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Color name
RGB 174 162 90

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 162 90 it is the complementary color RGB 81 93 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 162 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 162 90 shade: RGB 179 162 85, RGB 196 180 104, RGB 213 198 123, RGB 230 216 142 and RGB 247 234 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 162 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 162 90 shade: RGB 174 162 90, RGB 157 144 71, RGB 140 126 52, RGB 123 108 33 and RGB 106 90 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 162 90 shade: RGB 174 162 90, RGB 174 139 90, RGB 174 117 90, RGB 174 94 90 and RGB 174 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 162 90 shade: RGB 174 162 90, RGB 163 174 90, RGB 141 174 90, RGB 118 174 90 and RGB 96 174 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 162 90 shade matches the following richer shades: RGB 174 162 90, RGB 194 176 71, RGB 213 190 51, RGB 233 204 31 and RGB 253 218 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 162 90 shade: RGB 174 162 90, RGB 154 148 110, RGB 134 134 130, RGB 114 119 150 and RGB 94 105 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 162 90 shade: RGB 174 117 90, RGB 174 139 90, RGB 174 161 90, RGB 164 174 90 and RGB 142 174 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 162 90 shade: RGB 122 113 60, RGB 150 139 73, RGB 174 162 90, RGB 187 177 118 and RGB 201 193 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 162 90 shade: RGB 174 162 90, RGB 90 174 95 and RGB 128 90 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 162 90 shade: RGB 174 162 90, RGB 90 174 161 and RGB 161 90 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 162 90 shade: RGB 174 162 90, RGB 90 174 95, RGB 90 103 174 and RGB 174 90 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 162 90 shade: RGB 174 162 90, RGB 90 174 120, RGB 90 103 174 and RGB 174 90 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 48 / 32

HEX #AEA25A

RGB 174 162 90

HSL 51.43, 0.34%, 0.52%

LAB 66.2, -5.66, 38.79

 

Complementary color

CMYK 51 / 44 / 0 / 35

HEX #515DA5

RGB 81 93 165

HSL 231.43, 0.34%, 0.48%

LAB 41.68, 16.06, -40.4

 

CMYK 0 / 9 / 53 / 30

HEX #B3A255

RGB 179 162 85

HSL 49.15, 0.38%, 0.52%

LAB 66.58, -4, 41.89

 

CMYK 0 / 8 / 47 / 23

HEX #C4B468

RGB 196 180 104

HSL 49.57, 0.44%, 0.59%

LAB 73.14, -4.64, 40.64

 

CMYK 0 / 7 / 42 / 16

HEX #D5C67B

RGB 213 198 123

HSL 50, 0.52%, 0.66%

LAB 79.59, -5.18, 39.41

 

CMYK 0 / 6 / 38 / 10

HEX #E6D88E

RGB 230 216 142

HSL 50.45, 0.64%, 0.73%

LAB 85.95, -5.64, 38.22

RGB 230 216 142

CMYK 0 / 5 / 35 / 3

HEX #F7EAA1

RGB 247 234 161

HSL 50.93, 0.84%, 0.8%

LAB 92.22, -6.04, 37.08

RGB 247 234 161

CMYK 0 / 7 / 48 / 32

HEX #AEA25A

RGB 174 162 90

HSL 51.43, 0.34%, 0.52%

LAB 66.2, -5.66, 38.79

 

CMYK 0 / 8 / 55 / 38

HEX #9D9047

RGB 157 144 71

HSL 50.93, 0.38%, 0.45%

LAB 59.5, -5, 40.04

 

CMYK 0 / 10 / 63 / 45

HEX #8C7E34

RGB 140 126 52

HSL 50.45, 0.46%, 0.38%

LAB 52.67, -4.17, 41.22

 

CMYK 0 / 12 / 73 / 52

HEX #7B6C21

RGB 123 108 33

HSL 50, 0.58%, 0.31%

LAB 45.7, -3.11, 42.09

 

CMYK 0 / 15 / 87 / 58

HEX #6A5A0E

RGB 106 90 14

HSL 49.57, 0.77%, 0.24%

LAB 38.57, -1.7, 42.07

 

CMYK 0 / 7 / 48 / 32

HEX #AEA25A

RGB 174 162 90

HSL 51.43, 0.34%, 0.52%

LAB 66.2, -5.66, 38.79

 

CMYK 0 / 20 / 48 / 32

HEX #AE8B5A

RGB 174 139 90

HSL 35, 0.34%, 0.52%

LAB 60.07, 6.9, 31.15

 

CMYK 0 / 33 / 48 / 32

HEX #AE755A

RGB 174 117 90

HSL 19.29, 0.34%, 0.52%

LAB 54.51, 19.24, 23.97

 

CMYK 0 / 46 / 48 / 32

HEX #AE5E5A

RGB 174 94 90

HSL 2.86, 0.34%, 0.52%

LAB 49.18, 31.99, 16.84

 

CMYK 0 / 48 / 48 / 32

HEX #AE5A5A

RGB 174 90 90

HSL 0, 0.34%, 0.52%

LAB 48.32, 34.13, 15.67

 

CMYK 0 / 7 / 48 / 32

HEX #AEA25A

RGB 174 162 90

HSL 51.43, 0.34%, 0.52%

LAB 66.2, -5.66, 38.79

 

CMYK 6 / 0 / 48 / 32

HEX #A3AE5A

RGB 163 174 90

HSL 67.86, 0.34%, 0.52%

LAB 68.6, -16.53, 41.51

 

CMYK 19 / 0 / 48 / 32

HEX #8DAE5A

RGB 141 174 90

HSL 83.57, 0.34%, 0.52%

LAB 67.03, -25.33, 39.23

 

CMYK 32 / 0 / 48 / 32

HEX #76AE5A

RGB 118 174 90

HSL 100, 0.34%, 0.52%

LAB 65.64, -33.9, 37.21

 

CMYK 45 / 0 / 48 / 32

HEX #60AE5A

RGB 96 174 90

HSL 115.71, 0.34%, 0.52%

LAB 64.56, -41.16, 35.63

 

CMYK 0 / 7 / 48 / 32

HEX #AEA25A

RGB 174 162 90

HSL 51.43, 0.34%, 0.52%

LAB 66.2, -5.66, 38.79

 

CMYK 0 / 9 / 63 / 24

HEX #C2B047

RGB 194 176 71

HSL 51.22, 0.5%, 0.52%

LAB 71.54, -6.06, 54.49

 

CMYK 0 / 11 / 76 / 16

HEX #D5BE33

RGB 213 190 51

HSL 51.48, 0.66%, 0.52%

LAB 76.81, -6.19, 68.1

 

CMYK 0 / 12 / 87 / 9

HEX #E9CC1F

RGB 233 204 31

HSL 51.39, 0.82%, 0.52%

LAB 82.17, -5.36, 78.8

 

CMYK 0 / 14 / 96 / 1

HEX #FDDA0B

RGB 253 218 11

HSL 51.32, 0.98%, 0.52%

LAB 87.51, -4.2, 86.54

 

CMYK 0 / 7 / 48 / 32

HEX #AEA25A

RGB 174 162 90

HSL 51.43, 0.34%, 0.52%

LAB 66.2, -5.66, 38.79

 

CMYK 0 / 4 / 29 / 40

HEX #9A946E

RGB 154 148 110

HSL 51.82, 0.18%, 0.52%

LAB 60.94, -4.03, 20.94

 

CMYK 0 / 0 / 3 / 47

HEX #868682

RGB 134 134 130

HSL 60, 0.02%, 0.52%

LAB 55.82, -0.78, 2.14

 

CMYK 24 / 21 / 0 / 41

HEX #727796

RGB 114 119 150

HSL 231.67, 0.15%, 0.52%

LAB 50.66, 5.26, -17.37

 

CMYK 45 / 38 / 0 / 33

HEX #5E69AA

RGB 94 105 170

HSL 231.32, 0.31%, 0.52%

LAB 46.16, 13.37, -36.2

 

CMYK 0 / 33 / 48 / 32

HEX #AE755A

RGB 174 117 90

HSL 19.29, 0.34%, 0.52%

LAB 54.51, 19.24, 23.97

 

CMYK 0 / 20 / 48 / 32

HEX #AE8B5A

RGB 174 139 90

HSL 35, 0.34%, 0.52%

LAB 60.07, 6.9, 31.15

 

CMYK 0 / 7 / 48 / 32

HEX #AEA15A

RGB 174 161 90

HSL 50.71, 0.34%, 0.52%

LAB 65.92, -5.12, 38.46

 

CMYK 6 / 0 / 48 / 32

HEX #A4AE5A

RGB 164 174 90

HSL 67.14, 0.34%, 0.52%

LAB 68.68, -16.12, 41.62

 

CMYK 18 / 0 / 48 / 32

HEX #8EAE5A

RGB 142 174 90

HSL 82.86, 0.34%, 0.52%

LAB 67.1, -24.94, 39.33

 

CMYK 0 / 7 / 51 / 52

HEX #7A713C

RGB 122 113 60

HSL 51.29, 0.34%, 0.36%

LAB 47.33, -4.31, 30.47

 

CMYK 0 / 7 / 51 / 41

HEX #968B49

RGB 150 139 73

HSL 51.43, 0.35%, 0.44%

LAB 57.49, -5.14, 36.48

 

CMYK 0 / 7 / 48 / 32

HEX #AEA25A

RGB 174 162 90

HSL 51.43, 0.34%, 0.52%

LAB 66.2, -5.66, 38.79

 

CMYK 0 / 5 / 37 / 27

HEX #BBB176

RGB 187 177 118

HSL 51.3, 0.34%, 0.6%

LAB 71.77, -5.24, 31.5

 

CMYK 0 / 4 / 27 / 21

HEX #C9C192

RGB 201 193 146

HSL 51.27, 0.34%, 0.68%

LAB 77.66, -4.57, 24.73

 

CMYK 0 / 7 / 48 / 32

HEX #AEA25A

RGB 174 162 90

HSL 51.43, 0.34%, 0.52%

LAB 66.2, -5.66, 38.79

 

CMYK 48 / 0 / 45 / 32

HEX #5AAE5F

RGB 90 174 95

HSL 123.57, 0.34%, 0.52%

LAB 64.38, -42.2, 32.78

 

CMYK 26 / 48 / 0 / 32

HEX #805AAE

RGB 128 90 174

HSL 267.14, 0.34%, 0.52%

LAB 45.58, 32.96, -39.27

 

CMYK 0 / 7 / 48 / 32

HEX #AEA25A

RGB 174 162 90

HSL 51.43, 0.34%, 0.52%

LAB 66.2, -5.66, 38.79

 

CMYK 48 / 0 / 7 / 32

HEX #5AAEA1

RGB 90 174 161

HSL 170.71, 0.34%, 0.52%

LAB 65.76, -28.75, -1.21

 

CMYK 7 / 48 / 0 / 32

HEX #A15AAE

RGB 161 90 174

HSL 290.71, 0.34%, 0.52%

LAB 49.43, 42.53, -32.94

 

CMYK 0 / 7 / 48 / 32

HEX #AEA25A

RGB 174 162 90

HSL 51.43, 0.34%, 0.52%

LAB 66.2, -5.66, 38.79

 

CMYK 48 / 0 / 45 / 32

HEX #5AAE5F

RGB 90 174 95

HSL 123.57, 0.34%, 0.52%

LAB 64.38, -42.2, 32.78

 

CMYK 48 / 41 / 0 / 32

HEX #5A67AE

RGB 90 103 174

HSL 230.71, 0.34%, 0.52%

LAB 45.54, 14.83, -39.54

 

CMYK 0 / 48 / 2 / 32

HEX #AE5AAA

RGB 174 90 170

HSL 302.86, 0.34%, 0.52%

LAB 50.94, 45.63, -28.12

 

CMYK 0 / 7 / 48 / 32

HEX #AEA25A

RGB 174 162 90

HSL 51.43, 0.34%, 0.52%

LAB 66.2, -5.66, 38.79

 

CMYK 48 / 0 / 31 / 32

HEX #5AAE78

RGB 90 174 120

HSL 141.43, 0.34%, 0.52%

LAB 64.8, -37.89, 20.04

 

CMYK 48 / 41 / 0 / 32

HEX #5A67AE

RGB 90 103 174

HSL 230.71, 0.34%, 0.52%

LAB 45.54, 14.83, -39.54

 

CMYK 0 / 48 / 17 / 32

HEX #AE5A91

RGB 174 90 145

HSL 320.71, 0.34%, 0.52%

LAB 49.92, 41.34, -14.94

 

Description

Color code: RGB 174 162 90 | qconv.com Color code: RGB 174 162 90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 162 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 162 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 48 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 48% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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