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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154 116 141 it is the complementary color RGB 101 139 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154 116 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 154 116 141 shade: RGB 159 116 136, RGB 176 134 155, RGB 193 152 174, RGB 210 170 193 and RGB 227 188 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154 116 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 154 116 141 shade: RGB 154 116 141, RGB 137 98 122, RGB 120 80 103, RGB 103 62 84 and RGB 86 44 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 154 116 141 shade: RGB 154 115 141, RGB 154 115 130, RGB 154 115 120 and RGB 154 115 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 154 116 141 shade: RGB 154 115 141, RGB 154 115 151, RGB 146 115 154, RGB 136 115 154 and RGB 126 115 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 154 116 141 shade matches the following richer shades: RGB 154 115 141, RGB 173 96 147, RGB 193 77 153, RGB 212 57 159 and RGB 231 38 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 154 116 141 shade: RGB 154 115 141, RGB 134 135 135, RGB 115 154 128, RGB 96 174 122 and RGB 76 193 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 154 116 141 shade: RGB 146 115 154, RGB 154 115 151, RGB 154 115 141, RGB 154 115 131 and RGB 154 115 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 154 116 141 shade: RGB 108 78 98, RGB 132 96 120, RGB 154 115 141, RGB 171 139 160 and RGB 188 163 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 154 116 141 shade: RGB 154 116 141, RGB 154 136 115 and RGB 115 154 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 154 116 141 shade: RGB 154 116 141, RGB 141 154 115 and RGB 115 141 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 154 116 141 shade: RGB 154 116 141, RGB 154 136 115, RGB 115 154 128 and RGB 115 133 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 154 116 141 shade: RGB 154 116 141, RGB 154 147 115, RGB 115 154 128 and RGB 115 122 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 8 / 40

HEX #9A748D

RGB 154 116 141

HSL 320.53, 0.16%, 0.53%

LAB 53.26, 19.16, -7.81

 

Complementary color

CMYK 27 / 0 / 18 / 45

HEX #658B72

RGB 101 139 114

HSL 140.53, 0.16%, 0.47%

LAB 54.5, -18.68, 9.16

 

CMYK 0 / 27 / 14 / 38

HEX #9F7488

RGB 159 116 136

HSL 332.09, 0.18%, 0.54%

LAB 53.64, 20.12, -4.25

 

CMYK 0 / 24 / 12 / 31

HEX #B0869B

RGB 176 134 155

HSL 330, 0.21%, 0.61%

LAB 60.47, 19.48, -4.95

 

CMYK 0 / 21 / 10 / 24

HEX #C198AE

RGB 193 152 174

HSL 327.8, 0.25%, 0.68%

LAB 67.16, 18.9, -5.59

 

CMYK 0 / 19 / 8 / 18

HEX #D2AAC1

RGB 210 170 193

HSL 325.5, 0.31%, 0.75%

LAB 73.74, 18.37, -6.2

 

CMYK 0 / 17 / 7 / 11

HEX #E3BCD4

RGB 227 188 212

HSL 323.08, 0.41%, 0.81%

LAB 80.21, 17.88, -6.78

 

CMYK 0 / 25 / 8 / 40

HEX #9A748D

RGB 154 116 141

HSL 320.53, 0.16%, 0.53%

LAB 53.26, 19.16, -7.81

 

CMYK 0 / 28 / 11 / 46

HEX #89627A

RGB 137 98 122

HSL 323.08, 0.17%, 0.46%

LAB 46.26, 19.83, -7.17

 

CMYK 0 / 33 / 14 / 53

HEX #785067

RGB 120 80 103

HSL 325.5, 0.2%, 0.39%

LAB 39.09, 20.58, -6.47

 

CMYK 0 / 40 / 18 / 60

HEX #673E54

RGB 103 62 84

HSL 327.8, 0.25%, 0.32%

LAB 31.74, 21.43, -5.66

 

CMYK 0 / 49 / 24 / 66

HEX #562C41

RGB 86 44 65

HSL 330, 0.32%, 0.25%

LAB 24.2, 22.36, -4.64

 

CMYK 0 / 25 / 8 / 40

HEX #9A738D

RGB 154 115 141

HSL 320, 0.16%, 0.53%

LAB 53.01, 19.73, -8.18

 

CMYK 0 / 25 / 16 / 40

HEX #9A7382

RGB 154 115 130

HSL 336.92, 0.16%, 0.53%

LAB 52.67, 17.78, -2.23

 

CMYK 0 / 25 / 22 / 40

HEX #9A7378

RGB 154 115 120

HSL 352.31, 0.16%, 0.53%

LAB 52.38, 16.13, 3.24

 

CMYK 0 / 25 / 25 / 40

HEX #9A7373

RGB 154 115 115

HSL 0, 0.16%, 0.53%

LAB 52.25, 15.35, 5.99

 

CMYK 0 / 25 / 8 / 40

HEX #9A738D

RGB 154 115 141

HSL 320, 0.16%, 0.53%

LAB 53.01, 19.73, -8.18

 

CMYK 0 / 25 / 2 / 40

HEX #9A7397

RGB 154 115 151

HSL 304.62, 0.16%, 0.53%

LAB 53.35, 21.63, -13.52

 

CMYK 5 / 25 / 0 / 40

HEX #92739A

RGB 146 115 154

HSL 287.69, 0.16%, 0.53%

LAB 52.63, 19.43, -16.45

 

CMYK 12 / 25 / 0 / 40

HEX #88739A

RGB 136 115 154

HSL 272.31, 0.16%, 0.53%

LAB 51.64, 15.97, -18.03

 

CMYK 18 / 25 / 0 / 40

HEX #7E739A

RGB 126 115 154

HSL 256.92, 0.16%, 0.53%

LAB 50.72, 12.59, -19.52

 

CMYK 0 / 25 / 8 / 40

HEX #9A738D

RGB 154 115 141

HSL 320, 0.16%, 0.53%

LAB 53.01, 19.73, -8.18

 

CMYK 0 / 45 / 15 / 32

HEX #AD6093

RGB 173 96 147

HSL 320.26, 0.32%, 0.53%

LAB 51.1, 38.16, -14.35

 

CMYK 0 / 60 / 21 / 24

HEX #C14D99

RGB 193 77 153

HSL 320.69, 0.48%, 0.53%

LAB 50.62, 54.76, -18.37

 

CMYK 0 / 73 / 25 / 17

HEX #D4399F

RGB 212 57 159

HSL 320.52, 0.64%, 0.53%

LAB 51.18, 68.37, -20.8

 

CMYK 0 / 84 / 29 / 9

HEX #E726A5

RGB 231 38 165

HSL 320.52, 0.8%, 0.53%

LAB 53.05, 78.43, -21.19

 

CMYK 0 / 25 / 8 / 40

HEX #9A738D

RGB 154 115 141

HSL 320, 0.16%, 0.53%

LAB 53.01, 19.73, -8.18

 

CMYK 1 / 0 / 0 / 47

HEX #868787

RGB 134 135 135

HSL 180, 0%, 0.53%

LAB 56.23, -0.37, -0.14

 

CMYK 25 / 0 / 17 / 40

HEX #739A80

RGB 115 154 128

HSL 140, 0.16%, 0.53%

LAB 60.17, -18.92, 9.35

 

CMYK 45 / 0 / 30 / 32

HEX #60AE7A

RGB 96 174 122

HSL 140, 0.33%, 0.53%

LAB 65.09, -35.84, 19.39

 

CMYK 61 / 0 / 40 / 24

HEX #4CC174

RGB 76 193 116

HSL 140.51, 0.49%, 0.53%

LAB 70.13, -50.04, 29.23

 

CMYK 5 / 25 / 0 / 40

HEX #92739A

RGB 146 115 154

HSL 287.69, 0.16%, 0.53%

LAB 52.63, 19.43, -16.45

 

CMYK 0 / 25 / 2 / 40

HEX #9A7397

RGB 154 115 151

HSL 304.62, 0.16%, 0.53%

LAB 53.35, 21.63, -13.52

 

CMYK 0 / 25 / 8 / 40

HEX #9A738D

RGB 154 115 141

HSL 320, 0.16%, 0.53%

LAB 53.01, 19.73, -8.18

 

CMYK 0 / 25 / 15 / 40

HEX #9A7383

RGB 154 115 131

HSL 335.38, 0.16%, 0.53%

LAB 52.7, 17.95, -2.77

 

CMYK 0 / 25 / 21 / 40

HEX #9A7379

RGB 154 115 121

HSL 350.77, 0.16%, 0.53%

LAB 52.41, 16.29, 2.69

 

CMYK 0 / 28 / 9 / 58

HEX #6C4E62

RGB 108 78 98

HSL 320, 0.16%, 0.36%

LAB 36.96, 16.2, -6.67

 

CMYK 0 / 27 / 9 / 48

HEX #846078

RGB 132 96 120

HSL 320, 0.16%, 0.45%

LAB 45.12, 18.76, -7.72

 

CMYK 0 / 25 / 8 / 40

HEX #9A738D

RGB 154 115 141

HSL 320, 0.16%, 0.53%

LAB 53.01, 19.73, -8.18

 

CMYK 0 / 19 / 6 / 33

HEX #AB8BA0

RGB 171 139 160

HSL 320.63, 0.16%, 0.61%

LAB 61.36, 15.73, -6.53

 

CMYK 0 / 13 / 4 / 26

HEX #BCA3B4

RGB 188 163 180

HSL 319.2, 0.16%, 0.69%

LAB 69.6, 12.1, -5.39

 

CMYK 0 / 25 / 8 / 40

HEX #9A748D

RGB 154 116 141

HSL 320.53, 0.16%, 0.53%

LAB 53.26, 19.16, -7.81

 

CMYK 0 / 12 / 25 / 40

HEX #9A8873

RGB 154 136 115

HSL 32.31, 0.16%, 0.53%

LAB 57.77, 3.36, 13.77

 

CMYK 25 / 0 / 2 / 40

HEX #739A97

RGB 115 154 151

HSL 175.38, 0.16%, 0.53%

LAB 60.77, -13.96, -2.78

 

CMYK 0 / 25 / 8 / 40

HEX #9A748D

RGB 154 116 141

HSL 320.53, 0.16%, 0.53%

LAB 53.26, 19.16, -7.81

 

CMYK 8 / 0 / 25 / 40

HEX #8D9A73

RGB 141 154 115

HSL 80, 0.16%, 0.53%

LAB 61.66, -11.71, 18.97

 

CMYK 25 / 8 / 0 / 40

HEX #738D9A

RGB 115 141 154

HSL 200, 0.16%, 0.53%

LAB 57.1, -6.12, -9.94

 

CMYK 0 / 25 / 8 / 40

HEX #9A748D

RGB 154 116 141

HSL 320.53, 0.16%, 0.53%

LAB 53.26, 19.16, -7.81

 

CMYK 0 / 12 / 25 / 40

HEX #9A8873

RGB 154 136 115

HSL 32.31, 0.16%, 0.53%

LAB 57.77, 3.36, 13.77

 

CMYK 25 / 0 / 17 / 40

HEX #739A80

RGB 115 154 128

HSL 140, 0.16%, 0.53%

LAB 60.17, -18.92, 9.35

 

CMYK 25 / 14 / 0 / 40

HEX #73859A

RGB 115 133 154

HSL 212.31, 0.16%, 0.53%

LAB 54.82, -1.59, -13.38

 

CMYK 0 / 25 / 8 / 40

HEX #9A748D

RGB 154 116 141

HSL 320.53, 0.16%, 0.53%

LAB 53.26, 19.16, -7.81

 

CMYK 0 / 5 / 25 / 40

HEX #9A9373

RGB 154 147 115

HSL 49.23, 0.16%, 0.53%

LAB 60.76, -2.77, 17.91

 

CMYK 25 / 0 / 17 / 40

HEX #739A80

RGB 115 154 128

HSL 140, 0.16%, 0.53%

LAB 60.17, -18.92, 9.35

 

CMYK 25 / 21 / 0 / 40

HEX #737A9A

RGB 115 122 154

HSL 229.23, 0.16%, 0.53%

LAB 51.72, 4.81, -18.08

 

Description

Color code: RGB 154 116 141 | qconv.com Color code: RGB 154 116 141 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 116 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 116 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 8 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 8% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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