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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B19B3E it is the complementary color #4E64C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B19B3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B19B3E shade: #B69B39, #C7AD4C, #D8BF5F, #E9D172 and #FAE385

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B19B3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B19B3E shade: #B19B3E, #A0892B, #8F7718, #7E6505 and #6D5300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B19B3E shade: #B19B3E, #B17C3E, #B15D3E and #B13E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B19B3E shade: #B19B3E, #A8B13E, #89B13E, #6AB13E and #4BB13E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B19B3E shade matches the following richer shades: #B19B3E, #C4A72A, #D8B317 and #EBBF04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B19B3E shade: #B19B3E, #9D8F51, #8A8365, #777778 and #636B8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B19B3E shade: #B15D3E, #B17B3E, #B19A3E, #A9B13E and #8BB13E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B19B3E shade: #746528, #928033, #B19B3E, #C3AE55 and #CEBC74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B19B3E shade: #B19B3E, #3EB13E and #6C3EB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B19B3E shade: #B19B3E, #3EB19A and #9A3EB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B19B3E shade: #B19B3E, #3EB13E, #3E55B1 and #B13EB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B19B3E shade: #B19B3E, #3EB160, #3E55B1 and #B13E8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 65 / 31

HEX #B19B3E

RGB 177 155 62

HSL 48.52, 0.48%, 0.47%

LAB 64.27, -2.86, 50.21

 

Complementary color

CMYK 60 / 48 / 0 / 24

HEX #4E64C1

RGB 78 100 193

HSL 228.52, 0.48%, 0.53%

LAB 45.06, 20.31, -51.41

 

CMYK 0 / 15 / 69 / 29

HEX #B69B39

RGB 182 155 57

HSL 47.04, 0.52%, 0.47%

LAB 64.71, -0.96, 53.02

 

CMYK 0 / 13 / 62 / 22

HEX #C7AD4C

RGB 199 173 76

HSL 47.32, 0.52%, 0.54%

LAB 71.25, -2, 52.07

 

CMYK 0 / 12 / 56 / 15

HEX #D8BF5F

RGB 216 191 95

HSL 47.6, 0.61%, 0.61%

LAB 77.69, -2.87, 50.94

 

CMYK 0 / 10 / 51 / 9

HEX #E9D172

RGB 233 209 114

HSL 47.9, 0.73%, 0.68%

LAB 84.04, -3.62, 49.74

 

CMYK 0 / 9 / 47 / 2

HEX #FAE385

RGB 250 227 133

HSL 48.21, 0.92%, 0.75%

LAB 90.3, -4.25, 48.54

 

CMYK 0 / 12 / 65 / 31

HEX #B19B3E

RGB 177 155 62

HSL 48.52, 0.48%, 0.47%

LAB 64.27, -2.86, 50.21

 

CMYK 0 / 14 / 73 / 37

HEX #A0892B

RGB 160 137 43

HSL 48.21, 0.58%, 0.4%

LAB 57.6, -1.73, 50.97

 

CMYK 0 / 17 / 83 / 44

HEX #8F7718

RGB 143 119 24

HSL 47.9, 0.71%, 0.33%

LAB 50.8, -0.34, 51

 

CMYK 0 / 20 / 96 / 51

HEX #7E6505

RGB 126 101 5

HSL 47.6, 0.92%, 0.26%

LAB 43.88, 1.39, 49.62

 

CMYK 0 / 24 / 100 / 57

HEX #6D5300

RGB 109 83 0

HSL 45.69, 1%, 0.21%

LAB 36.81, 3.58, 45.04

 

CMYK 0 / 12 / 65 / 31

HEX #B19B3E

RGB 177 155 62

HSL 48.52, 0.48%, 0.47%

LAB 64.27, -2.86, 50.21

 

CMYK 0 / 30 / 65 / 31

HEX #B17C3E

RGB 177 124 62

HSL 32.35, 0.48%, 0.47%

LAB 56.2, 14.24, 41.31

 

CMYK 0 / 47 / 65 / 31

HEX #B15D3E

RGB 177 93 62

HSL 16.17, 0.48%, 0.47%

LAB 48.91, 31.4, 32.83

 

CMYK 0 / 65 / 65 / 31

HEX #B13E3E

RGB 177 62 62

HSL 0, 0.48%, 0.47%

LAB 42.97, 46.74, 25.57

 

CMYK 0 / 12 / 65 / 31

HEX #B19B3E

RGB 177 155 62

HSL 48.52, 0.48%, 0.47%

LAB 64.27, -2.86, 50.21

 

CMYK 5 / 0 / 65 / 31

HEX #A8B13E

RGB 168 177 62

HSL 64.7, 0.48%, 0.47%

LAB 69.55, -18.27, 55.57

 

CMYK 23 / 0 / 65 / 31

HEX #89B13E

RGB 137 177 62

HSL 80.87, 0.48%, 0.47%

LAB 67.36, -31, 52.59

 

CMYK 40 / 0 / 65 / 31

HEX #6AB13E

RGB 106 177 62

HSL 97.04, 0.48%, 0.47%

LAB 65.64, -42.42, 50.22

 

CMYK 58 / 0 / 65 / 31

HEX #4BB13E

RGB 75 177 62

HSL 113.22, 0.48%, 0.47%

LAB 64.39, -51.66, 48.51

 

CMYK 0 / 12 / 65 / 31

HEX #B19B3E

RGB 177 155 62

HSL 48.52, 0.48%, 0.47%

LAB 64.27, -2.86, 50.21

 

CMYK 0 / 15 / 79 / 23

HEX #C4A72A

RGB 196 167 42

HSL 48.7, 0.65%, 0.47%

LAB 69.14, -1.9, 63.48

 

CMYK 0 / 17 / 89 / 15

HEX #D8B317

RGB 216 179 23

HSL 48.5, 0.81%, 0.47%

LAB 74.13, 0.05, 73.36

 

CMYK 0 / 19 / 98 / 8

HEX #EBBF04

RGB 235 191 4

HSL 48.57, 0.97%, 0.47%

LAB 79, 1.83, 80.28

 

CMYK 0 / 12 / 65 / 31

HEX #B19B3E

RGB 177 155 62

HSL 48.52, 0.48%, 0.47%

LAB 64.27, -2.86, 50.21

 

CMYK 0 / 9 / 48 / 38

HEX #9D8F51

RGB 157 143 81

HSL 48.95, 0.32%, 0.47%

LAB 59.35, -3.52, 34.7

 

CMYK 0 / 5 / 27 / 46

HEX #8A8365

RGB 138 131 101

HSL 48.65, 0.15%, 0.47%

LAB 54.63, -2.44, 17.2

 

CMYK 1 / 1 / 0 / 53

HEX #777778

RGB 119 119 120

HSL 240, 0%, 0.47%

LAB 50.06, 0.21, -0.55

 

CMYK 29 / 23 / 0 / 45

HEX #636B8B

RGB 99 107 139

HSL 228, 0.17%, 0.47%

LAB 45.68, 4.73, -18.58

 

CMYK 0 / 47 / 65 / 31

HEX #B15D3E

RGB 177 93 62

HSL 16.17, 0.48%, 0.47%

LAB 48.91, 31.4, 32.83

 

CMYK 0 / 31 / 65 / 31

HEX #B17B3E

RGB 177 123 62

HSL 31.83, 0.48%, 0.47%

LAB 55.95, 14.8, 41.03

 

CMYK 0 / 13 / 65 / 31

HEX #B19A3E

RGB 177 154 62

HSL 48, 0.48%, 0.47%

LAB 64, -2.32, 49.92

 

CMYK 5 / 0 / 65 / 31

HEX #A9B13E

RGB 169 177 62

HSL 64.17, 0.48%, 0.47%

LAB 69.63, -17.84, 55.68

 

CMYK 21 / 0 / 65 / 31

HEX #8BB13E

RGB 139 177 62

HSL 79.83, 0.48%, 0.47%

LAB 67.49, -30.21, 52.76

 

CMYK 0 / 13 / 66 / 55

HEX #746528

RGB 116 101 40

HSL 48.16, 0.49%, 0.31%

LAB 43.02, -1.92, 35.81

 

CMYK 0 / 12 / 65 / 43

HEX #928033

RGB 146 128 51

HSL 48.63, 0.48%, 0.39%

LAB 53.8, -2.63, 43.1

 

CMYK 0 / 12 / 65 / 31

HEX #B19B3E

RGB 177 155 62

HSL 48.52, 0.48%, 0.47%

LAB 64.27, -2.86, 50.21

 

CMYK 0 / 11 / 56 / 24

HEX #C3AE55

RGB 195 174 85

HSL 48.55, 0.48%, 0.55%

LAB 71.23, -3.58, 47.73

 

CMYK 0 / 9 / 44 / 19

HEX #CEBC74

RGB 206 188 116

HSL 48, 0.48%, 0.63%

LAB 76.28, -3.54, 38.66

 

CMYK 0 / 12 / 65 / 31

HEX #B19B3E

RGB 177 155 62

HSL 48.52, 0.48%, 0.47%

LAB 64.27, -2.86, 50.21

 

CMYK 65 / 0 / 65 / 31

HEX #3EB13E

RGB 62 177 62

HSL 120, 0.48%, 0.47%

LAB 64.01, -54.7, 47.98

 

CMYK 39 / 65 / 0 / 31

HEX #6C3EB1

RGB 108 62 177

HSL 264, 0.48%, 0.47%

LAB 37.5, 44.59, -54.11

 

CMYK 0 / 12 / 65 / 31

HEX #B19B3E

RGB 177 155 62

HSL 48.52, 0.48%, 0.47%

LAB 64.27, -2.86, 50.21

 

CMYK 65 / 0 / 13 / 31

HEX #3EB19A

RGB 62 177 154

HSL 168, 0.48%, 0.47%

LAB 65.59, -37.69, 2.32

 

CMYK 13 / 65 / 0 / 31

HEX #9A3EB1

RGB 154 62 177

HSL 288, 0.48%, 0.47%

LAB 43.49, 55.08, -44.15

 

CMYK 0 / 12 / 65 / 31

HEX #B19B3E

RGB 177 155 62

HSL 48.52, 0.48%, 0.47%

LAB 64.27, -2.86, 50.21

 

CMYK 65 / 0 / 65 / 31

HEX #3EB13E

RGB 62 177 62

HSL 120, 0.48%, 0.47%

LAB 64.01, -54.7, 47.98

 

CMYK 65 / 52 / 0 / 31

HEX #3E55B1

RGB 62 85 177

HSL 228, 0.48%, 0.47%

LAB 39.06, 21.4, -51.76

 

CMYK 0 / 65 / 0 / 31

HEX #B13EB1

RGB 177 62 177

HSL 300, 0.48%, 0.47%

LAB 46.93, 60.61, -38.47

 

CMYK 0 / 12 / 65 / 31

HEX #B19B3E

RGB 177 155 62

HSL 48.52, 0.48%, 0.47%

LAB 64.27, -2.86, 50.21

 

CMYK 65 / 0 / 46 / 31

HEX #3EB160

RGB 62 177 96

HSL 137.74, 0.48%, 0.47%

LAB 64.41, -50.11, 32.12

 

CMYK 65 / 52 / 0 / 31

HEX #3E55B1

RGB 62 85 177

HSL 228, 0.48%, 0.47%

LAB 39.06, 21.4, -51.76

 

CMYK 0 / 65 / 20 / 31

HEX #B13E8E

RGB 177 62 142

HSL 318.26, 0.48%, 0.47%

LAB 45.28, 55.08, -20.2

 

Description

Color code: HEX #B19B3E | qconv.com Color code: HEX #B19B3E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 155 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 155 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 65 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 65% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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