 / 93 / 0 / 44

HEX #370A8E

RGB 55 10 142

HSL 260.45, 0.87%, 0.3%

LAB 19.97, 50.11, -61.77

 

CMYK 44 / 62 / 0 / 15

HEX #7B52DA

RGB 123 82 218

HSL 258.09, 0.65%, 0.59%

LAB 46.05, 47.86, -63.99

 

CMYK 27 / 62 / 0 / 15

HEX #A052DA

RGB 160 82 218

HSL 274.41, 0.65%, 0.59%

LAB 50.18, 55.81, -57.12

 

CMYK 10 / 62 / 0 / 15

HEX #C452DA

RGB 196 82 218

HSL 290.29, 0.65%, 0.59%

LAB 54.9, 64.15, -49.31

 

CMYK 0 / 62 / 7 / 15

HEX #DA52CB

RGB 218 82 203

HSL 306.62, 0.65%, 0.59%

LAB 57.32, 66.94, -36.75

 

CMYK 0 / 62 / 24 / 15

HEX #DA52A6

RGB 218 82 166

HSL 322.94, 0.65%, 0.59%

LAB 55.78, 61.56, -17.8

 

CMYK 44 / 62 / 0 / 15

HEX #7B52DA

RGB 123 82 218

HSL 258.09, 0.65%, 0.59%

LAB 46.05, 47.86, -63.99

 

CMYK 61 / 62 / 0 / 15

HEX #5652DA

RGB 86 82 218

HSL 241.76, 0.65%, 0.59%

LAB 42.88, 41.17, -69.3

 

CMYK 62 / 62 / 0 / 15

HEX #5252DA

RGB 82 82 218

HSL 240, 0.65%, 0.59%

LAB 42.6, 40.55, -69.76

 

CMYK 44 / 62 / 0 / 15

HEX #7B52DA

RGB 123 82 218

HSL 258.09, 0.65%, 0.59%

LAB 46.05, 47.86, -63.99

 

CMYK 51 / 72 / 0 / 8

HEX #7441EB

RGB 116 65 235

HSL 258, 0.81%, 0.59%

LAB 43.5, 59.97, -77.84

 

CMYK 56 / 81 / 0 / 1

HEX #6E30FC

RGB 110 48 252

HSL 258.24, 0.97%, 0.59%

LAB 41.93, 70.89, -90

 

CMYK 44 / 62 / 0 / 15

HEX #7B52DA

RGB 123 82 218

HSL 258.09, 0.65%, 0.59%

LAB 46.05, 47.86, -63.99

 

CMYK 35 / 51 / 0 / 21

HEX #8263C9

RGB 130 99 201

HSL 258.24, 0.49%, 0.59%

LAB 49.36, 35.23, -48.91

 

CMYK 26 / 37 / 0 / 28

HEX #8874B8

RGB 136 116 184

HSL 257.65, 0.32%, 0.59%

LAB 53.15, 22.5, -33.11

 

CMYK 14 / 20 / 0 / 35

HEX #8F85A7

RGB 143 133 167

HSL 257.65, 0.16%, 0.59%

LAB 57.47, 10.75, -16.64

 

CMYK 0 / 0 / 0 / 41

HEX #969696

RGB 150 150 150

HSL 0, 0%, 0.59%

LAB 62.08, 0, -0.01

 

CMYK 62 / 48 / 0 / 15

HEX #5272DA

RGB 82 114 218

HSL 225.88, 0.65%, 0.59%

LAB 50.56, 20.81, -56.87

 

CMYK 60 / 62 / 0 / 15

HEX #5752DA

RGB 87 82 218

HSL 242.21, 0.65%, 0.59%

LAB 42.95, 41.33, -69.18

 

CMYK 44 / 62 / 0 / 15

HEX #7B52DA

RGB 123 82 218

HSL 258.09, 0.65%, 0.59%

LAB 46.05, 47.86, -63.99

 

CMYK 27 / 62 / 0 / 15

HEX #9F52DA

RGB 159 82 218

HSL 273.97, 0.65%, 0.59%

LAB 50.06, 55.59, -57.32

 

CMYK 11 / 62 / 0 / 15

HEX #C352DA

RGB 195 82 218

HSL 289.85, 0.65%, 0.59%

LAB 54.76, 63.91, -49.54

 

CMYK 55 / 79 / 0 / 29

HEX #5126B4

RGB 81 38 180

HSL 258.17, 0.65%, 0.43%

LAB 30.47, 52.75, -67.48

 

CMYK 54 / 77 / 0 / 17

HEX #6130D3

RGB 97 48 211

HSL 258.04, 0.65%, 0.51%

LAB 36.67, 58.76, -75.41

 

CMYK 44 / 62 / 0 / 15

HEX #7B52DA

RGB 123 82 218

HSL 258.09, 0.65%, 0.59%

LAB 46.05, 47.86, -63.99

 

CMYK 34 / 48 / 0 / 12

HEX #9574E1

RGB 149 116 225

HSL 258.17, 0.64%, 0.67%

LAB 56.4, 36.58, -51.19

 

CMYK 25 / 35 / 0 / 9

HEX #AF96E8

RGB 175 150 232

HSL 258.29, 0.64%, 0.75%

LAB 67.09, 26.13, -38.08

 

CMYK 44 / 62 / 0 / 15

HEX #7B52DA

RGB 123 82 218

HSL 258.09, 0.65%, 0.59%

LAB 46.05, 47.86, -63.99

 

CMYK 0 / 62 / 31 / 15

HEX #DA5296

RGB 218 82 150

HSL 330, 0.65%, 0.59%

LAB 55.22, 59.53, -9.27

 

CMYK 56 / 0 / 62 / 15

HEX #60DA52

RGB 96 218 82

HSL 113.82, 0.65%, 0.59%

LAB 78.02, -59.53, 55.25

 

CMYK 44 / 62 / 0 / 15

HEX #7B52DA

RGB 123 82 218

HSL 258.09, 0.65%, 0.59%

LAB 46.05, 47.86, -63.99

 

CMYK 0 / 44 / 62 / 15

HEX #DA7B52

RGB 218 123 82

HSL 18.09, 0.65%, 0.59%

LAB 61.38, 33.26, 38.23

 

CMYK 62 / 0 / 44 / 15

HEX #52DA7B

RGB 82 218 123

HSL 138.09, 0.65%, 0.59%

LAB 78.09, -57.27, 36.04

 

CMYK 44 / 62 / 0 / 15

HEX #7B52DA

RGB 123 82 218

HSL 258.09, 0.65%, 0.59%

LAB 46.05, 47.86, -63.99

 

CMYK 0 / 62 / 31 / 15

HEX #DA5296

RGB 218 82 150

HSL 330, 0.65%, 0.59%

LAB 55.22, 59.53, -9.27

 

CMYK 19 / 0 / 62 / 15

HEX #B1DA52

RGB 177 218 82

HSL 78.09, 0.65%, 0.59%

LAB 81.89, -33.04, 60.61

 

CMYK 62 / 0 / 31 / 15

HEX #52DA96

RGB 82 218 150

HSL 150, 0.65%, 0.59%

LAB 78.54, -52.38, 22.8

 

CMYK 44 / 62 / 0 / 15

HEX #7B52DA

RGB 123 82 218

HSL 258.09, 0.65%, 0.59%

LAB 46.05, 47.86, -63.99

 

CMYK 0 / 62 / 50 / 15

HEX #DA526D

RGB 218 82 109

HSL 348.09, 0.65%, 0.59%

LAB 54.07, 55.28, 13.35

 

CMYK 19 / 0 / 62 / 15

HEX #B1DA52

RGB 177 218 82

HSL 78.09, 0.65%, 0.59%

LAB 81.89, -33.04, 60.61

 

CMYK 62 / 0 / 12 / 15

HEX #52DABF

RGB 82 218 191

HSL 168.09, 0.65%, 0.59%

LAB 79.44, -43.19, 2.39

 

Description

Color code: HEX #7B52DA | qconv.com Color code: HEX #7B52DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 82 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 82 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 62 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 62% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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