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Color name
RGB 174 161 90

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 161 90 it is the complementary color RGB 81 94 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 161 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 161 90 shade: RGB 179 161 85, RGB 196 179 104, RGB 213 197 123, RGB 230 215 142 and RGB 247 233 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 161 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 161 90 shade: RGB 174 161 90, RGB 157 143 71, RGB 140 125 52, RGB 123 107 33 and RGB 106 89 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 161 90 shade: RGB 174 161 90, RGB 174 138 90, RGB 174 116 90, RGB 174 93 90 and RGB 174 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 161 90 shade: RGB 174 161 90, RGB 164 174 90, RGB 142 174 90, RGB 119 174 90 and RGB 97 174 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 161 90 shade matches the following richer shades: RGB 174 161 90, RGB 194 175 71, RGB 213 188 51, RGB 233 202 31 and RGB 253 216 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 161 90 shade: RGB 174 161 90, RGB 154 147 110, RGB 134 133 130, RGB 114 120 150 and RGB 94 106 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 161 90 shade: RGB 174 115 90, RGB 174 138 90, RGB 174 160 90, RGB 165 174 90 and RGB 143 174 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 161 90 shade: RGB 122 112 60, RGB 150 138 73, RGB 174 161 90, RGB 187 177 118 and RGB 201 192 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 161 90 shade: RGB 174 161 90, RGB 90 174 93 and RGB 127 90 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 161 90 shade: RGB 174 161 90, RGB 90 174 160 and RGB 160 90 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 161 90 shade: RGB 174 161 90, RGB 90 174 93, RGB 90 104 174 and RGB 174 90 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 161 90 shade: RGB 174 161 90, RGB 90 174 118, RGB 90 104 174 and RGB 174 90 146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 48 / 32

HEX #AEA15A

RGB 174 161 90

HSL 50.71, 0.34%, 0.52%

LAB 65.92, -5.12, 38.46

 

Complementary color

CMYK 51 / 43 / 0 / 35

HEX #515EA5

RGB 81 94 165

HSL 230.71, 0.34%, 0.48%

LAB 41.96, 15.42, -39.96

 

CMYK 0 / 10 / 53 / 30

HEX #B3A155

RGB 179 161 85

HSL 48.51, 0.38%, 0.52%

LAB 66.31, -3.46, 41.57

 

CMYK 0 / 9 / 47 / 23

HEX #C4B368

RGB 196 179 104

HSL 48.91, 0.44%, 0.59%

LAB 72.88, -4.12, 40.31

 

CMYK 0 / 8 / 42 / 16

HEX #D5C57B

RGB 213 197 123

HSL 49.33, 0.52%, 0.66%

LAB 79.33, -4.67, 39.08

 

CMYK 0 / 7 / 38 / 10

HEX #E6D78E

RGB 230 215 142

HSL 49.77, 0.64%, 0.73%

LAB 85.69, -5.13, 37.89

 

CMYK 0 / 6 / 35 / 3

HEX #F7E9A1

RGB 247 233 161

HSL 50.23, 0.84%, 0.8%

LAB 91.96, -5.54, 36.75

 

CMYK 0 / 7 / 48 / 32

HEX #AEA15A

RGB 174 161 90

HSL 50.71, 0.34%, 0.52%

LAB 65.92, -5.12, 38.46

 

CMYK 0 / 9 / 55 / 38

HEX #9D8F47

RGB 157 143 71

HSL 50.23, 0.38%, 0.45%

LAB 59.22, -4.45, 39.72

 

CMYK 0 / 11 / 63 / 45

HEX #8C7D34

RGB 140 125 52

HSL 49.77, 0.46%, 0.38%

LAB 52.39, -3.61, 40.9

 

CMYK 0 / 13 / 73 / 52

HEX #7B6B21

RGB 123 107 33

HSL 49.33, 0.58%, 0.31%

LAB 45.41, -2.53, 41.8

 

CMYK 0 / 16 / 87 / 58

HEX #6A590E

RGB 106 89 14

HSL 48.91, 0.77%, 0.24%

LAB 38.27, -1.11, 41.82

 

CMYK 0 / 7 / 48 / 32

HEX #AEA15A

RGB 174 161 90

HSL 50.71, 0.34%, 0.52%

LAB 65.92, -5.12, 38.46

 

CMYK 0 / 21 / 48 / 32

HEX #AE8A5A

RGB 174 138 90

HSL 34.29, 0.34%, 0.52%

LAB 59.81, 7.46, 30.82

 

CMYK 0 / 33 / 48 / 32

HEX #AE745A

RGB 174 116 90

HSL 18.57, 0.34%, 0.52%

LAB 54.27, 19.8, 23.65

 

CMYK 0 / 47 / 48 / 32

HEX #AE5D5A

RGB 174 93 90

HSL 2.14, 0.34%, 0.52%

LAB 48.96, 32.53, 16.55

 

CMYK 0 / 48 / 48 / 32

HEX #AE5A5A

RGB 174 90 90

HSL 0, 0.34%, 0.52%

LAB 48.32, 34.13, 15.67

 

CMYK 0 / 7 / 48 / 32

HEX #AEA15A

RGB 174 161 90

HSL 50.71, 0.34%, 0.52%

LAB 65.92, -5.12, 38.46

 

CMYK 6 / 0 / 48 / 32

HEX #A4AE5A

RGB 164 174 90

HSL 67.14, 0.34%, 0.52%

LAB 68.68, -16.12, 41.62

 

CMYK 18 / 0 / 48 / 32

HEX #8EAE5A

RGB 142 174 90

HSL 82.86, 0.34%, 0.52%

LAB 67.1, -24.94, 39.33

 

CMYK 32 / 0 / 48 / 32

HEX #77AE5A

RGB 119 174 90

HSL 99.29, 0.34%, 0.52%

LAB 65.7, -33.54, 37.29

 

CMYK 44 / 0 / 48 / 32

HEX #61AE5A

RGB 97 174 90

HSL 115, 0.34%, 0.52%

LAB 64.61, -40.85, 35.69

 

CMYK 0 / 7 / 48 / 32

HEX #AEA15A

RGB 174 161 90

HSL 50.71, 0.34%, 0.52%

LAB 65.92, -5.12, 38.46

 

CMYK 0 / 10 / 63 / 24

HEX #C2AF47

RGB 194 175 71

HSL 50.73, 0.5%, 0.52%

LAB 71.27, -5.53, 54.21

 

CMYK 0 / 12 / 76 / 16

HEX #D5BC33

RGB 213 188 51

HSL 50.74, 0.66%, 0.52%

LAB 76.28, -5.15, 67.61

 

CMYK 0 / 13 / 87 / 9

HEX #E9CA1F

RGB 233 202 31

HSL 50.79, 0.82%, 0.52%

LAB 81.66, -4.34, 78.39

 

CMYK 0 / 15 / 96 / 1

HEX #FDD80B

RGB 253 216 11

HSL 50.83, 0.98%, 0.52%

LAB 87.01, -3.19, 86.18

 

CMYK 0 / 7 / 48 / 32

HEX #AEA15A

RGB 174 161 90

HSL 50.71, 0.34%, 0.52%

LAB 65.92, -5.12, 38.46

 

CMYK 0 / 5 / 29 / 40

HEX #9A936E

RGB 154 147 110

HSL 50.45, 0.18%, 0.52%

LAB 60.66, -3.49, 20.56

 

CMYK 0 / 1 / 3 / 47

HEX #868582

RGB 134 133 130

HSL 45, 0.02%, 0.52%

LAB 55.54, -0.21, 1.74

 

CMYK 24 / 20 / 0 / 41

HEX #727896

RGB 114 120 150

HSL 230, 0.15%, 0.52%

LAB 50.93, 4.66, -16.94

 

CMYK 45 / 38 / 0 / 33

HEX #5E6AAA

RGB 94 106 170

HSL 230.53, 0.31%, 0.52%

LAB 46.43, 12.75, -35.77

 

CMYK 0 / 34 / 48 / 32

HEX #AE735A

RGB 174 115 90

HSL 17.86, 0.34%, 0.52%

LAB 54.03, 20.36, 23.33

 

CMYK 0 / 21 / 48 / 32

HEX #AE8A5A

RGB 174 138 90

HSL 34.29, 0.34%, 0.52%

LAB 59.81, 7.46, 30.82

 

CMYK 0 / 8 / 48 / 32

HEX #AEA05A

RGB 174 160 90

HSL 50, 0.34%, 0.52%

LAB 65.65, -4.59, 38.12

 

CMYK 5 / 0 / 48 / 32

HEX #A5AE5A

RGB 165 174 90

HSL 66.43, 0.34%, 0.52%

LAB 68.76, -15.7, 41.73

 

CMYK 18 / 0 / 48 / 32

HEX #8FAE5A

RGB 143 174 90

HSL 82.14, 0.34%, 0.52%

LAB 67.16, -24.55, 39.42

 

CMYK 0 / 8 / 51 / 52

HEX #7A703C

RGB 122 112 60

HSL 50.32, 0.34%, 0.36%

LAB 47.04, -3.74, 30.12

 

CMYK 0 / 8 / 51 / 41

HEX #968A49

RGB 150 138 73

HSL 50.65, 0.35%, 0.44%

LAB 57.21, -4.59, 36.14

 

CMYK 0 / 7 / 48 / 32

HEX #AEA15A

RGB 174 161 90

HSL 50.71, 0.34%, 0.52%

LAB 65.92, -5.12, 38.46

 

CMYK 0 / 5 / 37 / 27

HEX #BBB176

RGB 187 177 118

HSL 51.3, 0.34%, 0.6%

LAB 71.77, -5.24, 31.5

 

CMYK 0 / 4 / 27 / 21

HEX #C9C092

RGB 201 192 146

HSL 50.18, 0.34%, 0.68%

LAB 77.4, -4.05, 24.37

 

CMYK 0 / 7 / 48 / 32

HEX #AEA15A

RGB 174 161 90

HSL 50.71, 0.34%, 0.52%

LAB 65.92, -5.12, 38.46

 

CMYK 48 / 0 / 47 / 32

HEX #5AAE5D

RGB 90 174 93

HSL 122.14, 0.34%, 0.52%

LAB 64.35, -42.5, 33.78

 

CMYK 27 / 48 / 0 / 32

HEX #7F5AAE

RGB 127 90 174

HSL 266.43, 0.34%, 0.52%

LAB 45.47, 32.68, -39.44

 

CMYK 0 / 7 / 48 / 32

HEX #AEA15A

RGB 174 161 90

HSL 50.71, 0.34%, 0.52%

LAB 65.92, -5.12, 38.46

 

CMYK 48 / 0 / 8 / 32

HEX #5AAEA0

RGB 90 174 160

HSL 170, 0.34%, 0.52%

LAB 65.74, -29, -0.69

 

CMYK 8 / 48 / 0 / 32

HEX #A05AAE

RGB 160 90 174

HSL 290, 0.34%, 0.52%

LAB 49.3, 42.23, -33.14

 

CMYK 0 / 7 / 48 / 32

HEX #AEA15A

RGB 174 161 90

HSL 50.71, 0.34%, 0.52%

LAB 65.92, -5.12, 38.46

 

CMYK 48 / 0 / 47 / 32

HEX #5AAE5D

RGB 90 174 93

HSL 122.14, 0.34%, 0.52%

LAB 64.35, -42.5, 33.78

 

CMYK 48 / 40 / 0 / 32

HEX #5A68AE

RGB 90 104 174

HSL 230, 0.34%, 0.52%

LAB 45.81, 14.21, -39.11

 

CMYK 0 / 48 / 2 / 32

HEX #AE5AAB

RGB 174 90 171

HSL 302.14, 0.34%, 0.52%

LAB 50.98, 45.81, -28.64

 

CMYK 0 / 7 / 48 / 32

HEX #AEA15A

RGB 174 161 90

HSL 50.71, 0.34%, 0.52%

LAB 65.92, -5.12, 38.46

 

CMYK 48 / 0 / 32 / 32

HEX #5AAE76

RGB 90 174 118

HSL 140, 0.34%, 0.52%

LAB 64.77, -38.27, 21.08

 

CMYK 48 / 40 / 0 / 32

HEX #5A68AE

RGB 90 104 174

HSL 230, 0.34%, 0.52%

LAB 45.81, 14.21, -39.11

 

CMYK 0 / 48 / 16 / 32

HEX #AE5A92

RGB 174 90 146

HSL 320, 0.34%, 0.52%

LAB 49.96, 41.5, -15.48

 

Description

Color code: RGB 174 161 90 | qconv.com Color code: RGB 174 161 90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 161 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 161 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 48 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 48% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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