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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 97 149 it is the complementary color RGB 81 158 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 97 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 97 149 shade: RGB 179 97 144, RGB 196 115 163, RGB 213 133 182, RGB 230 151 201 and RGB 247 169 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 97 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 97 149 shade: RGB 174 97 149, RGB 157 79 130, RGB 140 61 111, RGB 123 43 92 and RGB 106 25 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 97 149 shade: RGB 173 96 148, RGB 173 96 127, RGB 173 96 107 and RGB 173 96 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 97 149 shade: RGB 173 96 148, RGB 173 96 169, RGB 157 96 173, RGB 136 96 173 and RGB 115 96 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 97 149 shade matches the following richer shades: RGB 173 96 148, RGB 192 77 155, RGB 212 58 162, RGB 231 38 168 and RGB 251 19 175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 97 149 shade: RGB 173 96 148, RGB 154 116 141, RGB 134 135 134, RGB 115 154 128 and RGB 95 174 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 97 149 shade: RGB 156 96 173, RGB 173 96 169, RGB 173 96 149, RGB 173 96 128 and RGB 173 96 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 97 149 shade: RGB 123 63 104, RGB 151 77 127, RGB 173 96 148, RGB 187 124 166 and RGB 201 151 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 97 149 shade: RGB 174 97 149, RGB 173 136 96 and RGB 96 173 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 97 149 shade: RGB 174 97 149, RGB 149 173 96 and RGB 96 149 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 97 149 shade: RGB 174 97 149, RGB 173 136 96, RGB 96 173 121 and RGB 96 133 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 97 149 shade: RGB 174 97 149, RGB 173 159 96, RGB 96 173 121 and RGB 96 110 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 14 / 32

HEX #AE6195

RGB 174 97 149

HSL 319.48, 0.32%, 0.53%

LAB 51.52, 38.29, -14.89

 

Complementary color

CMYK 49 / 0 / 33 / 38

HEX #519E6A

RGB 81 158 106

HSL 139.48, 0.32%, 0.47%

LAB 59.2, -35.83, 20.02

 

CMYK 0 / 46 / 20 / 30

HEX #B36190

RGB 179 97 144

HSL 325.61, 0.35%, 0.54%

LAB 52, 39.18, -11.14

 

CMYK 0 / 41 / 17 / 23

HEX #C473A3

RGB 196 115 163

HSL 324.44, 0.41%, 0.61%

LAB 58.64, 38.37, -12.02

 

CMYK 0 / 38 / 15 / 16

HEX #D585B6

RGB 213 133 182

HSL 323.25, 0.49%, 0.68%

LAB 65.2, 37.59, -12.79

 

CMYK 0 / 34 / 13 / 10

HEX #E697C9

RGB 230 151 201

HSL 322.03, 0.61%, 0.75%

LAB 71.67, 36.84, -13.47

 

CMYK 0 / 32 / 11 / 3

HEX #F7A9DC

RGB 247 169 220

HSL 320.77, 0.83%, 0.82%

LAB 78.06, 36.12, -14.1

 

CMYK 0 / 44 / 14 / 32

HEX #AE6195

RGB 174 97 149

HSL 319.48, 0.32%, 0.53%

LAB 51.52, 38.29, -14.89

 

CMYK 0 / 50 / 17 / 38

HEX #9D4F82

RGB 157 79 130

HSL 320.77, 0.33%, 0.46%

LAB 44.76, 39.07, -14

 

CMYK 0 / 56 / 21 / 45

HEX #8C3D6F

RGB 140 61 111

HSL 322.03, 0.39%, 0.39%

LAB 37.95, 39.76, -12.9

 

CMYK 0 / 65 / 25 / 52

HEX #7B2B5C

RGB 123 43 92

HSL 323.25, 0.48%, 0.33%

LAB 31.14, 40.2, -11.43

 

CMYK 0 / 76 / 31 / 58

HEX #6A1949

RGB 106 25 73

HSL 324.44, 0.62%, 0.26%

LAB 24.45, 40.04, -9.32

 

CMYK 0 / 45 / 14 / 32

HEX #AD6094

RGB 173 96 148

HSL 319.48, 0.32%, 0.53%

LAB 51.14, 38.33, -14.89

 

CMYK 0 / 45 / 27 / 32

HEX #AD607F

RGB 173 96 127

HSL 335.84, 0.32%, 0.53%

LAB 50.43, 35.07, -3.48

 

CMYK 0 / 45 / 38 / 32

HEX #AD606B

RGB 173 96 107

HSL 351.43, 0.32%, 0.53%

LAB 49.87, 32.41, 7.65

 

CMYK 0 / 45 / 45 / 32

HEX #AD6060

RGB 173 96 96

HSL 0, 0.32%, 0.53%

LAB 49.61, 31.14, 13.84

 

CMYK 0 / 45 / 14 / 32

HEX #AD6094

RGB 173 96 148

HSL 319.48, 0.32%, 0.53%

LAB 51.14, 38.33, -14.89

 

CMYK 0 / 45 / 2 / 32

HEX #AD60A9

RGB 173 96 169

HSL 303.12, 0.32%, 0.53%

LAB 51.97, 42.01, -25.95

 

CMYK 9 / 45 / 0 / 32

HEX #9D60AD

RGB 157 96 173

HSL 287.53, 0.32%, 0.53%

LAB 50.16, 37.87, -31.25

 

CMYK 21 / 45 / 0 / 32

HEX #8860AD

RGB 136 96 173

HSL 271.17, 0.32%, 0.53%

LAB 47.77, 31.54, -35.16

 

CMYK 34 / 45 / 0 / 32

HEX #7360AD

RGB 115 96 173

HSL 254.81, 0.32%, 0.53%

LAB 45.67, 25.47, -38.61

 

CMYK 0 / 45 / 14 / 32

HEX #AD6094

RGB 173 96 148

HSL 319.48, 0.32%, 0.53%

LAB 51.14, 38.33, -14.89

 

CMYK 0 / 60 / 19 / 25

HEX #C04D9B

RGB 192 77 155

HSL 319.3, 0.48%, 0.53%

LAB 50.55, 54.75, -19.68

 

CMYK 0 / 73 / 24 / 17

HEX #D43AA2

RGB 212 58 162

HSL 319.48, 0.64%, 0.53%

LAB 51.42, 68.42, -22.21

 

CMYK 0 / 84 / 27 / 9

HEX #E726A8

RGB 231 38 168

HSL 319.59, 0.8%, 0.53%

LAB 53.17, 78.77, -22.77

 

CMYK 0 / 92 / 30 / 2

HEX #FB13AF

RGB 251 19 175

HSL 319.66, 0.97%, 0.53%

LAB 56.16, 86.47, -21.97

 

CMYK 0 / 45 / 14 / 32

HEX #AD6094

RGB 173 96 148

HSL 319.48, 0.32%, 0.53%

LAB 51.14, 38.33, -14.89

 

CMYK 0 / 25 / 8 / 40

HEX #9A748D

RGB 154 116 141

HSL 320.53, 0.16%, 0.53%

LAB 53.26, 19.16, -7.81

 

CMYK 1 / 0 / 1 / 47

HEX #868786

RGB 134 135 134

HSL 120, 0%, 0.53%

LAB 56.21, -0.56, 0.4

 

CMYK 25 / 0 / 17 / 40

HEX #739A80

RGB 115 154 128

HSL 140, 0.16%, 0.53%

LAB 60.17, -18.92, 9.35

 

CMYK 45 / 0 / 30 / 32

HEX #5FAE79

RGB 95 174 121

HSL 139.75, 0.33%, 0.53%

LAB 65.03, -36.31, 19.84

 

CMYK 10 / 45 / 0 / 32

HEX #9C60AD

RGB 156 96 173

HSL 286.75, 0.32%, 0.53%

LAB 50.04, 37.56, -31.45

 

CMYK 0 / 45 / 2 / 32

HEX #AD60A9

RGB 173 96 169

HSL 303.12, 0.32%, 0.53%

LAB 51.97, 42.01, -25.95

 

CMYK 0 / 45 / 14 / 32

HEX #AD6095

RGB 173 96 149

HSL 318.7, 0.32%, 0.53%

LAB 51.17, 38.49, -15.42

 

CMYK 0 / 45 / 26 / 32

HEX #AD6080

RGB 173 96 128

HSL 335.06, 0.32%, 0.53%

LAB 50.46, 35.21, -4.03

 

CMYK 0 / 45 / 38 / 32

HEX #AD606C

RGB 173 96 108

HSL 350.65, 0.32%, 0.53%

LAB 49.9, 32.53, 7.09

 

CMYK 0 / 49 / 15 / 52

HEX #7B3F68

RGB 123 63 104

HSL 319, 0.32%, 0.36%

LAB 35.53, 31.79, -12.42

 

CMYK 0 / 49 / 16 / 41

HEX #974D7F

RGB 151 77 127

HSL 319.46, 0.32%, 0.45%

LAB 43.39, 37.63, -14.35

 

CMYK 0 / 45 / 14 / 32

HEX #AD6094

RGB 173 96 148

HSL 319.48, 0.32%, 0.53%

LAB 51.14, 38.33, -14.89

 

CMYK 0 / 34 / 11 / 27

HEX #BB7CA6

RGB 187 124 166

HSL 320, 0.32%, 0.61%

LAB 59.65, 30.89, -12.34

 

CMYK 0 / 25 / 8 / 21

HEX #C997B9

RGB 201 151 185

HSL 319.2, 0.32%, 0.69%

LAB 68.06, 24.2, -10.32

 

CMYK 0 / 44 / 14 / 32

HEX #AE6195

RGB 174 97 149

HSL 319.48, 0.32%, 0.53%

LAB 51.52, 38.29, -14.89

 

CMYK 0 / 21 / 45 / 32

HEX #AD8860

RGB 173 136 96

HSL 31.17, 0.32%, 0.53%

LAB 59.29, 8.78, 26.83

 

CMYK 45 / 0 / 3 / 32

HEX #60ADA7

RGB 96 173 167

HSL 175.32, 0.32%, 0.53%

LAB 65.88, -25.28, -4.35

 

CMYK 0 / 44 / 14 / 32

HEX #AE6195

RGB 174 97 149

HSL 319.48, 0.32%, 0.53%

LAB 51.52, 38.29, -14.89

 

CMYK 14 / 0 / 45 / 32

HEX #95AD60

RGB 149 173 96

HSL 78.7, 0.32%, 0.53%

LAB 67.37, -21.01, 36.72

 

CMYK 45 / 14 / 0 / 32

HEX #6095AD

RGB 96 149 173

HSL 198.7, 0.32%, 0.53%

LAB 58.97, -11.07, -18.07

 

CMYK 0 / 44 / 14 / 32

HEX #AE6195

RGB 174 97 149

HSL 319.48, 0.32%, 0.53%

LAB 51.52, 38.29, -14.89

 

CMYK 0 / 21 / 45 / 32

HEX #AD8860

RGB 173 136 96

HSL 31.17, 0.32%, 0.53%

LAB 59.29, 8.78, 26.83

 

CMYK 45 / 0 / 30 / 32

HEX #60AD79

RGB 96 173 121

HSL 139.48, 0.32%, 0.53%

LAB 64.77, -35.57, 19.49

 

CMYK 45 / 23 / 0 / 32

HEX #6085AD

RGB 96 133 173

HSL 211.17, 0.32%, 0.53%

LAB 54.32, -2.02, -25.2

 

CMYK 0 / 44 / 14 / 32

HEX #AE6195

RGB 174 97 149

HSL 319.48, 0.32%, 0.53%

LAB 51.52, 38.29, -14.89

 

CMYK 0 / 8 / 45 / 32

HEX #AD9F60

RGB 173 159 96

HSL 49.09, 0.32%, 0.53%

LAB 65.38, -3.86, 34.64

 

CMYK 45 / 0 / 30 / 32

HEX #60AD79

RGB 96 173 121

HSL 139.48, 0.32%, 0.53%

LAB 64.77, -35.57, 19.49

 

CMYK 45 / 36 / 0 / 32

HEX #606EAD

RGB 96 110 173

HSL 229.09, 0.32%, 0.53%

LAB 47.82, 11.73, -35.32

 

Description

Color code: RGB 174 97 149 | qconv.com Color code: RGB 174 97 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 97 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 97 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 14 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 14% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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