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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 154 62 it is the complementary color RGB 79 101 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 154 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 154 62 shade: RGB 181 154 57, RGB 198 172 76, RGB 215 190 95, RGB 232 208 114 and RGB 249 226 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 154 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 154 62 shade: RGB 176 154 62, RGB 159 136 43, RGB 142 118 24, RGB 125 100 5 and RGB 108 82 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 154 62 shade: RGB 177 155 62, RGB 177 124 62, RGB 177 93 62 and RGB 177 62 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 154 62 shade: RGB 177 155 62, RGB 168 177 62, RGB 137 177 62, RGB 106 177 62 and RGB 75 177 62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 154 62 shade matches the following richer shades: RGB 177 155 62, RGB 196 167 42, RGB 216 178 23 and RGB 235 190 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 154 62 shade: RGB 177 155 62, RGB 157 143 81, RGB 138 131 101, RGB 119 119 120 and RGB 99 107 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 154 62 shade: RGB 177 93 62, RGB 177 123 62, RGB 177 154 62, RGB 169 177 62 and RGB 139 177 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 154 62 shade: RGB 116 101 40, RGB 146 128 51, RGB 177 155 62, RGB 195 174 85 and RGB 206 188 116

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 154 62 shade: RGB 176 154 62, RGB 62 177 62 and RGB 108 62 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 154 62 shade: RGB 176 154 62, RGB 62 177 154 and RGB 154 62 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 154 62 shade: RGB 176 154 62, RGB 62 177 62, RGB 62 85 177 and RGB 177 62 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 154 62 shade: RGB 176 154 62, RGB 62 177 96, RGB 62 85 177 and RGB 177 62 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 65 / 31

HEX #B09A3E

RGB 176 154 62

HSL 48.42, 0.48%, 0.47%

LAB 63.91, -2.76, 49.79

 

Complementary color

CMYK 59 / 48 / 0 / 24

HEX #4F65C1

RGB 79 101 193

HSL 228.42, 0.48%, 0.53%

LAB 45.39, 19.87, -50.88

 

CMYK 0 / 15 / 69 / 29

HEX #B59A39

RGB 181 154 57

HSL 46.94, 0.52%, 0.47%

LAB 64.35, -0.86, 52.61

 

CMYK 0 / 13 / 62 / 22

HEX #C6AC4C

RGB 198 172 76

HSL 47.21, 0.52%, 0.54%

LAB 70.89, -1.9, 51.65

 

CMYK 0 / 12 / 56 / 16

HEX #D7BE5F

RGB 215 190 95

HSL 47.5, 0.6%, 0.61%

LAB 77.34, -2.77, 50.51

 

CMYK 0 / 10 / 51 / 9

HEX #E8D072

RGB 232 208 114

HSL 47.8, 0.72%, 0.68%

LAB 83.7, -3.51, 49.31

 

CMYK 0 / 9 / 47 / 2

HEX #F9E285

RGB 249 226 133

HSL 48.1, 0.91%, 0.75%

LAB 89.96, -4.14, 48.1

 

CMYK 0 / 13 / 65 / 31

HEX #B09A3E

RGB 176 154 62

HSL 48.42, 0.48%, 0.47%

LAB 63.91, -2.76, 49.79

 

CMYK 0 / 14 / 73 / 38

HEX #9F882B

RGB 159 136 43

HSL 48.1, 0.57%, 0.4%

LAB 57.22, -1.63, 50.57

 

CMYK 0 / 17 / 83 / 44

HEX #8E7618

RGB 142 118 24

HSL 47.8, 0.71%, 0.33%

LAB 50.42, -0.24, 50.63

 

CMYK 0 / 20 / 96 / 51

HEX #7D6405

RGB 125 100 5

HSL 47.5, 0.92%, 0.25%

LAB 43.49, 1.49, 49.28

 

CMYK 0 / 24 / 100 / 58

HEX #6C5200

RGB 108 82 0

HSL 45.56, 1%, 0.21%

LAB 36.41, 3.68, 44.71

 

CMYK 0 / 12 / 65 / 31

HEX #B19B3E

RGB 177 155 62

HSL 48.52, 0.48%, 0.47%

LAB 64.27, -2.86, 50.21

 

CMYK 0 / 30 / 65 / 31

HEX #B17C3E

RGB 177 124 62

HSL 32.35, 0.48%, 0.47%

LAB 56.2, 14.24, 41.31

 

CMYK 0 / 47 / 65 / 31

HEX #B15D3E

RGB 177 93 62

HSL 16.17, 0.48%, 0.47%

LAB 48.91, 31.4, 32.83

 

CMYK 0 / 65 / 65 / 31

HEX #B13E3E

RGB 177 62 62

HSL 0, 0.48%, 0.47%

LAB 42.97, 46.74, 25.57

 

CMYK 0 / 12 / 65 / 31

HEX #B19B3E

RGB 177 155 62

HSL 48.52, 0.48%, 0.47%

LAB 64.27, -2.86, 50.21

 

CMYK 5 / 0 / 65 / 31

HEX #A8B13E

RGB 168 177 62

HSL 64.7, 0.48%, 0.47%

LAB 69.55, -18.27, 55.57

 

CMYK 23 / 0 / 65 / 31

HEX #89B13E

RGB 137 177 62

HSL 80.87, 0.48%, 0.47%

LAB 67.36, -31, 52.59

 

CMYK 40 / 0 / 65 / 31

HEX #6AB13E

RGB 106 177 62

HSL 97.04, 0.48%, 0.47%

LAB 65.64, -42.42, 50.22

 

CMYK 58 / 0 / 65 / 31

HEX #4BB13E

RGB 75 177 62

HSL 113.22, 0.48%, 0.47%

LAB 64.39, -51.66, 48.51

 

CMYK 0 / 12 / 65 / 31

HEX #B19B3E

RGB 177 155 62

HSL 48.52, 0.48%, 0.47%

LAB 64.27, -2.86, 50.21

 

CMYK 0 / 15 / 79 / 23

HEX #C4A72A

RGB 196 167 42

HSL 48.7, 0.65%, 0.47%

LAB 69.14, -1.9, 63.48

 

CMYK 0 / 18 / 89 / 15

HEX #D8B217

RGB 216 178 23

HSL 48.19, 0.81%, 0.47%

LAB 73.87, 0.57, 73.16

 

CMYK 0 / 19 / 98 / 8

HEX #EBBE04

RGB 235 190 4

HSL 48.31, 0.97%, 0.47%

LAB 78.75, 2.35, 80.1

 

CMYK 0 / 12 / 65 / 31

HEX #B19B3E

RGB 177 155 62

HSL 48.52, 0.48%, 0.47%

LAB 64.27, -2.86, 50.21

 

CMYK 0 / 9 / 48 / 38

HEX #9D8F51

RGB 157 143 81

HSL 48.95, 0.32%, 0.47%

LAB 59.35, -3.52, 34.7

 

CMYK 0 / 5 / 27 / 46

HEX #8A8365

RGB 138 131 101

HSL 48.65, 0.15%, 0.47%

LAB 54.63, -2.44, 17.2

 

CMYK 1 / 1 / 0 / 53

HEX #777778

RGB 119 119 120

HSL 240, 0%, 0.47%

LAB 50.06, 0.21, -0.55

 

CMYK 29 / 23 / 0 / 45

HEX #636B8B

RGB 99 107 139

HSL 228, 0.17%, 0.47%

LAB 45.68, 4.73, -18.58

 

CMYK 0 / 47 / 65 / 31

HEX #B15D3E

RGB 177 93 62

HSL 16.17, 0.48%, 0.47%

LAB 48.91, 31.4, 32.83

 

CMYK 0 / 31 / 65 / 31

HEX #B17B3E

RGB 177 123 62

HSL 31.83, 0.48%, 0.47%

LAB 55.95, 14.8, 41.03

 

CMYK 0 / 13 / 65 / 31

HEX #B19A3E

RGB 177 154 62

HSL 48, 0.48%, 0.47%

LAB 64, -2.32, 49.92

 

CMYK 5 / 0 / 65 / 31

HEX #A9B13E

RGB 169 177 62

HSL 64.17, 0.48%, 0.47%

LAB 69.63, -17.84, 55.68

 

CMYK 21 / 0 / 65 / 31

HEX #8BB13E

RGB 139 177 62

HSL 79.83, 0.48%, 0.47%

LAB 67.49, -30.21, 52.76

 

CMYK 0 / 13 / 66 / 55

HEX #746528

RGB 116 101 40

HSL 48.16, 0.49%, 0.31%

LAB 43.02, -1.92, 35.81

 

CMYK 0 / 12 / 65 / 43

HEX #928033

RGB 146 128 51

HSL 48.63, 0.48%, 0.39%

LAB 53.8, -2.63, 43.1

 

CMYK 0 / 12 / 65 / 31

HEX #B19B3E

RGB 177 155 62

HSL 48.52, 0.48%, 0.47%

LAB 64.27, -2.86, 50.21

 

CMYK 0 / 11 / 56 / 24

HEX #C3AE55

RGB 195 174 85

HSL 48.55, 0.48%, 0.55%

LAB 71.23, -3.58, 47.73

 

CMYK 0 / 9 / 44 / 19

HEX #CEBC74

RGB 206 188 116

HSL 48, 0.48%, 0.63%

LAB 76.28, -3.54, 38.66

 

CMYK 0 / 13 / 65 / 31

HEX #B09A3E

RGB 176 154 62

HSL 48.42, 0.48%, 0.47%

LAB 63.91, -2.76, 49.79

 

CMYK 65 / 0 / 65 / 31

HEX #3EB13E

RGB 62 177 62

HSL 120, 0.48%, 0.47%

LAB 64.01, -54.7, 47.98

 

CMYK 39 / 65 / 0 / 31

HEX #6C3EB1

RGB 108 62 177

HSL 264, 0.48%, 0.47%

LAB 37.5, 44.59, -54.11

 

CMYK 0 / 13 / 65 / 31

HEX #B09A3E

RGB 176 154 62

HSL 48.42, 0.48%, 0.47%

LAB 63.91, -2.76, 49.79

 

CMYK 65 / 0 / 13 / 31

HEX #3EB19A

RGB 62 177 154

HSL 168, 0.48%, 0.47%

LAB 65.59, -37.69, 2.32

 

CMYK 13 / 65 / 0 / 31

HEX #9A3EB1

RGB 154 62 177

HSL 288, 0.48%, 0.47%

LAB 43.49, 55.08, -44.15

 

CMYK 0 / 13 / 65 / 31

HEX #B09A3E

RGB 176 154 62

HSL 48.42, 0.48%, 0.47%

LAB 63.91, -2.76, 49.79

 

CMYK 65 / 0 / 65 / 31

HEX #3EB13E

RGB 62 177 62

HSL 120, 0.48%, 0.47%

LAB 64.01, -54.7, 47.98

 

CMYK 65 / 52 / 0 / 31

HEX #3E55B1

RGB 62 85 177

HSL 228, 0.48%, 0.47%

LAB 39.06, 21.4, -51.76

 

CMYK 0 / 65 / 0 / 31

HEX #B13EB1

RGB 177 62 177

HSL 300, 0.48%, 0.47%

LAB 46.93, 60.61, -38.47

 

CMYK 0 / 13 / 65 / 31

HEX #B09A3E

RGB 176 154 62

HSL 48.42, 0.48%, 0.47%

LAB 63.91, -2.76, 49.79

 

CMYK 65 / 0 / 46 / 31

HEX #3EB160

RGB 62 177 96

HSL 137.74, 0.48%, 0.47%

LAB 64.41, -50.11, 32.12

 

CMYK 65 / 52 / 0 / 31

HEX #3E55B1

RGB 62 85 177

HSL 228, 0.48%, 0.47%

LAB 39.06, 21.4, -51.76

 

CMYK 0 / 65 / 20 / 31

HEX #B13E8E

RGB 177 62 142

HSL 318.26, 0.48%, 0.47%

LAB 45.28, 55.08, -20.2

 

Description

Color code: RGB 176 154 62 | qconv.com Color code: RGB 176 154 62 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 154 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 154 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 65 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 65% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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